Godzilla vs. Kong (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $100,916,094 | Details |
| International Box Office | $369,200,000 | Details |
| Worldwide Box Office | $470,116,094 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $13,763,170 | |
| Blu-ray Sales (estimated) | $23,188,625 | |
| Total | $36,951,795 | |
| OpusData ID: 244640100 More info... | ||
| Further financial details... | ||
Synopsis
Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The epic clash between the two titans—instigated by unseen forces—is only the beginning of the mystery that lies deep within the core of the Earth.
Metrics
| Opening Weekend: | $32,200,000 (31.9% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 21.5% (domestic box office/worldwide) |
| Production Budget: | $155,000,000 (worldwide box office is 3.0 times production budget) |
| Theater counts: | 3,064 opening theaters/3,084 max. theaters, 9.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $118,678,123 |
Movie Details
| Domestic Releases: | March 31st, 2021 (Wide) by Warner Bros. March 31st, 2021 (IMAX) by Warner Bros. |
| International Releases: | March 25th, 2021 (Wide) (Australia)
March 25th, 2021 (IMAX) (Australia) March 25th, 2021 (Wide) (Mexico) March 25th, 2021 (Wide) (New Zealand) March 26th, 2021 (Wide) (Brazil) ... Show all releases |
| Video Release: | March 31st, 2021 by Max |
| MPA Rating: | PG-13 for intense sequences of creature violence/destruction and brief language. (Rating bulletin 2632 (Cert #52746), 6/3/2020) |
| Running Time: | 113 minutes |
| Franchise: | Godzilla, King Kong, MonsterVerse |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Plot point: | Creature Feature, Deaf, Enemies Forced to Work Together, Mute, Robot, Sign Language |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Social setting: | Kaiju, Secret Societies |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., Legendary Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 2, 2021 | 1 | $32,200,000 | 3,064 | $10,509 | $48,500,000 | 1 | |
| Apr 9, 2021 | 1 | $13,880,000 | -57% | 3,084 | $4,501 | $70,000,000 | 2 |
| Apr 16, 2021 | 1 | $7,845,000 | -43% | 3,001 | $2,614 | $80,655,000 | 3 |
| Apr 23, 2021 | 3 | $4,290,232 | -45% | 2,856 | $1,502 | $86,666,076 | 4 |
| Apr 30, 2021 | 3 | $2,817,826 | -34% | 2,753 | $1,024 | $90,388,159 | 5 |
| May 7, 2021 | 4 | $1,988,653 | -29% | 2,753 | $722 | $93,021,448 | 6 |
| May 14, 2021 | 6 | $1,520,000 | -24% | 2,484 | $612 | $95,071,000 | 7 |
| May 21, 2021 | 5 | $1,400,000 | -8% | 2,552 | $549 | $96,875,000 | 8 |
| May 28, 2021 | 6 | $885,000 | -37% | 2,552 | $347 | $98,335,000 | 9 |
| Jun 4, 2021 | 8 | $463,000 | -48% | 1,390 | $333 | $99,119,000 | 10 |
| Jun 11, 2021 | - | $290,801 | -37% | 987 | $295 | $99,704,273 | 11 |
| Jun 18, 2021 | 13 | $240,003 | -17% | 512 | $469 | $100,102,879 | 12 |
| Jun 25, 2021 | 14 | $176,778 | -26% | 253 | $699 | $100,392,257 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 31, 2021 | 1 | $9,600,000 | 2,409 | $3,985 | $9,600,000 | 1 | ||
| Apr 1, 2021 | 1 | $6,700,000 | -30% | 2,409 | $2,781 | $16,300,000 | 2 | |
