Gold (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $7,227,038 | Details |
| International Box Office | $4,951,070 | Details |
| Worldwide Box Office | $12,178,108 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,477,159 | |
| Blu-ray Sales (estimated) | $872,327 | |
| Total | $2,349,486 | |
| OpusData ID: 223040100 More info... | ||
| Further financial details... | ||
Synopsis
The epic tale of one man’s pursuit of the American dream, to discover gold. Kenny Wells, a prospector desperate for a lucky break, teams up with a similarly eager geologist and sets off on an amazing journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street.
Metrics
| Opening Weekend: | $3,471,316 (48.0% of total gross) |
| Legs: | 2.08 (domestic box office/biggest weekend) |
| Domestic Share: | 59.3% (domestic box office/worldwide) |
| Theater counts: | 2,166 opening theaters/2,166 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,636,052 |
Movie Details
| Domestic Releases: | January 27th, 2017 (Wide) by Weinstein Co. |
| International Releases: | February 3rd, 2017 (Wide) (United Kingdom)
February 3rd, 2017 (Wide), released as Auksas (Lithuania) February 3rd, 2017 (Wide) (Slovenia) February 3rd, 2017 (Wide), released as Altın (Turkey) February 3rd, 2017 (Wide) (Australia) ... Show all releases |
| Video Release: | April 18th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for language throughout and some sexuality/nudity. (Rating bulletin 2450 (Cert #50723), 11/9/2016) |
| Running Time: | 121 minutes |
| Geographical setting: | Indonesia |
| Plot point: | Adult Child Dealing with the Death of a Parent, Faked Death, FBI, Rags to Riches, Riches to Rags, Treasure Hunters, White Collar Crime |
| Source material: | Inspired by a True Story |
| Subgenre: | Crime Drama |
| Time period setting: | 1980s, 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Hwy 61 Films, Sierra Films, Affinity |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 10 | $3,471,316 | 2,166 | $1,603 | $3,471,316 | 1 | |
| Feb 3, 2017 | 14 | $1,375,240 | -60% | 2,166 | $635 | $6,146,705 | 2 |
| Feb 10, 2017 | 38 | $141,980 | -90% | 215 | $660 | $7,015,053 | 3 |
| Feb 17, 2017 | 49 | $51,091 | -64% | 107 | $477 | $7,149,970 | 4 |
| Feb 24, 2017 | 54 | $21,495 | -58% | 41 | $524 | $7,202,801 | 5 |
| Mar 3, 2017 | 61 | $8,375 | -61% | 21 | $399 | $7,222,964 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 9 | $1,156,013 | 2,166 | $534 | $1,156,013 | 1 | ||
| Jan 28, 2017 | 10 | $1,405,004 | +22% | 2,166 | $649 | $2,561,017 | 2 | |
| Jan 29, 2017 | 11 | $910,299 | -35% | 2,166 | $420 | $3,471,316 | 3 | |
| Jan 30, 2017 | 9 | $291,219 | -68% | 2,166 | $134 | $3,762,535 | 4 | |
| Jan 31, 2017 | 7 | $451,728 | +55% | 2,166 | $209 | $4,214,263 | 5 | |
| Feb 1, 2017 | 8 | $287,467 | -36% | 2,166 | $133 | $4,501,730 | 6 | |
| Feb 2, 2017 | 8 | $269,735 | -6% | 2,166 | $125 | $4,771,465 | 7 | |
| Feb 3, 2017 | 12 | $461,641 | +71% | -60% | 2,166 | $213 | $5,233,106 | 8 |
| Feb 4, 2017 | 15 | $705,066 | +53% | -50% | 2,166 | $326 | $5,938,172 | 9 |
