Give Me Liberty (2019)
| Theatrical Performance | ||
| Domestic Box Office | $242,734 | Details |
| International Box Office | $381,418 | Details |
| Worldwide Box Office | $624,152 | |
| OpusData ID: 419280100 More info... | ||
| Further financial details... | ||
Synopsis
Medical transport driver Vic is late, but it’s not his fault. Roads are closed for a protest, and no one else can shuttle his Russian grandfather and émigré friends to a funeral. The new route uproots his scheduled clients, particularly Tracy, a vibrant young woman with ALS. As the day goes from hectic to off-the-rails, their collective ride becomes a hilarious, compassionate, and intersectional portrait of American dreams and disenchantment.
Metrics
| Opening Weekend: | $33,261 (13.7% of total gross) |
| Legs: | 6.52 (domestic box office/biggest weekend) |
| Domestic Share: | 38.9% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/18 max. theaters, 6.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $316,916 |
Movie Details
| Domestic Releases: | August 23rd, 2019 (Limited) by Music Box Films |
| International Releases: | July 26th, 2019 (Wide) (France)
August 1st, 2019 (Wide), released as ГИВ МИ ЛИБЕРТИ (Russia (CIS)) |
| Video Release: | January 28th, 2020 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 111 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Give Me Liberty Mfg, Flux Capacitor Studios, Brimstage Film Fund, Green Street Film Company, The Space Program, Sota Cinema Group |
| Production Countries: | United States |
| Languages: | English, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2019 | 47 | $33,261 | 3 | $11,087 | $33,261 | 1 | |
| Aug 30, 2019 | 51 | $37,214 | +12% | 9 | $4,135 | $79,315 | 2 |
| Sep 6, 2019 | 47 | $24,648 | -34% | 13 | $1,896 | $129,748 | 3 |
| Sep 13, 2019 | 49 | $21,114 | -14% | 18 | $1,173 | $160,409 | 4 |
| Sep 20, 2019 | 59 | $7,634 | -64% | 12 | $636 | $176,437 | 5 |
| Sep 27, 2019 | 61 | $7,374 | -3% | 5 | $1,475 | $187,416 | 6 |
| Oct 4, 2019 | 72 | $2,568 | -65% | 7 | $367 | $191,423 | 7 |
| Oct 11, 2019 | 59 | $6,687 | +160% | 10 | $669 | $199,846 | 8 |
| Oct 18, 2019 | 59 | $6,601 | -1% | 9 | $733 | $209,539 | 9 |
| Oct 25, 2019 | 70 | $2,301 | -65% | 7 | $329 | $215,571 | 10 |
| Nov 1, 2019 | 53 | $5,426 | +136% | 5 | $1,085 | $222,011 | 11 |
| Nov 8, 2019 | 67 | $1,605 | -70% | 3 | $535 | $226,122 | 12 |
| Nov 15, 2019 | 71 | $1,050 | -35% | 1 | $1,050 | $227,738 | 13 |
| Nov 22, 2019 | 75 | $800 | -24% | 2 | $400 | $229,749 | 14 |
| Nov 29, 2019 | 65 | $1,509 | +89% | 2 | $755 | $232,631 | 15 |
| Dec 6, 2019 | 75 | $708 | -53% | 1 | $708 | $234,558 | 16 |
| Dec 13, 2019 | 72 | $1,082 | +53% | 2 | $541 | $236,124 | 17 |
| Dec 20, 2019 | 56 | $1,045 | -3% | 3 | $348 | $237,369 | 18 |
| Jan 3, 2020 | 69 | $399 | 1 | $399 | $238,600 | 20 | |
| Jan 10, 2020 | 67 | $649 | +63% | 1 | $649 | $239,258 | 21 |
| Jan 17, 2020 | 64 | $572 | -12% | 1 | $572 | $239,830 | 22 |
| Jan 24, 2020 | 66 | $231 | -60% | 1 | $231 | $242,450 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2019 | 50 | $42,101 | 3 | $14,034 | $42,101 | 1 | |
| Aug 30, 2019 | 53 | $62,999 | +50% | 10 | $6,300 | $105,100 | 2 |
| Sep 6, 2019 | 46 | $34,195 | -46% | 13 | $2,630 | $139,295 | 3 |
| Sep 13, 2019 | 52 | $29,508 | -14% | 18 | $1,639 | $168,803 | 4 |
| Sep 20, 2019 | 62 | $11,239 | -62% | 12 | $937 | $180,042 | 5 |
