Grand Prix of Europe (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $733,419 | Details |
| International Box Office | $12,399,252 | Details |
| Worldwide Box Office | $13,132,671 | |
| OpusData ID: 705850100 More info... | ||
| Further financial details... | ||
Synopsis
Edda is a young mouse who dreams of racing glory. When Edda’s world takes an unexpected turn, she disguises herself as her racing idol, the legendary Ed, and seizes the once-in-a-lifetime chance to drive in the Grand Prix. What starts as a daring stunt becomes the ride of her life as she takes Ed’s place in competition. The prize money would save her family’s amusement park and a win would save Ed’s title.
Metrics
| Opening Weekend: | $370,490 (50.5% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 5.6% (domestic box office/worldwide) |
| Theater counts: | 950 opening theaters/950 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $733,419 |
Movie Details
| Domestic Releases: | November 7th, 2025 (Wide) by Viva Pictures |
| International Releases: | July 18th, 2025 (Wide), released as Cursa Grand Prix a Europei (Romania)
July 24th, 2025 (Wide) (Germany) July 24th, 2025 (Wide), released as Grand Prix of Europe (Форсаж: Гран-при) (Russia (CIS)) August 7th, 2025 (Wide), released as Veľká cena Európy: LABKY NA PEDÁLE! (Slovakia) August 14th, 2025 (Limited), released as Tlapky na pedály: Velká cena Evropy (Czech Republic) ... Show all releases |
| Video Release: | November 28th, 2025 by Viva |
| MPA Rating: | PG for some mild action and thematic elements. (Rating bulletin 2889 (cert #55539), 6/11/2025) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Auto Racing, False Identity, Father’s Footsteps, Money Troubles, Professional Rivalry, Talking Animals, Underdog |
| Social setting: | Amusement Park |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Warner Bros Animation, Mack Magic |
| Production Countries: | Germany, United Kingdom |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | - | $370,490 | 950 | $390 | $370,490 | 1 | |
| Nov 14, 2025 | - | $114,549 | -69% | 315 | $364 | $678,342 | 2 |
| Nov 21, 2025 | - | $11,877 | -90% | 40 | $297 | $727,344 | 3 |
| Nov 28, 2025 | - | $1,660 | -86% | 5 | $332 | $733,419 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | - | $85,195 | 950 | $90 | $85,195 | 1 | ||
| Nov 8, 2025 | - | $173,959 | +104% | 950 | $183 | $259,154 | 2 | |
| Nov 9, 2025 | - | $111,336 | -36% | 950 | $117 | $370,490 | 3 | |
| Nov 10, 2025 | - | $34,481 | -69% | 950 | $36 | $404,971 | 4 | |
| Nov 11, 2025 | - | $125,772 | +265% | 950 | $132 | $530,743 | 5 | |
| Nov 12, 2025 | - | $16,487 | -87% | 950 | $17 | $547,230 | 6 | |
| Nov 13, 2025 | - | $16,563 | n/c | 950 | $17 | $563,793 | 7 | |
| Nov 14, 2025 | - | $16,360 | -1% | -81% | 315 | $52 | $580,153 | 8 |
| Nov 15, 2025 | - | $59,602 | +264% | -66% | 315 | $189 | $639,755 | 9 |
| Nov 16, 2025 | - | $38,587 | -35% | -65% | 315 | $122 | $678,342 | 10 |
| Nov 17, 2025 | - | $8,650 | -78% | -75% | 315 | $27 | $686,992 | 11 |
| Nov 18, 2025 | - | $10,113 | +17% | -92% | 315 | $32 | $697,105 | 12 |
| Nov 19, 2025 | - | $12,050 | +19% | -27% | 315 | $38 | $709,155 | 13 |
| Nov 20, 2025 | - | $6,312 | -48% | -62% | 315 | $20 | $715,467 | 14 |