| Feb 5, 2017 | - | $208,533 | -70% | -77% | 2,166 | $96 | $6,146,705 | 10 |
| Feb 6, 2017 | 12 | $169,716 | -19% | -42% | 2,166 | $78 | $6,316,421 | 11 |
| Feb 7, 2017 | 12 | $250,851 | +48% | -44% | 2,166 | $116 | $6,567,272 | 12 |
| Feb 8, 2017 | 12 | $173,061 | -31% | -40% | 2,166 | $80 | $6,740,333 | 13 |
| Feb 9, 2017 | 13 | $132,740 | -23% | -51% | 2,166 | $61 | $6,873,073 | 14 |
| Feb 10, 2017 | - | $39,976 | -70% | -91% | 215 | $186 | $6,913,049 | 15 |
| Feb 11, 2017 | - | $64,538 | +61% | -91% | 215 | $300 | $6,977,587 | 16 |
| Feb 12, 2017 | - | $37,466 | -42% | -82% | 215 | $174 | $7,015,053 | 17 |
| Feb 13, 2017 | - | $16,884 | -55% | -90% | 215 | $79 | $7,031,937 | 18 |
| Feb 14, 2017 | - | $36,220 | +115% | -86% | 215 | $168 | $7,068,157 | 19 |
| Feb 15, 2017 | - | $17,252 | -52% | -90% | 215 | $80 | $7,085,409 | 20 |
| Feb 16, 2017 | - | $13,470 | -22% | -90% | 215 | $63 | $7,098,879 | 21 |
| Feb 17, 2017 | - | $13,022 | -3% | -67% | 107 | $122 | $7,111,901 | 22 |
| Feb 18, 2017 | - | $21,520 | +65% | -67% | 107 | $201 | $7,133,421 | 23 |
| Feb 19, 2017 | - | $16,549 | -23% | -56% | 107 | $155 | $7,149,970 | 24 |
| Feb 20, 2017 | - | $9,669 | -42% | -43% | 107 | $90 | $7,159,639 | 25 |
| Feb 21, 2017 | - | $7,235 | -25% | -80% | 107 | $68 | $7,166,874 | 26 |
| Feb 22, 2017 | - | $8,518 | +18% | -51% | 107 | $80 | $7,175,392 | 27 |
| Feb 23, 2017 | - | $5,914 | -31% | -56% | 107 | $55 | $7,181,306 | 28 |
| Feb 24, 2017 | - | $5,893 | n/c | -55% | 41 | $144 | $7,187,199 | 29 |
| Feb 25, 2017 | - | $10,361 | +76% | -52% | 41 | $253 | $7,197,560 | 30 |
| Feb 26, 2017 | - | $5,241 | -49% | -68% | 41 | $128 | $7,202,801 | 31 |
| Feb 27, 2017 | - | $2,460 | -53% | -75% | 41 | $60 | $7,205,261 | 32 |
| Feb 28, 2017 | - | $4,155 | +69% | -43% | 41 | $101 | $7,209,416 | 33 |
| Mar 1, 2017 | - | $2,718 | -35% | -68% | 41 | $66 | $7,212,134 | 34 |
| Mar 2, 2017 | - | $2,455 | -10% | -58% | 41 | $60 | $7,214,589 | 35 |
| Mar 3, 2017 | - | $2,089 | -15% | -65% | 21 | $99 | $7,216,678 | 36 |
| Mar 4, 2017 | - | $3,875 | +85% | -63% | 21 | $185 | $7,220,553 | 37 |
| Mar 5, 2017 | - | $2,411 | -38% | -54% | 21 | $115 | $7,222,964 | 38 |
| Mar 6, 2017 | - | $731 | -70% | -70% | 21 | $35 | $7,223,695 | 39 |
| Mar 7, 2017 | - | $1,136 | +55% | -73% | 21 | $54 | $7,224,831 | 40 |
| Mar 8, 2017 | - | $964 | -15% | -65% | 21 | $46 | $7,225,795 | 41 |
| Mar 9, 2017 | - | $1,243 | +29% | -49% | 21 | $59 | $7,227,038 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 10 | $4,771,465 | 2,166 | $2,203 | $4,771,465 | 1 | |
| Feb 3, 2017 | 13 | $2,101,608 | -56% | 2,166 | $970 | $6,873,073 | 2 |
| Feb 10, 2017 | 35 | $225,806 | -89% | 215 | $1,050 | $7,098,879 | 3 |
| Feb 17, 2017 | 48 | $82,427 | -63% | 107 | $770 | $7,181,306 | 4 |
| Feb 24, 2017 | 54 | $33,283 | -60% | 41 | $812 | $7,214,589 | 5 |
| Mar 3, 2017 | 58 | $12,449 | -63% | 21 | $593 | $7,227,038 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/15/2017 | $41,805 | 0 | 0 | 0 | $87,693 | 1/1/2019 | |||
| Australia | 2/3/2017 | $306,364 | 209 | 209 | 527 | $654,875 | 10/13/2018 | |||
