God’s Country (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $493,679 | Details |
| OpusData ID: 529320100 More info... | ||
| Further financial details... | ||
Synopsis
Sandra is very tired. It’s been years of trying (and failing) to please her recently deceased mother, while also navigating the challenging politics and power dynamics at the college where she teaches. And then there is the racism, sexism, and toxic masculinity she encounters wherever she goes. But it’s a confrontation with two hunters trespassing on her property that ultimately tests Sandra’s self-restraint, pushing her grief and mounting anger to their limits. God’s Country examines one woman’s grieving process and determination to be taken seriously amid her refusal to surrender to the confines of society.
Metrics
| Opening Weekend: | $279,928 (56.7% of total gross) |
| Legs: | 1.76 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 785 opening theaters/785 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $560,721 |
Movie Details
| Domestic Releases: | September 16th, 2022 (Wide) by IFC Films |
| Video Release: | October 4th, 2022 by IFC Video |
| MPA Rating: | R for language. (Rating bulletin 2744 (cert #53972), 8/10/2022) |
| Running Time: | 103 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Cold Iron Pictures, The Film Arcade |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2022 | - | $279,928 | 785 | $357 | $279,928 | 1 | |
| Sep 23, 2022 | - | $48,542 | -83% | 320 | $152 | $458,036 | 2 |
| Sep 30, 2022 | - | $4,926 | -90% | 43 | $115 | $487,318 | 3 |
| Oct 7, 2022 | - | $634 | -87% | 12 | $53 | $491,737 | 4 |
| Oct 14, 2022 | - | $675 | +6% | 4 | $169 | $493,578 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 16, 2022 | - | $96,894 | 785 | $123 | $96,894 | 1 | ||
| Sep 17, 2022 | - | $111,178 | +15% | 785 | $142 | $208,072 | 2 | |
| Sep 18, 2022 | - | $71,856 | -35% | 785 | $92 | $279,928 | 3 | |
| Sep 19, 2022 | - | $28,848 | -60% | 785 | $37 | $308,776 | 4 | |
| Sep 20, 2022 | - | $47,051 | +63% | 785 | $60 | $355,827 | 5 | |
| Sep 21, 2022 | - | $31,605 | -33% | 785 | $40 | $387,432 | 6 | |
| Sep 22, 2022 | - | $22,062 | -30% | 785 | $28 | $409,494 | 7 | |
| Sep 23, 2022 | - | $14,490 | -34% | -85% | 320 | $45 | $423,984 | 8 |
| Sep 24, 2022 | - | $20,726 | +43% | -81% | 320 | $65 | $444,710 | 9 |
| Sep 25, 2022 | - | $13,326 | -36% | -81% | 320 | $42 | $458,036 | 10 |
| Sep 26, 2022 | - | $4,701 | -65% | -84% | 320 | $15 | $462,737 | 11 |
| Sep 27, 2022 | - | $7,479 | +59% | -84% | 320 | $23 | $470,216 | 12 |
| Sep 28, 2022 | - | $6,909 | -8% | -78% | 320 | $22 | $477,125 | 13 |
| Sep 29, 2022 | - | $5,267 | -24% | -76% | 320 | $16 | $482,392 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2022 | - | $409,494 | 785 | $522 | $409,494 | 1 | |
| Sep 23, 2022 | - | $72,898 | -82% | 320 | $228 | $482,392 | 2 |
| Sep 30, 2022 | 45 | $8,711 | -88% | 38 | $229 | $491,103 | 3 |
| Oct 7, 2022 | 50 | $1,800 | -79% | 12 | $150 | $492,903 | 4 |
| Oct 14, 2022 | 48 | $776 | -57% | 4 | $194 | $493,679 | 5 |
Leading
| Thandiwe Newton | Sandra Guidry |
Supporting
| Jeremy Bobb | Gus Wolf | |
| Joris Jarsky | Nathan Cody | |
| Kai Lennox | Arthur Gates | |
| Jefferson White | Samuel Cody | |
| Tanaya Beatty | Gretchen | |
| Dan Gravage | Funeral Director |
Production and Technical Credits
| Julian Higgins | Director | |
| Shaye Ogbonna | Screenwriter | |
| Julian Higgins | Screenwriter | |
| James Lee Burke | Based on the short story “Winter Light” by | |
| Miranda Bailey | Producer | |
| Halee Bernard | Producer | |
| Julian Higgins | Producer | |
| Amanda Marshall | Producer | |
| Anthony Ciardelli | Executive Producer | |
| Jason Beck | Executive Producer | |
| Shaye Ogbonna | Co-Producer | |
| Mark Bennett | Co-Producer | |
| Colin Scott | Co-Producer | |
| Abigail Spencer | Co-Executive Producer | |
| Andrew Wheeler | Cinematographer | |
| Flora Ortega | Production Designer | |
| Justin LaForge | Editor | |
| Kate Lindsay | Costume Designer | |
| Deandre James Allen-Toole | Composer | |
| Zach Goheen | Sound Designer | |
| Mark Bennett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sandra is very tired. It’s been years of trying (and failing) to please her recently deceased mother, while also navigating the challenging politics and power dynamics at the college where she teaches. And then there is the racism, sexism, and toxic masculinity she encounters wherever she goes. But it’s a confrontation with two hunters trespassing on her property that ultimately tests Sandra’s self-restraint, pushing her grief and mounting anger to their limits. God’s Country examines one woman’s grieving process and determination to be taken seriously amid her refusal to surrender to the confines of society.
