A Good Woman is Hard to Find (2020)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 444790100 More info... | ||
| Further financial details... | ||
Synopsis
Sarah is a young mother with two small children. Her son Ben is an elec8ve mute. He hasn’t spoken since the day he witnessed his father, Stephen, being knifed to death on their estate, three months ago. The police have done li\le to nothing to catch the killer and categorized the death as a falling out amongst thieves, because Stephen had a minor drugs conviction. Then Tito quite literally bursts into Sarah’s world. Tito has ripped off a bunch of drug-dealers on the estate. On the run, he decides to stash the stolen drugs in Sarah’s home. Frightened senseless, cowering under Tito’s threats, Sarah wants nothing to do with this but caught between a rock and a hard place, she sees the opportunity to use Tito to gain informa8on about what might have happened to her husband, and does so by taking extreme measure
Metrics
Movie Details
| Domestic Releases: | May 8th, 2020 (Virtual) by Film Movement |
| Video Release: | May 8th, 2020 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | February Films, Superbe Films, Frakas Productions, Casa Kafka Pictures, VOO ET BETV, Quickfire Films, JBG Pictures, BA Entertainment , Wallimage, Northern Ireland Screen |
| Production Countries: | United Kingdom, Belgium, Ireland |
| Languages: | English |
Leading
| Sarah Bolger | Sarah |
Supporting
| Edward Hogg | Leo Miller | |
| Andrew Simpson | Tito | |
| Jane Brennan | Alice | |
| Caolan Byrne | Terry | |
| Packy Lee | Mackers | |
| Rudy Doherty | ||
| Macie McCauley | ||
| Susan Ateh | ||
| Josh Bolt |
Production and Technical Credits
| Abner Pastoll | Director | |
| Ronan Blaney | Screenwriter | |
| Junyoung Jang | Producer | |
| Guillaume Benski | Producer | |
| Jean-Yves Roubin | Co-Producer | |
| Cassandre Warnauts | Co-Producer | |
| James Artherton | Executive Producer | |
| Jan Pace | Executive Producer | |
| Billy Acumen | Executive Producer | |
| Bumsu Lee | Executive Producer | |
| Abner Pastoll | Executive Producer | |
| Matthew Pusti | Composer | |
| Richard J. Bell | Director of Photography | |
| Gillian Devenney | Production Designer | |
| Elise Ancion | Costume Designer | |
| Mathilde Snodgrass | Casting Director | |
| Carla Stronge | Casting Director | |
| Nick Baldock | Supervising Sound Editor | |
| Paul Heymans | Sound Mixer | |
| Abner Pastoll | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sarah is a young mother with two small children. Her son Ben is an elec8ve mute. He hasn’t spoken since the day he witnessed his father, Stephen, being knifed to death on their estate, three months ago. The police have done li\le to nothing to catch the killer and categorized the death as a falling out amongst thieves, because Stephen had a minor drugs conviction. Then Tito quite literally bursts into Sarah’s world. Tito has ripped off a bunch of drug-dealers on the estate. On the run, he decides to stash the stolen drugs in Sarah’s home. Frightened senseless, cowering under Tito’s threats, Sarah wants nothing to do with this but caught between a rock and a hard place, she sees the opportunity to use Tito to gain informa8on about what might have happened to her husband, and does so by taking extreme measure
Metrics
Movie Details
| Domestic Releases: | May 8th, 2020 (Virtual) by Film Movement |
| Video Release: | May 8th, 2020 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | February Films, Superbe Films, Frakas Productions, Casa Kafka Pictures, VOO ET BETV, Quickfire Films, JBG Pictures, BA Entertainment , Wallimage, Northern Ireland Screen |
| Production Countries: | United Kingdom, Belgium, Ireland |
| Languages: | English |
Leading
| Sarah Bolger | Sarah |
Supporting
| Edward Hogg | Leo Miller | |
| Andrew Simpson | Tito | |
| Jane Brennan | Alice | |
| Caolan Byrne | Terry | |
| Packy Lee | Mackers | |
| Rudy Doherty | ||
| Macie McCauley | ||
| Susan Ateh | ||
| Josh Bolt |
Production and Technical Credits
| Abner Pastoll | Director | |
| Ronan Blaney | Screenwriter | |
| Junyoung Jang | Producer | |
| Guillaume Benski | Producer | |
| Jean-Yves Roubin | Co-Producer | |
| Cassandre Warnauts | Co-Producer | |
| James Artherton | Executive Producer | |
| Jan Pace | Executive Producer | |
| Billy Acumen | Executive Producer | |
| Bumsu Lee | Executive Producer | |
| Abner Pastoll | Executive Producer | |
| Matthew Pusti | Composer | |
| Richard J. Bell | Director of Photography | |
| Gillian Devenney | Production Designer | |
| Elise Ancion | Costume Designer | |
| Mathilde Snodgrass | Casting Director | |
| Carla Stronge | Casting Director | |
| Nick Baldock | Supervising Sound Editor | |
| Paul Heymans | Sound Mixer | |
| Abner Pastoll | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.