| Apr 2, 2021 | 1 | $11,600,000 | +73% | 3,064 | $3,786 | $27,900,000 | 3 | |
| Apr 3, 2021 | 1 | $12,500,000 | +8% | 3,064 | $4,080 | $40,400,000 | 4 | |
| Apr 4, 2021 | 1 | $8,100,000 | -35% | 3,064 | $2,644 | $48,500,000 | 5 | |
| Apr 9, 2021 | 1 | $3,920,000 | -66% | 3,084 | $1,271 | $60,040,000 | 10 | |
| Apr 10, 2021 | 1 | $6,160,000 | +57% | -51% | 3,084 | $1,997 | $66,200,000 | 11 |
| Apr 11, 2021 | 1 | $3,800,000 | -38% | -53% | 3,084 | $1,232 | $70,000,000 | 12 |
| Apr 16, 2021 | 1 | $2,120,000 | -46% | 3,001 | $706 | $74,930,000 | 17 | |
| Apr 17, 2021 | 1 | $3,620,000 | +71% | -41% | 3,001 | $1,206 | $78,550,000 | 18 |
| Apr 18, 2021 | 1 | $2,105,000 | -42% | -45% | 3,001 | $701 | $80,655,000 | 19 |
| Apr 23, 2021 | 3 | $1,100,000 | -48% | 2,856 | $385 | $80,640,000 | 24 | |
| Apr 24, 2021 | 3 | $1,900,000 | +73% | -48% | 2,856 | $665 | $82,540,000 | 25 |
| Apr 25, 2021 | 3 | $1,200,000 | -37% | -43% | 2,856 | $420 | $83,740,000 | 26 |
| May 7, 2021 | 4 | $505,000 | 2,705 | $187 | $92,900,000 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | 1 | $16,474,454 | 2,409 | $6,839 | $16,474,454 | 1 | |
| Apr 2, 2021 | 1 | $39,645,626 | +141% | 3,064 | $12,939 | $56,120,080 | 2 |
| Apr 9, 2021 | 1 | $16,690,347 | -58% | 3,084 | $5,412 | $72,810,427 | 3 |
| Apr 16, 2021 | 1 | $9,565,417 | -43% | 3,001 | $3,187 | $82,375,844 | 4 |
| Apr 23, 2021 | 3 | $5,194,489 | -46% | 2,856 | $1,819 | $87,570,333 | 5 |
| Apr 30, 2021 | 3 | $3,462,462 | -33% | 2,753 | $1,258 | $91,032,795 | 6 |
| May 7, 2021 | 4 | $2,517,863 | -27% | 2,753 | $915 | $93,550,658 | 7 |
| May 14, 2021 | 6 | $1,924,558 | -24% | 2,484 | $775 | $95,475,216 | 8 |
| May 28, 2021 | 7 | $1,361,463 | 1,815 | $750 | $98,655,668 | 10 | |
| Jun 4, 2021 | 9 | $757,472 | -44% | 1,390 | $545 | $99,413,472 | 11 |
| Jun 11, 2021 | 13 | $449,404 | -41% | 1,390 | $323 | $99,862,876 | 12 |
| Jun 18, 2021 | 14 | $352,603 | -22% | 1,390 | $254 | $100,215,479 | 13 |
| Jun 25, 2021 | 14 | $347,654 | -1% | 253 | $1,374 | $100,563,133 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/25/2021 | $5,858,250 | 557 | 557 | 3,225 | $21,400,000 | 10/20/2022 | |||
| Brazil | 3/26/2021 | $0 | 0 | 0 | 0 | $1,308,603 | 5/25/2021 | |||
| China | 3/26/2021 | $69,940,000 | 208,191 | 208,191 | 599,332 | $170,245,149 | 5/10/2024 | |||
| Czech Republic | 6/11/2021 | $25,024 | 41 | 75 | 168 | $66,980 | 10/20/2022 | |||
| Germany | 7/1/2021 | $1,543,055 | 0 | 0 | 0 | $3,814,805 | 7/23/2021 | |||
| Hong Kong | 4/1/2021 | $1,200,000 | 172 | 172 | 172 | $4,600,000 | 10/19/2022 | |||
| India | 3/26/2021 | $4,900,000 | 1,806 | 1,806 | 1,806 | $8,900,000 | 10/20/2022 | |||
| Italy | 7/8/2021 | $54,900 | 0 | 0 | 0 | $148,959 | 10/20/2022 | |||
| Japan | 7/2/2021 | $4,180,373 | 0 | 0 | 0 | $16,100,000 | 10/20/2022 | |||
| Lithuania | 5/7/2021 | $13,123 | 12 | 12 | 37 | $30,567 | 6/23/2021 | |||
| Malaysia | 3/26/2021 | $2,100,000 | 600 | 600 | 600 | $4,700,000 | 10/20/2022 | |||
| Mexico | 3/25/2021 | $5,346,814 | 0 | 2,060 | 2,060 | $20,000,000 | 10/20/2022 | |||
| Netherlands | 6/18/2021 | $263,583 | 146 | 177 | 630 | $1,448,837 | 10/20/2022 | |||
| New Zealand | 3/25/2021 | $981,196 | 93 | 95 | 734 | $3,151,643 | 10/20/2022 | |||