| Bulgaria | 3/3/2017 | $990 | 0 | 0 | 0 | $2,180 | 2/26/2019 | |||
| Czech Republic | 2/17/2017 | $29,094 | 65 | 121 | 268 | $35,862 | 4/4/2026 | |||
| France | 4/19/2017 | $251,651 | 0 | 0 | 0 | $441,393 | 8/28/2018 | |||
| Italy | 5/5/2017 | $539,457 | 0 | 0 | 0 | $1,029,326 | 5/26/2017 | |||
| Japan | 6/1/2017 | $123,382 | 49 | 50 | 166 | $324,799 | 7/11/2017 | |||
| Lithuania | 2/3/2017 | $17,011 | 73 | 73 | 132 | $17,637 | 4/4/2026 | |||
| Netherlands | 3/16/2017 | $118,263 | 65 | 65 | 173 | $267,527 | 4/7/2017 | |||
| New Zealand | 2/10/2017 | $30,764 | 44 | 44 | 135 | $82,385 | 5/8/2017 | |||
| Poland | 3/17/2017 | $130,098 | 0 | 0 | 0 | $136,295 | 1/1/2019 | |||
| Portugal | 3/3/2017 | $65,920 | 41 | 41 | 97 | $124,752 | 3/22/2017 | |||
| Russia (CIS) | 3/3/2017 | $343,596 | 503 | 503 | 940 | $730,981 | 1/1/2019 | |||
| Slovakia | 3/17/2017 | $16,215 | 49 | 49 | 58 | $22,103 | 3/30/2017 | |||
| Slovenia | 2/3/2017 | $5,108 | 12 | 12 | 22 | $12,117 | 11/17/2017 | |||
| South Korea | 3/5/2017 | $335 | 1 | 200 | 235 | $173,265 | 4/4/2026 | |||
| Spain | 3/10/2017 | $133,561 | 175 | 175 | 352 | $263,273 | 3/30/2017 | |||
| Turkey | 2/3/2017 | $3,023 | 0 | 0 | 0 | $3,023 | 1/1/2019 | |||
| United Kingdom | 2/3/2017 | $508,189 | 331 | 331 | 338 | $6,816 | 4/4/2026 | |||
| Rest of World | $534,768 | |||||||||
| International Total | $4,951,070 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthew McConaughey | Kenny Wells |
Supporting
| Edgar Ramirez | Michael Acosta | |
| Bryce Dallas Howard | Kay | |
| Corey Stoll | Brian Woolf | |
| Toby Kebbell | Jennings | |
| Craig T. Nelson | Kenny Wells | |
| Stacy Keach | Clive Coleman | |
| Bruce Greenwood | Mark Hancock | |
| Timothy Simons | Jackson | |
| Michael Landes | Binkert | |
| Macon Blair | Connie Wright | |
| Joshua Harto | Lloyd Stanton | |
| Adam LeFevre | Bobby Burns | |
| Bill Camp | Hollis Dresher | |
| Frank Wood | Scottie Nevins | |
| Kristen Rakes | Carissa | |
| Ben Whitehair | Banks | |
| Rachael Taylor | Rachel | |
| Bhavesh Patel | Owens |
Production and Technical Credits
| Stephen Gaghan | Director | |
| John Zinman | Screenwriter | |
| Patrick Massett | Screenwriter | |
| Michael Nozik | Producer | |
| Matthew McConaughey | Producer | |
| Patrick Massett | Producer | |
| John Zinman | Producer | |
| Paul Haggis | Executive Producer | |
| Richard Middleton | Executive Producer | |
| Ben Stillman | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| David Glasser | Executive Producer | |
| Robert Elswit | Director of Photography | |
| Douglas Crise | Editor | |
| Daniel Pemberton | Composer | |
| Maria Djurkovic | Production Designer | |
| Danny Glicker | Costume Designer | |
| Linda Cohen | Music Supervisor | |
| Avy Kaufman | Casting Director | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The epic tale of one man’s pursuit of the American dream, to discover gold. Kenny Wells, a prospector desperate for a lucky break, teams up with a similarly eager geologist and sets off on an amazing journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street.
