A Good Day to Die (2011)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 170230100 More info... | ||
| Further financial details... | ||
Synopsis
Dennis Banks co-founded the American Indian Movement (A.I.M.) in 1968 to call attention to the plight of urban Indians in Minneapolis, Minnesota. The film presents an intimate look at Dennis Banks' life beginning with his early experience in boarding schools, through his military service in Japan, his transformative experience in Stillwater State Prison and subsequent founding of a movement that, through confrontational actions in Washington DC, Custer South Dakota and Wounded Knee, changed the lives of American Indians forever.
Metrics
Movie Details
| Domestic Releases: | November 4th, 2011 (Limited) by Alive Mind |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Agitprop |
| Plot point: | Addiction, Bigotry, Biography, Political, Poverty |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Interviewee
| Larry Anderson | Himself | |
| Dennis Banks | Himself | |
| Tashina Banks | Herself | |
| Zinzii Banks | Herself | |
| Clyde Bellecourt | Himself | |
| Sydney Bird | Himself | |
| Lehman Brightman | Himself |
Production and Technical Credits
| David Mueller | Producer | |
| Lynn Salt | Producer | |
| David Mueller | Director | |
| Lynn Salt | Director | |
| Robert McFalls | Editor | |
| Tashina Banks | Co-Producer | |
| Takeo Koshikawa | Co-Producer | |
| Bob Hicks | Associate Producer | |
| Matt Martinez | Associate Producer | |
| David Mueller | Cinematographer | |
| Lynn Salt | Sound Designer | |
| Michel Tyabji | Composer | |
| Michel Tyabji | Music Supervisor | |
| Rosa Costanza | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Dennis Banks co-founded the American Indian Movement (A.I.M.) in 1968 to call attention to the plight of urban Indians in Minneapolis, Minnesota. The film presents an intimate look at Dennis Banks' life beginning with his early experience in boarding schools, through his military service in Japan, his transformative experience in Stillwater State Prison and subsequent founding of a movement that, through confrontational actions in Washington DC, Custer South Dakota and Wounded Knee, changed the lives of American Indians forever.
Metrics
Movie Details
| Domestic Releases: | November 4th, 2011 (Limited) by Alive Mind |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Agitprop |
| Plot point: | Addiction, Bigotry, Biography, Political, Poverty |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Interviewee
| Larry Anderson | Himself | |
| Dennis Banks | Himself | |
| Tashina Banks | Herself | |
| Zinzii Banks | Herself | |
| Clyde Bellecourt | Himself | |
| Sydney Bird | Himself | |
| Lehman Brightman | Himself |
Production and Technical Credits
| David Mueller | Producer | |
| Lynn Salt | Producer | |
| David Mueller | Director | |
| Lynn Salt | Director | |
| Robert McFalls | Editor | |
| Tashina Banks | Co-Producer | |
| Takeo Koshikawa | Co-Producer | |
| Bob Hicks | Associate Producer | |
| Matt Martinez | Associate Producer | |
| David Mueller | Cinematographer | |
| Lynn Salt | Sound Designer | |
| Michel Tyabji | Composer | |
| Michel Tyabji | Music Supervisor | |
| Rosa Costanza | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.