Gongjak (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $497,755 | Details |
| International Box Office | $37,694,206 | Details |
| Worldwide Box Office | $38,191,961 | |
| OpusData ID: 352910100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $43,348 (8.7% of total gross) |
| Legs: | 3.66 (domestic box office/biggest weekend) |
| Domestic Share: | 1.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/31 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $653,470 |
Movie Details
| Domestic Releases: | August 10th, 2018 (Limited) by CJ Entertainment, released as The Spy Gone North |
| International Releases: | August 8th, 2018 (Wide) (South Korea)
August 24th, 2018 (Wide), released as The Spy Gone North (Australia) November 9th, 2018 (Wide) (France) |
| MPA Rating: | Not Rated |
| Running Time: | 141 minutes |
| Geographical setting: | Beijing, China, North Korea, South Korea |
| Plot point: | Political, Secret Agent, Weapons of Mass Destruction |
| Subgenre: | Political Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean, Mandarin, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2018 | 40 | $43,348 | 2 | $21,674 | $43,348 | 1 | |
| Aug 17, 2018 | 29 | $136,031 | +214% | 31 | $4,388 | $204,695 | 1 |
| Aug 24, 2018 | 39 | $62,782 | -54% | 24 | $2,616 | $353,300 | 2 |
| Aug 31, 2018 | 45 | $56,812 | -10% | 12 | $4,734 | $450,864 | 3 |
| Sep 7, 2018 | 55 | $18,069 | -68% | 8 | $2,259 | $481,038 | 4 |
| Sep 14, 2018 | 70 | $7,769 | -57% | 4 | $1,942 | $497,755 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2018 | 41 | $68,664 | 2 | $34,332 | $68,664 | 1 | |
| Aug 17, 2018 | 29 | $221,854 | +223% | 31 | $7,157 | $290,518 | 2 |
| Aug 24, 2018 | 38 | $103,534 | -53% | 24 | $4,314 | $394,052 | 3 |
| Aug 31, 2018 | 50 | $68,917 | -33% | 12 | $5,743 | $462,969 | 4 |
| Sep 7, 2018 | 54 | $27,017 | -61% | 8 | $3,377 | $489,986 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/24/2018 | $18,845 | 24 | 24 | 68 | $37,103 | 9/13/2018 | |||
| France | 11/9/2018 | $48,991 | 31 | 31 | 31 | $48,991 | 11/16/2018 | |||
| South Korea | 8/8/2018 | $11,299,563 | 1,317 | 1,317 | 4,227 | $37,608,112 | 4/5/2019 | |||
| International Total | $37,694,206 | 4/5/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hwang Jung-min | Heuk Geum-seong / Park Seok-yeong |
Supporting
| Lee Sung-Min | Ri Myung-woon | |
| Cho Jin-woong | Choi Hak-seong | |
| Ju Ji-hoon | Section Chief Jeong Moo-taek | |
| Jeong So-ri | Lee Hong-seol |
Production and Technical Credits
| Jong-bin Yun | Director | |
| Jong-bin Yun | Screenwriter | |
| Kwon Sung-hui | Screenwriter | |
| Kuk Su-ran | Producer | |
| Han Jae-duk | Producer | |
| Son Sang-bum | Producer | |
| Choi Chan-min | Cinematographer | |
| Kim Sang-bum | Editor | |
| Kim Jae-bum | Editor | |
| Cho Young-wuk* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $43,348 (8.7% of total gross) |
| Legs: | 3.66 (domestic box office/biggest weekend) |
| Domestic Share: | 1.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/31 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $653,470 |
Movie Details
| Domestic Releases: | August 10th, 2018 (Limited) by CJ Entertainment, released as The Spy Gone North |
| International Releases: | August 8th, 2018 (Wide) (South Korea)
August 24th, 2018 (Wide), released as The Spy Gone North (Australia) November 9th, 2018 (Wide) (France) |
| MPA Rating: | Not Rated |
| Running Time: | 141 minutes |
| Geographical setting: | Beijing, China, North Korea, South Korea |
| Plot point: | Political, Secret Agent, Weapons of Mass Destruction |
| Subgenre: | Political Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean, Mandarin, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2018 | 40 | $43,348 | 2 | $21,674 | $43,348 | 1 | |
| Aug 17, 2018 | 29 | $136,031 | +214% | 31 | $4,388 | $204,695 | 1 |
| Aug 24, 2018 | 39 | $62,782 | -54% | 24 | $2,616 | $353,300 | 2 |
| Aug 31, 2018 | 45 | $56,812 | -10% | 12 | $4,734 | $450,864 | 3 |
| Sep 7, 2018 | 55 | $18,069 | -68% | 8 | $2,259 | $481,038 | 4 |
| Sep 14, 2018 | 70 | $7,769 | -57% | 4 | $1,942 | $497,755 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 10, 2018 | 41 | $68,664 | 2 | $34,332 | $68,664 | 1 | |
| Aug 17, 2018 | 29 | $221,854 | +223% | 31 | $7,157 | $290,518 | 2 |
| Aug 24, 2018 | 38 | $103,534 | -53% | 24 | $4,314 | $394,052 | 3 |
| Aug 31, 2018 | 50 | $68,917 | -33% | 12 | $5,743 | $462,969 | 4 |
| Sep 7, 2018 | 54 | $27,017 | -61% | 8 | $3,377 | $489,986 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/24/2018 | $18,845 | 24 | 24 | 68 | $37,103 | 9/13/2018 | |||
| France | 11/9/2018 | $48,991 | 31 | 31 | 31 | $48,991 | 11/16/2018 | |||
| South Korea | 8/8/2018 | $11,299,563 | 1,317 | 1,317 | 4,227 | $37,608,112 | 4/5/2019 | |||
| International Total | $37,694,206 | 4/5/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hwang Jung-min | Heuk Geum-seong / Park Seok-yeong |
Supporting
| Lee Sung-Min | Ri Myung-woon | |
| Cho Jin-woong | Choi Hak-seong | |
| Ju Ji-hoon | Section Chief Jeong Moo-taek | |
| Jeong So-ri | Lee Hong-seol |
Production and Technical Credits
| Jong-bin Yun | Director | |
| Jong-bin Yun | Screenwriter | |
| Kwon Sung-hui | Screenwriter | |
| Kuk Su-ran | Producer | |
| Han Jae-duk | Producer | |
| Son Sang-bum | Producer | |
| Choi Chan-min | Cinematographer | |
| Kim Sang-bum | Editor | |
| Kim Jae-bum | Editor | |
| Cho Young-wuk* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.