The Gospel According to Andre (2018)
| Theatrical Performance | ||
| Domestic Box Office | $400,713 | Details |
| International Box Office | $54,409 | Details |
| Worldwide Box Office | $455,122 | |
| OpusData ID: 314730100 More info... | ||
| Further financial details... | ||
Synopsis
André Leon Talley has been a fixture in the world of fashion for so long that it’s difficult to imagine a time when he wasn’t defining the boundaries of great style. Kate Novack’s intimate portrait, The Gospel According to André takes viewers on an emotional journey from André’s roots growing up in the segregated Jim Crow South to become one of the most influential tastemakers and fashion curators of our times.
Metrics
| Opening Weekend: | $47,802 (11.9% of total gross) |
| Legs: | 4.46 (domestic box office/biggest weekend) |
| Domestic Share: | 88.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/36 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $526,073 |
Movie Details
| Domestic Releases: | May 25th, 2018 (Limited) by Magnolia Pictures |
| International Releases: | July 13th, 2018 (Wide), released as The Gospel According To Andre (Australia)
September 28th, 2018 (Wide) (United Kingdom) March 17th, 2023 (Limited), released as The Gospel According to Andre (アンドレ・レオン・タリー 美学の追求者) (Japan) |
| Video Release: | September 4th, 2018 by Magnolia Home Entertainment |
| MPA Rating: | PG-13 for some thematic and suggestive content. (Rating bulletin 2507 (Cert #51368), 12/20/2017) |
| Running Time: | 94 minutes |
| Plot point: | African Americans, Biography, Fashion |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Pacific Northwest Pictures, Abstract Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 25, 2018 | 36 | $47,802 | 4 | $11,951 | $47,802 | 1 | |
| Jun 1, 2018 | 34 | $89,917 | +88% | 21 | $4,282 | $174,758 | 2 |
| Jun 8, 2018 | 40 | $41,483 | -54% | 34 | $1,220 | $255,357 | 3 |
| Jun 15, 2018 | 47 | $19,876 | -52% | 22 | $903 | $305,228 | 4 |
| Jun 22, 2018 | 46 | $19,941 | n/c | 20 | $997 | $343,252 | 5 |
| Jun 29, 2018 | 54 | $9,090 | -54% | 16 | $568 | $363,963 | 6 |
| Jul 6, 2018 | 63 | $4,091 | -55% | 9 | $455 | $377,625 | 7 |
| Jul 13, 2018 | 68 | $2,363 | -42% | 7 | $338 | $384,516 | 8 |
| Jul 20, 2018 | 67 | $2,662 | +13% | 4 | $666 | $388,163 | 9 |
| Jul 27, 2018 | 76 | $1,753 | -34% | 6 | $292 | $395,207 | 10 |
| Aug 3, 2018 | 78 | $2,020 | +15% | 3 | $673 | $398,796 | 11 |
| Aug 10, 2018 | 75 | $1,808 | -10% | 2 | $904 | $400,713 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 25, 2018 | 36 | $84,841 | 4 | $21,210 | $84,841 | 1 | |
| Jun 1, 2018 | 35 | $129,033 | +52% | 21 | $6,144 | $213,874 | 2 |
| Jun 8, 2018 | 41 | $71,478 | -45% | 36 | $1,986 | $285,352 | 3 |
| Jun 15, 2018 | 45 | $37,959 | -47% | 25 | $1,518 | $323,311 | 4 |
| Jun 22, 2018 | 44 | $31,562 | -17% | 22 | $1,435 | $354,873 | 5 |
| Jun 29, 2018 | 55 | $18,661 | -41% | 16 | $1,166 | $373,534 | 6 |
| Jul 6, 2018 | 59 | $8,619 | -54% | 12 | $718 | $382,153 | 7 |
| Jul 13, 2018 | 70 | $3,348 | -61% | 9 | $372 | $385,501 | 8 |
| Jul 20, 2018 | 65 | $7,953 | +138% | 7 | $1,136 | $393,454 | 9 |
| Jul 27, 2018 | 71 | $3,322 | -58% | 7 | $475 | $396,776 | 10 |
| Aug 3, 2018 | 77 | $2,129 | -36% | 3 | $710 | $398,905 | 11 |
| Aug 10, 2018 | 78 | $1,808 | -15% | 2 | $904 | $400,713 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/13/2018 | $18,479 | 13 | 15 | 41 | $51,435 | 8/6/2018 | |||
| United Kingdom | 9/28/2018 | $2,283 | 6 | 6 | 6 | $2,974 | 4/4/2026 | |||
| International Total | $54,409 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Andre Leon Tally | Himself |
Inverviewee
| Marc Jacobs | Himself | |
| Anna Wintour | Herself | |
| Tom Ford | Himself | |
| Diane von Fürstenberg | Herself | |
| Steve Stoute | Himself | |
| Manolo Blahnik | Himself | |
| will.i.am | Himself | |
| Whoopi Goldberg | Herself | |
| Valentino Garavani | Himself | |
| Tamron Hall | Herself | |
| Norma Kamali | Herself | |
| Fran Lebowitz | Herself | |
| Bethann Hardison | Herself | |
| Betty Catroux | Herself |
Production and Technical Credits
| Kate Novack | Director | |
| Kate Novack | Producer | |
| Andrew Rossi | Producer | |
| Roger Ross Williams | Executive Producer | |
| Josh Braun | Producer | |
| Bob Acree | Executive Producer | |
| Lindsey Acree | Executive Producer | |
| Daniel Pine | Executive Producer | |
| Ken Novack | Executive Producer | |
| Marianne Novack | Executive Producer | |
| Andrew Coffman | Editor | |
| Thomas Rivera Montes | Editor | |
| Bryan Sarkinen | Cinematographer | |
| Ian Hultquist | Composer | |
| Sofia Hultquist | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
André Leon Talley has been a fixture in the world of fashion for so long that it’s difficult to imagine a time when he wasn’t defining the boundaries of great style. Kate Novack’s intimate portrait, The Gospel According to André takes viewers on an emotional journey from André’s roots growing up in the segregated Jim Crow South to become one of the most influential tastemakers and fashion curators of our times.