| Sep 27, 2019 | 70 | $8,813 | -22% | 5 | $1,763 | $188,855 | 6 |
| Oct 4, 2019 | 73 | $4,304 | -51% | 7 | $615 | $193,159 | 7 |
| Oct 11, 2019 | 57 | $9,779 | +127% | 10 | $978 | $202,938 | 8 |
| Oct 18, 2019 | 61 | $10,332 | +6% | 9 | $1,148 | $213,270 | 9 |
| Oct 25, 2019 | 68 | $3,315 | -68% | 7 | $474 | $216,585 | 10 |
| Nov 1, 2019 | 57 | $7,932 | +139% | 5 | $1,586 | $224,517 | 11 |
| Nov 8, 2019 | 73 | $2,171 | -73% | 3 | $724 | $226,688 | 12 |
| Nov 15, 2019 | 73 | $2,261 | +4% | 3 | $754 | $228,949 | 13 |
| Nov 22, 2019 | 72 | $2,173 | -4% | 2 | $1,087 | $231,122 | 14 |
| Nov 29, 2019 | 64 | $2,728 | +26% | 2 | $1,364 | $233,850 | 15 |
| Dec 6, 2019 | 73 | $1,192 | -56% | 1 | $1,192 | $235,042 | 16 |
| Dec 13, 2019 | 71 | $1,282 | +8% | 2 | $641 | $236,324 | 17 |
| Dec 20, 2019 | 65 | $1,631 | +27% | 2 | $816 | $237,955 | 18 |
| Dec 27, 2019 | 72 | $246 | -85% | 1 | $246 | $238,201 | 19 |
| Jan 3, 2020 | 70 | $408 | +66% | 1 | $408 | $238,609 | 20 |
| Jan 10, 2020 | 68 | $649 | +59% | 1 | $649 | $239,258 | 21 |
| Jan 17, 2020 | 60 | $2,961 | +356% | 2 | $1,481 | $242,219 | 22 |
| Jan 24, 2020 | 72 | $383 | -87% | 1 | $383 | $242,602 | 23 |
| Jan 31, 2020 | 69 | $132 | -66% | 1 | $132 | $242,734 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 7/26/2019 | $137,025 | 74 | 84 | 234 | $314,974 | 8/18/2019 | |||
| Russia (CIS) | 8/1/2019 | $28,667 | 92 | 92 | 164 | $66,444 | 10/19/2022 | |||
| International Total | $381,418 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Galust | Vic | |
| Lauren Spencer | Tracy |
Supporting
| Maxim Stoyanov | Dima | |
| James Watson | Vic’s Confidant | |
| Steve Wolski | Steve | |
| Michelle Caspar | Michelle | |
| Ben Derfel | Nate | |
| Zoya Makhlina | Vic’s Mom | |
| Sheryl Sims-Daniels | Tracy’s Mom | |
| Arkady Basin | Vic’s Grandpa | |
| Anna Maltova | Lilya’s Friend | |
| Dorothy Reynolds | Tracy’s Grandma | |
| Darya Ekamasova | Sasha |
Production and Technical Credits
| Kirill Mikhanovsky | Director | |
| Alice Austen | Screenwriter | |
| Kirill Mikhanovsky | Screenwriter | |
| Alice Austen | Producer | |
| Val Abel | Producer | |
| Wally Hall | Producer | |
| Michael Manasseri | Producer | |
| George Rush | Producer | |
| Sergey Shtern | Producer | |
| Kirill Mikhanovsky | Producer | |
| Gus Deardoff | Executive Producer | |
| Brian Fenwick | Executive Producer | |
| Oleg Kokhan | Executive Producer | |
| Aleksey Makukhin | Executive Producer | |
| David Stamm | Executive Producer | |
| Ryan Zacarias | Executive Producer | |
| Benh Zeitlin | Executive Producer | |
| Eric Wagner | Executive Producer | |
| Alex Witherill | Executive Producer | |
| Wyatt Garfield | Director of Photography | |
| Julien Perez | Sound Mixer | |
| Vincent Hazard | Sound Designer | |
| Jeremy Mazza | Sound Supervisor | |
| Bart Mangrum | Production Designer | |
| Kate Grube | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Medical transport driver Vic is late, but it’s not his fault. Roads are closed for a protest, and no one else can shuttle his Russian grandfather and émigré friends to a funeral. The new route uproots his scheduled clients, particularly Tracy, a vibrant young woman with ALS. As the day goes from hectic to off-the-rails, their collective ride becomes a hilarious, compassionate, and intersectional portrait of American dreams and disenchantment.