| Poland | 6/4/2021 | $163,862 | 235 | 235 | 235 | $190,215 | 10/19/2022 | |||
| Portugal | 5/6/2021 | $91,401 | 88 | 88 | 317 | $261,610 | 10/20/2022 | |||
| Romania | 6/11/2021 | $114,718 | 80 | 80 | 235 | $261,733 | 10/20/2022 | |||
| Russia (CIS) | 3/26/2021 | $5,790,345 | 1,714 | 1,717 | 6,668 | $11,800,000 | 10/20/2022 | |||
| Singapore | 4/2/2021 | $1,200,000 | 111 | 111 | 111 | $3,200,000 | 10/20/2022 | |||
| Slovakia | 6/11/2021 | $19,848 | 65 | 65 | 91 | $30,134 | 7/2/2021 | |||
| South Korea | 3/26/2021 | $2,457,029 | 1,295 | 1,295 | 3,999 | $6,000,000 | 10/20/2022 | |||
| Spain | 4/1/2021 | $1,408,272 | 321 | 383 | 1,441 | $7,600,000 | 10/20/2022 | |||
| Taiwan | 3/26/2021 | $5,300,000 | 396 | 396 | 1,067 | $12,600,000 | 10/20/2022 | |||
| Thailand | 3/26/2021 | $3,300,000 | 818 | 818 | 1,596 | $6,300,000 | 10/20/2022 | |||
| United Arab Emirates | 4/2/2021 | $0 | 0 | 0 | 0 | $4,700,000 | 5/17/2021 | |||
| United Kingdom | 5/21/2021 | $1,109,839 | 432 | 432 | 1,818 | $3,613,380 | 6/30/2021 | |||
| Vietnam | 3/26/2021 | $2,500,000 | 638 | 638 | 638 | $5,600,000 | 10/20/2022 | |||
| Rest of World | $51,127,385 | |||||||||
| International Total | $369,200,000 | 5/10/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alexander Skarsgård | Nathan Lind |
Supporting
| Millie Bobby Brown | Madison Russell | |
| Rebecca Hall | Ilene Andrews | |
| Brian Tyree Henry | Bernie Hayes | |
| Shun Oguri | Ren Serizawa | |
| Eiza González | Maya Simmons | |
| Julian Dennison | Josh Valentine | |
| Kaylee Hottle | Jia | |
| Kyle Chandler | Dr. Mark Russell | |
| Demián Bichir | Walter Simmons | |
| Lance Reddick | Guillermin |
Production and Technical Credits
| Adam Wingard | Director | |
| Eric Pearson | Screenwriter | |
| Max Borenstein | Screenwriter | |
| Terry Rossio | Story by | |
| Michael Dougherty | Story by | |
| Zach Shields | Story by | |
| Mary Parent | Producer | |
| Alex Garcia | Producer | |
| Eric McLeod | Producer | |
| Brian Rogers | Producer | |
| Kenji Okuhira | Executive Producer | |
| Yoshimitsu Banno | Executive Producer | |
| Jon Jashni | Executive Producer | |
| Thomas Tull | Executive Producer | |
| Owen Patterson | Production Designer | |
| Thomas S. Hammock | Production Designer | |
| Josh Schaeffer | Editor | |
| Ben Seresin | Director of Photography | |
| Jay Ashenfelter | Co-Producer | |
| Jennifer Conroy | Co-Producer | |
| Tamara Watts Kent | Co-Producer | |
| Ann Foley | Costume Designer | |
| John 'DJ' DesJardin | Visual Effects Supervisor | |
| Easton Smith | Set Designer | |
| Kyle Gardiner | Stunt Coordinator | |
| Brian Galligan | Second Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Kong and his protectors undertake a perilous journey to find his true home, and with them is Jia, a young orphaned girl with whom he has formed a unique and powerful bond. But they unexpectedly find themselves in the path of an enraged Godzilla, cutting a swath of destruction across the globe. The epic clash between the two titans—instigated by unseen forces—is only the beginning of the mystery that lies deep within the core of the Earth.