Metrics
| Opening Weekend: | $47,802 (11.9% of total gross) |
| Legs: | 4.46 (domestic box office/biggest weekend) |
| Domestic Share: | 88.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/36 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $526,073 |
Movie Details
| Domestic Releases: | May 25th, 2018 (Limited) by Magnolia Pictures |
| International Releases: | July 13th, 2018 (Wide), released as The Gospel According To Andre (Australia)
September 28th, 2018 (Wide) (United Kingdom) March 17th, 2023 (Limited), released as The Gospel According to Andre (アンドレ・レオン・タリー 美学の追求者) (Japan) |
| Video Release: | September 4th, 2018 by Magnolia Home Entertainment |
| MPA Rating: | PG-13 for some thematic and suggestive content. (Rating bulletin 2507 (Cert #51368), 12/20/2017) |
| Running Time: | 94 minutes |
| Plot point: | African Americans, Biography, Fashion |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Pacific Northwest Pictures, Abstract Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 25, 2018 | 36 | $47,802 | 4 | $11,951 | $47,802 | 1 | |
| Jun 1, 2018 | 34 | $89,917 | +88% | 21 | $4,282 | $174,758 | 2 |
| Jun 8, 2018 | 40 | $41,483 | -54% | 34 | $1,220 | $255,357 | 3 |
| Jun 15, 2018 | 47 | $19,876 | -52% | 22 | $903 | $305,228 | 4 |
| Jun 22, 2018 | 46 | $19,941 | n/c | 20 | $997 | $343,252 | 5 |
| Jun 29, 2018 | 54 | $9,090 | -54% | 16 | $568 | $363,963 | 6 |
| Jul 6, 2018 | 63 | $4,091 | -55% | 9 | $455 | $377,625 | 7 |
| Jul 13, 2018 | 68 | $2,363 | -42% | 7 | $338 | $384,516 | 8 |
| Jul 20, 2018 | 67 | $2,662 | +13% | 4 | $666 | $388,163 | 9 |
| Jul 27, 2018 | 76 | $1,753 | -34% | 6 | $292 | $395,207 | 10 |
| Aug 3, 2018 | 78 | $2,020 | +15% | 3 | $673 | $398,796 | 11 |
| Aug 10, 2018 | 75 | $1,808 | -10% | 2 | $904 | $400,713 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 25, 2018 | 36 | $84,841 | 4 | $21,210 | $84,841 | 1 | |
| Jun 1, 2018 | 35 | $129,033 | +52% | 21 | $6,144 | $213,874 | 2 |
| Jun 8, 2018 | 41 | $71,478 | -45% | 36 | $1,986 | $285,352 | 3 |
| Jun 15, 2018 | 45 | $37,959 | -47% | 25 | $1,518 | $323,311 | 4 |
| Jun 22, 2018 | 44 | $31,562 | -17% | 22 | $1,435 | $354,873 | 5 |
| Jun 29, 2018 | 55 | $18,661 | -41% | 16 | $1,166 | $373,534 | 6 |
| Jul 6, 2018 | 59 | $8,619 | -54% | 12 | $718 | $382,153 | 7 |
| Jul 13, 2018 | 70 | $3,348 | -61% | 9 | $372 | $385,501 | 8 |
| Jul 20, 2018 | 65 | $7,953 | +138% | 7 | $1,136 | $393,454 | 9 |
| Jul 27, 2018 | 71 | $3,322 | -58% | 7 | $475 | $396,776 | 10 |
| Aug 3, 2018 | 77 | $2,129 | -36% | 3 | $710 | $398,905 | 11 |
| Aug 10, 2018 | 78 | $1,808 | -15% | 2 | $904 | $400,713 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/13/2018 | $18,479 | 13 | 15 | 41 | $51,435 | 8/6/2018 | |||
| United Kingdom | 9/28/2018 | $2,283 | 6 | 6 | 6 | $2,974 | 4/4/2026 | |||
| International Total | $54,409 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Andre Leon Tally | Himself |
Inverviewee
| Marc Jacobs | Himself | |
| Anna Wintour | Herself | |
| Tom Ford | Himself | |
| Diane von Fürstenberg | Herself | |
| Steve Stoute | Himself | |
| Manolo Blahnik | Himself | |
| will.i.am | Himself | |
| Whoopi Goldberg | Herself | |
| Valentino Garavani | Himself | |
| Tamron Hall | Herself | |
| Norma Kamali | Herself | |
| Fran Lebowitz | Herself | |
| Bethann Hardison | Herself | |
| Betty Catroux | Herself |
Production and Technical Credits
| Kate Novack | Director | |
| Kate Novack | Producer | |
| Andrew Rossi | Producer | |
| Roger Ross Williams | Executive Producer | |
| Josh Braun | Producer | |
| Bob Acree | Executive Producer | |
| Lindsey Acree | Executive Producer | |
| Daniel Pine | Executive Producer | |
| Ken Novack | Executive Producer | |
| Marianne Novack | Executive Producer | |
| Andrew Coffman | Editor | |
| Thomas Rivera Montes | Editor | |
| Bryan Sarkinen | Cinematographer | |
| Ian Hultquist | Composer | |
| Sofia Hultquist | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.