Godzilla: King of the Monsters (2019)

Godzilla: King of the Monsters
Theatrical Performance
Domestic Box Office $110,500,138Details
International Box Office $272,799,776Details
Worldwide Box Office $383,299,914
Home Market Performance
Est. Domestic DVD Sales $12,950,746 Details
Est. Domestic Blu-ray Sales $23,663,309 Details
Total Est. Domestic Video Sales $36,614,055
Further financial details...

Synopsis

An action adventure that pits Godzilla against some of the most popular monsters in pop culture history.

Metrics

Opening Weekend:$47,776,293 (43.2% of total gross)
Legs:2.31 (domestic box office/biggest weekend)
Domestic Share:28.8% (domestic box office/worldwide)
Production Budget:$170,000,000 (worldwide box office is 2.3 times production budget)
Theater counts:4,108 opening theaters/4,108 max. theaters, 4.2 weeks average run per theater
Infl. Adj. Dom. BO $130,042,741

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 601-700) 683 $110,500,138
All Time International Box Office (Rank 301-400) 322 $272,799,776
All Time Worldwide Box Office (Rank 301-400) 379 $383,299,914

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix
Hulu:Hulu

Movie Details

Domestic Releases: May 31st, 2019 (Wide) by Warner Bros.
May 31st, 2019 (IMAX) by Warner Bros.
International Releases: May 29th, 2019 (Wide) (France)
May 29th, 2019 (Wide) (Indonesia)
May 29th, 2019 (Wide) (South Korea)
May 29th, 2019 (Wide) (Taiwan)
May 29th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: August 13th, 2019 by Warner Home Video
MPAA Rating: PG-13 for sequences of monster action violence and destruction, and for some language.
(Rating bulletin 2544 (Cert #51815), 9/12/2018)
Running Time: 132 minutes
Franchise: Godzilla
MonsterVerse
Comparisons: vs. Godzilla
Create your own comparison chart…
Keywords: Creature Feature, Kaiju, Remake, Foreign-Language Remake, 3-D, 3-D - Post-production Conversion, IMAX: DMR
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Warner Bros., Legendary Pictures, Toho Co, Huahua Film
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest Domestic May Weekend 83 $47,776,293 May 31, 2019 3
Top Science Fiction Weekend Domestic 83 $47,776,293 May 31, 2019 3
Top Warner Bros. Weekend Domestic 74 $47,776,293 May 31, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 31, 2019 1 $47,776,293   4,108 $11,630   $47,776,293 1
Jun 7, 2019 4 $15,450,407 -68% 4,108 $3,761   $78,507,504 2
Jun 14, 2019 7 $8,788,845 -43% 3,207 $2,741   $94,372,017 3
Jun 21, 2019 8 $3,855,801 -56% 2,368 $1,628   $102,501,438 4
Jun 28, 2019 11 $2,135,771 -45% 1,370 $1,559   $106,666,722 5
Jul 5, 2019 13 $800,428 -63% 721 $1,110   $108,263,170 6
Jul 12, 2019 16 $458,536 -43% 434 $1,057   $109,191,018 7
Jul 19, 2019 24 $168,126 -63% 218 $771   $109,600,735 8
Jul 26, 2019 18 $222,539 +32% 238 $935   $109,935,054 9
Aug 2, 2019 20 $123,196 -45% 192 $642   $110,197,697 10
Aug 9, 2019 32 $68,081 -45% 121 $563   $110,346,372 11
Aug 16, 2019 39 $47,261 -31% 95 $497   $110,429,154 12
Aug 23, 2019 46 $34,266 -27% 64 $535   $110,481,291 13

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2019 P $6,300,000     0     $6,300,000  
May 31, 2019 1 $19,476,894     4,108 $4,741   $19,476,894 1
Jun 1, 2019 2 $16,136,293 -17%   4,108 $3,928   $35,613,187 2
Jun 2, 2019 2 $12,163,106 -25%   4,108 $2,961   $47,776,293 3
Jun 3, 2019 2 $3,852,096 -68%   4,108 $938   $51,628,389 4
Jun 4, 2019 2 $5,532,586 +44%   4,108 $1,347   $57,160,975 5
Jun 5, 2019 2 $3,247,527 -41%   4,108 $791   $60,408,502 6
Jun 6, 2019 2 $2,648,595 -18%   4,108 $645   $63,057,097 7
Jun 7, 2019 4 $4,187,861 +58% -78% 4,108 $1,019   $67,244,958 8
Jun 8, 2019 4 $6,323,831 +51% -61% 4,108 $1,539   $73,568,789 9
Jun 9, 2019 4 $4,938,715 -22% -59% 4,108 $1,202   $78,507,504 10
Jun 10, 2019 4 $1,674,271 -66% -57% 4,108 $408   $80,181,775 11
Jun 11, 2019 4 $2,470,044 +48% -55% 4,108 $601   $82,651,819 12
Jun 12, 2019 4 $1,585,122 -36% -51% 4,108 $386   $84,236,941 13
Jun 13, 2019 5 $1,346,231 -15% -49% 4,108 $328   $85,583,172 14
Jun 14, 2019 7 $2,230,542 +66% -47% 3,207 $696   $87,813,714 15
Jun 15, 2019 6 $3,235,164 +45% -49% 3,207 $1,009   $91,048,878 16
Jun 16, 2019 6 $3,323,139 +3% -33% 3,207 $1,036   $94,372,017 17
Jun 17, 2019 6 $1,031,785 -69% -38% 3,207 $322   $95,403,802 18
Jun 18, 2019 6 $1,446,351 +40% -41% 3,207 $451   $96,850,153 19
Jun 19, 2019 5 $1,015,069 -30% -36% 3,207 $317   $97,865,222 20
Jun 20, 2019 6 $780,415 -23% -42% 3,207 $243   $98,645,637 21
Jun 21, 2019 9 $1,077,452 +38% -52% 2,368 $455   $99,723,089 22
Jun 22, 2019 8 $1,561,081 +45% -52% 2,368 $659   $101,284,170 23
Jun 23, 2019 8 $1,217,268 -22% -63% 2,368 $514   $102,501,438 24
Jun 24, 2019 7 $545,864 -55% -47% 2,368 $231   $103,047,302 25
Jun 25, 2019 7 $664,270 +22% -54% 2,368 $281   $103,711,572 26
Jun 26, 2019 9 $418,587 -37% -59% 2,368 $177   $104,130,159 27
Jun 27, 2019 9 $400,792 -4% -49% 2,368 $169   $104,530,951 28
Jun 28, 2019 11 $567,689 +42% -47% 1,370 $414   $105,098,640 29
Jun 29, 2019 11 $848,809 +50% -46% 1,370 $620   $105,947,449 30
Jun 30, 2019 11 $719,273 -15% -41% 1,370 $525   $106,666,722 31
Jul 1, 2019 11 $324,956 -55% -40% 1,370 $237   $106,991,678 32
Jul 2, 2019 13 $151,786 -53% -77% 813 $187   $107,143,464 33
Jul 3, 2019 13 $140,684 -7% -66% 813 $173   $107,284,148 34
Jul 4, 2019 14 $178,594 +27% -55% 813 $220   $107,462,742 35
Jul 5, 2019 13 $261,690 +47% -54% 721 $363   $107,724,432 36
Jul 6, 2019 13 $315,872 +21% -63% 721 $438   $108,040,304 37
Jul 7, 2019 13 $222,866 -29% -69% 721 $309   $108,263,170 38
Jul 8, 2019 13 $113,482 -49% -65% 721 $157   $108,376,652 39
Jul 9, 2019 13 $151,645 +34% n/c 721 $210   $108,528,297 40
Jul 10, 2019 13 $113,077 -25% -20% 721 $157   $108,641,374 41
Jul 11, 2019 13 $91,108 -19% -49% 721 $126   $108,732,482 42
Jul 12, 2019 15 $137,716 +51% -47% 434 $317   $108,870,198 43
Jul 13, 2019 15 $176,502 +28% -44% 434 $407   $109,046,700 44
Jul 14, 2019 15 $144,318 -18% -35% 434 $333   $109,191,018 45
Jul 15, 2019 - $60,316 -58% -47% 434 $139   $109,251,334 46
Jul 16, 2019 - $81,591 +35% -46% 434 $188   $109,332,925 47
Jul 17, 2019 - $60,211 -26% -47% 434 $139   $109,393,136 48
Jul 18, 2019 - $39,473 -34% -57% 434 $91   $109,432,609 49
Jul 19, 2019 - $44,804 +14% -67% 218 $206   $109,477,413 50
Jul 20, 2019 - $69,448 +55% -61% 218 $319   $109,546,861 51
Jul 21, 2019 - $53,874 -22% -63% 218 $247   $109,600,735 52
Jul 22, 2019 - $25,789 -52% -57% 218 $118   $109,626,524 53
Jul 23, 2019 - $34,168 +32% -58% 218 $157   $109,660,692 54
Jul 24, 2019 - $27,202 -20% -55% 218 $125   $109,687,894 55
Jul 25, 2019 - $24,621 -9% -38% 218 $113   $109,712,515 56
Jul 26, 2019 - $59,173 +140% +32% 238 $249   $109,771,688 57
Jul 27, 2019 - $89,151 +51% +28% 238 $375   $109,860,839 58
Jul 28, 2019 - $74,215 -17% +38% 238 $312   $109,935,054 59
Jul 29, 2019 - $33,877 -54% +31% 238 $142   $109,968,931 60
Jul 30, 2019 - $43,636 +29% +28% 238 $183   $110,012,567 61
Jul 31, 2019 - $32,513 -25% +20% 238 $137   $110,045,080 62
Aug 1, 2019 - $29,421 -10% +19% 238 $124   $110,074,501 63
Aug 2, 2019 - $33,254 +13% -44% 192 $173   $110,107,755 64
Aug 3, 2019 - $48,085 +45% -46% 192 $250   $110,155,840 65
Aug 4, 2019 - $41,857 -13% -44% 192 $218   $110,197,697 66
Aug 5, 2019 - $19,837 -53% -41% 192 $103   $110,217,534 67
Aug 6, 2019 - $24,468 +23% -44% 192 $127   $110,242,002 68
Aug 7, 2019 - $19,186 -22% -41% 192 $100   $110,261,188 69
Aug 8, 2019 - $17,103 -11% -42% 192 $89   $110,278,291 70
Aug 9, 2019 - $16,527 -3% -50% 121 $137   $110,294,818 71
Aug 10, 2019 - $28,921 +75% -40% 121 $239   $110,323,739 72
Aug 11, 2019 - $22,633 -22% -46% 121 $187   $110,346,372 73
Aug 12, 2019 - $9,164 -60% -54% 121 $76   $110,355,536 74
Aug 13, 2019 - $10,831 +18% -56% 121 $90   $110,366,367 75
Aug 14, 2019 - $7,515 -31% -61% 121 $62   $110,373,882 76
Aug 15, 2019 - $8,011 +7% -53% 121 $66   $110,381,893 77
Aug 16, 2019 - $11,267 +41% -32% 95 $119   $110,393,160 78
Aug 17, 2019 - $20,891 +85% -28% 95 $220   $110,414,051 79
Aug 18, 2019 - $15,103 -28% -33% 95 $159   $110,429,154 80
Aug 19, 2019 - $4,653 -69% -49% 95 $49   $110,433,807 81
Aug 20, 2019 - $4,761 +2% -56% 95 $50   $110,438,568 82
Aug 21, 2019 - $4,176 -12% -44% 95 $44   $110,442,744 83
Aug 22, 2019 - $4,281 +3% -47% 95 $45   $110,447,025 84
Aug 23, 2019 - $8,259 +93% -27% 64 $129   $110,455,284 85
Aug 24, 2019 - $15,211 +84% -27% 64 $238   $110,470,495 86
Aug 25, 2019 - $10,796 -29% -29% 64 $169   $110,481,291 87
Aug 26, 2019 - $3,106 -71% -33% 64 $49   $110,484,397 88
Aug 27, 2019 - $5,687 +83% +19% 64 $89   $110,490,084 89
Aug 28, 2019 - $5,107 -10% +22% 64 $80   $110,495,191 90
Aug 29, 2019 - $4,947 -3% +16% 64 $77   $110,500,138 91