Metrics
| Opening Weekend: | $33,261 (13.7% of total gross) |
| Legs: | 6.52 (domestic box office/biggest weekend) |
| Domestic Share: | 38.9% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/18 max. theaters, 6.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $316,916 |
Movie Details
| Domestic Releases: | August 23rd, 2019 (Limited) by Music Box Films |
| International Releases: | July 26th, 2019 (Wide) (France)
August 1st, 2019 (Wide), released as ГИВ МИ ЛИБЕРТИ (Russia (CIS)) |
| Video Release: | January 28th, 2020 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 111 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Give Me Liberty Mfg, Flux Capacitor Studios, Brimstage Film Fund, Green Street Film Company, The Space Program, Sota Cinema Group |
| Production Countries: | United States |
| Languages: | English, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2019 | 47 | $33,261 | 3 | $11,087 | $33,261 | 1 | |
| Aug 30, 2019 | 51 | $37,214 | +12% | 9 | $4,135 | $79,315 | 2 |
| Sep 6, 2019 | 47 | $24,648 | -34% | 13 | $1,896 | $129,748 | 3 |
| Sep 13, 2019 | 49 | $21,114 | -14% | 18 | $1,173 | $160,409 | 4 |
| Sep 20, 2019 | 59 | $7,634 | -64% | 12 | $636 | $176,437 | 5 |
| Sep 27, 2019 | 61 | $7,374 | -3% | 5 | $1,475 | $187,416 | 6 |
| Oct 4, 2019 | 72 | $2,568 | -65% | 7 | $367 | $191,423 | 7 |
| Oct 11, 2019 | 59 | $6,687 | +160% | 10 | $669 | $199,846 | 8 |
| Oct 18, 2019 | 59 | $6,601 | -1% | 9 | $733 | $209,539 | 9 |
| Oct 25, 2019 | 70 | $2,301 | -65% | 7 | $329 | $215,571 | 10 |
| Nov 1, 2019 | 53 | $5,426 | +136% | 5 | $1,085 | $222,011 | 11 |
| Nov 8, 2019 | 67 | $1,605 | -70% | 3 | $535 | $226,122 | 12 |
| Nov 15, 2019 | 71 | $1,050 | -35% | 1 | $1,050 | $227,738 | 13 |
| Nov 22, 2019 | 75 | $800 | -24% | 2 | $400 | $229,749 | 14 |
| Nov 29, 2019 | 65 | $1,509 | +89% | 2 | $755 | $232,631 | 15 |
| Dec 6, 2019 | 75 | $708 | -53% | 1 | $708 | $234,558 | 16 |
| Dec 13, 2019 | 72 | $1,082 | +53% | 2 | $541 | $236,124 | 17 |
| Dec 20, 2019 | 56 | $1,045 | -3% | 3 | $348 | $237,369 | 18 |
| Jan 3, 2020 | 69 | $399 | 1 | $399 | $238,600 | 20 | |
| Jan 10, 2020 | 67 | $649 | +63% | 1 | $649 | $239,258 | 21 |
| Jan 17, 2020 | 64 | $572 | -12% | 1 | $572 | $239,830 | 22 |
| Jan 24, 2020 | 66 | $231 | -60% | 1 | $231 | $242,450 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 23, 2019 | 50 | $42,101 | 3 | $14,034 | $42,101 | 1 | |
| Aug 30, 2019 | 53 | $62,999 | +50% | 10 | $6,300 | $105,100 | 2 |
| Sep 6, 2019 | 46 | $34,195 | -46% | 13 | $2,630 | $139,295 | 3 |
| Sep 13, 2019 | 52 | $29,508 | -14% | 18 | $1,639 | $168,803 | 4 |
| Sep 20, 2019 | 62 | $11,239 | -62% | 12 | $937 | $180,042 | 5 |
| Sep 27, 2019 | 70 | $8,813 | -22% | 5 | $1,763 | $188,855 | 6 |
| Oct 4, 2019 | 73 | $4,304 | -51% | 7 | $615 | $193,159 | 7 |
