The Good Liar (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $17,156,058 | Details |
| International Box Office | $16,700,000 | Details |
| Worldwide Box Office | $33,856,058 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,453,011 | |
| Blu-ray Sales (estimated) | $779,732 | |
| Total | $2,232,743 | |
| OpusData ID: 322510100 More info... | ||
| Further financial details... | ||
Synopsis
Career con artist Roy Courtnay can hardly believe his luck when he meets well-to-do widow Betty McLeish online. As Betty opens her home and life to him, Roy is surprised to find himself caring about her, turning what should be a cut-and-dry swindle into the most treacherous tightrope walk of his life.
Metrics
| Opening Weekend: | $5,605,051 (32.7% of total gross) |
| Legs: | 3.06 (domestic box office/biggest weekend) |
| Domestic Share: | 50.7% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 3.4 times production budget) |
| Theater counts: | 2,439 opening theaters/2,454 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $22,399,753 |
Movie Details
| Domestic Releases: | November 15th, 2019 (Wide) by Warner Bros. |
| International Releases: | November 8th, 2019 (Wide) (United Kingdom)
November 14th, 2019 (Wide), released as Хороший лжец (Russia (CIS)) November 15th, 2019 (Wide), released as Dokonalá lož (Slovakia) November 20th, 2019 (Wide) (Belgium) November 22nd, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | February 4th, 2020 by New Line Home Video March 16th, 2020 by Warner Home Video |
| MPA Rating: | R for some strong violence, and for language and brief nudity. (Rating bulletin 2550 (Cert #51877), 10/24/2018) |
| Running Time: | 110 minutes |
| Plot point: | Autumn Years, Confidence Men, December Romance, False Identity, No Honor Among Thieves, Revenge, Romance, Sex Crimes, Surprise Twist |
| Subgenre: | Crime Thriller |
| Time period setting: | 1940s, 2000s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, 1000 Eyes, Bron Creative |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2019 | 7 | $5,605,051 | 2,439 | $2,298 | $5,605,051 | 1 | |
| Nov 22, 2019 | 7 | $3,401,194 | -39% | 2,454 | $1,386 | $11,791,988 | 2 |
| Nov 29, 2019 | 12 | $1,559,223 | -54% | 2,003 | $778 | $14,879,284 | 3 |
| Dec 6, 2019 | 19 | $479,043 | -69% | 787 | $609 | $16,135,794 | 4 |
| Dec 13, 2019 | 21 | $181,472 | -62% | 304 | $597 | $16,638,234 | 5 |
| Dec 20, 2019 | 26 | $49,444 | -73% | 80 | $618 | $16,818,270 | 6 |
| Dec 27, 2019 | 30 | $67,106 | +36% | 93 | $722 | $16,936,234 | 7 |
| Jan 3, 2020 | 33 | $66,023 | -2% | 93 | $710 | $17,082,397 | 8 |
| Jan 10, 2020 | 41 | $22,616 | -66% | 66 | $343 | $17,141,636 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 15, 2019 | 7 | $1,644,452 | 2,439 | $674 | $1,644,452 | 1 | ||
| Nov 16, 2019 | 8 | $2,378,046 | +45% | 2,439 | $975 | $4,022,498 | 2 | |
| Nov 17, 2019 | 7 | $1,582,553 | -33% | 2,439 | $649 | $5,605,051 | 3 | |
| Nov 18, 2019 | 3 | $586,572 | -63% | 2,439 | $240 | $6,191,623 | 4 | |
| Nov 19, 2019 | 3 | $1,014,761 | +73% | 2,439 | $416 | $7,206,384 | 5 | |
| Nov 20, 2019 | 3 | $619,232 | -39% | 2,439 | $254 | $7,825,616 | 6 | |
| Nov 21, 2019 | 3 | $565,178 | -9% | 2,439 | $232 | $8,390,794 | 7 | |
