Gleason (2016)
| Theatrical Performance | ||
| Domestic Box Office | $585,233 | Details |
| International Box Office | $4,340 | Details |
| Worldwide Box Office | $589,573 | |
| OpusData ID: 262100100 More info... | ||
| Further financial details... | ||
Synopsis
Steve Gleason at the age of 34, was diagnosed with ALS and given a life expectancy of two to five years. Weeks later, Gleason found out his wife, Michel, was expecting their first child. A video journal that began as a gift for his unborn son expands to chronicle Steve’s determination to get his relationships in order, build a foundation to provide other ALS patients with purpose, and adapt to his declining physical condition—utilizing medical technologies that offer the means to live as fully as possible.
Metrics
| Opening Weekend: | $91,583 (15.6% of total gross) |
| Legs: | 4.41 (domestic box office/biggest weekend) |
| Domestic Share: | 99.3% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/148 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $809,178 |
Movie Details
| Domestic Releases: | July 29th, 2016 (Limited) by Open Road |
| International Releases: | March 17th, 2017 (Wide) (United Kingdom) |
| Video Release: | October 25th, 2016 by Amazon Original Pictures |
| MPA Rating: | R for language. (Rating bulletin 2433 (Cert #50542), 7/13/2016) |
| Running Time: | 110 minutes |
| Film festival: | Sundance Film Festival 2016 |
| Geographical setting: | New Orleans, LA |
| Plot point: | Biography, Football, Terminal Illness |
| Release detail: | Festival Acquisition |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amazon Studios, IMG Films, Dear Rivers Productions, Seth Gordon |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | 35 | $91,583 | 9 | $10,176 | $91,583 | 1 | |
| Aug 5, 2016 | 31 | $111,983 | +22% | 69 | $1,623 | $246,601 | 2 |
| Aug 12, 2016 | 33 | $132,646 | +18% | 148 | $896 | $448,737 | 3 |
| Aug 19, 2016 | 48 | $35,257 | -73% | 56 | $630 | $545,819 | 4 |
| Aug 26, 2016 | 66 | $10,558 | -70% | 35 | $302 | $576,589 | 5 |
| Sep 2, 2016 | 99 | $407 | -96% | 1 | $407 | $584,071 | 6 |
| Sep 16, 2016 | 118 | $333 | 2 | $167 | $585,109 | 8 | |
| Sep 23, 2016 | 122 | $124 | -63% | 1 | $124 | $585,233 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | - | $46,973 | 9 | $5,219 | $46,973 | 1 | ||
| Jul 30, 2016 | - | $26,089 | -44% | 9 | $2,899 | $73,062 | 2 | |
| Jul 31, 2016 | - | $18,521 | -29% | 9 | $2,058 | $91,583 | 3 | |
| Aug 1, 2016 | - | $9,931 | -46% | 9 | $1,103 | $101,514 | 4 | |
| Aug 2, 2016 | - | $8,947 | -10% | 9 | $994 | $110,461 | 5 | |
| Aug 3, 2016 | - | $12,304 | +38% | 9 | $1,367 | $122,765 | 6 | |
| Aug 4, 2016 | - | $11,853 | -4% | 9 | $1,317 | $134,618 | 7 | |
| Aug 5, 2016 | - | $39,911 | +237% | -15% | 69 | $578 | $174,529 | 8 |
| Aug 6, 2016 | - | $38,388 | -4% | +47% | 69 | $556 | $212,917 | 9 |
| Aug 7, 2016 | - | $33,684 | -12% | +82% | 69 | $488 | $246,601 | 10 |
| Aug 8, 2016 | - | $13,810 | -59% | +39% | 69 | $200 | $260,411 | 11 |
| Aug 9, 2016 | - | $12,827 | -7% | +43% | 69 | $186 | $273,238 | 12 |
| Aug 10, 2016 | - | $15,853 | +24% | +29% | 69 | $230 | $289,091 | 13 |
| Aug 11, 2016 | - | $27,000 | +70% | +128% | 69 | $391 | $316,091 | 14 |
| Aug 12, 2016 | - | $52,541 | +95% | +32% | 146 | $360 | $368,632 | 15 |
| Aug 13, 2016 | - | $43,767 | -17% | +14% | 146 | $300 | $412,399 | 16 |
| Aug 14, 2016 | - | $36,338 | -17% | +8% | 148 | $246 | $448,737 | 17 |
| Aug 15, 2016 | - | $13,553 | -63% | -2% | 146 | $93 | $462,290 | 18 |