Metrics
| Opening Weekend: | $279,928 (56.7% of total gross) |
| Legs: | 1.76 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 785 opening theaters/785 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $560,721 |
Movie Details
| Domestic Releases: | September 16th, 2022 (Wide) by IFC Films |
| Video Release: | October 4th, 2022 by IFC Video |
| MPA Rating: | R for language. (Rating bulletin 2744 (cert #53972), 8/10/2022) |
| Running Time: | 103 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Cold Iron Pictures, The Film Arcade |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2022 | - | $279,928 | 785 | $357 | $279,928 | 1 | |
| Sep 23, 2022 | - | $48,542 | -83% | 320 | $152 | $458,036 | 2 |
| Sep 30, 2022 | - | $4,926 | -90% | 43 | $115 | $487,318 | 3 |
| Oct 7, 2022 | - | $634 | -87% | 12 | $53 | $491,737 | 4 |
| Oct 14, 2022 | - | $675 | +6% | 4 | $169 | $493,578 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 16, 2022 | - | $96,894 | 785 | $123 | $96,894 | 1 | ||
| Sep 17, 2022 | - | $111,178 | +15% | 785 | $142 | $208,072 | 2 | |
| Sep 18, 2022 | - | $71,856 | -35% | 785 | $92 | $279,928 | 3 | |
| Sep 19, 2022 | - | $28,848 | -60% | 785 | $37 | $308,776 | 4 | |
| Sep 20, 2022 | - | $47,051 | +63% | 785 | $60 | $355,827 | 5 | |
| Sep 21, 2022 | - | $31,605 | -33% | 785 | $40 | $387,432 | 6 | |
| Sep 22, 2022 | - | $22,062 | -30% | 785 | $28 | $409,494 | 7 | |
| Sep 23, 2022 | - | $14,490 | -34% | -85% | 320 | $45 | $423,984 | 8 |
| Sep 24, 2022 | - | $20,726 | +43% | -81% | 320 | $65 | $444,710 | 9 |
| Sep 25, 2022 | - | $13,326 | -36% | -81% | 320 | $42 | $458,036 | 10 |
| Sep 26, 2022 | - | $4,701 | -65% | -84% | 320 | $15 | $462,737 | 11 |
| Sep 27, 2022 | - | $7,479 | +59% | -84% | 320 | $23 | $470,216 | 12 |
| Sep 28, 2022 | - | $6,909 | -8% | -78% | 320 | $22 | $477,125 | 13 |
| Sep 29, 2022 | - | $5,267 | -24% | -76% | 320 | $16 | $482,392 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2022 | - | $409,494 | 785 | $522 | $409,494 | 1 | |
| Sep 23, 2022 | - | $72,898 | -82% | 320 | $228 | $482,392 | 2 |
| Sep 30, 2022 | 45 | $8,711 | -88% | 38 | $229 | $491,103 | 3 |
| Oct 7, 2022 | 50 | $1,800 | -79% | 12 | $150 | $492,903 | 4 |
| Oct 14, 2022 | 48 | $776 | -57% | 4 | $194 | $493,679 | 5 |
Leading
| Thandiwe Newton | Sandra Guidry |
Supporting
| Jeremy Bobb | Gus Wolf | |
| Joris Jarsky | Nathan Cody | |
| Kai Lennox | Arthur Gates | |
| Jefferson White | Samuel Cody | |
| Tanaya Beatty | Gretchen | |
| Dan Gravage | Funeral Director |
Production and Technical Credits
| Julian Higgins | Director | |
| Shaye Ogbonna | Screenwriter | |
| Julian Higgins | Screenwriter | |
| James Lee Burke | Based on the short story “Winter Light” by | |
| Miranda Bailey | Producer | |
| Halee Bernard | Producer | |
| Julian Higgins | Producer | |
| Amanda Marshall | Producer | |
| Anthony Ciardelli | Executive Producer | |
| Jason Beck | Executive Producer | |
| Shaye Ogbonna | Co-Producer | |
| Mark Bennett | Co-Producer | |
| Colin Scott | Co-Producer | |
| Abigail Spencer | Co-Executive Producer | |
| Andrew Wheeler | Cinematographer | |
| Flora Ortega | Production Designer | |
| Justin LaForge | Editor | |
| Kate Lindsay | Costume Designer | |
| Deandre James Allen-Toole | Composer | |
| Zach Goheen | Sound Designer | |
| Mark Bennett | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.