| Nov 22, 2019 | 7 | $1,029,454 | +82% | -37% | 2,454 | $420 | $9,420,248 | 8 |
| Nov 23, 2019 | 7 | $1,412,848 | +37% | -41% | 2,454 | $576 | $10,833,096 | 9 |
| Nov 24, 2019 | 7 | $958,892 | -32% | -39% | 2,454 | $391 | $11,791,988 | 10 |
| Nov 25, 2019 | 8 | $379,844 | -60% | -35% | 2,454 | $155 | $12,171,832 | 11 |
| Nov 26, 2019 | 9 | $558,232 | +47% | -45% | 2,454 | $227 | $12,730,064 | 12 |
| Nov 27, 2019 | 13 | $298,710 | -46% | -52% | 2,042 | $146 | $13,028,774 | 13 |
| Nov 28, 2019 | 12 | $291,287 | -2% | -48% | 2,042 | $143 | $13,320,061 | 14 |
| Nov 29, 2019 | 12 | $587,010 | +102% | -43% | 2,003 | $293 | $13,907,071 | 15 |
| Nov 30, 2019 | 12 | $607,402 | +3% | -57% | 2,003 | $303 | $14,514,473 | 16 |
| Dec 1, 2019 | 11 | $364,811 | -40% | -62% | 2,003 | $182 | $14,879,284 | 17 |
| Dec 2, 2019 | 9 | $153,081 | -58% | -60% | 2,003 | $76 | $15,032,365 | 18 |
| Dec 3, 2019 | 8 | $269,172 | +76% | -52% | 2,003 | $134 | $15,301,537 | 19 |
| Dec 4, 2019 | 8 | $185,431 | -31% | -38% | 2,003 | $93 | $15,486,968 | 20 |
| Dec 5, 2019 | 8 | $169,783 | -8% | -42% | 2,003 | $85 | $15,656,751 | 21 |
| Dec 6, 2019 | - | $137,804 | -19% | -77% | 787 | $175 | $15,794,555 | 22 |
| Dec 7, 2019 | - | $202,618 | +47% | -67% | 787 | $257 | $15,997,173 | 23 |
| Dec 8, 2019 | - | $138,621 | -32% | -62% | 787 | $176 | $16,135,794 | 24 |
| Dec 9, 2019 | 15 | $65,820 | -53% | -57% | 787 | $84 | $16,201,614 | 25 |
| Dec 10, 2019 | 14 | $112,038 | +70% | -58% | 787 | $142 | $16,313,652 | 26 |
| Dec 11, 2019 | 14 | $78,306 | -30% | -58% | 787 | $99 | $16,391,958 | 27 |
| Dec 12, 2019 | 15 | $64,804 | -17% | -62% | 787 | $82 | $16,456,762 | 28 |
| Dec 13, 2019 | - | $49,884 | -23% | -64% | 304 | $164 | $16,506,646 | 29 |
| Dec 14, 2019 | - | $77,329 | +55% | -62% | 304 | $254 | $16,583,975 | 30 |
| Dec 15, 2019 | - | $54,259 | -30% | -61% | 304 | $178 | $16,638,234 | 31 |
| Dec 16, 2019 | - | $27,651 | -49% | -58% | 304 | $91 | $16,665,885 | 32 |
| Dec 17, 2019 | - | $42,681 | +54% | -62% | 304 | $140 | $16,708,566 | 33 |
| Dec 18, 2019 | - | $33,127 | -22% | -58% | 304 | $109 | $16,741,693 | 34 |
| Dec 19, 2019 | - | $27,133 | -18% | -58% | 304 | $89 | $16,768,826 | 35 |
| Dec 20, 2019 | - | $12,868 | -53% | -74% | 80 | $161 | $16,781,694 | 36 |
| Dec 21, 2019 | - | $19,749 | +53% | -74% | 80 | $247 | $16,801,443 | 37 |
| Dec 22, 2019 | - | $16,827 | -15% | -69% | 80 | $210 | $16,818,270 | 38 |
| Dec 23, 2019 | - | $10,762 | -36% | -61% | 80 | $135 | $16,829,032 | 39 |
| Dec 24, 2019 | - | $8,375 | -22% | -80% | 80 | $105 | $16,837,407 | 40 |
| Dec 25, 2019 | - | $13,709 | +64% | -59% | 93 | $147 | $16,851,116 | 41 |
| Dec 26, 2019 | - | $18,012 | +31% | -34% | 93 | $194 | $16,869,128 | 42 |
| Dec 27, 2019 | - | $22,352 | +24% | +74% | 93 | $240 | $16,891,480 | 43 |
| Dec 28, 2019 | - | $24,536 | +10% | +24% | 93 | $264 | $16,916,016 | 44 |
| Dec 29, 2019 | - | $20,218 | -18% | +20% | 93 | $217 | $16,936,234 | 45 |
| Dec 30, 2019 | - | $14,857 | -27% | +38% | 93 | $160 | $16,951,091 | 46 |
| Dec 31, 2019 | - | $22,188 | +49% | +165% | 93 | $239 | $16,973,279 | 47 |
| Jan 1, 2020 | - | $26,778 | +21% | +95% | 93 | $288 | $17,000,057 | 48 |
| Jan 2, 2020 | - | $16,317 | -39% | -9% | 93 | $175 | $17,016,374 | 49 |