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 31, 2019 2 $63,057,097   4,108 $15,350   $63,057,097 1
Jun 7, 2019 4 $22,526,075 -64% 4,108 $5,483   $85,583,172 2
Jun 14, 2019 6 $13,062,465 -42% 3,207 $4,073   $98,645,637 3
Jun 21, 2019 9 $5,885,314 -55% 2,368 $2,485   $104,530,951 4
Jun 28, 2019 13 $2,931,791 -50% 813 $3,606   $107,462,742 5
Jul 5, 2019 13 $1,269,740 -57% 721 $1,761   $108,732,482 6
Jul 12, 2019 18 $700,127 -45% 434 $1,613   $109,432,609 7
Jul 19, 2019 24 $279,906 -60% 218 $1,284   $109,712,515 8
Jul 26, 2019 19 $361,986 +29% 238 $1,521   $110,074,501 9
Aug 2, 2019 20 $203,790 -44% 192 $1,061   $110,278,291 10
Aug 9, 2019 34 $103,602 -49% 121 $856   $110,381,893 11
Aug 16, 2019 45 $65,132 -37% 95 $686   $110,447,025 12
Aug 23, 2019 48 $53,113 -18% 64 $830   $110,500,138 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/31/2019 $375,916 323 323 618 $850,685 7/11/2019
Australia 5/30/2019 $1,838,411 379 379 1,256 $4,290,000 10/19/2022
Brazil 5/31/2019 $1,167,214 1,045 1,045 1,170 $1,906,033 6/14/2019
Bulgaria 5/31/2019 $87,733 0 0 0 $267,128 8/8/2019
China 5/31/2019 $2,450,000 1,807 170,525 299,517 $135,749,472 8/8/2019
Czech Republic 5/31/2019 $92,638 133 133 274 $210,026 10/19/2022
France 5/29/2019 $2,500,000 0 549 1,785 $5,600,000 10/19/2022
Germany 5/30/2019 $1,701,874 0 915 915 $4,700,000 10/19/2022
Hong Kong 5/30/2019 $0 0 0 0 $523,000 6/4/2019
India 5/31/2019 $2,600,000 1,721 1,721 1,721 $4,330,000 10/19/2022
Indonesia 5/29/2019 $3,500,000 727 727 1,416 $7,800,000 7/15/2019
Italy 5/30/2019 $1,136,117 0 6 6 $2,500,534 7/12/2019
Japan 5/31/2019 $8,400,000 600 600 2,000 $25,300,000 10/19/2022
Lithuania 5/31/2019 $31,092 131 131 318 $91,779 10/19/2022
Malaysia 5/30/2019 $2,200,000 653 653 1,138 $5,900,000 10/19/2022
Mexico 5/31/2019 $4,710,943 0 0 0 $10,100,000 10/19/2022
Netherlands 5/31/2019 $618,504 101 101 423 $1,462,165 7/9/2019
Poland 6/14/2019 $285,439 189 189 567 $917,507 7/11/2019
Portugal 5/31/2019 $143,327 85 85 282 $407,969 10/19/2022
Russia (CIS) 5/30/2019 $2,394,990 1,723 1,725 5,079 $4,500,000 10/19/2022
Slovakia 5/31/2019 $85,996 75 75 150 $168,255 7/2/2019
South Korea 5/29/2019 $1,444,200 620 620 799 $2,657,406 6/26/2019
Spain 6/21/2019 $518,930 303 310 1,194 $1,623,359 7/25/2019
Taiwan 5/29/2019 $4,200,000 320 320 515 $8,200,000 10/19/2022
Thailand 5/30/2019 $2,300,000 705 705 705 $3,600,000 6/13/2019
Turkey 5/31/2019 $135,223 405 405 992 $510,806 7/11/2019
United Kingdom 5/29/2019 $4,426,700 531 540 2,001 $8,800,000 10/19/2022
Vietnam 5/31/2019 $0 0 0 0 $401,000 6/4/2019
 
Rest of World $29,432,652
 
International Total$272,799,776 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 1, 20191155,746 155,746$2,801,871$2,801,8713
Sep 8, 20191169,497+9% 325,243$3,049,251$5,851,1224
Sep 15, 2019328,930-83% 354,173$520,451$6,371,5735
Sep 22, 20191216,289-44% 370,462$223,159$6,594,7326
Sep 29, 20191424,160+48% 394,622$433,914$7,028,6467
Oct 6, 20191914,664-39% 409,286$263,805$7,292,4518
Apr 11, 20211911,926 665,989$247,703$10,036,52087
Apr 18, 20212010,753-10% 676,742$223,340$10,259,86088
May 2, 2021206,781 691,603$140,841$10,568,52390
May 9, 2021207,971+18% 699,574$165,558$10,734,08191
May 16, 2021205,419-32% 704,993$112,553$10,846,63492
Jun 6, 2021197,982 721,107$166,505$11,153,87495
Jun 13, 20211514,962+87% 736,069$312,107$11,465,98196
Jun 20, 2021138,873-41% 744,942$185,091$11,651,07297
Jul 4, 20211512,119 763,617$261,286$12,049,11699
Jul 11, 20211511,155-8% 774,772$240,502$12,289,618100

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 1, 20191321,639 321,639$7,847,992$7,847,9923
Sep 8, 2019392,856-71% 414,495$2,265,680$10,113,6724
Sep 15, 2019635,930-61% 450,425$876,688$10,990,3605
Sep 22, 2019627,952-22% 478,377$460,766$11,451,1266
Sep 29, 20191518,610-33% 496,987$454,087$11,905,2137
Oct 13, 2019159,644 517,356$235,318$12,402,2129
Oct 20, 2019208,674-10% 526,030$211,656$12,613,86810
Oct 27, 20191211,956+38% 537,986$291,738$12,905,60611
Nov 3, 20191910,813-10% 548,799$177,022$13,082,62812
Nov 10, 2019205,030-53% 553,829$122,731$13,205,35913
Dec 1, 20195247,710 813,813$3,595,607$17,023,24116
Dec 8, 20191448,719-80% 862,532$1,188,746$18,211,98717
Dec 29, 20191927,258 922,708$359,266$18,987,46420
Jan 26, 20201212,987 955,228$153,298$19,455,59424
Jan 31, 202198,427 1,004,366$184,298$20,241,58677
Feb 7, 2021711,880+41% 1,016,246$259,816$20,501,40278
Feb 14, 2021148,564-28% 1,024,810$187,295$20,688,69779
Mar 21, 2021189,514 1,045,566$197,606$21,055,52484
Mar 28, 2021108,946-6% 1,054,512$185,808$21,241,33285
Apr 4, 2021811,426+28% 1,065,938$237,318$21,478,65086
Apr 11, 2021129,925-13% 1,075,863$206,142$21,684,79287
Apr 18, 2021117,208-27% 1,083,071$149,710$21,834,50288
Apr 25, 2021176,043-16% 1,089,114$125,513$21,960,01589
May 2, 2021195,086-16% 1,094,200$105,636$22,065,65190
May 16, 2021205,993 1,105,757$124,475$22,305,69092
Jun 6, 2021177,254 1,124,527$151,318$22,681,30295
Jun 13, 2021186,226-14% 1,130,753$129,874$22,811,17696