| Aug 16, 2016 | - | $16,271 | +20% | +27% | 144 | $113 | $478,561 | 19 |
| Aug 17, 2016 | - | $17,453 | +7% | +10% | 144 | $121 | $496,014 | 20 |
| Aug 18, 2016 | - | $14,548 | -17% | -46% | 144 | $101 | $510,562 | 21 |
| Aug 19, 2016 | - | $14,206 | -2% | -73% | 56 | $254 | $524,768 | 22 |
| Aug 20, 2016 | - | $11,801 | -17% | -73% | 56 | $211 | $536,569 | 23 |
| Aug 21, 2016 | - | $9,250 | -22% | -75% | 56 | $165 | $545,819 | 24 |
| Aug 22, 2016 | - | $4,321 | -53% | -68% | 56 | $77 | $550,140 | 25 |
| Aug 23, 2016 | - | $8,564 | +98% | -47% | 56 | $153 | $558,704 | 26 |
| Aug 24, 2016 | - | $3,770 | -56% | -78% | 56 | $67 | $562,474 | 27 |
| Aug 25, 2016 | - | $3,557 | -6% | -76% | 56 | $64 | $566,031 | 28 |
| Aug 26, 2016 | - | $2,407 | -32% | -83% | 35 | $69 | $568,438 | 29 |
| Aug 27, 2016 | - | $4,157 | +73% | -65% | 35 | $119 | $572,595 | 30 |
| Aug 28, 2016 | - | $3,994 | -4% | -57% | 35 | $114 | $576,589 | 31 |
| Aug 29, 2016 | - | $1,072 | -73% | -75% | 35 | $31 | $577,661 | 32 |
| Aug 30, 2016 | - | $1,624 | +51% | -81% | 35 | $46 | $579,285 | 33 |
| Aug 31, 2016 | - | $2,592 | +60% | -31% | 35 | $74 | $581,877 | 34 |
| Sep 1, 2016 | - | $1,787 | -31% | -50% | 35 | $51 | $583,664 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | 37 | $134,618 | 9 | $14,958 | $134,618 | 1 | |
| Aug 5, 2016 | 31 | $181,473 | +35% | 69 | $2,630 | $316,091 | 2 |
| Aug 12, 2016 | 34 | $194,471 | +7% | 144 | $1,350 | $510,562 | 3 |
| Aug 19, 2016 | 48 | $55,469 | -71% | 56 | $991 | $566,031 | 4 |
| Aug 26, 2016 | 69 | $17,633 | -68% | 35 | $504 | $583,664 | 5 |
| Sep 2, 2016 | 105 | $717 | -96% | 1 | $717 | $584,381 | 6 |
| Sep 9, 2016 | 120 | $395 | -45% | 1 | $395 | $584,776 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 3/17/2017 | $1,899 | 1 | 1 | 1 | $1,899 | 3/22/2017 | |||
| Rest of World | $2,441 | |||||||||
| International Total | $4,340 | 3/22/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Steve Gleason | Himself |
Inverviewee
| Michel Varisco | Herself | |
| Scott Fujita | Himself | |
| Drew Brees | Himself | |
| Mike McCready | Himself | |
| Rivers Gleason | Himself | |
| Mike Gleason | Himself | |
| Mike McKenzie | Himself | |
| Paul Varisco Jr | Himself | |
| Vinnie Varisco | Himself |
Production and Technical Credits
| J. Clay Tweel | Director | |
| J. Clay Tweel | Story by | |
| Seth Gordon | Story by | |
| Mary Rohlich | Producer | |
| Scott Fujita | Producer | |
| Seth Gordon | Producer | |
| Kimi Culp | Producer | |
| Tom Lavia | Producer | |
| Kevin Lake | Producer | |
| Thomas McEachin | Producer | |
| Mark Shapiro | Executive Producer | |
| Will Staeger | Executive Producer | |
| Paul Varisco Jr | Executive Producer | |
| Shannon E. Riggs* | Co-Producer | |
| Justin Bergeron | Co-Producer | |
| Tenny Priebe | Co-Producer | |
| David Lee | Director of Photography | |
| Ty Minton Small | Director of Photography | |
| Dan Romer | Composer | |
| Saul Simon Macwilliams | Composer | |
| J. Clay Tweel | Editor | |
| Brian Palmer | Co-Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Steve Gleason at the age of 34, was diagnosed with ALS and given a life expectancy of two to five years. Weeks later, Gleason found out his wife, Michel, was expecting their first child. A video journal that began as a gift for his unborn son expands to chronicle Steve’s determination to get his relationships in order, build a foundation to provide other ALS patients with purpose, and adapt to his declining physical condition—utilizing medical technologies that offer the means to live as fully as possible.