| Jan 3, 2020 | - | $23,050 | +41% | +3% | 93 | $248 | $17,039,424 | 50 |
| Jan 4, 2020 | - | $26,290 | +14% | +7% | 93 | $283 | $17,065,714 | 51 |
| Jan 5, 2020 | - | $16,683 | -37% | -17% | 93 | $179 | $17,082,397 | 52 |
| Jan 6, 2020 | - | $6,503 | -61% | -56% | 93 | $70 | $17,088,900 | 53 |
| Jan 7, 2020 | - | $11,868 | +83% | -47% | 93 | $128 | $17,100,768 | 54 |
| Jan 8, 2020 | - | $9,014 | -24% | -66% | 93 | $97 | $17,109,782 | 55 |
| Jan 9, 2020 | - | $9,238 | +2% | -43% | 93 | $99 | $17,119,020 | 56 |
| Jan 10, 2020 | - | $6,188 | -33% | -73% | 66 | $94 | $17,125,208 | 57 |
| Jan 11, 2020 | - | $9,021 | +46% | -66% | 66 | $137 | $17,134,229 | 58 |
| Jan 12, 2020 | - | $7,407 | -18% | -56% | 66 | $112 | $17,141,636 | 59 |
| Jan 13, 2020 | - | $2,814 | -62% | -57% | 66 | $43 | $17,144,450 | 60 |
| Jan 14, 2020 | - | $4,175 | +48% | -65% | 66 | $63 | $17,148,625 | 61 |
| Jan 15, 2020 | - | $3,877 | -7% | -57% | 66 | $59 | $17,152,502 | 62 |
| Jan 16, 2020 | - | $3,556 | -8% | -62% | 66 | $54 | $17,156,058 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2019 | 6 | $8,390,794 | 2,439 | $3,440 | $8,390,794 | 1 | |
| Nov 22, 2019 | 8 | $4,929,267 | -41% | 2,042 | $2,414 | $13,320,061 | 2 |
| Nov 29, 2019 | 12 | $2,336,690 | -53% | 2,003 | $1,167 | $15,656,751 | 3 |
| Dec 6, 2019 | 17 | $800,011 | -66% | 787 | $1,017 | $16,456,762 | 4 |
| Dec 13, 2019 | 21 | $312,064 | -61% | 304 | $1,027 | $16,768,826 | 5 |
| Dec 20, 2019 | 36 | $100,302 | -68% | 93 | $1,079 | $16,869,128 | 6 |
| Dec 27, 2019 | 29 | $147,246 | +47% | 93 | $1,583 | $17,016,374 | 7 |
| Jan 3, 2020 | 33 | $102,646 | -30% | 93 | $1,104 | $17,119,020 | 8 |
| Jan 10, 2020 | 39 | $37,038 | -64% | 66 | $561 | $17,156,058 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/6/2019 | $50,138 | 102 | 102 | 152 | $138,399 | 1/20/2020 | |||
| Australia | 12/5/2019 | $510,257 | 282 | 282 | 1,235 | $2,078,100 | 2/25/2020 | |||
| Belgium | 11/20/2019 | $0 | 0 | 0 | 0 | $157,000 | 10/19/2022 | |||
| Brazil | 11/22/2019 | $73,000 | 97 | 97 | 97 | $163,000 | 12/3/2019 | |||
| Czech Republic | 12/27/2019 | $23,895 | 47 | 49 | 96 | $52,285 | 10/19/2022 | |||
| France | 1/1/2020 | $417,000 | 178 | 183 | 361 | $798,000 | 2/18/2020 | |||
| Germany | 11/28/2019 | $78,000 | 134 | 134 | 134 | $78,000 | 12/3/2019 | |||
| Italy | 12/5/2019 | $322,628 | 0 | 15 | 25 | $718,531 | 10/19/2022 | |||
| Mexico | 12/20/2019 | $290,790 | 0 | 0 | 0 | $1,300,000 | 2/18/2020 | |||
| Netherlands | 11/22/2019 | $170,189 | 80 | 80 | 278 | $481,896 | 10/19/2022 | |||
| New Zealand | 12/5/2019 | $98,032 | 92 | 92 | 482 | $462,397 | 10/19/2022 | |||
| Romania | 12/13/2019 | $65,779 | 72 | 72 | 220 | $274,493 | 2/5/2020 | |||
| Russia (CIS) | 11/14/2019 | $335,821 | 375 | 375 | 1,146 | $660,000 | 10/19/2022 | |||
| Slovakia | 11/15/2019 | $14,058 | 42 | 42 | 61 | $28,376 | 12/3/2019 | |||
| South Korea | 12/5/2019 | $79,949 | 303 | 303 | 317 | $179,968 | 12/18/2019 | |||
| Spain | 12/5/2019 | $358,463 | 184 | 185 | 541 | $881,000 | 2/18/2020 | |||
| United Kingdom | 11/8/2019 | $1,228,464 | 545 | 556 | 2,123 | $5,198,977 | 3/11/2020 | |||
| Rest of World | $3,049,578 | |||||||||