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Millie Bobby Brown    Madison Russell

Supporting Cast

Kyle Chandler    Dr. Mark Russell
Vera Farmiga    Dr. Emma Russell
Bradley Whitford    Dr. Rick Stanton
Sally Hawkins    Dr. Vivienne Graham
Charles Dance    Alan Jonah
Thomas Middleditch    Sam Coleman
O'Shea Jackson, Jr.    Chief Warrant Officer Barnes
Ken Watanabe    Dr. Ishiro Serizawa
Zhang Ziyi    Dr. Ilene Chen
David Strathairn    Admiral William Stenz
Aisha Hinds    Colonel Diane Foster
Anthony Ramos    Cpl. Martinez
Elizabeth Ludlow    First Lieutenant Lauren Griffin
Jonathan Howard    Asher Jonah
CCH Pounder    Senator Williams
Joe Morton    Dr. Houston Brooks
Randall P. Havens*    Dr. Tim Mancini
Lyle Brocato    XO Bowman
Jimmy Gonzales    Commander Crane
T.C. Matherne    Master Sergeant Hendricks
Kenneth Israel    Argo Deck Officer Zellner
Justice Leak    Monarch Officer Martin
Al Vicente    Isla De Mara Fisherman
Rose Bianco    Isla De Mara Grandmother
Gabriel L. Silva    Isla De La Mara Grandson
Skylar Denney    Argo Office Arvin
Kelli Garner    Argo Officer Cross
Tyler Crumley    Young Andrew
Alexandra Rabe    Young Madison
Zac Zedalis    Sergeant Travis
Tracie Garrison    Asaj
Natalie Shaheen    Lieutenant Bottin
Jesse O’Neill    Corporal Winston
Joshua Leary    Sgt. Baker
Vince Foster    G-Team Officer Tippett
Shauna Rappold    G-Team Officer Harryhausen
Fiona Hardingham    News Anchor
Orelon Sidney    News Anchor
Paul Ryden    News Anchor
Laurie Dhue    News Anchor
Kevin Shinick    Weather Man
T.J. Storm    Godzilla (Performance Capture)
Jason Liles    King Ghidorah (Performance Capture)
Alan Maxson    King Ghidorah (Performance Capture)
Richard Dorton    King Ghidorah (Performance Capture)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Dougherty    Director
Michael Dougherty    Screenwriter
Zach Shields    Screenwriter
Max Borenstein    Story by
Michael Dougherty    Story by
Zach Shields    Story by
Mary Parent    Producer
Alex Garcia    Producer
Jon Jashni    Producer
Brian Rogers    Producer
Thomas Tull    Producer
Zach Shields    Executive Producer
Barry Waldman    Executive Producer
Hiro Matsuoka    Executive Producer
Keiji Ota    Executive Producer
Dan Lin    Executive Producer
Roy Lee    Executive Producer
Yoshimitsu Banno    Executive Producer
Kenji Okuhira    Executive Producer
Lawrence Sher    Director of Photography
Scott Chambliss    Production Designer
Roger Barton    Editor
Richard Pearson    Editor
Bob Ducsay    Editor
Louise Mingenbach    Costume Designer
Bear McCreary    Composer
Sarah Halley Finn    Casting Director
Thomas Robinson Harper    Stunt Coordinator
Todd Warren    Stunt Coordinator
Erik Aadahl    Sound Designer
Ethan Van der Ryn    Sound Designer
Guillaume Rocheron    Visual Effects Supervisor
Maricel Pagulayan    Visual Effects Producer
Barry Waldman    Unit Production Manager
Cliff Lanning    First Assistant Director
Dixon McPhillips    Second Assistant Director
Thomas Robinson Harper    Second Unit Director
Maricel Pagulayan    Co-Producer
Cliff Lanning    Co-Producer
Ali Mendes    Co-Producer
Jay Ashenfelter    Co-Producer
Matt Allsopp    Co-Producer/Visual Development Supervisor
Richard Mirisch    Associate Producer
Shirit Bradley    Associate Producer
Susan Ehrhart    Associate Producer
Richard Johnson    Supervising Art Director
Natasha Gerasimova    Art Director
Harry Otto    Art Director
Thomas Valentine    Art Director
John Dexter    Art Director
David E. Scott    Art Director
Amanda Moss Serino    Set Decorator
Dawn Gilliam    Script Supervisor
Whit Norris    Sound Mixer
Eric Frazier    Special Effects Supervisor
Janice Polley    Supervising Location Manager
Julie Hannum    Location Manager
Joel Harlow    Make up
Kimberly Felix-Burke    Make up
Yolanda Toussieng    Hairstylist
Michael P. Shawver    Additional Editor
Josh Schaeffer    Additional Editor
Robert Malina    Additional Editor
Sam Bollinger    First Assistant Editor
Joe Binford Jr    First Assistant Editor
Banner Gwin    Assistant Editor
Bernie Gomez    Assistant Editor
Matt Willard    Assistant Editor
Nick Coker    Assistant Editor
Jesse Chapman    Assistant Editor
Michael Goldberg    Assistant Editor
Lillian Dawson Bain    Assistant Editor
Daniel Waldman    Music Editor
Clint Bennett    Music Editor
Brian Baker    Set Designer
Tristan P. Bourne    Set Designer
Timothy Croshaw    Set Designer
Randall Wilkins    Set Designer
Kevin Cross    Set Designer
Gilbert Flores    Set Designer
Mayumi Konishi-Valentine    Set Designer
Daniela Vasem Medeiros    Set Designer
Jane Wuu    Set Designer
Brandon Jones    Sound Designer
Tim Walston    Sound Designer
Malte Bieler    Sound Effects Editor
Matt Cavanaugh    Sound Effects Editor
Dan Kenyon    Sound Effects Editor
John C. Stuver    Dialogue/ADR Editor
Michele Perrone    Dialogue/ADR Editor
Tim LeBlanc    Re-recording Mixer
Tom Ozanich    Re-recording Mixer
Alejandro Vazquez    Special Effects Supervisor
Peter Afterman    Music Supervisor
Margaret Yen    Music Supervisor
Bear McCreary    Score Producer
Simon Rhodes    Score Recordist
Casey Stone    Score Recordist
Jonny Solway    Score Recordist
Greg Hayes    Score Mixer
Robert Winter    Visual Effects Supervisor
Philipp Wolf    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for August 27th, 2019

August 28th, 2019

The Last Black Man in San Francisco

This week, the main list of new releases is particularly short for two reasons. Firstly, it is a slow week. Secondly, I’ve filtered out the TV on DVD releases for their own section. I’ve been meaning to do this for a while and we are entering the heart of TV on DVD season on the home market, so it made sense to do it this week. (I’m including all TV on DVD releases, both individual seasons and full series Megasets.) As for the biggest new releases, there are not a lot to talk about. Godzilla: King of the Monsters and The Secret Life of Pets 2 both missed expectations at the box office, but both are worth picking up for their respective target audiences. As for the best, only The Last Black Man in San Francisco and Rocketman are contenders for Pick of the Week. The latter has far better extras, but the former is the better movie and wins that title. More...

Home Market Releases for August 6th, 2019

August 7th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release. More...

Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?

June 20th, 2019

Toy Story 4

June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison. More...

International Box Office: Men in Black: International Lives Up to Its Name

June 20th, 2019

Men in Black: International

Men in Black: International did substantially better internationally with $68.22 million on 40,600 screens in 65 markets over the weekend for a total opening of $73.03 million. Its worldwide total was $103.06 million, which isn’t a bad start for a film that cost $110 million to make. It needs to have great legs and a strong home market run to break even any time soon, but this isn’t a number that should cause the studio to panic either. The film’s biggest single market was China where it earned first place with a total opening of $25.90 million, including $25.35 million on 21,000 screens over the weekend. It only managed third place in South Korea with $3.45 million on 1,055 screens over the weekend for a total opening of $4.88 million. Overall, the film is about 20% behind Men in Black 3’s opening in the same markets; however, this film also cost nearly 50% less to make, so financially, it is an improvement. More...

Thursday Night Previews: Men in Black Open Darker than Phoenix

June 14th, 2019

Men in Black: International

Men in Black: International only managed $3.1 million during its previews on Thursday, which is well below the previews earned by Dark Phoenix ($5.9 million) and Godzilla: King of Monsters ($6.3 million). All three films have similar reviews and all three are part of long running franchises, so sadly this means Men in Black: International will likely have similar legs. Sony is still projecting $30 million over the weekend, but I’m not so sure anymore. More...