Metrics
| Opening Weekend: | $3,471,316 (48.0% of total gross) |
| Legs: | 2.08 (domestic box office/biggest weekend) |
| Domestic Share: | 59.3% (domestic box office/worldwide) |
| Theater counts: | 2,166 opening theaters/2,166 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,636,052 |
Movie Details
| Domestic Releases: | January 27th, 2017 (Wide) by Weinstein Co. |
| International Releases: | February 3rd, 2017 (Wide) (United Kingdom)
February 3rd, 2017 (Wide), released as Auksas (Lithuania) February 3rd, 2017 (Wide) (Slovenia) February 3rd, 2017 (Wide), released as Altın (Turkey) February 3rd, 2017 (Wide) (Australia) ... Show all releases |
| Video Release: | April 18th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for language throughout and some sexuality/nudity. (Rating bulletin 2450 (Cert #50723), 11/9/2016) |
| Running Time: | 121 minutes |
| Geographical setting: | Indonesia |
| Plot point: | Adult Child Dealing with the Death of a Parent, Faked Death, FBI, Rags to Riches, Riches to Rags, Treasure Hunters, White Collar Crime |
| Source material: | Inspired by a True Story |
| Subgenre: | Crime Drama |
| Time period setting: | 1980s, 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Hwy 61 Films, Sierra Films, Affinity |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 10 | $3,471,316 | 2,166 | $1,603 | $3,471,316 | 1 | |
| Feb 3, 2017 | 14 | $1,375,240 | -60% | 2,166 | $635 | $6,146,705 | 2 |
| Feb 10, 2017 | 38 | $141,980 | -90% | 215 | $660 | $7,015,053 | 3 |
| Feb 17, 2017 | 49 | $51,091 | -64% | 107 | $477 | $7,149,970 | 4 |
| Feb 24, 2017 | 54 | $21,495 | -58% | 41 | $524 | $7,202,801 | 5 |
| Mar 3, 2017 | 61 | $8,375 | -61% | 21 | $399 | $7,222,964 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 9 | $1,156,013 | 2,166 | $534 | $1,156,013 | 1 | ||
| Jan 28, 2017 | 10 | $1,405,004 | +22% | 2,166 | $649 | $2,561,017 | 2 | |
| Jan 29, 2017 | 11 | $910,299 | -35% | 2,166 | $420 | $3,471,316 | 3 | |
| Jan 30, 2017 | 9 | $291,219 | -68% | 2,166 | $134 | $3,762,535 | 4 | |
| Jan 31, 2017 | 7 | $451,728 | +55% | 2,166 | $209 | $4,214,263 | 5 | |
| Feb 1, 2017 | 8 | $287,467 | -36% | 2,166 | $133 | $4,501,730 | 6 | |
| Feb 2, 2017 | 8 | $269,735 | -6% | 2,166 | $125 | $4,771,465 | 7 | |
| Feb 3, 2017 | 12 | $461,641 | +71% | -60% | 2,166 | $213 | $5,233,106 | 8 |
| Feb 4, 2017 | 15 | $705,066 | +53% | -50% | 2,166 | $326 | $5,938,172 | 9 |
| Feb 5, 2017 | - | $208,533 | -70% | -77% | 2,166 | $96 | $6,146,705 | 10 |
| Feb 6, 2017 | 12 | $169,716 | -19% | -42% | 2,166 | $78 | $6,316,421 | 11 |
| Feb 7, 2017 | 12 | $250,851 | +48% | -44% | 2,166 | $116 | $6,567,272 | 12 |
| Feb 8, 2017 | 12 | $173,061 | -31% | -40% | 2,166 | $80 | $6,740,333 | 13 |
| Feb 9, 2017 | 13 | $132,740 | -23% | -51% | 2,166 | $61 | $6,873,073 | 14 |