| International Total | $16,700,000 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Helen Mirren | Betty McLeish | |
| Ian McKellen | Roy Courtney |
Supporting
| Russell Tovey | Stephen | |
| Jim Carter | Vincent | |
| Mark Lewis Jones | Bryn | |
| Laurie Davidson | Hans Taub (1948) | |
| Phil Dunster | Roy Courtnay (1948) | |
| Lucian Msamati | Beni | |
| Jóhannes Haukur Jóhannesson | Vlad | |
| Tunji Kasim | Michael | |
| Spike White | Hans Taub (1943) | |
| Stella Stocker | Frau Schröder | |
| Daniel Betts | Herr Schröder | |
| Nell Williams | Lili | |
| Celine Buckens | Annalise | |
| Lily Dodsworth-Evans | Hannalore | |
| Athena Strates | Charlotte | |
| Aleksandar Jovanovic | Martin Geiger | |
| Albert Welling | German Industrialist | |
| Michael Culkin | Dr. Livesey | |
| Dino Kelly | Igor | |
| Brigid Zengeni | Nurse | |
| Sean Hart | Young Con Man | |
| Bessie Carter | Secretary | |
| Jane Fowler | Waitress |
Production and Technical Credits
| Bill Condon | Director | |
| Greg Yolen | Producer | |
| Bill Condon | Producer | |
| Jeffrey Hatcher | Screenwriter | |
| Nicholas Searle | Story based on the novel by | |
| Jack Morrisey | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Richard Brener | Executive Producer | |
| Andrea Johnston | Executive Producer | |
| Anjay Nagpal | Executive Producer | |
| Nick O'Hagan | Executive Producer | |
| Tobias Schliessler | Director of Photography | |
| John Stevenson | Production Designer | |
| Virginia Katz | Editor | |
| Carter Burwell | Composer | |
| Keith Madden | Costume Designer | |
| Lucy Bevan | Casting Director | |
| Nick O'Hagan | Unit Production Manager | |
| Dan Channing Williams | First Assistant Director | |
| Tom Mulberge | Second Assistant Director | |
| Vicki Stevenson | Supervising Art Director | |
| Tamsin Clarke | Set Decorator | |
| Kim Armitage | Script Supervisor | |
| John Hayes | Sound Mixer | |
| Catherine Farrell | Post-Production Supervisor | |
| Donna Madrigal | First Assistant Editor | |
| Esther Bailey | First Assistant Editor | |
| Lewis Goldstein | Supervising Sound Editor | |
| Michael Minkler | Re-recording Mixer | |
| Lewis Goldstein | Re-recording Mixer | |
| Brian Bowles | Supervising Dialogue Editor | |
| Todd Kasow | Music Editor | |
| John Werner | Dialogue Editor | |
| Angela Organ | Dialogue Editor | |
| Alex Soto | Sound Effects Editor | |
| James Redding | Sound Effects Editor | |
| Neil Benezra | Sound Effects Editor | |
| Wen-Hsuan Tseng | Foley Editor | |
| Danny Turner | Production Manager | |
| Benjamin M. Bailey | Supervising Location Manager | |
| James Player | Location Manager | |
| Peter Frank Dewulf | Location Manager | |
| Susie Lewis | Costume Supervisor | |
| Mandy Cole | Costume Supervisor | |
| Lesa Warrener | Make-up and Hair Designer | |
| Keely Lanigan Atkins | Art Director | |
| Merl Homer | Art Director | |
| Michael Farrow | Score Recordist | |
| Michael Farrow | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Career con artist Roy Courtnay can hardly believe his luck when he meets well-to-do widow Betty McLeish online. As Betty opens her home and life to him, Roy is surprised to find himself caring about her, turning what should be a cut-and-dry swindle into the most treacherous tightrope walk of his life.