International Box Office: Dark Phoenix is Brighter Internationally

June 13th, 2019

Dark Phoenix

Dark Phoenix may have struggled domestically, but it is doing a lot better internationally. The film opened with $107.0 million in 53 markets with Japan being the lone major market it didn’t debut in. China was the film’s biggest single market, representing $44.44 million of its total haul, including $31.85 million over the weekend. The film cracked $5 million in South Korea with a total opening of $5.58 million on 868 screens, including $2.82 million over the weekend. It had nearly identical results in the U.K. ($4.78 million in 615 theaters) and Mexico ($4.65 million). Unfortunately, for all of the film’s success on the international stage, the film is only looking to save face, as it cost $200 million to make and there’s nearly no chance it will recoup that in a timely fashion. More...

Weekend Wrap-Up: New Releases Miss Expectations and Estimates

June 11th, 2019

The Secret Life of Pets 2

It was a mixed weekend at the box office with neither of the two new releases matching expectations. Not only that, but most of the top five missed estimates as well. This led to a result 5.6% lower than last weekend falling to $164 million. I was really expecting growth this weekend. The Secret Life of Pets 2 led the way with $46.65 million, while Dark Phoenix really struggled with just $32.83 million. Aladdin was arguably the only real bright spot in the top five this weekend. Fortunately, this weekend last year was even worse and 2019 was able to win the year-over-year comparison by a whopping 37%. This allowed 2019 to close the gap between it and 2018 to just $300 million or 5.9% at $4.78 billion to $5.08 billion. That’s still a large gap, but it is far cry from where it once was. More...

Weekend Estimates: Pets Don’t have a Fiery Rebirth with Just $47 million

June 9th, 2019

The Secret Life of Pets 2

Neither of the two wide releases matched expectations over the weekend and in both cases, it could be the end of their respective franchises. The Secret Life of Pets 2 is earning first place with $47.11 million, which isn’t a bad result for a family film that cost $80 million to make. However, this estimate is 55% lower than the first film’s opening weekend. Internationally, it is adding $16.0 million over the weekend to its three-week total, which sits at $49.0 million. Additionally, it has yet to open in most international markets, so it should have long legs on this chart. However, it still isn’t living up to the original. Universal has to be looking at this numbers and deciding to move on from the franchise, even though this film will very likely break even sooner rather than later. Even a moderate decline for a hypothetical third film would put profitability in question. More...

Friday Estimates: Dark Day at the Box Office

June 8th, 2019

The Secret Life of Pets 2

June might be in trouble, as both of the wide releases stumbled out of the gate missing expectations. The Secret Life of Pets 2 managed first place on Friday, but with just $16.5 million. This is 57% lower than the first film managed during its opening day. Unlike the first film, school was still in session for a lot of the film’s target audience during Friday, so that could help its legs over the weekend. Universal is projecting a $47 million opening weekend, but it might climb to $50 million. Even so, that’s still a serious decline over the first movie. The film did match the original at CinemaScore earning an A minus, so its weaker reviews aren’t going to be much of an issue. Additionally, the movie only cost $80 million to make, so even a $45 million opening won’t prevent the film from breaking even sooner rather than later. More...

Thursday Night Previews: Dark Phoenix Sinks Below Apocalypse

June 7th, 2019

Dark Phoenix

Dark Phoenix had the best Thursday previews with $5 million. However, while this is tops for the weekend, it is well below comparisons. For example, Godzilla: King of the Monsters earned $6.3 million during its previews last week, while Apocalypse managed $8.2 million in previews back in 2016. Additionally, the film also has the worst reviews of these films, so it will likely have the shortest legs. That said, for a lot of high school and college students, this weekend is the start of the summer holidays, so that should help its legs during its opening weekend. Because of this, I’m still cautiously optimistic about our $52 million prediction. More...

Weekend Predictions: Can Dark Phoenix Soar Above Pets 2?

June 6th, 2019

The Secret Life of Pets 2

It could be a real race on the box office chart this weekend. The Secret Life of Pets 2 isn’t generating as much buzz as I was expecting, while there is actually some good news surrounding Dark Phoenix’s box office chances. There’s no good news regarding its reviews, that’s for sure. Also coming out this weekend is Late Night, but it is now coming out in limited release with a wide expansion next week. That’s not a good sign. This does leave one more spot in the top five for a holdover, meaning Aladdin, Godzilla: King of the Monsters, and Rocketman will all remain in the top five for at least one more weekend. This weekend last year, Ocean’s 8 opened with a decent $41.61 million and both The Secret Life of Pets 2 and Dark Phoenix should top that. 2019 should start the month with an easy win. More...

Theater Averages: Godzilla has No One to Battle on the Theater Average Chart

June 6th, 2019

Godzilla: King of the Monsters

It was a bad week on the theater average chart with only one film, Godzilla: King of the Monsters, in the $10,000 club. That film earned an average of $11,630 during its opening weekend. The best limited release was Echo in the Canyon with an average of $6,915 in 14 theaters during its second weekend of release. The best new limited release was Mayday Life with an average of $5,971 in 8 theaters. More...

International Box Office: Godzilla Stomps Through Asia, is Quieter Elsewhere

June 5th, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters was more dominant on the international chart with $130 million on 53,515 screens in 75 markets for a worldwide debut of $178 million. Most of this success came in Asia, including in China, where the movie opened in first place with $66.65 million over the weekend for a total opening of $70.41 million. Japan was the next biggest market with a haul of $8.4 million on 600, which was enough for first place in that market. The film also earned first place in Taiwan ($4.2 million on 320 screens); Thailand ($2.3 million on 705 screens); and Malaysia ($2.2 million on 653). The film had to settle for second place in a number of major markets including Mexico ($4.7 million on 2,443 screens); the U.K. ($4.43 million in 531 theaters); and France ($2.5 million on 628 screens). The film has yet to open in Spain and a number of smaller markets, so it isn’t done its international run. That said, it was an expensive movie to make and it will need help on the home market to break even. More...

Weekend Wrap-Up: Godzilla Tops Weekend Chart and Helps 2019 to Rare Win

June 4th, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters didn’t live up to expectations, but it did well enough to earn first place on the weekend box office chart. King of the Monsters opened with $47.78 million, while Aladdin was right behind with $42.84 million. This helped the overall box office hold on a lot better than expected, down just 4.3% to $174 million, which is a fantastic hold for a post-holiday weekend. The box office was also a huge improvement from this weekend last year, up 63% in the year-over-year comparison. Year-to-date, 2019 has pulled in $4.54 billion, which is still 7.4% or $380 million behind last year’s pace, but a few more wins like this and that gap won’t seem so bad anymore. That said, as anyone who’s read our monthly preview will know, I’m not expecting too many weekends like this in June. More...

Weekend Estimates: Godzilla Towers Above the Competition

June 2nd, 2019

Godzilla: King of the Monsters

As expected, Godzilla: King of the Monsters is leading the way on the weekend box office chart. However, it is falling a little short of expectations with an estimated opening weekend of $49.03 million. The film earned a B plus from CinemaScore, which is much better than its reviews, but still not stellar, while the genre isn’t known for long legs, so I’m not sure about its future. It is performing a lot better internationally with $130 million on 52,000 screens in 75 markets, including $70 million in China and $8.4 million in Japan. It has nearly matched its $200 million production budget in just one weekend, while it has yet to open in Spain and a few smaller markets. More...

Friday Estimates: Godzilla Tops Competition, but with a Soft Touch

June 1st, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters dominated the chart on Friday with $19.61 million on its opening day. The film needed to open with a couple of million dollars more than $20 million to match our prediction, but it will come close enough. Its reviews are weak and it only managed a B plus from CinemaScore, which is not great either. It appears the film is aimed at Kaiju fans and might not appeal to all action fans. That said, it is on pace to earn $50 million during its opening weekend, which is enough to be a financial success, assuming it does as well internationally. More...

Thursday Night Previews: Godzilla Floods Skull Island, but isn’t King of the Kaiju - Updated

May 31st, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters opened with $6.3 million in previews, which is almost exactly in the middle of Kong: Skull Island ($3.7 million) and Godzilla ($9.3 million). The film’s reviews have sunk to just 41% positive, which is close to the point where it will start to scare away potential moviegoers. However, I think its CinemaScore will be a lot better. I was hoping for a little more, so perhaps our $56 million prediction was a little too optimistic. That said, I think it will be close. More...

Weekend Predictions: Will Godzilla Crush the Critics with a Massive Opening Weekend?

May 30th, 2019

Aladdin

Godzilla: King of the Monsters leads a trio of new releases hoping to make an impact at the box office this weekend. It will have no trouble earning first place and even the low-end of predictions are at $50 million. Rocketman has the best reviews of the week and it could continue the positive trend for musical biopics. Finally there’s MA, a psychological horror that could become a midlevel hit, but even if it fails to live up to expectations, it was inexpensive enough to break even. Meanwhile, Aladdin and John Wick: Chapter 3 - Parabellum will remain in the top five, while Avengers: Endgame could be one of six films earning more than $10 million over the weekend. This weekend last year, Adrift was the biggest new release opening with just $11.60 million, while Solo: A Star Wars Story was the number one film with $29.40 million. There should be three films that top Solo and as many as six that top Adrift. 2019 should come away with an easy win. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

Godzilla: King of the Monsters Trailer

December 11th, 2018

Sci-fi action movie starring Vera Farmiga and Kyle Chandler opens May 31 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

An action adventure that pits Godzilla against some of the most popular monsters in pop culture history.