Metrics
| Opening Weekend: | $91,583 (15.6% of total gross) |
| Legs: | 4.41 (domestic box office/biggest weekend) |
| Domestic Share: | 99.3% (domestic box office/worldwide) |
| Theater counts: | 9 opening theaters/148 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $809,178 |
Movie Details
| Domestic Releases: | July 29th, 2016 (Limited) by Open Road |
| International Releases: | March 17th, 2017 (Wide) (United Kingdom) |
| Video Release: | October 25th, 2016 by Amazon Original Pictures |
| MPA Rating: | R for language. (Rating bulletin 2433 (Cert #50542), 7/13/2016) |
| Running Time: | 110 minutes |
| Film festival: | Sundance Film Festival 2016 |
| Geographical setting: | New Orleans, LA |
| Plot point: | Biography, Football, Terminal Illness |
| Release detail: | Festival Acquisition |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amazon Studios, IMG Films, Dear Rivers Productions, Seth Gordon |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | 35 | $91,583 | 9 | $10,176 | $91,583 | 1 | |
| Aug 5, 2016 | 31 | $111,983 | +22% | 69 | $1,623 | $246,601 | 2 |
| Aug 12, 2016 | 33 | $132,646 | +18% | 148 | $896 | $448,737 | 3 |
| Aug 19, 2016 | 48 | $35,257 | -73% | 56 | $630 | $545,819 | 4 |
| Aug 26, 2016 | 66 | $10,558 | -70% | 35 | $302 | $576,589 | 5 |
| Sep 2, 2016 | 99 | $407 | -96% | 1 | $407 | $584,071 | 6 |
| Sep 16, 2016 | 118 | $333 | 2 | $167 | $585,109 | 8 | |
| Sep 23, 2016 | 122 | $124 | -63% | 1 | $124 | $585,233 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | - | $46,973 | 9 | $5,219 | $46,973 | 1 | ||
| Jul 30, 2016 | - | $26,089 | -44% | 9 | $2,899 | $73,062 | 2 | |
| Jul 31, 2016 | - | $18,521 | -29% | 9 | $2,058 | $91,583 | 3 | |
| Aug 1, 2016 | - | $9,931 | -46% | 9 | $1,103 | $101,514 | 4 | |
| Aug 2, 2016 | - | $8,947 | -10% | 9 | $994 | $110,461 | 5 | |
| Aug 3, 2016 | - | $12,304 | +38% | 9 | $1,367 | $122,765 | 6 | |
| Aug 4, 2016 | - | $11,853 | -4% | 9 | $1,317 | $134,618 | 7 | |
| Aug 5, 2016 | - | $39,911 | +237% | -15% | 69 | $578 | $174,529 | 8 |
| Aug 6, 2016 | - | $38,388 | -4% | +47% | 69 | $556 | $212,917 | 9 |
| Aug 7, 2016 | - | $33,684 | -12% | +82% | 69 | $488 | $246,601 | 10 |
| Aug 8, 2016 | - | $13,810 | -59% | +39% | 69 | $200 | $260,411 | 11 |
| Aug 9, 2016 | - | $12,827 | -7% | +43% | 69 | $186 | $273,238 | 12 |
| Aug 10, 2016 | - | $15,853 | +24% | +29% | 69 | $230 | $289,091 | 13 |
| Aug 11, 2016 | - | $27,000 | +70% | +128% | 69 | $391 | $316,091 | 14 |
| Aug 12, 2016 | - | $52,541 | +95% | +32% | 146 | $360 | $368,632 | 15 |
| Aug 13, 2016 | - | $43,767 | -17% | +14% | 146 | $300 | $412,399 | 16 |
| Aug 14, 2016 | - | $36,338 | -17% | +8% | 148 | $246 | $448,737 | 17 |
| Aug 15, 2016 | - | $13,553 | -63% | -2% | 146 | $93 | $462,290 | 18 |
| Aug 16, 2016 | - | $16,271 | +20% | +27% | 144 | $113 | $478,561 | 19 |
| Aug 17, 2016 | - | $17,453 | +7% | +10% | 144 | $121 | $496,014 | 20 |