| Feb 10, 2017 | - | $39,976 | -70% | -91% | 215 | $186 | $6,913,049 | 15 |
| Feb 11, 2017 | - | $64,538 | +61% | -91% | 215 | $300 | $6,977,587 | 16 |
| Feb 12, 2017 | - | $37,466 | -42% | -82% | 215 | $174 | $7,015,053 | 17 |
| Feb 13, 2017 | - | $16,884 | -55% | -90% | 215 | $79 | $7,031,937 | 18 |
| Feb 14, 2017 | - | $36,220 | +115% | -86% | 215 | $168 | $7,068,157 | 19 |
| Feb 15, 2017 | - | $17,252 | -52% | -90% | 215 | $80 | $7,085,409 | 20 |
| Feb 16, 2017 | - | $13,470 | -22% | -90% | 215 | $63 | $7,098,879 | 21 |
| Feb 17, 2017 | - | $13,022 | -3% | -67% | 107 | $122 | $7,111,901 | 22 |
| Feb 18, 2017 | - | $21,520 | +65% | -67% | 107 | $201 | $7,133,421 | 23 |
| Feb 19, 2017 | - | $16,549 | -23% | -56% | 107 | $155 | $7,149,970 | 24 |
| Feb 20, 2017 | - | $9,669 | -42% | -43% | 107 | $90 | $7,159,639 | 25 |
| Feb 21, 2017 | - | $7,235 | -25% | -80% | 107 | $68 | $7,166,874 | 26 |
| Feb 22, 2017 | - | $8,518 | +18% | -51% | 107 | $80 | $7,175,392 | 27 |
| Feb 23, 2017 | - | $5,914 | -31% | -56% | 107 | $55 | $7,181,306 | 28 |
| Feb 24, 2017 | - | $5,893 | n/c | -55% | 41 | $144 | $7,187,199 | 29 |
| Feb 25, 2017 | - | $10,361 | +76% | -52% | 41 | $253 | $7,197,560 | 30 |
| Feb 26, 2017 | - | $5,241 | -49% | -68% | 41 | $128 | $7,202,801 | 31 |
| Feb 27, 2017 | - | $2,460 | -53% | -75% | 41 | $60 | $7,205,261 | 32 |
| Feb 28, 2017 | - | $4,155 | +69% | -43% | 41 | $101 | $7,209,416 | 33 |
| Mar 1, 2017 | - | $2,718 | -35% | -68% | 41 | $66 | $7,212,134 | 34 |
| Mar 2, 2017 | - | $2,455 | -10% | -58% | 41 | $60 | $7,214,589 | 35 |
| Mar 3, 2017 | - | $2,089 | -15% | -65% | 21 | $99 | $7,216,678 | 36 |
| Mar 4, 2017 | - | $3,875 | +85% | -63% | 21 | $185 | $7,220,553 | 37 |
| Mar 5, 2017 | - | $2,411 | -38% | -54% | 21 | $115 | $7,222,964 | 38 |
| Mar 6, 2017 | - | $731 | -70% | -70% | 21 | $35 | $7,223,695 | 39 |
| Mar 7, 2017 | - | $1,136 | +55% | -73% | 21 | $54 | $7,224,831 | 40 |
| Mar 8, 2017 | - | $964 | -15% | -65% | 21 | $46 | $7,225,795 | 41 |
| Mar 9, 2017 | - | $1,243 | +29% | -49% | 21 | $59 | $7,227,038 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 10 | $4,771,465 | 2,166 | $2,203 | $4,771,465 | 1 | |
| Feb 3, 2017 | 13 | $2,101,608 | -56% | 2,166 | $970 | $6,873,073 | 2 |
| Feb 10, 2017 | 35 | $225,806 | -89% | 215 | $1,050 | $7,098,879 | 3 |
| Feb 17, 2017 | 48 | $82,427 | -63% | 107 | $770 | $7,181,306 | 4 |
| Feb 24, 2017 | 54 | $33,283 | -60% | 41 | $812 | $7,214,589 | 5 |
| Mar 3, 2017 | 58 | $12,449 | -63% | 21 | $593 | $7,227,038 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/15/2017 | $41,805 | 0 | 0 | 0 | $87,693 | 1/1/2019 | |||
| Australia | 2/3/2017 | $306,364 | 209 | 209 | 527 | $654,875 | 10/13/2018 | |||
| Bulgaria | 3/3/2017 | $990 | 0 | 0 | 0 | $2,180 | 2/26/2019 | |||
