The Great Gilly Hopkins (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $67,054 | Details |
| Worldwide Box Office | $67,054 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $252,784 | |
| Total | $252,784 | |
| OpusData ID: 252900100 More info... | ||
| Further financial details... | ||
Synopsis
Wisecracking, gum-chewing 12-year-old Gilly is well known in the foster system. Totally unmanageable, she has stayed with more families than she can remember and has outwitted them all. After all, how can she settle down when her real mother, the beautiful and glamorous Courtney, might be out there waiting for her? When Gilly is sent to live with the Trotters, the weirdest family yet, she isn’t planning to stick around. But cheerful, affectionate Maime Trotter isn’t giving up on Gilly just yet - she is sure there’s a hurt little girl in there somewhere. Gilly knows she has to escape, and if she can’t run then she’ll lie her way out. But her grand plan doesn’t go as intended, and she starts to think maybe she was wrong about Trotter. Maybe wrong about everything.
Metrics
Movie Details
| Domestic Releases: | October 7th, 2016 (Limited) by Lionsgate Premiere |
| International Releases: | February 24th, 2016 (Wide) (France)
October 20th, 2016 (Wide) (South Korea) August 4th, 2017 (Wide), released as A Fabulosa Gilly Hopkins (Portugal) |
| Video Release: | December 6th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | PG for thematic material and language. (Rating bulletin 2435 (Cert #49429), 7/27/2016) |
| Running Time: | 99 minutes |
| Plot point: | Adopted Family Seeking Reunion, Coming of Age |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Foster Family |
| Source material: | Young Adult Book Adaptation |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Arcady Bay Entertainment, Brian Kennedy, William Teitler Productions |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 2/24/2016 | $39,779 | 77 | 77 | 77 | $40,085 | 6/9/2016 | |||
| Portugal | 8/4/2017 | $5,787 | 12 | 14 | 32 | $16,164 | 8/24/2017 | |||
| South Korea | 10/20/2016 | $0 | 0 | 35 | 30 | $10,805 | 4/4/2026 | |||
| International Total | $67,054 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sophie Nelisse | Gilly Hopkins | |
| Kathy Bates | Maime Trotter |
Supporting
| Julia Stiles | Courtney Rutherford Hopkins |
Leading
| Bill Cobbs | Mr. Randolph |
Supporting
| Octavia Spencer | Miss Harris |
Leading
| Glenn Close | Nonnie Hopkins |
Supporting
| Billy Magnussen | Ellis | |
| Clare Foley | Agnes | |
| Zachary Hernandez | W.E. | |
| Sammy Pignalosa | Rajeem |
Production and Technical Credits
| Stephen Herek | Director | |
| David Paterson | Screenwriter | |
| Katherine Paterson | Based on the Novel by | |
| William Teitler | Producer | |
| Brian Kennedy | Producer | |
| David Paterson | Producer | |
| John Paterson | Producer | |
| William Kay | Executive Producer | |
| Robert Berney | Executive Producer | |
| Matt Myers | Co-Producer | |
| David Dunlap | Director of Photography | |
| David Leonard | Editor | |
| Ola Maslik | Production Designer | |
| Mark Isham | Composer | |
| Lindsay Fellows | Music Supervisor | |
| Meghan Kasperlik | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Wisecracking, gum-chewing 12-year-old Gilly is well known in the foster system. Totally unmanageable, she has stayed with more families than she can remember and has outwitted them all. After all, how can she settle down when her real mother, the beautiful and glamorous Courtney, might be out there waiting for her? When Gilly is sent to live with the Trotters, the weirdest family yet, she isn’t planning to stick around. But cheerful, affectionate Maime Trotter isn’t giving up on Gilly just yet - she is sure there’s a hurt little girl in there somewhere. Gilly knows she has to escape, and if she can’t run then she’ll lie her way out. But her grand plan doesn’t go as intended, and she starts to think maybe she was wrong about Trotter. Maybe wrong about everything.
Metrics
Movie Details
| Domestic Releases: | October 7th, 2016 (Limited) by Lionsgate Premiere |
| International Releases: | February 24th, 2016 (Wide) (France)
October 20th, 2016 (Wide) (South Korea) August 4th, 2017 (Wide), released as A Fabulosa Gilly Hopkins (Portugal) |
| Video Release: | December 6th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | PG for thematic material and language. (Rating bulletin 2435 (Cert #49429), 7/27/2016) |
| Running Time: | 99 minutes |
| Plot point: | Adopted Family Seeking Reunion, Coming of Age |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Foster Family |
| Source material: | Young Adult Book Adaptation |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Arcady Bay Entertainment, Brian Kennedy, William Teitler Productions |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 2/24/2016 | $39,779 | 77 | 77 | 77 | $40,085 | 6/9/2016 | |||
| Portugal | 8/4/2017 | $5,787 | 12 | 14 | 32 | $16,164 | 8/24/2017 | |||
| South Korea | 10/20/2016 | $0 | 0 | 35 | 30 | $10,805 | 4/4/2026 | |||
| International Total | $67,054 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sophie Nelisse | Gilly Hopkins | |
| Kathy Bates | Maime Trotter |
Supporting
| Julia Stiles | Courtney Rutherford Hopkins |
Leading
| Bill Cobbs | Mr. Randolph |
Supporting
| Octavia Spencer | Miss Harris |
Leading
| Glenn Close | Nonnie Hopkins |
Supporting
| Billy Magnussen | Ellis | |
| Clare Foley | Agnes | |
| Zachary Hernandez | W.E. | |
| Sammy Pignalosa | Rajeem |
Production and Technical Credits
| Stephen Herek | Director | |
| David Paterson | Screenwriter | |
| Katherine Paterson | Based on the Novel by | |
| William Teitler | Producer | |
| Brian Kennedy | Producer | |
| David Paterson | Producer | |
| John Paterson | Producer | |
| William Kay | Executive Producer | |
| Robert Berney | Executive Producer | |
| Matt Myers | Co-Producer | |
| David Dunlap | Director of Photography | |
| David Leonard | Editor | |
| Ola Maslik | Production Designer | |
| Mark Isham | Composer | |
| Lindsay Fellows | Music Supervisor | |
| Meghan Kasperlik | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.