Gonjiam: Haunted Asylum (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $115,252 | Details |
| International Box Office | $20,279,654 | Details |
| Worldwide Box Office | $20,394,906 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $34,214 | |
| Blu-ray Sales (estimated) | $104,751 | |
| Total | $138,965 | |
| OpusData ID: 322740100 More info... | ||
| Further financial details... | ||
Synopsis
Based on the local legends and stories of people who’ve visited the real-life abandoned hospital, Gonjiam: Haunted Asylum follows the crew of a horror web show who plan to stream live from inside the asylum. To attract more viewers, the show’s host arranges some scares for the team, but as they move further into the nightmarish old building, they begin to encounter much more than expected.
Metrics
| Opening Weekend: | $19,017 (16.5% of total gross) |
| Legs: | 5.76 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $151,306 |
Movie Details
| Domestic Releases: | April 13th, 2018 (Limited) by Well Go USA |
| International Releases: | March 14th, 2018 (Wide), released as GONJIAM: Haunted Asylum (South Korea)
April 20th, 2018 (Wide) (New Zealand) April 20th, 2018 (Wide) (Australia) April 20th, 2018 (Wide) (Hong Kong) November 2nd, 2018 (Wide) (Argentina) ... Show all releases |
| Video Release: | September 18th, 2018 by Well Go USA Video |
| MPA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Found Footage |
| Plot point: | Haunting, Paranormal Investigation, Reality TV |
| Social setting: | Abandoned Hospital, Abandoned Location, Supernatural |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 2018 | 53 | $19,017 | 2 | $9,509 | $19,017 | 1 | |
| Apr 20, 2018 | 53 | $20,005 | +5% | 7 | $2,858 | $47,555 | 2 |
| Apr 27, 2018 | 54 | $16,092 | -20% | 6 | $2,682 | $74,521 | 3 |
| May 4, 2018 | 58 | $13,966 | -13% | 5 | $2,793 | $98,000 | 4 |
| May 11, 2018 | 80 | $5,228 | -63% | 4 | $1,307 | $111,174 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 2018 | 58 | $27,550 | 2 | $13,775 | $27,550 | 1 | |
| Apr 20, 2018 | 51 | $30,879 | +12% | 7 | $4,411 | $58,429 | 2 |
| Apr 27, 2018 | 54 | $25,605 | -17% | 6 | $4,268 | $84,034 | 3 |
| May 4, 2018 | 56 | $21,912 | -14% | 5 | $4,382 | $105,946 | 4 |
| May 11, 2018 | 79 | $9,306 | -58% | 4 | $2,327 | $115,252 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/2/2018 | $35,843 | 64 | 64 | 101 | $66,331 | 12/2/2018 | |||
| Australia | 4/20/2018 | $34,971 | 11 | 11 | 24 | $96,227 | 5/21/2018 | |||
| Mexico | 11/23/2018 | $141,389 | 0 | 0 | 0 | $141,389 | 11/26/2018 | |||
| New Zealand | 4/20/2018 | $7,487 | 2 | 2 | 5 | $17,948 | 5/14/2018 | |||
| Russia (CIS) | 1/23/2025 | $49,326 | 193 | 193 | 193 | $49,326 | 1/29/2025 | |||
| South Korea | 3/14/2018 | $36,732 | 15 | 58 | 3,441 | $15,527,658 | 4/4/2026 | |||
| Rest of World | $4,380,775 | |||||||||
| International Total | $20,279,654 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Jung Bum-Shik | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Based on the local legends and stories of people who’ve visited the real-life abandoned hospital, Gonjiam: Haunted Asylum follows the crew of a horror web show who plan to stream live from inside the asylum. To attract more viewers, the show’s host arranges some scares for the team, but as they move further into the nightmarish old building, they begin to encounter much more than expected.
Metrics
| Opening Weekend: | $19,017 (16.5% of total gross) |
| Legs: | 5.76 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $151,306 |
Movie Details
| Domestic Releases: | April 13th, 2018 (Limited) by Well Go USA |
| International Releases: | March 14th, 2018 (Wide), released as GONJIAM: Haunted Asylum (South Korea)
April 20th, 2018 (Wide) (New Zealand) April 20th, 2018 (Wide) (Australia) April 20th, 2018 (Wide) (Hong Kong) November 2nd, 2018 (Wide) (Argentina) ... Show all releases |
| Video Release: | September 18th, 2018 by Well Go USA Video |
| MPA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Found Footage |
| Plot point: | Haunting, Paranormal Investigation, Reality TV |
| Social setting: | Abandoned Hospital, Abandoned Location, Supernatural |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 2018 | 53 | $19,017 | 2 | $9,509 | $19,017 | 1 | |
| Apr 20, 2018 | 53 | $20,005 | +5% | 7 | $2,858 | $47,555 | 2 |
| Apr 27, 2018 | 54 | $16,092 | -20% | 6 | $2,682 | $74,521 | 3 |
| May 4, 2018 | 58 | $13,966 | -13% | 5 | $2,793 | $98,000 | 4 |
| May 11, 2018 | 80 | $5,228 | -63% | 4 | $1,307 | $111,174 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 2018 | 58 | $27,550 | 2 | $13,775 | $27,550 | 1 | |
| Apr 20, 2018 | 51 | $30,879 | +12% | 7 | $4,411 | $58,429 | 2 |
| Apr 27, 2018 | 54 | $25,605 | -17% | 6 | $4,268 | $84,034 | 3 |
| May 4, 2018 | 56 | $21,912 | -14% | 5 | $4,382 | $105,946 | 4 |
| May 11, 2018 | 79 | $9,306 | -58% | 4 | $2,327 | $115,252 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/2/2018 | $35,843 | 64 | 64 | 101 | $66,331 | 12/2/2018 | |||
| Australia | 4/20/2018 | $34,971 | 11 | 11 | 24 | $96,227 | 5/21/2018 | |||
| Mexico | 11/23/2018 | $141,389 | 0 | 0 | 0 | $141,389 | 11/26/2018 | |||
| New Zealand | 4/20/2018 | $7,487 | 2 | 2 | 5 | $17,948 | 5/14/2018 | |||
| Russia (CIS) | 1/23/2025 | $49,326 | 193 | 193 | 193 | $49,326 | 1/29/2025 | |||
| South Korea | 3/14/2018 | $36,732 | 15 | 58 | 3,441 | $15,527,658 | 4/4/2026 | |||
| Rest of World | $4,380,775 | |||||||||
| International Total | $20,279,654 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Jung Bum-Shik | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.