Gnome Alone (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $10,924,451 | Details |
| Worldwide Box Office | $10,924,451 | |
| OpusData ID: 295120100 More info... | ||
| Further financial details... | ||
Synopsis
Chloe and her mom are moving Again! Forced to move into a decrepit old house filled with garden gnomes. Chloe soon discovers that this house is hiding something terrifyingly big. While home alone after school, Chloe and a nosy neighbor named Liam discover that the gnomes are actually alive! As it turns out, for years the gnomes have been protecting the planet from menacing little monsters called Troggs, who have invaded the house through a portal from another world. When the only solution that will stop the Troggs falls into the wrong hands at school, Chloe and Liam will have to team up with the rag-tag group of gnomes, to fight off the Trogg invasion and save the world!
Metrics
Movie Details
| International Releases: | January 5th, 2018 (Wide) (Spain)
January 26th, 2018 (Wide) (Poland) February 2nd, 2018 (Wide), released as Patrulha de Gnomos (Portugal) February 16th, 2018 (Wide), released as Гномчета вкъщи (Bulgaria) February 22nd, 2018 (Wide), released as ГНОМЫ В ДОМЕ (Russia (CIS)) ... Show all releases |
| Video Release: | October 19th, 2018 by Netflix |
| MPA Rating: | PG for some rude humor/behavior. (Rating bulletin 2481 (Cert #51113), 6/21/2017) |
| Running Time: | 89 minutes |
| Plot point: | Good vs. Evil, Living Toys, New Guy/Girl in School |
| Social setting: | High School, Supernatural |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Vanguard Animation, 3QU Media, Cinesite |
| Production Countries: | Canada, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/20/2018 | $114,047 | 0 | 0 | 0 | $287,028 | 1/1/2019 | |||
| Brazil | 3/2/2018 | $379,173 | 0 | 0 | 0 | $667,376 | 6/14/2018 | |||
| Bulgaria | 2/16/2018 | $47,380 | 0 | 0 | 0 | $253,283 | 2/26/2019 | |||
| Czech Republic | 3/2/2018 | $46,959 | 91 | 91 | 167 | $88,045 | 1/1/2019 | |||
| Lithuania | 2/23/2018 | $44,071 | 0 | 0 | 0 | $140,142 | 4/4/2018 | |||
| Mexico | 4/20/2018 | $268,608 | 0 | 0 | 0 | $1,018,463 | 5/21/2018 | |||
| Poland | 1/26/2018 | $396,710 | 0 | 0 | 0 | $2,386,679 | 1/1/2019 | |||
| Portugal | 2/2/2018 | $106,202 | 76 | 78 | 453 | $659,732 | 5/1/2018 | |||
| Russia (CIS) | 2/22/2018 | $1,082,147 | 961 | 961 | 2,707 | $2,201,128 | 1/1/2019 | |||
| Slovakia | 3/9/2018 | $6,121 | 12 | 57 | 230 | $100,945 | 5/15/2018 | |||
| South Korea | 10/3/2019 | $147,714 | 202 | 202 | 404 | $435,867 | 10/30/2019 | |||
| Spain | 1/5/2018 | $80,202 | 176 | 176 | 464 | $260,566 | 2/2/2018 | |||
| Turkey | 3/9/2018 | $91,587 | 248 | 248 | 468 | $189,331 | 2/26/2019 | |||
| Rest of World | $2,235,866 | |||||||||
| International Total | $10,924,451 | 10/30/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Becky G | Chloe | |
| Josh Peck | Liam | |
| Tara Strong | Catherine | |
| Olivia Holt | Brittany | |
| David Koechner | Quicksilver | |
| Jeff Dunham | ||
| Patrick Stump | Additional Voices | |
| Nash Grier | Trey | |
| Madison De La Garza | ||
| George Lopez | Zook |
Production and Technical Credits
| Peter Lepeniotis | Director | |
| Michael Schwartz | Screenwriter | |
| Zina Zaflow | Screenwriter | |
| Robert Moreland | Story by | |
| Jared Micah Herman | Story by | |
| Kyle Newman | Story by | |
| Peter Lepeniotis | Story by | |
| John H. Williams | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Chloe and her mom are moving Again! Forced to move into a decrepit old house filled with garden gnomes. Chloe soon discovers that this house is hiding something terrifyingly big. While home alone after school, Chloe and a nosy neighbor named Liam discover that the gnomes are actually alive! As it turns out, for years the gnomes have been protecting the planet from menacing little monsters called Troggs, who have invaded the house through a portal from another world. When the only solution that will stop the Troggs falls into the wrong hands at school, Chloe and Liam will have to team up with the rag-tag group of gnomes, to fight off the Trogg invasion and save the world!