Metrics
| Opening Weekend: | $32,200,000 (31.9% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 21.5% (domestic box office/worldwide) |
| Production Budget: | $155,000,000 (worldwide box office is 3.0 times production budget) |
| Theater counts: | 3,064 opening theaters/3,084 max. theaters, 9.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $118,678,123 |
Movie Details
| Domestic Releases: | March 31st, 2021 (Wide) by Warner Bros. March 31st, 2021 (IMAX) by Warner Bros. |
| International Releases: | March 25th, 2021 (Wide) (Australia)
March 25th, 2021 (IMAX) (Australia) March 25th, 2021 (Wide) (Mexico) March 25th, 2021 (Wide) (New Zealand) March 26th, 2021 (Wide) (Brazil) ... Show all releases |
| Video Release: | March 31st, 2021 by Max |
| MPA Rating: | PG-13 for intense sequences of creature violence/destruction and brief language. (Rating bulletin 2632 (Cert #52746), 6/3/2020) |
| Running Time: | 113 minutes |
| Franchise: | Godzilla, King Kong, MonsterVerse |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Plot point: | Creature Feature, Deaf, Enemies Forced to Work Together, Mute, Robot, Sign Language |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Social setting: | Kaiju, Secret Societies |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., Legendary Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 2, 2021 | 1 | $32,200,000 | 3,064 | $10,509 | $48,500,000 | 1 | |
| Apr 9, 2021 | 1 | $13,880,000 | -57% | 3,084 | $4,501 | $70,000,000 | 2 |
| Apr 16, 2021 | 1 | $7,845,000 | -43% | 3,001 | $2,614 | $80,655,000 | 3 |
| Apr 23, 2021 | 3 | $4,290,232 | -45% | 2,856 | $1,502 | $86,666,076 | 4 |
| Apr 30, 2021 | 3 | $2,817,826 | -34% | 2,753 | $1,024 | $90,388,159 | 5 |
| May 7, 2021 | 4 | $1,988,653 | -29% | 2,753 | $722 | $93,021,448 | 6 |
| May 14, 2021 | 6 | $1,520,000 | -24% | 2,484 | $612 | $95,071,000 | 7 |
| May 21, 2021 | 5 | $1,400,000 | -8% | 2,552 | $549 | $96,875,000 | 8 |
| May 28, 2021 | 6 | $885,000 | -37% | 2,552 | $347 | $98,335,000 | 9 |
| Jun 4, 2021 | 8 | $463,000 | -48% | 1,390 | $333 | $99,119,000 | 10 |
| Jun 11, 2021 | - | $290,801 | -37% | 987 | $295 | $99,704,273 | 11 |
| Jun 18, 2021 | 13 | $240,003 | -17% | 512 | $469 | $100,102,879 | 12 |
| Jun 25, 2021 | 14 | $176,778 | -26% | 253 | $699 | $100,392,257 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 31, 2021 | 1 | $9,600,000 | 2,409 | $3,985 | $9,600,000 | 1 | ||
| Apr 1, 2021 | 1 | $6,700,000 | -30% | 2,409 | $2,781 | $16,300,000 | 2 | |
| Apr 2, 2021 | 1 | $11,600,000 | +73% | 3,064 | $3,786 | $27,900,000 | 3 | |
| Apr 3, 2021 | 1 | $12,500,000 | +8% | 3,064 | $4,080 | $40,400,000 | 4 | |
| Apr 4, 2021 | 1 | $8,100,000 | -35% | 3,064 | $2,644 | $48,500,000 | 5 | |
| Apr 9, 2021 | 1 | $3,920,000 | -66% | 3,084 | $1,271 | $60,040,000 | 10 | |