Metrics

Opening Weekend:$47,776,293 (43.2% of total gross)
Legs:2.31 (domestic box office/biggest weekend)
Domestic Share:28.8% (domestic box office/worldwide)
Production Budget:$170,000,000 (worldwide box office is 2.3 times production budget)
Theater counts:4,108 opening theaters/4,108 max. theaters, 4.2 weeks average run per theater
Infl. Adj. Dom. BO $130,042,741

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 601-700) 683 $110,500,138
All Time International Box Office (Rank 301-400) 322 $272,799,776
All Time Worldwide Box Office (Rank 301-400) 379 $383,299,914

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix
Hulu:Hulu

Movie Details

Domestic Releases: May 31st, 2019 (Wide) by Warner Bros.
May 31st, 2019 (IMAX) by Warner Bros.
International Releases: May 29th, 2019 (Wide) (France)
May 29th, 2019 (Wide) (Indonesia)
May 29th, 2019 (Wide) (South Korea)
May 29th, 2019 (Wide) (Taiwan)
May 29th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: August 13th, 2019 by Warner Home Video
MPAA Rating: PG-13 for sequences of monster action violence and destruction, and for some language.
(Rating bulletin 2544 (Cert #51815), 9/12/2018)
Running Time: 132 minutes
Franchise: Godzilla
MonsterVerse
Comparisons: vs. Godzilla
Create your own comparison chart…
Keywords: Creature Feature, Kaiju, Remake, Foreign-Language Remake, 3-D, 3-D - Post-production Conversion, IMAX: DMR
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Warner Bros., Legendary Pictures, Toho Co, Huahua Film
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest Domestic May Weekend 83 $47,776,293 May 31, 2019 3
Top Science Fiction Weekend Domestic 83 $47,776,293 May 31, 2019 3
Top Warner Bros. Weekend Domestic 74 $47,776,293 May 31, 2019 3

Leading Cast

Millie Bobby Brown    Madison Russell

Supporting Cast

Kyle Chandler    Dr. Mark Russell
Vera Farmiga    Dr. Emma Russell
Bradley Whitford    Dr. Rick Stanton
Sally Hawkins    Dr. Vivienne Graham
Charles Dance    Alan Jonah
Thomas Middleditch    Sam Coleman
O'Shea Jackson, Jr.    Chief Warrant Officer Barnes
Ken Watanabe    Dr. Ishiro Serizawa
Zhang Ziyi    Dr. Ilene Chen
David Strathairn    Admiral William Stenz
Aisha Hinds    Colonel Diane Foster
Anthony Ramos    Cpl. Martinez
Elizabeth Ludlow    First Lieutenant Lauren Griffin
Jonathan Howard    Asher Jonah
CCH Pounder    Senator Williams
Joe Morton    Dr. Houston Brooks
Randall P. Havens*    Dr. Tim Mancini
Lyle Brocato    XO Bowman
Jimmy Gonzales    Commander Crane
T.C. Matherne    Master Sergeant Hendricks
Kenneth Israel    Argo Deck Officer Zellner
Justice Leak    Monarch Officer Martin
Al Vicente    Isla De Mara Fisherman
Rose Bianco    Isla De Mara Grandmother
Gabriel L. Silva    Isla De La Mara Grandson
Skylar Denney    Argo Office Arvin
Kelli Garner    Argo Officer Cross
Tyler Crumley    Young Andrew
Alexandra Rabe    Young Madison
Zac Zedalis    Sergeant Travis
Tracie Garrison    Asaj
Natalie Shaheen    Lieutenant Bottin
Jesse O’Neill    Corporal Winston
Joshua Leary    Sgt. Baker
Vince Foster    G-Team Officer Tippett
Shauna Rappold    G-Team Officer Harryhausen
Fiona Hardingham    News Anchor
Orelon Sidney    News Anchor
Paul Ryden    News Anchor
Laurie Dhue    News Anchor
Kevin Shinick    Weather Man
T.J. Storm    Godzilla (Performance Capture)
Jason Liles    King Ghidorah (Performance Capture)
Alan Maxson    King Ghidorah (Performance Capture)
Richard Dorton    King Ghidorah (Performance Capture)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Dougherty    Director
Michael Dougherty    Screenwriter
Zach Shields    Screenwriter
Max Borenstein    Story by
Michael Dougherty    Story by
Zach Shields    Story by
Mary Parent    Producer
Alex Garcia    Producer
Jon Jashni    Producer
Brian Rogers    Producer
Thomas Tull    Producer
Zach Shields    Executive Producer
Barry Waldman    Executive Producer
Hiro Matsuoka    Executive Producer
Keiji Ota    Executive Producer
Dan Lin    Executive Producer
Roy Lee    Executive Producer
Yoshimitsu Banno    Executive Producer
Kenji Okuhira    Executive Producer
Lawrence Sher    Director of Photography
Scott Chambliss    Production Designer
Roger Barton    Editor
Richard Pearson    Editor
Bob Ducsay    Editor
Louise Mingenbach    Costume Designer
Bear McCreary    Composer
Sarah Halley Finn    Casting Director
Thomas Robinson Harper    Stunt Coordinator
Todd Warren    Stunt Coordinator
Erik Aadahl    Sound Designer
Ethan Van der Ryn    Sound Designer
Guillaume Rocheron    Visual Effects Supervisor
Maricel Pagulayan    Visual Effects Producer
Barry Waldman    Unit Production Manager
Cliff Lanning    First Assistant Director
Dixon McPhillips    Second Assistant Director
Thomas Robinson Harper    Second Unit Director
Maricel Pagulayan    Co-Producer
Cliff Lanning    Co-Producer
Ali Mendes    Co-Producer
Jay Ashenfelter    Co-Producer
Matt Allsopp    Co-Producer/Visual Development Supervisor
Richard Mirisch    Associate Producer
Shirit Bradley    Associate Producer
Susan Ehrhart    Associate Producer
Richard Johnson    Supervising Art Director
Natasha Gerasimova    Art Director
Harry Otto    Art Director
Thomas Valentine    Art Director
John Dexter    Art Director
David E. Scott    Art Director
Amanda Moss Serino    Set Decorator
Dawn Gilliam    Script Supervisor
Whit Norris    Sound Mixer
Eric Frazier    Special Effects Supervisor
Janice Polley    Supervising Location Manager
Julie Hannum    Location Manager
Joel Harlow    Make up
Kimberly Felix-Burke    Make up
Yolanda Toussieng    Hairstylist
Michael P. Shawver    Additional Editor
Josh Schaeffer    Additional Editor
Robert Malina    Additional Editor
Sam Bollinger    First Assistant Editor
Joe Binford Jr    First Assistant Editor
Banner Gwin    Assistant Editor
Bernie Gomez    Assistant Editor
Matt Willard    Assistant Editor
Nick Coker    Assistant Editor
Jesse Chapman    Assistant Editor
Michael Goldberg    Assistant Editor
Lillian Dawson Bain    Assistant Editor
Daniel Waldman    Music Editor
Clint Bennett    Music Editor
Brian Baker    Set Designer
Tristan P. Bourne    Set Designer
Timothy Croshaw    Set Designer
Randall Wilkins    Set Designer
Kevin Cross    Set Designer
Gilbert Flores    Set Designer
Mayumi Konishi-Valentine    Set Designer
Daniela Vasem Medeiros    Set Designer
Jane Wuu    Set Designer
Brandon Jones    Sound Designer
Tim Walston    Sound Designer
Malte Bieler    Sound Effects Editor
Matt Cavanaugh    Sound Effects Editor
Dan Kenyon    Sound Effects Editor
John C. Stuver    Dialogue/ADR Editor
Michele Perrone    Dialogue/ADR Editor
Tim LeBlanc    Re-recording Mixer
Tom Ozanich    Re-recording Mixer
Alejandro Vazquez    Special Effects Supervisor
Peter Afterman    Music Supervisor
Margaret Yen    Music Supervisor
Bear McCreary    Score Producer
Simon Rhodes    Score Recordist
Casey Stone    Score Recordist
Jonny Solway    Score Recordist
Greg Hayes    Score Mixer
Robert Winter    Visual Effects Supervisor
Philipp Wolf    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for August 27th, 2019

August 28th, 2019

The Last Black Man in San Francisco

This week, the main list of new releases is particularly short for two reasons. Firstly, it is a slow week. Secondly, I’ve filtered out the TV on DVD releases for their own section. I’ve been meaning to do this for a while and we are entering the heart of TV on DVD season on the home market, so it made sense to do it this week. (I’m including all TV on DVD releases, both individual seasons and full series Megasets.) As for the biggest new releases, there are not a lot to talk about. Godzilla: King of the Monsters and The Secret Life of Pets 2 both missed expectations at the box office, but both are worth picking up for their respective target audiences. As for the best, only The Last Black Man in San Francisco and Rocketman are contenders for Pick of the Week. The latter has far better extras, but the former is the better movie and wins that title. More...

Home Market Releases for August 6th, 2019

August 7th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release. More...

Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?