| Nov 21, 2025 | - | $1,712 | -73% | -90% | 40 | $43 | $717,179 | 15 |
| Nov 22, 2025 | - | $6,927 | +305% | -88% | 40 | $173 | $724,106 | 16 |
| Nov 23, 2025 | - | $3,238 | -53% | -92% | 40 | $81 | $727,344 | 17 |
| Nov 24, 2025 | - | $1,218 | -62% | -86% | 40 | $30 | $728,562 | 18 |
| Nov 25, 2025 | - | $2,858 | +135% | -72% | 40 | $71 | $731,420 | 19 |
| Nov 26, 2025 | - | $215 | -92% | -98% | 40 | $5 | $731,635 | 20 |
| Nov 27, 2025 | - | $124 | -42% | -98% | 40 | $3 | $731,759 | 21 |
| Nov 28, 2025 | - | $229 | +85% | -87% | 5 | $46 | $731,988 | 22 |
| Nov 29, 2025 | - | $796 | +248% | -89% | 5 | $159 | $732,784 | 23 |
| Nov 30, 2025 | - | $635 | -20% | -80% | 5 | $127 | $733,419 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | 17 | $563,793 | 950 | $593 | $563,793 | 1 | |
| Nov 14, 2025 | 27 | $151,674 | -73% | 315 | $482 | $715,467 | 2 |
| Nov 21, 2025 | 34 | $16,292 | -89% | 40 | $407 | $731,759 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/8/2026 | $150,233 | 227 | 227 | 0 | $792,481 | 7/13/2026 | |||
| Croatia | 8/28/2025 | $45,729 | 60 | 60 | 257 | $147,078 | 4/4/2026 | |||
| Czech Republic | 8/14/2025 | $41,071 | 163 | 163 | 262 | $80,753 | 4/4/2026 | |||
| Finland | 10/3/2025 | $25,433 | 76 | 76 | 151 | $52,088 | 4/4/2026 | |||
| Italy | 9/11/2025 | $147,329 | 0 | 0 | 0 | $230,170 | 4/4/2026 | |||
| Lithuania | 5/29/2026 | $0 | 0 | 0 | 0 | $105,133 | 7/8/2026 | |||
| Netherlands | 10/9/2025 | $39,431 | 98 | 99 | 291 | $407,592 | 4/4/2026 | |||
| New Zealand | 1/8/2026 | $12,998 | 76 | 80 | 0 | $107,871 | 4/13/2026 | |||
| Portugal | 9/4/2025 | $45,391 | 57 | 10 | 177 | $132,904 | 4/4/2026 | |||
| Romania | 7/18/2025 | $34,136 | 100 | 100 | 0 | $198,088 | 4/4/2026 | |||
| Russia (CIS) | 7/24/2025 | $0 | 0 | 2,030 | 4,046 | $594,106 | 4/4/2026 | |||
| Slovakia | 8/7/2025 | $6,572 | 20 | 66 | 213 | $82,853 | 4/4/2026 | |||
| Spain | 8/29/2025 | $185,534 | 259 | 310 | 964 | $713,565 | 4/4/2026 | |||
| Turkey | 8/29/2025 | $35,500 | 208 | 208 | 467 | $109,137 | 4/4/2026 | |||
| United Kingdom | 8/22/2025 | $146,671 | 478 | 478 | 478 | $168,316 | 4/4/2026 | |||
| Rest of World | $8,477,117 | |||||||||
| International Total | $12,399,252 | 7/13/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gemma Arterton | Edda | |
| Thomas Brodie-Sangster | Ed |
Supporting
| Hayley Atwell | Cindy | |
| Lenny Henry | Erwin | |
| Rob Beckett | Enzo | |
| David Menkin | Magnus | |
| Colin McFarlane | Nachtkraab | |
| Adam El Hagar | Richard |
Production and Technical Credits
| Waldemar Fast | Director | |
| Kirstie Falkous | Screenwriter | |
| Jeffrey Hylton | Screenwriter | |
| John T. Reynolds | Screenwriter | |
| Ben Alexander Safier | Screenwriter | |
| Michael Mack | Producer | |
| Björn Teubner | Editor | |
| Volker Bertelmann | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Edda is a young mouse who dreams of racing glory. When Edda’s world takes an unexpected turn, she disguises herself as her racing idol, the legendary Ed, and seizes the once-in-a-lifetime chance to drive in the Grand Prix. What starts as a daring stunt becomes the ride of her life as she takes Ed’s place in competition. The prize money would save her family’s amusement park and a win would save Ed’s title.