Metrics
| Opening Weekend: | $5,605,051 (32.7% of total gross) |
| Legs: | 3.06 (domestic box office/biggest weekend) |
| Domestic Share: | 50.7% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 3.4 times production budget) |
| Theater counts: | 2,439 opening theaters/2,454 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $22,399,753 |
Movie Details
| Domestic Releases: | November 15th, 2019 (Wide) by Warner Bros. |
| International Releases: | November 8th, 2019 (Wide) (United Kingdom)
November 14th, 2019 (Wide), released as Хороший лжец (Russia (CIS)) November 15th, 2019 (Wide), released as Dokonalá lož (Slovakia) November 20th, 2019 (Wide) (Belgium) November 22nd, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | February 4th, 2020 by New Line Home Video March 16th, 2020 by Warner Home Video |
| MPA Rating: | R for some strong violence, and for language and brief nudity. (Rating bulletin 2550 (Cert #51877), 10/24/2018) |
| Running Time: | 110 minutes |
| Plot point: | Autumn Years, Confidence Men, December Romance, False Identity, No Honor Among Thieves, Revenge, Romance, Sex Crimes, Surprise Twist |
| Subgenre: | Crime Thriller |
| Time period setting: | 1940s, 2000s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, 1000 Eyes, Bron Creative |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2019 | 7 | $5,605,051 | 2,439 | $2,298 | $5,605,051 | 1 | |
| Nov 22, 2019 | 7 | $3,401,194 | -39% | 2,454 | $1,386 | $11,791,988 | 2 |
| Nov 29, 2019 | 12 | $1,559,223 | -54% | 2,003 | $778 | $14,879,284 | 3 |
| Dec 6, 2019 | 19 | $479,043 | -69% | 787 | $609 | $16,135,794 | 4 |
| Dec 13, 2019 | 21 | $181,472 | -62% | 304 | $597 | $16,638,234 | 5 |
| Dec 20, 2019 | 26 | $49,444 | -73% | 80 | $618 | $16,818,270 | 6 |
| Dec 27, 2019 | 30 | $67,106 | +36% | 93 | $722 | $16,936,234 | 7 |
| Jan 3, 2020 | 33 | $66,023 | -2% | 93 | $710 | $17,082,397 | 8 |
| Jan 10, 2020 | 41 | $22,616 | -66% | 66 | $343 | $17,141,636 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 15, 2019 | 7 | $1,644,452 | 2,439 | $674 | $1,644,452 | 1 | ||
| Nov 16, 2019 | 8 | $2,378,046 | +45% | 2,439 | $975 | $4,022,498 | 2 | |
| Nov 17, 2019 | 7 | $1,582,553 | -33% | 2,439 | $649 | $5,605,051 | 3 | |
| Nov 18, 2019 | 3 | $586,572 | -63% | 2,439 | $240 | $6,191,623 | 4 | |
| Nov 19, 2019 | 3 | $1,014,761 | +73% | 2,439 | $416 | $7,206,384 | 5 | |
| Nov 20, 2019 | 3 | $619,232 | -39% | 2,439 | $254 | $7,825,616 | 6 | |
| Nov 21, 2019 | 3 | $565,178 | -9% | 2,439 | $232 | $8,390,794 | 7 | |
| Nov 22, 2019 | 7 | $1,029,454 | +82% | -37% | 2,454 | $420 | $9,420,248 | 8 |
| Nov 23, 2019 | 7 | $1,412,848 | +37% | -41% | 2,454 | $576 | $10,833,096 | 9 |
| Nov 24, 2019 | 7 | $958,892 | -32% | -39% | 2,454 | $391 | $11,791,988 | 10 |
| Nov 25, 2019 | 8 | $379,844 | -60% | -35% | 2,454 | $155 | $12,171,832 | 11 |
| Nov 26, 2019 | 9 | $558,232 | +47% | -45% | 2,454 | $227 | $12,730,064 | 12 |
| Nov 27, 2019 | 13 | $298,710 | -46% | -52% | 2,042 | $146 | $13,028,774 | 13 |