| Apr 10, 2021 | 1 | $6,160,000 | +57% | -51% | 3,084 | $1,997 | $66,200,000 | 11 |
| Apr 11, 2021 | 1 | $3,800,000 | -38% | -53% | 3,084 | $1,232 | $70,000,000 | 12 |
| Apr 16, 2021 | 1 | $2,120,000 | -46% | 3,001 | $706 | $74,930,000 | 17 | |
| Apr 17, 2021 | 1 | $3,620,000 | +71% | -41% | 3,001 | $1,206 | $78,550,000 | 18 |
| Apr 18, 2021 | 1 | $2,105,000 | -42% | -45% | 3,001 | $701 | $80,655,000 | 19 |
| Apr 23, 2021 | 3 | $1,100,000 | -48% | 2,856 | $385 | $80,640,000 | 24 | |
| Apr 24, 2021 | 3 | $1,900,000 | +73% | -48% | 2,856 | $665 | $82,540,000 | 25 |
| Apr 25, 2021 | 3 | $1,200,000 | -37% | -43% | 2,856 | $420 | $83,740,000 | 26 |
| May 7, 2021 | 4 | $505,000 | 2,705 | $187 | $92,900,000 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | 1 | $16,474,454 | 2,409 | $6,839 | $16,474,454 | 1 | |
| Apr 2, 2021 | 1 | $39,645,626 | +141% | 3,064 | $12,939 | $56,120,080 | 2 |
| Apr 9, 2021 | 1 | $16,690,347 | -58% | 3,084 | $5,412 | $72,810,427 | 3 |
| Apr 16, 2021 | 1 | $9,565,417 | -43% | 3,001 | $3,187 | $82,375,844 | 4 |
| Apr 23, 2021 | 3 | $5,194,489 | -46% | 2,856 | $1,819 | $87,570,333 | 5 |
| Apr 30, 2021 | 3 | $3,462,462 | -33% | 2,753 | $1,258 | $91,032,795 | 6 |
| May 7, 2021 | 4 | $2,517,863 | -27% | 2,753 | $915 | $93,550,658 | 7 |
| May 14, 2021 | 6 | $1,924,558 | -24% | 2,484 | $775 | $95,475,216 | 8 |
| May 28, 2021 | 7 | $1,361,463 | 1,815 | $750 | $98,655,668 | 10 | |
| Jun 4, 2021 | 9 | $757,472 | -44% | 1,390 | $545 | $99,413,472 | 11 |
| Jun 11, 2021 | 13 | $449,404 | -41% | 1,390 | $323 | $99,862,876 | 12 |
| Jun 18, 2021 | 14 | $352,603 | -22% | 1,390 | $254 | $100,215,479 | 13 |
| Jun 25, 2021 | 14 | $347,654 | -1% | 253 | $1,374 | $100,563,133 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/25/2021 | $5,858,250 | 557 | 557 | 3,225 | $21,400,000 | 10/20/2022 | |||
| Brazil | 3/26/2021 | $0 | 0 | 0 | 0 | $1,308,603 | 5/25/2021 | |||
| China | 3/26/2021 | $69,940,000 | 208,191 | 208,191 | 599,332 | $170,245,149 | 5/10/2024 | |||
| Czech Republic | 6/11/2021 | $25,024 | 41 | 75 | 168 | $66,980 | 10/20/2022 | |||
| Germany | 7/1/2021 | $1,543,055 | 0 | 0 | 0 | $3,814,805 | 7/23/2021 | |||
| Hong Kong | 4/1/2021 | $1,200,000 | 172 | 172 | 172 | $4,600,000 | 10/19/2022 | |||
| India | 3/26/2021 | $4,900,000 | 1,806 | 1,806 | 1,806 | $8,900,000 | 10/20/2022 | |||
| Italy | 7/8/2021 | $54,900 | 0 | 0 | 0 | $148,959 | 10/20/2022 | |||
| Japan | 7/2/2021 | $4,180,373 | 0 | 0 | 0 | $16,100,000 | 10/20/2022 | |||
| Lithuania | 5/7/2021 | $13,123 | 12 | 12 | 37 | $30,567 | 6/23/2021 | |||
| Malaysia | 3/26/2021 | $2,100,000 | 600 | 600 | 600 | $4,700,000 | 10/20/2022 | |||
| Mexico | 3/25/2021 | $5,346,814 | 0 | 2,060 | 2,060 | $20,000,000 | 10/20/2022 | |||
| Netherlands | 6/18/2021 | $263,583 | 146 | 177 | 630 | $1,448,837 | 10/20/2022 | |||