Metrics
| Opening Weekend: | $370,490 (50.5% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 5.6% (domestic box office/worldwide) |
| Theater counts: | 950 opening theaters/950 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $733,419 |
Movie Details
| Domestic Releases: | November 7th, 2025 (Wide) by Viva Pictures |
| International Releases: | July 18th, 2025 (Wide), released as Cursa Grand Prix a Europei (Romania)
July 24th, 2025 (Wide) (Germany) July 24th, 2025 (Wide), released as Grand Prix of Europe (Форсаж: Гран-при) (Russia (CIS)) August 7th, 2025 (Wide), released as Veľká cena Európy: LABKY NA PEDÁLE! (Slovakia) August 14th, 2025 (Limited), released as Tlapky na pedály: Velká cena Evropy (Czech Republic) ... Show all releases |
| Video Release: | November 28th, 2025 by Viva |
| MPA Rating: | PG for some mild action and thematic elements. (Rating bulletin 2889 (cert #55539), 6/11/2025) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Auto Racing, False Identity, Father’s Footsteps, Money Troubles, Professional Rivalry, Talking Animals, Underdog |
| Social setting: | Amusement Park |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Warner Bros Animation, Mack Magic |
| Production Countries: | Germany, United Kingdom |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | - | $370,490 | 950 | $390 | $370,490 | 1 | |
| Nov 14, 2025 | - | $114,549 | -69% | 315 | $364 | $678,342 | 2 |
| Nov 21, 2025 | - | $11,877 | -90% | 40 | $297 | $727,344 | 3 |
| Nov 28, 2025 | - | $1,660 | -86% | 5 | $332 | $733,419 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | - | $85,195 | 950 | $90 | $85,195 | 1 | ||
| Nov 8, 2025 | - | $173,959 | +104% | 950 | $183 | $259,154 | 2 | |
| Nov 9, 2025 | - | $111,336 | -36% | 950 | $117 | $370,490 | 3 | |
| Nov 10, 2025 | - | $34,481 | -69% | 950 | $36 | $404,971 | 4 | |
| Nov 11, 2025 | - | $125,772 | +265% | 950 | $132 | $530,743 | 5 | |
| Nov 12, 2025 | - | $16,487 | -87% | 950 | $17 | $547,230 | 6 | |
| Nov 13, 2025 | - | $16,563 | n/c | 950 | $17 | $563,793 | 7 | |
| Nov 14, 2025 | - | $16,360 | -1% | -81% | 315 | $52 | $580,153 | 8 |
| Nov 15, 2025 | - | $59,602 | +264% | -66% | 315 | $189 | $639,755 | 9 |
| Nov 16, 2025 | - | $38,587 | -35% | -65% | 315 | $122 | $678,342 | 10 |
| Nov 17, 2025 | - | $8,650 | -78% | -75% | 315 | $27 | $686,992 | 11 |
| Nov 18, 2025 | - | $10,113 | +17% | -92% | 315 | $32 | $697,105 | 12 |
| Nov 19, 2025 | - | $12,050 | +19% | -27% | 315 | $38 | $709,155 | 13 |
| Nov 20, 2025 | - | $6,312 | -48% | -62% | 315 | $20 | $715,467 | 14 |
| Nov 21, 2025 | - | $1,712 | -73% | -90% | 40 | $43 | $717,179 | 15 |
| Nov 22, 2025 | - | $6,927 | +305% | -88% | 40 | $173 | $724,106 | 16 |