| Nov 28, 2019 | 12 | $291,287 | -2% | -48% | 2,042 | $143 | $13,320,061 | 14 |
| Nov 29, 2019 | 12 | $587,010 | +102% | -43% | 2,003 | $293 | $13,907,071 | 15 |
| Nov 30, 2019 | 12 | $607,402 | +3% | -57% | 2,003 | $303 | $14,514,473 | 16 |
| Dec 1, 2019 | 11 | $364,811 | -40% | -62% | 2,003 | $182 | $14,879,284 | 17 |
| Dec 2, 2019 | 9 | $153,081 | -58% | -60% | 2,003 | $76 | $15,032,365 | 18 |
| Dec 3, 2019 | 8 | $269,172 | +76% | -52% | 2,003 | $134 | $15,301,537 | 19 |
| Dec 4, 2019 | 8 | $185,431 | -31% | -38% | 2,003 | $93 | $15,486,968 | 20 |
| Dec 5, 2019 | 8 | $169,783 | -8% | -42% | 2,003 | $85 | $15,656,751 | 21 |
| Dec 6, 2019 | - | $137,804 | -19% | -77% | 787 | $175 | $15,794,555 | 22 |
| Dec 7, 2019 | - | $202,618 | +47% | -67% | 787 | $257 | $15,997,173 | 23 |
| Dec 8, 2019 | - | $138,621 | -32% | -62% | 787 | $176 | $16,135,794 | 24 |
| Dec 9, 2019 | 15 | $65,820 | -53% | -57% | 787 | $84 | $16,201,614 | 25 |
| Dec 10, 2019 | 14 | $112,038 | +70% | -58% | 787 | $142 | $16,313,652 | 26 |
| Dec 11, 2019 | 14 | $78,306 | -30% | -58% | 787 | $99 | $16,391,958 | 27 |
| Dec 12, 2019 | 15 | $64,804 | -17% | -62% | 787 | $82 | $16,456,762 | 28 |
| Dec 13, 2019 | - | $49,884 | -23% | -64% | 304 | $164 | $16,506,646 | 29 |
| Dec 14, 2019 | - | $77,329 | +55% | -62% | 304 | $254 | $16,583,975 | 30 |
| Dec 15, 2019 | - | $54,259 | -30% | -61% | 304 | $178 | $16,638,234 | 31 |
| Dec 16, 2019 | - | $27,651 | -49% | -58% | 304 | $91 | $16,665,885 | 32 |
| Dec 17, 2019 | - | $42,681 | +54% | -62% | 304 | $140 | $16,708,566 | 33 |
| Dec 18, 2019 | - | $33,127 | -22% | -58% | 304 | $109 | $16,741,693 | 34 |
| Dec 19, 2019 | - | $27,133 | -18% | -58% | 304 | $89 | $16,768,826 | 35 |
| Dec 20, 2019 | - | $12,868 | -53% | -74% | 80 | $161 | $16,781,694 | 36 |
| Dec 21, 2019 | - | $19,749 | +53% | -74% | 80 | $247 | $16,801,443 | 37 |
| Dec 22, 2019 | - | $16,827 | -15% | -69% | 80 | $210 | $16,818,270 | 38 |
| Dec 23, 2019 | - | $10,762 | -36% | -61% | 80 | $135 | $16,829,032 | 39 |
| Dec 24, 2019 | - | $8,375 | -22% | -80% | 80 | $105 | $16,837,407 | 40 |
| Dec 25, 2019 | - | $13,709 | +64% | -59% | 93 | $147 | $16,851,116 | 41 |
| Dec 26, 2019 | - | $18,012 | +31% | -34% | 93 | $194 | $16,869,128 | 42 |
| Dec 27, 2019 | - | $22,352 | +24% | +74% | 93 | $240 | $16,891,480 | 43 |
| Dec 28, 2019 | - | $24,536 | +10% | +24% | 93 | $264 | $16,916,016 | 44 |
| Dec 29, 2019 | - | $20,218 | -18% | +20% | 93 | $217 | $16,936,234 | 45 |
| Dec 30, 2019 | - | $14,857 | -27% | +38% | 93 | $160 | $16,951,091 | 46 |
| Dec 31, 2019 | - | $22,188 | +49% | +165% | 93 | $239 | $16,973,279 | 47 |
| Jan 1, 2020 | - | $26,778 | +21% | +95% | 93 | $288 | $17,000,057 | 48 |
| Jan 2, 2020 | - | $16,317 | -39% | -9% | 93 | $175 | $17,016,374 | 49 |
| Jan 3, 2020 | - | $23,050 | +41% | +3% | 93 | $248 | $17,039,424 | 50 |
| Jan 4, 2020 | - | $26,290 | +14% | +7% | 93 | $283 | $17,065,714 | 51 |
| Jan 5, 2020 | - | $16,683 | -37% | -17% | 93 | $179 | $17,082,397 | 52 |