June 20th, 2019

Toy Story 4

June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison. More...

International Box Office: Men in Black: International Lives Up to Its Name

June 20th, 2019

Men in Black: International

Men in Black: International did substantially better internationally with $68.22 million on 40,600 screens in 65 markets over the weekend for a total opening of $73.03 million. Its worldwide total was $103.06 million, which isn’t a bad start for a film that cost $110 million to make. It needs to have great legs and a strong home market run to break even any time soon, but this isn’t a number that should cause the studio to panic either. The film’s biggest single market was China where it earned first place with a total opening of $25.90 million, including $25.35 million on 21,000 screens over the weekend. It only managed third place in South Korea with $3.45 million on 1,055 screens over the weekend for a total opening of $4.88 million. Overall, the film is about 20% behind Men in Black 3’s opening in the same markets; however, this film also cost nearly 50% less to make, so financially, it is an improvement. More...

Thursday Night Previews: Men in Black Open Darker than Phoenix

June 14th, 2019

Men in Black: International

Men in Black: International only managed $3.1 million during its previews on Thursday, which is well below the previews earned by Dark Phoenix ($5.9 million) and Godzilla: King of Monsters ($6.3 million). All three films have similar reviews and all three are part of long running franchises, so sadly this means Men in Black: International will likely have similar legs. Sony is still projecting $30 million over the weekend, but I’m not so sure anymore. More...

International Box Office: Dark Phoenix is Brighter Internationally

June 13th, 2019

Dark Phoenix

Dark Phoenix may have struggled domestically, but it is doing a lot better internationally. The film opened with $107.0 million in 53 markets with Japan being the lone major market it didn’t debut in. China was the film’s biggest single market, representing $44.44 million of its total haul, including $31.85 million over the weekend. The film cracked $5 million in South Korea with a total opening of $5.58 million on 868 screens, including $2.82 million over the weekend. It had nearly identical results in the U.K. ($4.78 million in 615 theaters) and Mexico ($4.65 million). Unfortunately, for all of the film’s success on the international stage, the film is only looking to save face, as it cost $200 million to make and there’s nearly no chance it will recoup that in a timely fashion. More...

Weekend Wrap-Up: New Releases Miss Expectations and Estimates

June 11th, 2019

The Secret Life of Pets 2

It was a mixed weekend at the box office with neither of the two new releases matching expectations. Not only that, but most of the top five missed estimates as well. This led to a result 5.6% lower than last weekend falling to $164 million. I was really expecting growth this weekend. The Secret Life of Pets 2 led the way with $46.65 million, while Dark Phoenix really struggled with just $32.83 million. Aladdin was arguably the only real bright spot in the top five this weekend. Fortunately, this weekend last year was even worse and 2019 was able to win the year-over-year comparison by a whopping 37%. This allowed 2019 to close the gap between it and 2018 to just $300 million or 5.9% at $4.78 billion to $5.08 billion. That’s still a large gap, but it is far cry from where it once was. More...

Weekend Estimates: Pets Don’t have a Fiery Rebirth with Just $47 million

June 9th, 2019

The Secret Life of Pets 2

Neither of the two wide releases matched expectations over the weekend and in both cases, it could be the end of their respective franchises. The Secret Life of Pets 2 is earning first place with $47.11 million, which isn’t a bad result for a family film that cost $80 million to make. However, this estimate is 55% lower than the first film’s opening weekend. Internationally, it is adding $16.0 million over the weekend to its three-week total, which sits at $49.0 million. Additionally, it has yet to open in most international markets, so it should have long legs on this chart. However, it still isn’t living up to the original. Universal has to be looking at this numbers and deciding to move on from the franchise, even though this film will very likely break even sooner rather than later. Even a moderate decline for a hypothetical third film would put profitability in question. More...

Friday Estimates: Dark Day at the Box Office

June 8th, 2019

The Secret Life of Pets 2

June might be in trouble, as both of the wide releases stumbled out of the gate missing expectations. The Secret Life of Pets 2 managed first place on Friday, but with just $16.5 million. This is 57% lower than the first film managed during its opening day. Unlike the first film, school was still in session for a lot of the film’s target audience during Friday, so that could help its legs over the weekend. Universal is projecting a $47 million opening weekend, but it might climb to $50 million. Even so, that’s still a serious decline over the first movie. The film did match the original at CinemaScore earning an A minus, so its weaker reviews aren’t going to be much of an issue. Additionally, the movie only cost $80 million to make, so even a $45 million opening won’t prevent the film from breaking even sooner rather than later. More...

Thursday Night Previews: Dark Phoenix Sinks Below Apocalypse

June 7th, 2019

Dark Phoenix

Dark Phoenix had the best Thursday previews with $5 million. However, while this is tops for the weekend, it is well below comparisons. For example, Godzilla: King of the Monsters earned $6.3 million during its previews last week, while Apocalypse managed $8.2 million in previews back in 2016. Additionally, the film also has the worst reviews of these films, so it will likely have the shortest legs. That said, for a lot of high school and college students, this weekend is the start of the summer holidays, so that should help its legs during its opening weekend. Because of this, I’m still cautiously optimistic about our $52 million prediction. More...

Weekend Predictions: Can Dark Phoenix Soar Above Pets 2?

June 6th, 2019

The Secret Life of Pets 2

It could be a real race on the box office chart this weekend. The Secret Life of Pets 2 isn’t generating as much buzz as I was expecting, while there is actually some good news surrounding Dark Phoenix’s box office chances. There’s no good news regarding its reviews, that’s for sure. Also coming out this weekend is Late Night, but it is now coming out in limited release with a wide expansion next week. That’s not a good sign. This does leave one more spot in the top five for a holdover, meaning Aladdin, Godzilla: King of the Monsters, and Rocketman will all remain in the top five for at least one more weekend. This weekend last year, Ocean’s 8 opened with a decent $41.61 million and both The Secret Life of Pets 2 and Dark Phoenix should top that. 2019 should start the month with an easy win. More...

Theater Averages: Godzilla has No One to Battle on the Theater Average Chart

June 6th, 2019

Godzilla: King of the Monsters

It was a bad week on the theater average chart with only one film, Godzilla: King of the Monsters, in the $10,000 club. That film earned an average of $11,630 during its opening weekend. The best limited release was Echo in the Canyon with an average of $6,915 in 14 theaters during its second weekend of release. The best new limited release was Mayday Life with an average of $5,971 in 8 theaters. More...

International Box Office: Godzilla Stomps Through Asia, is Quieter Elsewhere

June 5th, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters was more dominant on the international chart with $130 million on 53,515 screens in 75 markets for a worldwide debut of $178 million. Most of this success came in Asia, including in China, where the movie opened in first place with $66.65 million over the weekend for a total opening of $70.41 million. Japan was the next biggest market with a haul of $8.4 million on 600, which was enough for first place in that market. The film also earned first place in Taiwan ($4.2 million on 320 screens); Thailand ($2.3 million on 705 screens); and Malaysia ($2.2 million on 653). The film had to settle for second place in a number of major markets including Mexico ($4.7 million on 2,443 screens); the U.K. ($4.43 million in 531 theaters); and France ($2.5 million on 628 screens). The film has yet to open in Spain and a number of smaller markets, so it isn’t done its international run. That said, it was an expensive movie to make and it will need help on the home market to break even. More...

Weekend Wrap-Up: Godzilla Tops Weekend Chart and Helps 2019 to Rare Win

June 4th, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters didn’t live up to expectations, but it did well enough to earn first place on the weekend box office chart. King of the Monsters opened with $47.78 million, while Aladdin was right behind with $42.84 million. This helped the overall box office hold on a lot better than expected, down just 4.3% to $174 million, which is a fantastic hold for a post-holiday weekend. The box office was also a huge improvement from this weekend last year, up 63% in the year-over-year comparison. Year-to-date, 2019 has pulled in $4.54 billion, which is still 7.4% or $380 million behind last year’s pace, but a few more wins like this and that gap won’t seem so bad anymore. That said, as anyone who’s read our monthly preview will know, I’m not expecting too many weekends like this in June. More...

Weekend Estimates: Godzilla Towers Above the Competition

June 2nd, 2019

Godzilla: King of the Monsters

As expected, Godzilla: King of the Monsters is leading the way on the weekend box office chart. However, it is falling a little short of expectations with an estimated opening weekend of $49.03 million. The film earned a B plus from CinemaScore, which is much better than its reviews, but still not stellar, while the genre isn’t known for long legs, so I’m not sure about its future. It is performing a lot better internationally with $130 million on 52,000 screens in 75 markets, including $70 million in China and $8.4 million in Japan. It has nearly matched its $200 million production budget in just one weekend, while it has yet to open in Spain and a few smaller markets. More...

Friday Estimates: Godzilla Tops Competition, but with a Soft Touch

June 1st, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters dominated the chart on Friday with $19.61 million on its opening day. The film needed to open with a couple of million dollars more than $20 million to match our prediction, but it will come close enough. Its reviews are weak and it only managed a B plus from CinemaScore, which is not great either. It appears the film is aimed at Kaiju fans and might not appeal to all action fans. That said, it is on pace to earn $50 million during its opening weekend, which is enough to be a financial success, assuming it does as well internationally. More...

