Good Kisser (2020)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 463330100 More info... | ||
| Further financial details... | ||
Synopsis
Jenna and Kate open up their relationship to an alluring stranger in the hopes of spicing up their two-year romance, only for it to expose the faults in their foundation.
Metrics
Movie Details
| Video Release: | June 16th, 2020 by Wolfe Video |
| Running Time: | 80 minutes |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Kari Alison Hodge | ||
| Julia Eringer | ||
| Rachel Paulson |
Supporting
| Courtney McCullough | ||
| Carter Rodriguez |
Production and Technical Credits
| Wendy Jo Carlton | Director | |
| Wendy Jo Carlton | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jenna and Kate open up their relationship to an alluring stranger in the hopes of spicing up their two-year romance, only for it to expose the faults in their foundation.
Metrics
Movie Details
| Video Release: | June 16th, 2020 by Wolfe Video |
| Running Time: | 80 minutes |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Kari Alison Hodge | ||
| Julia Eringer | ||
| Rachel Paulson |
Supporting
| Courtney McCullough | ||
| Carter Rodriguez |
Production and Technical Credits
| Wendy Jo Carlton | Director | |
| Wendy Jo Carlton | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.