| Jan 6, 2020 | - | $6,503 | -61% | -56% | 93 | $70 | $17,088,900 | 53 |
| Jan 7, 2020 | - | $11,868 | +83% | -47% | 93 | $128 | $17,100,768 | 54 |
| Jan 8, 2020 | - | $9,014 | -24% | -66% | 93 | $97 | $17,109,782 | 55 |
| Jan 9, 2020 | - | $9,238 | +2% | -43% | 93 | $99 | $17,119,020 | 56 |
| Jan 10, 2020 | - | $6,188 | -33% | -73% | 66 | $94 | $17,125,208 | 57 |
| Jan 11, 2020 | - | $9,021 | +46% | -66% | 66 | $137 | $17,134,229 | 58 |
| Jan 12, 2020 | - | $7,407 | -18% | -56% | 66 | $112 | $17,141,636 | 59 |
| Jan 13, 2020 | - | $2,814 | -62% | -57% | 66 | $43 | $17,144,450 | 60 |
| Jan 14, 2020 | - | $4,175 | +48% | -65% | 66 | $63 | $17,148,625 | 61 |
| Jan 15, 2020 | - | $3,877 | -7% | -57% | 66 | $59 | $17,152,502 | 62 |
| Jan 16, 2020 | - | $3,556 | -8% | -62% | 66 | $54 | $17,156,058 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 15, 2019 | 6 | $8,390,794 | 2,439 | $3,440 | $8,390,794 | 1 | |
| Nov 22, 2019 | 8 | $4,929,267 | -41% | 2,042 | $2,414 | $13,320,061 | 2 |
| Nov 29, 2019 | 12 | $2,336,690 | -53% | 2,003 | $1,167 | $15,656,751 | 3 |
| Dec 6, 2019 | 17 | $800,011 | -66% | 787 | $1,017 | $16,456,762 | 4 |
| Dec 13, 2019 | 21 | $312,064 | -61% | 304 | $1,027 | $16,768,826 | 5 |
| Dec 20, 2019 | 36 | $100,302 | -68% | 93 | $1,079 | $16,869,128 | 6 |
| Dec 27, 2019 | 29 | $147,246 | +47% | 93 | $1,583 | $17,016,374 | 7 |
| Jan 3, 2020 | 33 | $102,646 | -30% | 93 | $1,104 | $17,119,020 | 8 |
| Jan 10, 2020 | 39 | $37,038 | -64% | 66 | $561 | $17,156,058 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/6/2019 | $50,138 | 102 | 102 | 152 | $138,399 | 1/20/2020 | |||
| Australia | 12/5/2019 | $510,257 | 282 | 282 | 1,235 | $2,078,100 | 2/25/2020 | |||
| Belgium | 11/20/2019 | $0 | 0 | 0 | 0 | $157,000 | 10/19/2022 | |||
| Brazil | 11/22/2019 | $73,000 | 97 | 97 | 97 | $163,000 | 12/3/2019 | |||
| Czech Republic | 12/27/2019 | $23,895 | 47 | 49 | 96 | $52,285 | 10/19/2022 | |||
| France | 1/1/2020 | $417,000 | 178 | 183 | 361 | $798,000 | 2/18/2020 | |||
| Germany | 11/28/2019 | $78,000 | 134 | 134 | 134 | $78,000 | 12/3/2019 | |||
| Italy | 12/5/2019 | $322,628 | 0 | 15 | 25 | $718,531 | 10/19/2022 | |||
| Mexico | 12/20/2019 | $290,790 | 0 | 0 | 0 | $1,300,000 | 2/18/2020 | |||
| Netherlands | 11/22/2019 | $170,189 | 80 | 80 | 278 | $481,896 | 10/19/2022 | |||
| New Zealand | 12/5/2019 | $98,032 | 92 | 92 | 482 | $462,397 | 10/19/2022 | |||
| Romania | 12/13/2019 | $65,779 | 72 | 72 | 220 | $274,493 | 2/5/2020 | |||
| Russia (CIS) | 11/14/2019 | $335,821 | 375 | 375 | 1,146 | $660,000 | 10/19/2022 | |||
| Slovakia | 11/15/2019 | $14,058 | 42 | 42 | 61 | $28,376 | 12/3/2019 | |||
| South Korea | 12/5/2019 | $79,949 | 303 | 303 | 317 | $179,968 | 12/18/2019 | |||
| Spain | 12/5/2019 | $358,463 | 184 | 185 | 541 | $881,000 | 2/18/2020 | |||
| United Kingdom | 11/8/2019 | $1,228,464 | 545 | 556 | 2,123 | $5,198,977 | 3/11/2020 | |||
| Rest of World | $3,049,578 | |||||||||