Thursday Night Previews: Godzilla Floods Skull Island, but isn’t King of the Kaiju - Updated

May 31st, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters opened with $6.3 million in previews, which is almost exactly in the middle of Kong: Skull Island ($3.7 million) and Godzilla ($9.3 million). The film’s reviews have sunk to just 41% positive, which is close to the point where it will start to scare away potential moviegoers. However, I think its CinemaScore will be a lot better. I was hoping for a little more, so perhaps our $56 million prediction was a little too optimistic. That said, I think it will be close. More...

Weekend Predictions: Will Godzilla Crush the Critics with a Massive Opening Weekend?

May 30th, 2019

Aladdin

Godzilla: King of the Monsters leads a trio of new releases hoping to make an impact at the box office this weekend. It will have no trouble earning first place and even the low-end of predictions are at $50 million. Rocketman has the best reviews of the week and it could continue the positive trend for musical biopics. Finally there’s MA, a psychological horror that could become a midlevel hit, but even if it fails to live up to expectations, it was inexpensive enough to break even. Meanwhile, Aladdin and John Wick: Chapter 3 - Parabellum will remain in the top five, while Avengers: Endgame could be one of six films earning more than $10 million over the weekend. This weekend last year, Adrift was the biggest new release opening with just $11.60 million, while Solo: A Star Wars Story was the number one film with $29.40 million. There should be three films that top Solo and as many as six that top Adrift. 2019 should come away with an easy win. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

Godzilla: King of the Monsters Trailer

December 11th, 2018

Sci-fi action movie starring Vera Farmiga and Kyle Chandler opens May 31 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 31, 2019 1 $47,776,293   4,108 $11,630   $47,776,293 1
Jun 7, 2019 4 $15,450,407 -68% 4,108 $3,761   $78,507,504 2
Jun 14, 2019 7 $8,788,845 -43% 3,207 $2,741   $94,372,017 3
Jun 21, 2019 8 $3,855,801 -56% 2,368 $1,628   $102,501,438 4
Jun 28, 2019 11 $2,135,771 -45% 1,370 $1,559   $106,666,722 5
Jul 5, 2019 13 $800,428 -63% 721 $1,110   $108,263,170 6
Jul 12, 2019 16 $458,536 -43% 434 $1,057   $109,191,018 7
Jul 19, 2019 24 $168,126 -63% 218 $771   $109,600,735 8
Jul 26, 2019 18 $222,539 +32% 238 $935   $109,935,054 9
Aug 2, 2019 20 $123,196 -45% 192 $642   $110,197,697 10
Aug 9, 2019 32 $68,081 -45% 121 $563   $110,346,372 11
Aug 16, 2019 39 $47,261 -31% 95 $497   $110,429,154 12
Aug 23, 2019 46 $34,266 -27% 64 $535   $110,481,291 13

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2019 P $6,300,000     0     $6,300,000  
May 31, 2019 1 $19,476,894     4,108 $4,741   $19,476,894 1
Jun 1, 2019 2 $16,136,293 -17%   4,108 $3,928   $35,613,187 2
Jun 2, 2019 2 $12,163,106 -25%   4,108 $2,961   $47,776,293 3
Jun 3, 2019 2 $3,852,096 -68%   4,108 $938   $51,628,389 4
Jun 4, 2019 2 $5,532,586 +44%   4,108 $1,347   $57,160,975 5
Jun 5, 2019 2 $3,247,527 -41%   4,108 $791   $60,408,502 6
Jun 6, 2019 2 $2,648,595 -18%   4,108 $645   $63,057,097 7
Jun 7, 2019 4 $4,187,861 +58% -78% 4,108 $1,019   $67,244,958 8
Jun 8, 2019 4 $6,323,831 +51% -61% 4,108 $1,539   $73,568,789 9
Jun 9, 2019 4 $4,938,715 -22% -59% 4,108 $1,202   $78,507,504 10
Jun 10, 2019 4 $1,674,271 -66% -57% 4,108 $408   $80,181,775 11
Jun 11, 2019 4 $2,470,044 +48% -55% 4,108 $601   $82,651,819 12
Jun 12, 2019 4 $1,585,122 -36% -51% 4,108 $386   $84,236,941 13
Jun 13, 2019 5 $1,346,231 -15% -49% 4,108 $328   $85,583,172 14
Jun 14, 2019 7 $2,230,542 +66% -47% 3,207 $696   $87,813,714 15
Jun 15, 2019 6 $3,235,164 +45% -49% 3,207 $1,009   $91,048,878 16
Jun 16, 2019 6 $3,323,139 +3% -33% 3,207 $1,036   $94,372,017 17
Jun 17, 2019 6 $1,031,785 -69% -38% 3,207 $322   $95,403,802 18
Jun 18, 2019 6 $1,446,351 +40% -41% 3,207 $451   $96,850,153 19
Jun 19, 2019 5 $1,015,069 -30% -36% 3,207 $317   $97,865,222 20
Jun 20, 2019 6 $780,415 -23% -42% 3,207 $243   $98,645,637 21
Jun 21, 2019 9 $1,077,452 +38% -52% 2,368 $455   $99,723,089 22
Jun 22, 2019 8 $1,561,081 +45% -52% 2,368 $659   $101,284,170 23
Jun 23, 2019 8 $1,217,268 -22% -63% 2,368 $514   $102,501,438 24
Jun 24, 2019 7 $545,864 -55% -47% 2,368 $231   $103,047,302 25
Jun 25, 2019 7 $664,270 +22% -54% 2,368 $281   $103,711,572 26
Jun 26, 2019 9 $418,587 -37% -59% 2,368 $177   $104,130,159 27
Jun 27, 2019 9 $400,792 -4% -49% 2,368 $169   $104,530,951 28
Jun 28, 2019 11 $567,689 +42% -47% 1,370 $414   $105,098,640 29
Jun 29, 2019 11 $848,809 +50% -46% 1,370 $620   $105,947,449 30
Jun 30, 2019 11 $719,273 -15% -41% 1,370 $525   $106,666,722 31
Jul 1, 2019 11 $324,956 -55% -40% 1,370 $237   $106,991,678 32
Jul 2, 2019 13 $151,786 -53% -77% 813 $187   $107,143,464 33
Jul 3, 2019 13 $140,684 -7% -66% 813 $173   $107,284,148 34
Jul 4, 2019 14 $178,594 +27% -55% 813 $220   $107,462,742 35
Jul 5, 2019 13 $261,690 +47% -54% 721 $363   $107,724,432 36
Jul 6, 2019 13 $315,872 +21% -63% 721 $438   $108,040,304 37
Jul 7, 2019 13 $222,866 -29% -69% 721 $309   $108,263,170 38
Jul 8, 2019 13 $113,482 -49% -65% 721 $157   $108,376,652 39
Jul 9, 2019 13 $151,645 +34% n/c 721 $210   $108,528,297 40
Jul 10, 2019 13 $113,077 -25% -20% 721 $157   $108,641,374 41
Jul 11, 2019 13 $91,108 -19% -49% 721 $126   $108,732,482 42
Jul 12, 2019 15 $137,716 +51% -47% 434 $317   $108,870,198 43
Jul 13, 2019 15 $176,502 +28% -44% 434 $407   $109,046,700 44
Jul 14, 2019 15 $144,318 -18% -35% 434 $333   $109,191,018 45
Jul 15, 2019 - $60,316 -58% -47% 434 $139   $109,251,334 46
Jul 16, 2019 - $81,591 +35% -46% 434 $188   $109,332,925 47
Jul 17, 2019 - $60,211 -26% -47% 434 $139   $109,393,136 48
Jul 18, 2019 - $39,473 -34% -57% 434 $91   $109,432,609 49
Jul 19, 2019 - $44,804 +14% -67% 218 $206   $109,477,413 50
Jul 20, 2019 - $69,448 +55% -61% 218 $319   $109,546,861 51
Jul 21, 2019 - $53,874 -22% -63% 218 $247   $109,600,735 52
Jul 22, 2019 - $25,789 -52% -57% 218 $118   $109,626,524 53
Jul 23, 2019 - $34,168 +32% -58% 218 $157   $109,660,692 54
Jul 24, 2019 - $27,202 -20% -55% 218 $125   $109,687,894 55
Jul 25, 2019 - $24,621 -9% -38% 218 $113   $109,712,515 56
Jul 26, 2019 - $59,173 +140% +32% 238 $249   $109,771,688 57
Jul 27, 2019 - $89,151 +51% +28% 238 $375   $109,860,839 58
Jul 28, 2019 - $74,215 -17% +38% 238 $312   $109,935,054 59
Jul 29, 2019 - $33,877 -54% +31% 238 $142   $109,968,931 60
Jul 30, 2019 - $43,636 +29% +28% 238 $183   $110,012,567 61
Jul 31, 2019 - $32,513 -25% +20% 238 $137   $110,045,080 62
Aug 1, 2019 - $29,421 -10% +19% 238 $124   $110,074,501 63
Aug 2, 2019 - $33,254 +13% -44% 192 $173   $110,107,755 64
Aug 3, 2019 - $48,085 +45% -46% 192 $250   $110,155,840 65
Aug 4, 2019 - $41,857 -13% -44% 192 $218   $110,197,697 66
Aug 5, 2019 - $19,837 -53% -41% 192 $103   $110,217,534 67
Aug 6, 2019 - $24,468 +23% -44% 192 $127   $110,242,002 68
Aug 7, 2019 - $19,186 -22% -41% 192 $100   $110,261,188 69
Aug 8, 2019 - $17,103 -11% -42% 192 $89   $110,278,291 70
Aug 9, 2019 - $16,527 -3% -50% 121 $137   $110,294,818 71
Aug 10, 2019 - $28,921 +75% -40% 121 $239   $110,323,739 72
Aug 11, 2019 - $22,633 -22% -46% 121 $187   $110,346,372 73
Aug 12, 2019 - $9,164 -60% -54% 121 $76   $110,355,536 74
Aug 13, 2019 - $10,831 +18% -56% 121 $90   $110,366,367 75
Aug 14, 2019 - $7,515 -31% -61% 121 $62   $110,373,882 76
Aug 15, 2019 - $8,011 +7% -53% 121 $66   $110,381,893 77
Aug 16, 2019 - $11,267 +41% -32% 95 $119   $110,393,160 78
Aug 17, 2019 - $20,891 +85% -28% 95 $220   $110,414,051 79
Aug 18, 2019 - $15,103 -28% -33% 95 $159   $110,429,154 80
Aug 19, 2019 - $4,653 -69% -49% 95 $49   $110,433,807 81
Aug 20, 2019 - $4,761 +2% -56% 95 $50   $110,438,568 82
Aug 21, 2019 - $4,176 -12% -44% 95 $44   $110,442,744 83
Aug 22, 2019 - $4,281 +3% -47% 95 $45   $110,447,025 84
Aug 23, 2019 - $8,259 +93% -27% 64 $129   $110,455,284 85
Aug 24, 2019 - $15,211 +84% -27% 64 $238   $110,470,495 86
Aug 25, 2019 - $10,796 -29% -29% 64 $169   $110,481,291 87
Aug 26, 2019 - $3,106 -71% -33% 64 $49   $110,484,397 88
Aug 27, 2019 - $5,687 +83% +19% 64 $89   $110,490,084 89
Aug 28, 2019 - $5,107 -10% +22% 64 $80   $110,495,191 90
Aug 29, 2019 - $4,947 -3% +16% 64 $77   $110,500,138 91

