God Help the Girl (2014)
| Theatrical Performance | ||
| Domestic Box Office | $102,757 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $48,725 | |
| Total | $48,725 | |
| OpusData ID: 203350100 More info... | ||
| Further financial details... | ||
Synopsis
Eve is a catastrophe—low on self-esteem but high on fantasy, especially when it comes to music. Over the course of one Glasgow summer, she meets two similarly rootless souls: posh Cass and fastidious James, and together they form a pop group.
Metrics
| Opening Weekend: | $11,330 (11.0% of total gross) |
| Legs: | 9.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/59 max. theaters, 0.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $150,421 |
Movie Details
| Domestic Releases: | September 5th, 2014 (Limited) by Amplify |
| Video Release: | April 14th, 2015 by Anchor Bay Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 111 minutes |
| Film festival: | Sundance Film Festival 2014 |
| Plot point: | Eating Disorder, Medical and Hospitals, Musicians, Relationships Gone Wrong, Romance, Singers |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Pop Music |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Barry Mendel |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2014 | 69 | $11,330 | 2 | $5,665 | $11,330 | 1 | |
| Sep 19, 2014 | 70 | $9,861 | 16 | $616 | $89,299 | 3 | |
| Sep 26, 2014 | 80 | $4,206 | -57% | 8 | $526 | $97,919 | 4 |
| Oct 3, 2014 | 82 | $2,492 | -41% | 4 | $623 | $101,542 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2014 | 63 | $14,583 | 2 | $7,292 | $14,583 | 1 | |
| Sep 12, 2014 | 51 | $64,405 | +342% | 59 | $1,092 | $79,438 | 2 |
| Sep 19, 2014 | 66 | $14,275 | -78% | 16 | $892 | $93,713 | 3 |
| Sep 26, 2014 | 84 | $5,337 | -63% | 8 | $667 | $99,050 | 4 |
| Oct 3, 2014 | 84 | $3,707 | -31% | 4 | $927 | $102,757 | 5 |
Leading
| Emily Browning | Eve | |
| Olly Alexander | James | |
| Hannah Murray | Cass |
Supporting
| Cora Bissett | Miss B | |
| Mark A. Radcliffe* | Findlay | |
| Stuart Maconie | Donovan |
Production and Technical Credits
| Stuart Murdoch | Director | |
| Stuart Murdoch | Screenwriter | |
| Barry Mendel | Producer | |
| Chris Curling | Executive Producer | |
| Chris Faulis | Executive Producer | |
| Steve Milne | Executive Producer | |
| Phil Robertson | Executive Producer | |
| Mark Leese | Production Designer | |
| David Arthur | Editor | |
| Giles Nuttgens | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Eve is a catastrophe—low on self-esteem but high on fantasy, especially when it comes to music. Over the course of one Glasgow summer, she meets two similarly rootless souls: posh Cass and fastidious James, and together they form a pop group.
Metrics
| Opening Weekend: | $11,330 (11.0% of total gross) |
| Legs: | 9.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/59 max. theaters, 0.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $150,421 |
Movie Details
| Domestic Releases: | September 5th, 2014 (Limited) by Amplify |
| Video Release: | April 14th, 2015 by Anchor Bay Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 111 minutes |
| Film festival: | Sundance Film Festival 2014 |
| Plot point: | Eating Disorder, Medical and Hospitals, Musicians, Relationships Gone Wrong, Romance, Singers |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Pop Music |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Barry Mendel |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2014 | 69 | $11,330 | 2 | $5,665 | $11,330 | 1 | |
| Sep 19, 2014 | 70 | $9,861 | 16 | $616 | $89,299 | 3 | |
| Sep 26, 2014 | 80 | $4,206 | -57% | 8 | $526 | $97,919 | 4 |
| Oct 3, 2014 | 82 | $2,492 | -41% | 4 | $623 | $101,542 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2014 | 63 | $14,583 | 2 | $7,292 | $14,583 | 1 | |
| Sep 12, 2014 | 51 | $64,405 | +342% | 59 | $1,092 | $79,438 | 2 |
| Sep 19, 2014 | 66 | $14,275 | -78% | 16 | $892 | $93,713 | 3 |
| Sep 26, 2014 | 84 | $5,337 | -63% | 8 | $667 | $99,050 | 4 |
| Oct 3, 2014 | 84 | $3,707 | -31% | 4 | $927 | $102,757 | 5 |
Leading
| Emily Browning | Eve | |
| Olly Alexander | James | |
| Hannah Murray | Cass |
Supporting
| Cora Bissett | Miss B | |
| Mark A. Radcliffe* | Findlay | |
| Stuart Maconie | Donovan |
Production and Technical Credits
| Stuart Murdoch | Director | |
| Stuart Murdoch | Screenwriter | |
| Barry Mendel | Producer | |
| Chris Curling | Executive Producer | |
| Chris Faulis | Executive Producer | |
| Steve Milne | Executive Producer | |
| Phil Robertson | Executive Producer | |
| Mark Leese | Production Designer | |
| David Arthur | Editor | |
| Giles Nuttgens | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.