| International Total | $16,700,000 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Helen Mirren | Betty McLeish | |
| Ian McKellen | Roy Courtney |
Supporting
| Russell Tovey | Stephen | |
| Jim Carter | Vincent | |
| Mark Lewis Jones | Bryn | |
| Laurie Davidson | Hans Taub (1948) | |
| Phil Dunster | Roy Courtnay (1948) | |
| Lucian Msamati | Beni | |
| Jóhannes Haukur Jóhannesson | Vlad | |
| Tunji Kasim | Michael | |
| Spike White | Hans Taub (1943) | |
| Stella Stocker | Frau Schröder | |
| Daniel Betts | Herr Schröder | |
| Nell Williams | Lili | |
| Celine Buckens | Annalise | |
| Lily Dodsworth-Evans | Hannalore | |
| Athena Strates | Charlotte | |
| Aleksandar Jovanovic | Martin Geiger | |
| Albert Welling | German Industrialist | |
| Michael Culkin | Dr. Livesey | |
| Dino Kelly | Igor | |
| Brigid Zengeni | Nurse | |
| Sean Hart | Young Con Man | |
| Bessie Carter | Secretary | |
| Jane Fowler | Waitress |
Production and Technical Credits
| Bill Condon | Director | |
| Greg Yolen | Producer | |
| Bill Condon | Producer | |
| Jeffrey Hatcher | Screenwriter | |
| Nicholas Searle | Story based on the novel by | |
| Jack Morrisey | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Richard Brener | Executive Producer | |
| Andrea Johnston | Executive Producer | |
| Anjay Nagpal | Executive Producer | |
| Nick O'Hagan | Executive Producer | |
| Tobias Schliessler | Director of Photography | |
| John Stevenson | Production Designer | |
| Virginia Katz | Editor | |
| Carter Burwell | Composer | |
| Keith Madden | Costume Designer | |
| Lucy Bevan | Casting Director | |
| Nick O'Hagan | Unit Production Manager | |
| Dan Channing Williams | First Assistant Director | |
| Tom Mulberge | Second Assistant Director | |
| Vicki Stevenson | Supervising Art Director | |
| Tamsin Clarke | Set Decorator | |
| Kim Armitage | Script Supervisor | |
| John Hayes | Sound Mixer | |
| Catherine Farrell | Post-Production Supervisor | |
| Donna Madrigal | First Assistant Editor | |
| Esther Bailey | First Assistant Editor | |
| Lewis Goldstein | Supervising Sound Editor | |
| Michael Minkler | Re-recording Mixer | |
| Lewis Goldstein | Re-recording Mixer | |
| Brian Bowles | Supervising Dialogue Editor | |
| Todd Kasow | Music Editor | |
| John Werner | Dialogue Editor | |
| Angela Organ | Dialogue Editor | |
| Alex Soto | Sound Effects Editor | |
| James Redding | Sound Effects Editor | |
| Neil Benezra | Sound Effects Editor | |
| Wen-Hsuan Tseng | Foley Editor | |
| Danny Turner | Production Manager | |
| Benjamin M. Bailey | Supervising Location Manager | |
| James Player | Location Manager | |
| Peter Frank Dewulf | Location Manager | |
| Susie Lewis | Costume Supervisor | |
| Mandy Cole | Costume Supervisor | |
| Lesa Warrener | Make-up and Hair Designer | |
| Keely Lanigan Atkins | Art Director | |
| Merl Homer | Art Director | |
| Michael Farrow | Score Recordist | |
| Michael Farrow | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.