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 31, 2019 2 $63,057,097   4,108 $15,350   $63,057,097 1
Jun 7, 2019 4 $22,526,075 -64% 4,108 $5,483   $85,583,172 2
Jun 14, 2019 6 $13,062,465 -42% 3,207 $4,073   $98,645,637 3
Jun 21, 2019 9 $5,885,314 -55% 2,368 $2,485   $104,530,951 4
Jun 28, 2019 13 $2,931,791 -50% 813 $3,606   $107,462,742 5
Jul 5, 2019 13 $1,269,740 -57% 721 $1,761   $108,732,482 6
Jul 12, 2019 18 $700,127 -45% 434 $1,613   $109,432,609 7
Jul 19, 2019 24 $279,906 -60% 218 $1,284   $109,712,515 8
Jul 26, 2019 19 $361,986 +29% 238 $1,521   $110,074,501 9
Aug 2, 2019 20 $203,790 -44% 192 $1,061   $110,278,291 10
Aug 9, 2019 34 $103,602 -49% 121 $856   $110,381,893 11
Aug 16, 2019 45 $65,132 -37% 95 $686   $110,447,025 12
Aug 23, 2019 48 $53,113 -18% 64 $830   $110,500,138 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/31/2019 $375,916 323 323 618 $850,685 7/11/2019
Australia 5/30/2019 $1,838,411 379 379 1,256 $4,290,000 10/19/2022
Brazil 5/31/2019 $1,167,214 1,045 1,045 1,170 $1,906,033 6/14/2019
Bulgaria 5/31/2019 $87,733 0 0 0 $267,128 8/8/2019
China 5/31/2019 $2,450,000 1,807 170,525 299,517 $135,749,472 8/8/2019
Czech Republic 5/31/2019 $92,638 133 133 274 $210,026 10/19/2022
France 5/29/2019 $2,500,000 0 549 1,785 $5,600,000 10/19/2022
Germany 5/30/2019 $1,701,874 0 915 915 $4,700,000 10/19/2022
Hong Kong 5/30/2019 $0 0 0 0 $523,000 6/4/2019
India 5/31/2019 $2,600,000 1,721 1,721 1,721 $4,330,000 10/19/2022
Indonesia 5/29/2019 $3,500,000 727 727 1,416 $7,800,000 7/15/2019
Italy 5/30/2019 $1,136,117 0 6 6 $2,500,534 7/12/2019
Japan 5/31/2019 $8,400,000 600 600 2,000 $25,300,000 10/19/2022
Lithuania 5/31/2019 $31,092 131 131 318 $91,779 10/19/2022
Malaysia 5/30/2019 $2,200,000 653 653 1,138 $5,900,000 10/19/2022
Mexico 5/31/2019 $4,710,943 0 0 0 $10,100,000 10/19/2022
Netherlands 5/31/2019 $618,504 101 101 423 $1,462,165 7/9/2019
Poland 6/14/2019 $285,439 189 189 567 $917,507 7/11/2019
Portugal 5/31/2019 $143,327 85 85 282 $407,969 10/19/2022
Russia (CIS) 5/30/2019 $2,394,990 1,723 1,725 5,079 $4,500,000 10/19/2022
Slovakia 5/31/2019 $85,996 75 75 150 $168,255 7/2/2019
South Korea 5/29/2019 $1,444,200 620 620 799 $2,657,406 6/26/2019
Spain 6/21/2019 $518,930 303 310 1,194 $1,623,359 7/25/2019
Taiwan 5/29/2019 $4,200,000 320 320 515 $8,200,000 10/19/2022
Thailand 5/30/2019 $2,300,000 705 705 705 $3,600,000 6/13/2019
Turkey 5/31/2019 $135,223 405 405 992 $510,806 7/11/2019
United Kingdom 5/29/2019 $4,426,700 531 540 2,001 $8,800,000 10/19/2022
Vietnam 5/31/2019 $0 0 0 0 $401,000 6/4/2019
 
Rest of World $29,432,652
 
International Total$272,799,776 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 1, 20191155,746 155,746$2,801,871$2,801,8713
Sep 8, 20191169,497+9% 325,243$3,049,251$5,851,1224
Sep 15, 2019328,930-83% 354,173$520,451$6,371,5735
Sep 22, 20191216,289-44% 370,462$223,159$6,594,7326
Sep 29, 20191424,160+48% 394,622$433,914$7,028,6467
Oct 6, 20191914,664-39% 409,286$263,805$7,292,4518
Apr 11, 20211911,926 665,989$247,703$10,036,52087
Apr 18, 20212010,753-10% 676,742$223,340$10,259,86088
May 2, 2021206,781 691,603$140,841$10,568,52390
May 9, 2021207,971+18% 699,574$165,558$10,734,08191
May 16, 2021205,419-32% 704,993$112,553$10,846,63492
Jun 6, 2021197,982 721,107$166,505$11,153,87495
Jun 13, 20211514,962+87% 736,069$312,107$11,465,98196
Jun 20, 2021138,873-41% 744,942$185,091$11,651,07297
Jul 4, 20211512,119 763,617$261,286$12,049,11699
Jul 11, 20211511,155-8% 774,772$240,502$12,289,618100

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 1, 20191321,639 321,639$7,847,992$7,847,9923
Sep 8, 2019392,856-71% 414,495$2,265,680$10,113,6724
Sep 15, 2019635,930-61% 450,425$876,688$10,990,3605
Sep 22, 2019627,952-22% 478,377$460,766$11,451,1266
Sep 29, 20191518,610-33% 496,987$454,087$11,905,2137
Oct 13, 2019159,644 517,356$235,318$12,402,2129
Oct 20, 2019208,674-10% 526,030$211,656$12,613,86810
Oct 27, 20191211,956+38% 537,986$291,738$12,905,60611
Nov 3, 20191910,813-10% 548,799$177,022$13,082,62812
Nov 10, 2019205,030-53% 553,829$122,731$13,205,35913
Dec 1, 20195247,710 813,813$3,595,607$17,023,24116
Dec 8, 20191448,719-80% 862,532$1,188,746$18,211,98717
Dec 29, 20191927,258 922,708$359,266$18,987,46420
Jan 26, 20201212,987 955,228$153,298$19,455,59424
Jan 31, 202198,427 1,004,366$184,298$20,241,58677
Feb 7, 2021711,880+41% 1,016,246$259,816$20,501,40278
Feb 14, 2021148,564-28% 1,024,810$187,295$20,688,69779
Mar 21, 2021189,514 1,045,566$197,606$21,055,52484
Mar 28, 2021108,946-6% 1,054,512$185,808$21,241,33285
Apr 4, 2021811,426+28% 1,065,938$237,318$21,478,65086
Apr 11, 2021129,925-13% 1,075,863$206,142$21,684,79287
Apr 18, 2021117,208-27% 1,083,071$149,710$21,834,50288
Apr 25, 2021176,043-16% 1,089,114$125,513$21,960,01589
May 2, 2021195,086-16% 1,094,200$105,636$22,065,65190
May 16, 2021205,993 1,105,757$124,475$22,305,69092
Jun 6, 2021177,254 1,124,527$151,318$22,681,30295
Jun 13, 2021186,226-14% 1,130,753$129,874$22,811,17696

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.