| New Zealand | 3/25/2021 | $981,196 | 93 | 95 | 734 | $3,151,643 | 10/20/2022 | |||
| Poland | 6/4/2021 | $163,862 | 235 | 235 | 235 | $190,215 | 10/19/2022 | |||
| Portugal | 5/6/2021 | $91,401 | 88 | 88 | 317 | $261,610 | 10/20/2022 | |||
| Romania | 6/11/2021 | $114,718 | 80 | 80 | 235 | $261,733 | 10/20/2022 | |||
| Russia (CIS) | 3/26/2021 | $5,790,345 | 1,714 | 1,717 | 6,668 | $11,800,000 | 10/20/2022 | |||
| Singapore | 4/2/2021 | $1,200,000 | 111 | 111 | 111 | $3,200,000 | 10/20/2022 | |||
| Slovakia | 6/11/2021 | $19,848 | 65 | 65 | 91 | $30,134 | 7/2/2021 | |||
| South Korea | 3/26/2021 | $2,457,029 | 1,295 | 1,295 | 3,999 | $6,000,000 | 10/20/2022 | |||
| Spain | 4/1/2021 | $1,408,272 | 321 | 383 | 1,441 | $7,600,000 | 10/20/2022 | |||
| Taiwan | 3/26/2021 | $5,300,000 | 396 | 396 | 1,067 | $12,600,000 | 10/20/2022 | |||
| Thailand | 3/26/2021 | $3,300,000 | 818 | 818 | 1,596 | $6,300,000 | 10/20/2022 | |||
| United Arab Emirates | 4/2/2021 | $0 | 0 | 0 | 0 | $4,700,000 | 5/17/2021 | |||
| United Kingdom | 5/21/2021 | $1,109,839 | 432 | 432 | 1,818 | $3,613,380 | 6/30/2021 | |||
| Vietnam | 3/26/2021 | $2,500,000 | 638 | 638 | 638 | $5,600,000 | 10/20/2022 | |||
| Rest of World | $51,127,385 | |||||||||
| International Total | $369,200,000 | 5/10/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alexander Skarsgård | Nathan Lind |
Supporting
| Millie Bobby Brown | Madison Russell | |
| Rebecca Hall | Ilene Andrews | |
| Brian Tyree Henry | Bernie Hayes | |
| Shun Oguri | Ren Serizawa | |
| Eiza González | Maya Simmons | |
| Julian Dennison | Josh Valentine | |
| Kaylee Hottle | Jia | |
| Kyle Chandler | Dr. Mark Russell | |
| Demián Bichir | Walter Simmons | |
| Lance Reddick | Guillermin |
Production and Technical Credits
| Adam Wingard | Director | |
| Eric Pearson | Screenwriter | |
| Max Borenstein | Screenwriter | |
| Terry Rossio | Story by | |
| Michael Dougherty | Story by | |
| Zach Shields | Story by | |
| Mary Parent | Producer | |
| Alex Garcia | Producer | |
| Eric McLeod | Producer | |
| Brian Rogers | Producer | |
| Kenji Okuhira | Executive Producer | |
| Yoshimitsu Banno | Executive Producer | |
| Jon Jashni | Executive Producer | |
| Thomas Tull | Executive Producer | |
| Owen Patterson | Production Designer | |
| Thomas S. Hammock | Production Designer | |
| Josh Schaeffer | Editor | |
| Ben Seresin | Director of Photography | |
| Jay Ashenfelter | Co-Producer | |
| Jennifer Conroy | Co-Producer | |
| Tamara Watts Kent | Co-Producer | |
| Ann Foley | Costume Designer | |
| John 'DJ' DesJardin | Visual Effects Supervisor | |
| Easton Smith | Set Designer | |
| Kyle Gardiner | Stunt Coordinator | |
| Brian Galligan | Second Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.