| Aug 18, 2016 | - | $14,548 | -17% | -46% | 144 | $101 | $510,562 | 21 |
| Aug 19, 2016 | - | $14,206 | -2% | -73% | 56 | $254 | $524,768 | 22 |
| Aug 20, 2016 | - | $11,801 | -17% | -73% | 56 | $211 | $536,569 | 23 |
| Aug 21, 2016 | - | $9,250 | -22% | -75% | 56 | $165 | $545,819 | 24 |
| Aug 22, 2016 | - | $4,321 | -53% | -68% | 56 | $77 | $550,140 | 25 |
| Aug 23, 2016 | - | $8,564 | +98% | -47% | 56 | $153 | $558,704 | 26 |
| Aug 24, 2016 | - | $3,770 | -56% | -78% | 56 | $67 | $562,474 | 27 |
| Aug 25, 2016 | - | $3,557 | -6% | -76% | 56 | $64 | $566,031 | 28 |
| Aug 26, 2016 | - | $2,407 | -32% | -83% | 35 | $69 | $568,438 | 29 |
| Aug 27, 2016 | - | $4,157 | +73% | -65% | 35 | $119 | $572,595 | 30 |
| Aug 28, 2016 | - | $3,994 | -4% | -57% | 35 | $114 | $576,589 | 31 |
| Aug 29, 2016 | - | $1,072 | -73% | -75% | 35 | $31 | $577,661 | 32 |
| Aug 30, 2016 | - | $1,624 | +51% | -81% | 35 | $46 | $579,285 | 33 |
| Aug 31, 2016 | - | $2,592 | +60% | -31% | 35 | $74 | $581,877 | 34 |
| Sep 1, 2016 | - | $1,787 | -31% | -50% | 35 | $51 | $583,664 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | 37 | $134,618 | 9 | $14,958 | $134,618 | 1 | |
| Aug 5, 2016 | 31 | $181,473 | +35% | 69 | $2,630 | $316,091 | 2 |
| Aug 12, 2016 | 34 | $194,471 | +7% | 144 | $1,350 | $510,562 | 3 |
| Aug 19, 2016 | 48 | $55,469 | -71% | 56 | $991 | $566,031 | 4 |
| Aug 26, 2016 | 69 | $17,633 | -68% | 35 | $504 | $583,664 | 5 |
| Sep 2, 2016 | 105 | $717 | -96% | 1 | $717 | $584,381 | 6 |
| Sep 9, 2016 | 120 | $395 | -45% | 1 | $395 | $584,776 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 3/17/2017 | $1,899 | 1 | 1 | 1 | $1,899 | 3/22/2017 | |||
| Rest of World | $2,441 | |||||||||
| International Total | $4,340 | 3/22/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Steve Gleason | Himself |
Inverviewee
| Michel Varisco | Herself | |
| Scott Fujita | Himself | |
| Drew Brees | Himself | |
| Mike McCready | Himself | |
| Rivers Gleason | Himself | |
| Mike Gleason | Himself | |
| Mike McKenzie | Himself | |
| Paul Varisco Jr | Himself | |
| Vinnie Varisco | Himself |
Production and Technical Credits
| J. Clay Tweel | Director | |
| J. Clay Tweel | Story by | |
| Seth Gordon | Story by | |
| Mary Rohlich | Producer | |
| Scott Fujita | Producer | |
| Seth Gordon | Producer | |
| Kimi Culp | Producer | |
| Tom Lavia | Producer | |
| Kevin Lake | Producer | |
| Thomas McEachin | Producer | |
| Mark Shapiro | Executive Producer | |
| Will Staeger | Executive Producer | |
| Paul Varisco Jr | Executive Producer | |
| Shannon E. Riggs* | Co-Producer | |
| Justin Bergeron | Co-Producer | |
| Tenny Priebe | Co-Producer | |
| David Lee | Director of Photography | |
| Ty Minton Small | Director of Photography | |
| Dan Romer | Composer | |
| Saul Simon Macwilliams | Composer | |
| J. Clay Tweel | Editor | |
| Brian Palmer | Co-Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.