| Czech Republic | 2/17/2017 | $29,094 | 65 | 121 | 268 | $35,862 | 4/4/2026 | |||
| France | 4/19/2017 | $251,651 | 0 | 0 | 0 | $441,393 | 8/28/2018 | |||
| Italy | 5/5/2017 | $539,457 | 0 | 0 | 0 | $1,029,326 | 5/26/2017 | |||
| Japan | 6/1/2017 | $123,382 | 49 | 50 | 166 | $324,799 | 7/11/2017 | |||
| Lithuania | 2/3/2017 | $17,011 | 73 | 73 | 132 | $17,637 | 4/4/2026 | |||
| Netherlands | 3/16/2017 | $118,263 | 65 | 65 | 173 | $267,527 | 4/7/2017 | |||
| New Zealand | 2/10/2017 | $30,764 | 44 | 44 | 135 | $82,385 | 5/8/2017 | |||
| Poland | 3/17/2017 | $130,098 | 0 | 0 | 0 | $136,295 | 1/1/2019 | |||
| Portugal | 3/3/2017 | $65,920 | 41 | 41 | 97 | $124,752 | 3/22/2017 | |||
| Russia (CIS) | 3/3/2017 | $343,596 | 503 | 503 | 940 | $730,981 | 1/1/2019 | |||
| Slovakia | 3/17/2017 | $16,215 | 49 | 49 | 58 | $22,103 | 3/30/2017 | |||
| Slovenia | 2/3/2017 | $5,108 | 12 | 12 | 22 | $12,117 | 11/17/2017 | |||
| South Korea | 3/5/2017 | $335 | 1 | 200 | 235 | $173,265 | 4/4/2026 | |||
| Spain | 3/10/2017 | $133,561 | 175 | 175 | 352 | $263,273 | 3/30/2017 | |||
| Turkey | 2/3/2017 | $3,023 | 0 | 0 | 0 | $3,023 | 1/1/2019 | |||
| United Kingdom | 2/3/2017 | $508,189 | 331 | 331 | 338 | $6,816 | 4/4/2026 | |||
| Rest of World | $534,768 | |||||||||
| International Total | $4,951,070 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthew McConaughey | Kenny Wells |
Supporting
| Edgar Ramirez | Michael Acosta | |
| Bryce Dallas Howard | Kay | |
| Corey Stoll | Brian Woolf | |
| Toby Kebbell | Jennings | |
| Craig T. Nelson | Kenny Wells | |
| Stacy Keach | Clive Coleman | |
| Bruce Greenwood | Mark Hancock | |
| Timothy Simons | Jackson | |
| Michael Landes | Binkert | |
| Macon Blair | Connie Wright | |
| Joshua Harto | Lloyd Stanton | |
| Adam LeFevre | Bobby Burns | |
| Bill Camp | Hollis Dresher | |
| Frank Wood | Scottie Nevins | |
| Kristen Rakes | Carissa | |
| Ben Whitehair | Banks | |
| Rachael Taylor | Rachel | |
| Bhavesh Patel | Owens |
Production and Technical Credits
| Stephen Gaghan | Director | |
| John Zinman | Screenwriter | |
| Patrick Massett | Screenwriter | |
| Michael Nozik | Producer | |
| Matthew McConaughey | Producer | |
| Patrick Massett | Producer | |
| John Zinman | Producer | |
| Paul Haggis | Executive Producer | |
| Richard Middleton | Executive Producer | |
| Ben Stillman | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| David Glasser | Executive Producer | |
| Robert Elswit | Director of Photography | |
| Douglas Crise | Editor | |
| Daniel Pemberton | Composer | |
| Maria Djurkovic | Production Designer | |
| Danny Glicker | Costume Designer | |
| Linda Cohen | Music Supervisor | |
| Avy Kaufman | Casting Director | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.