| Oct 11, 2019 | 57 | $9,779 | +127% | 10 | $978 | $202,938 | 8 |
| Oct 18, 2019 | 61 | $10,332 | +6% | 9 | $1,148 | $213,270 | 9 |
| Oct 25, 2019 | 68 | $3,315 | -68% | 7 | $474 | $216,585 | 10 |
| Nov 1, 2019 | 57 | $7,932 | +139% | 5 | $1,586 | $224,517 | 11 |
| Nov 8, 2019 | 73 | $2,171 | -73% | 3 | $724 | $226,688 | 12 |
| Nov 15, 2019 | 73 | $2,261 | +4% | 3 | $754 | $228,949 | 13 |
| Nov 22, 2019 | 72 | $2,173 | -4% | 2 | $1,087 | $231,122 | 14 |
| Nov 29, 2019 | 64 | $2,728 | +26% | 2 | $1,364 | $233,850 | 15 |
| Dec 6, 2019 | 73 | $1,192 | -56% | 1 | $1,192 | $235,042 | 16 |
| Dec 13, 2019 | 71 | $1,282 | +8% | 2 | $641 | $236,324 | 17 |
| Dec 20, 2019 | 65 | $1,631 | +27% | 2 | $816 | $237,955 | 18 |
| Dec 27, 2019 | 72 | $246 | -85% | 1 | $246 | $238,201 | 19 |
| Jan 3, 2020 | 70 | $408 | +66% | 1 | $408 | $238,609 | 20 |
| Jan 10, 2020 | 68 | $649 | +59% | 1 | $649 | $239,258 | 21 |
| Jan 17, 2020 | 60 | $2,961 | +356% | 2 | $1,481 | $242,219 | 22 |
| Jan 24, 2020 | 72 | $383 | -87% | 1 | $383 | $242,602 | 23 |
| Jan 31, 2020 | 69 | $132 | -66% | 1 | $132 | $242,734 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 7/26/2019 | $137,025 | 74 | 84 | 234 | $314,974 | 8/18/2019 | |||
| Russia (CIS) | 8/1/2019 | $28,667 | 92 | 92 | 164 | $66,444 | 10/19/2022 | |||
| International Total | $381,418 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Galust | Vic | |
| Lauren Spencer | Tracy |
Supporting
| Maxim Stoyanov | Dima | |
| James Watson | Vic’s Confidant | |
| Steve Wolski | Steve | |
| Michelle Caspar | Michelle | |
| Ben Derfel | Nate | |
| Zoya Makhlina | Vic’s Mom | |
| Sheryl Sims-Daniels | Tracy’s Mom | |
| Arkady Basin | Vic’s Grandpa | |
| Anna Maltova | Lilya’s Friend | |
| Dorothy Reynolds | Tracy’s Grandma | |
| Darya Ekamasova | Sasha |
Production and Technical Credits
| Kirill Mikhanovsky | Director | |
| Alice Austen | Screenwriter | |
| Kirill Mikhanovsky | Screenwriter | |
| Alice Austen | Producer | |
| Val Abel | Producer | |
| Wally Hall | Producer | |
| Michael Manasseri | Producer | |
| George Rush | Producer | |
| Sergey Shtern | Producer | |
| Kirill Mikhanovsky | Producer | |
| Gus Deardoff | Executive Producer | |
| Brian Fenwick | Executive Producer | |
| Oleg Kokhan | Executive Producer | |
| Aleksey Makukhin | Executive Producer | |
| David Stamm | Executive Producer | |
| Ryan Zacarias | Executive Producer | |
| Benh Zeitlin | Executive Producer | |
| Eric Wagner | Executive Producer | |
| Alex Witherill | Executive Producer | |
| Wyatt Garfield | Director of Photography | |
| Julien Perez | Sound Mixer | |
| Vincent Hazard | Sound Designer | |
| Jeremy Mazza | Sound Supervisor | |
| Bart Mangrum | Production Designer | |
| Kate Grube | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.