Metrics
Movie Details
| International Releases: | January 5th, 2018 (Wide) (Spain)
January 26th, 2018 (Wide) (Poland) February 2nd, 2018 (Wide), released as Patrulha de Gnomos (Portugal) February 16th, 2018 (Wide), released as Гномчета вкъщи (Bulgaria) February 22nd, 2018 (Wide), released as ГНОМЫ В ДОМЕ (Russia (CIS)) ... Show all releases |
| Video Release: | October 19th, 2018 by Netflix |
| MPA Rating: | PG for some rude humor/behavior. (Rating bulletin 2481 (Cert #51113), 6/21/2017) |
| Running Time: | 89 minutes |
| Plot point: | Good vs. Evil, Living Toys, New Guy/Girl in School |
| Social setting: | High School, Supernatural |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Vanguard Animation, 3QU Media, Cinesite |
| Production Countries: | Canada, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/20/2018 | $114,047 | 0 | 0 | 0 | $287,028 | 1/1/2019 | |||
| Brazil | 3/2/2018 | $379,173 | 0 | 0 | 0 | $667,376 | 6/14/2018 | |||
| Bulgaria | 2/16/2018 | $47,380 | 0 | 0 | 0 | $253,283 | 2/26/2019 | |||
| Czech Republic | 3/2/2018 | $46,959 | 91 | 91 | 167 | $88,045 | 1/1/2019 | |||
| Lithuania | 2/23/2018 | $44,071 | 0 | 0 | 0 | $140,142 | 4/4/2018 | |||
| Mexico | 4/20/2018 | $268,608 | 0 | 0 | 0 | $1,018,463 | 5/21/2018 | |||
| Poland | 1/26/2018 | $396,710 | 0 | 0 | 0 | $2,386,679 | 1/1/2019 | |||
| Portugal | 2/2/2018 | $106,202 | 76 | 78 | 453 | $659,732 | 5/1/2018 | |||
| Russia (CIS) | 2/22/2018 | $1,082,147 | 961 | 961 | 2,707 | $2,201,128 | 1/1/2019 | |||
| Slovakia | 3/9/2018 | $6,121 | 12 | 57 | 230 | $100,945 | 5/15/2018 | |||
| South Korea | 10/3/2019 | $147,714 | 202 | 202 | 404 | $435,867 | 10/30/2019 | |||
| Spain | 1/5/2018 | $80,202 | 176 | 176 | 464 | $260,566 | 2/2/2018 | |||
| Turkey | 3/9/2018 | $91,587 | 248 | 248 | 468 | $189,331 | 2/26/2019 | |||
| Rest of World | $2,235,866 | |||||||||
| International Total | $10,924,451 | 10/30/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Becky G | Chloe | |
| Josh Peck | Liam | |
| Tara Strong | Catherine | |
| Olivia Holt | Brittany | |
| David Koechner | Quicksilver | |
| Jeff Dunham | ||
| Patrick Stump | Additional Voices | |
| Nash Grier | Trey | |
| Madison De La Garza | ||
| George Lopez | Zook |
Production and Technical Credits
| Peter Lepeniotis | Director | |
| Michael Schwartz | Screenwriter | |
| Zina Zaflow | Screenwriter | |
| Robert Moreland | Story by | |
| Jared Micah Herman | Story by | |
| Kyle Newman | Story by | |
| Peter Lepeniotis | Story by | |
| John H. Williams | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.