Charles is a successful graphic designer whose fame, money and charm have provided him with a seemingly perfect life. When his true love, a perplexing beauty named Ivana, suddenly breaks off their relationship, Charles' life falls apart and he swirls into a downward spiral of doubt, confusion and reflection. With the support of his loyal intimates - Kirby, Saul, and his sister, Izzy - he begins the hard road of self-evaluation to come to terms with a life without Ivana.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 12,501-12,600)
|All Time Worldwide Box Office (Rank 16,801-16,900)
|All Time Domestic Box Office for Comedy Movies (Rank 2,201-2,300)
|All Time Worldwide Box Office for Comedy Movies (Rank 2,901-3,000)
|All Time Domestic Box Office for R Movies (Rank 4,001-4,100)
|All Time Worldwide Box Office for R Movies (Rank 4,401-4,500)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
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Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
May 13th, 2013
There are not a lot of new releases on the home market this week, and there are very few that are prime releases. The best-selling release is Dexter: Season Seven on Blu-ray, which is worth picking up, but the lack of extras prevents it from being the Pick of the Week. For that I'm going with a lesser known title, The Unbelievable Truth, which is coming out on DVD and Blu-ray this week.
February 8th, 2013
While there are a number of diverse limited releases this week, only two of them are earning overwhelmingly positive reviews. Those two are Lore and Caesar Must Die. Neither has a real shot at mainstream success, as foreign language films and documentaries rarely expand significantly. Hopefully they will at least find a receptive audience in the art house circuit.
February 1st, 2013
For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part.
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