| Nov 23, 2025 | - | $3,238 | -53% | -92% | 40 | $81 | $727,344 | 17 |
| Nov 24, 2025 | - | $1,218 | -62% | -86% | 40 | $30 | $728,562 | 18 |
| Nov 25, 2025 | - | $2,858 | +135% | -72% | 40 | $71 | $731,420 | 19 |
| Nov 26, 2025 | - | $215 | -92% | -98% | 40 | $5 | $731,635 | 20 |
| Nov 27, 2025 | - | $124 | -42% | -98% | 40 | $3 | $731,759 | 21 |
| Nov 28, 2025 | - | $229 | +85% | -87% | 5 | $46 | $731,988 | 22 |
| Nov 29, 2025 | - | $796 | +248% | -89% | 5 | $159 | $732,784 | 23 |
| Nov 30, 2025 | - | $635 | -20% | -80% | 5 | $127 | $733,419 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | 17 | $563,793 | 950 | $593 | $563,793 | 1 | |
| Nov 14, 2025 | 27 | $151,674 | -73% | 315 | $482 | $715,467 | 2 |
| Nov 21, 2025 | 34 | $16,292 | -89% | 40 | $407 | $731,759 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/8/2026 | $150,233 | 227 | 227 | 0 | $792,481 | 7/13/2026 | |||
| Croatia | 8/28/2025 | $45,729 | 60 | 60 | 257 | $147,078 | 4/4/2026 | |||
| Czech Republic | 8/14/2025 | $41,071 | 163 | 163 | 262 | $80,753 | 4/4/2026 | |||
| Finland | 10/3/2025 | $25,433 | 76 | 76 | 151 | $52,088 | 4/4/2026 | |||
| Italy | 9/11/2025 | $147,329 | 0 | 0 | 0 | $230,170 | 4/4/2026 | |||
| Lithuania | 5/29/2026 | $0 | 0 | 0 | 0 | $105,133 | 7/8/2026 | |||
| Netherlands | 10/9/2025 | $39,431 | 98 | 99 | 291 | $407,592 | 4/4/2026 | |||
| New Zealand | 1/8/2026 | $12,998 | 76 | 80 | 0 | $107,871 | 4/13/2026 | |||
| Portugal | 9/4/2025 | $45,391 | 57 | 10 | 177 | $132,904 | 4/4/2026 | |||
| Romania | 7/18/2025 | $34,136 | 100 | 100 | 0 | $198,088 | 4/4/2026 | |||
| Russia (CIS) | 7/24/2025 | $0 | 0 | 2,030 | 4,046 | $594,106 | 4/4/2026 | |||
| Slovakia | 8/7/2025 | $6,572 | 20 | 66 | 213 | $82,853 | 4/4/2026 | |||
| Spain | 8/29/2025 | $185,534 | 259 | 310 | 964 | $713,565 | 4/4/2026 | |||
| Turkey | 8/29/2025 | $35,500 | 208 | 208 | 467 | $109,137 | 4/4/2026 | |||
| United Kingdom | 8/22/2025 | $146,671 | 478 | 478 | 478 | $168,316 | 4/4/2026 | |||
| Rest of World | $8,477,117 | |||||||||
| International Total | $12,399,252 | 7/13/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gemma Arterton | Edda | |
| Thomas Brodie-Sangster | Ed |
Supporting
| Hayley Atwell | Cindy | |
| Lenny Henry | Erwin | |
| Rob Beckett | Enzo | |
| David Menkin | Magnus | |
| Colin McFarlane | Nachtkraab | |
| Adam El Hagar | Richard |
Production and Technical Credits
| Waldemar Fast | Director | |
| Kirstie Falkous | Screenwriter | |
| Jeffrey Hylton | Screenwriter | |
| John T. Reynolds | Screenwriter | |
| Ben Alexander Safier | Screenwriter | |
| Michael Mack | Producer | |
| Björn Teubner | Editor | |
| Volker Bertelmann | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.