Le grand bleu (1988)

Le grand bleu
Theatrical Performance
Domestic Box Office $3,000,000Details
International Box Office $45,048Details
Worldwide Box Office $3,045,048
OpusData ID: 52240100 More info...
Further financial details...

Metrics

Legs:185.59 (domestic box office/biggest weekend)
Domestic Share:98.5% (domestic box office/worldwide)
Infl. Adj. Dom. BO $8,202,657

Movie Details

Domestic Releases: August 22nd, 1988 (Wide) by Sony Pictures, released as The Big Blue
July 14th, 2000 (Limited) by Sony Pictures, released as The Big Blue
International Releases: November 10th, 1988 (Limited), released as The Big Blue (Australia)
August 1992 (Limited), released as Le grand bleu (グラン・ブルー 完全版) (Japan)
August 9th, 2010 (Limited), released as Le grand bleu (グラン・ブルー 完全版) (Japan)
June 6th, 2023 (Limited) (Germany)
July 17th, 2024 (Limited), released as Le grand bleu (그랑블루 오리지날 리마스터링) (South Korea)
... Show all releases
Running Time: 168 minutes
Cast, crew, or production detail: Prologue
Plot point: Professional Rivalry, Underwater, Young Child Dealing with the Death of a Parent
Source material: Inspired by a True Story
Subgenre: Sports Drama
Time period setting: 1960s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: France, United States, Italy
Languages: French, English, Italian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 14, 2000 78 $14,234   5 $2,847   $14,234 621
Jul 21, 2000 95 $4,895 -66% 3 $1,632   $19,129 622
Jul 28, 2000 73 $16,165 +230% 6 $2,694   $47,545 623
Aug 4, 2000 85 $10,166 -37% 4 $2,542   $67,116 624
Aug 11, 2000 109 $2,826 -72% 2 $1,413   $78,200 625
Aug 18, 2000 119 $593 -79% 1 $593   $80,195 626
Aug 25, 2000 128 $98 -83% 1 $98   $80,804 627

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 14, 2000 83 $14,234   5 $2,847   $14,234 622
Jul 21, 2000 77 $17,146 +20% 3 $5,715   $31,380 623
Jul 28, 2000 74 $25,570 +49% 6 $4,262   $56,950 624
Aug 4, 2000 79 $18,424 -28% 4 $4,606   $75,374 625
Aug 11, 2000 106 $4,228 -77% 2 $2,114   $79,602 626
Aug 18, 2000 113 $1,104 -74% 1 $1,104   $80,706 627

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/10/1988 $0 0 1 1 $17,249 10/28/2024
South Korea 7/17/2024 $9,520 84 84 115 $27,799 7/31/2024
  
International Total $45,048 10/28/2024

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Rosanna Arquette    Johanna Baker
Jean Reno    Enzo Molinari
Jean-Marc Barr    Jacques Mayhol
Griffin Dunne    Duffy
Luc Besson    Blond driver

Production and Technical Credits

Luc Besson    Director
Luc Besson    Screenwriter
Robert Garland    Screenwriter
Marilyn Goldin    Screenwriter
Jacques Mayol    Screenwriter
Marc Perrier    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Legs:185.59 (domestic box office/biggest weekend)
Domestic Share:98.5% (domestic box office/worldwide)
Infl. Adj. Dom. BO $8,202,657

Movie Details

Domestic Releases: August 22nd, 1988 (Wide) by Sony Pictures, released as The Big Blue
July 14th, 2000 (Limited) by Sony Pictures, released as The Big Blue
International Releases: November 10th, 1988 (Limited), released as The Big Blue (Australia)
August 1992 (Limited), released as Le grand bleu (グラン・ブルー 完全版) (Japan)
August 9th, 2010 (Limited), released as Le grand bleu (グラン・ブルー 完全版) (Japan)
June 6th, 2023 (Limited) (Germany)
July 17th, 2024 (Limited), released as Le grand bleu (그랑블루 오리지날 리마스터링) (South Korea)
... Show all releases
Running Time: 168 minutes
Cast, crew, or production detail: Prologue
Plot point: Professional Rivalry, Underwater, Young Child Dealing with the Death of a Parent
Source material: Inspired by a True Story
Subgenre: Sports Drama
Time period setting: 1960s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: France, United States, Italy
Languages: French, English, Italian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 14, 2000 78 $14,234   5 $2,847   $14,234 621
Jul 21, 2000 95 $4,895 -66% 3 $1,632   $19,129 622
Jul 28, 2000 73 $16,165 +230% 6 $2,694   $47,545 623
Aug 4, 2000 85 $10,166 -37% 4 $2,542   $67,116 624
Aug 11, 2000 109 $2,826 -72% 2 $1,413   $78,200 625
Aug 18, 2000 119 $593 -79% 1 $593   $80,195 626
Aug 25, 2000 128 $98 -83% 1 $98   $80,804 627

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 14, 2000 83 $14,234   5 $2,847   $14,234 622
Jul 21, 2000 77 $17,146 +20% 3 $5,715   $31,380 623
Jul 28, 2000 74 $25,570 +49% 6 $4,262   $56,950 624
Aug 4, 2000 79 $18,424 -28% 4 $4,606   $75,374 625
Aug 11, 2000 106 $4,228 -77% 2 $2,114   $79,602 626
Aug 18, 2000 113 $1,104 -74% 1 $1,104   $80,706 627

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/10/1988 $0 0 1 1 $17,249 10/28/2024
South Korea 7/17/2024 $9,520 84 84 115 $27,799 7/31/2024
  
International Total $45,048 10/28/2024

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Rosanna Arquette    Johanna Baker
Jean Reno    Enzo Molinari
Jean-Marc Barr    Jacques Mayhol
Griffin Dunne    Duffy
Luc Besson    Blond driver

Production and Technical Credits

Luc Besson    Director
Luc Besson    Screenwriter
Robert Garland    Screenwriter
Marilyn Goldin    Screenwriter
Jacques Mayol    Screenwriter
Marc Perrier    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.