Greed (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $355,308 | Details |
| International Box Office | $1,075,674 | Details |
| Worldwide Box Office | $1,430,982 | |
| OpusData ID: 431700100 More info... | ||
| Further financial details... | ||
Synopsis
GREED tells the story of self-made British billionaire Sir Richard McCreadie, whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion –bringing the high street to the catwalk and the catwalk to the high street –but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick.
Metrics
| Opening Weekend: | $24,163 (6.8% of total gross) |
| Legs: | 1.77 (domestic box office/biggest weekend) |
| Domestic Share: | 24.8% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/596 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $462,912 |
Movie Details
| Domestic Releases: | February 28th, 2020 (Limited) by Sony Pictures Classics |
| International Releases: | February 21st, 2020 (Wide) (United Kingdom)
February 27th, 2020 (Wide), released as ЖАДНОСТЬ (Russia (CIS)) March 5th, 2020 (Wide) (Thailand) June 25th, 2020 (Wide) (New Zealand) October 15th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | May 5th, 2020 by Sony Pictures Home Entertainment |
| MPA Rating: | R for pervasive language and brief drug use. (Rating bulletin 2612 (Cert #52544), 1/15/2020) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Intertitle, Split Screen |
| Geographical setting: | Monaco |
| Plot point: | Non-Chronological, Satire |
| Social setting: | Birthday Party |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sony Pictures Classics, Revolution Films, DJ Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 45 | $24,163 | 4 | $6,041 | $24,163 | 1 | |
| Mar 6, 2020 | 23 | $200,725 | +731% | 596 | $337 | $231,800 | 2 |
| Mar 13, 2020 | 36 | $20,547 | -90% | 249 | $83 | $353,019 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 45 | $31,075 | 4 | $7,769 | $31,075 | 1 | |
| Mar 6, 2020 | 23 | $301,397 | +870% | 2 | $150,699 | $332,472 | 2 |
| Mar 13, 2020 | 30 | $22,836 | -92% | 249 | $92 | $355,308 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 6/25/2020 | $9,112 | 12 | 12 | 56 | $30,290 | 10/19/2022 | |||
| Russia (CIS) | 2/27/2020 | $22,447 | 196 | 196 | 259 | $30,049 | 10/19/2022 | |||
| South Korea | 10/15/2020 | $7,189 | 66 | 66 | 66 | $13,526 | 10/21/2020 | |||
| Thailand | 3/5/2020 | $815 | 3 | 3 | 5 | $1,547 | 3/17/2020 | |||
| United Kingdom | 2/21/2020 | $478,511 | 403 | 403 | 761 | $1,000,262 | 4/4/2026 | |||
| International Total | $1,075,674 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steve Coogan | Sir Richard McCreadie |
Supporting
| David Mitchell | Nick | |
| Isla Fisher | Samantha | |
| Dinita Gohil | Amanda | |
| Asa Butterfield | Finn | |
| Sophie Cookson | Lily | |
| Jamie Blackley | Young Richard McCreadie | |
| Shanina Shaik | Naomi | |
| Jonny Sweet | Jules | |
| Sarah Solemani | Melanie | |
| Tim Key | Sam | |
| Asim Chaudhry | Frank The Lion Tamer | |
| Ollie Locke | Fabian | |
| Pearl Mackie | Cathy | |
| Kareem Alkabbani | Kareem | |
| Shirley Henderson | Margaret |
Production and Technical Credits
| Michael Winterbottom | Director | |
| Michael Winterbottom | Screenwriter | |
| Damian Jones | Producer | |
| Melissa Parmenter | Producer | |
| Daniel Battsek | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Anthony Wilcox | Co-Producer | |
| Giles Nuttgens | Director of Photography | |
| Denis Schnegg | Production Designer | |
| Mags Arnold | Editor | |
| Liam Hendrix Heath | Editor | |
| Marc Richardson | Editor | |
| Anthony Unwin | Costume Designer | |
| David Fish | Music Supervisor | |
| Rupert Hollier | Music Supervisor | |
| Sarah Crowe | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
GREED tells the story of self-made British billionaire Sir Richard McCreadie, whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion –bringing the high street to the catwalk and the catwalk to the high street –but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick.
Metrics
| Opening Weekend: | $24,163 (6.8% of total gross) |
| Legs: | 1.77 (domestic box office/biggest weekend) |
| Domestic Share: | 24.8% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/596 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $462,912 |
Movie Details
| Domestic Releases: | February 28th, 2020 (Limited) by Sony Pictures Classics |
| International Releases: | February 21st, 2020 (Wide) (United Kingdom)
February 27th, 2020 (Wide), released as ЖАДНОСТЬ (Russia (CIS)) March 5th, 2020 (Wide) (Thailand) June 25th, 2020 (Wide) (New Zealand) October 15th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | May 5th, 2020 by Sony Pictures Home Entertainment |
| MPA Rating: | R for pervasive language and brief drug use. (Rating bulletin 2612 (Cert #52544), 1/15/2020) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Intertitle, Split Screen |
| Geographical setting: | Monaco |
| Plot point: | Non-Chronological, Satire |
| Social setting: | Birthday Party |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sony Pictures Classics, Revolution Films, DJ Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 45 | $24,163 | 4 | $6,041 | $24,163 | 1 | |
| Mar 6, 2020 | 23 | $200,725 | +731% | 596 | $337 | $231,800 | 2 |
| Mar 13, 2020 | 36 | $20,547 | -90% | 249 | $83 | $353,019 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 45 | $31,075 | 4 | $7,769 | $31,075 | 1 | |
| Mar 6, 2020 | 23 | $301,397 | +870% | 2 | $150,699 | $332,472 | 2 |
| Mar 13, 2020 | 30 | $22,836 | -92% | 249 | $92 | $355,308 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 6/25/2020 | $9,112 | 12 | 12 | 56 | $30,290 | 10/19/2022 | |||
| Russia (CIS) | 2/27/2020 | $22,447 | 196 | 196 | 259 | $30,049 | 10/19/2022 | |||
| South Korea | 10/15/2020 | $7,189 | 66 | 66 | 66 | $13,526 | 10/21/2020 | |||
| Thailand | 3/5/2020 | $815 | 3 | 3 | 5 | $1,547 | 3/17/2020 | |||
| United Kingdom | 2/21/2020 | $478,511 | 403 | 403 | 761 | $1,000,262 | 4/4/2026 | |||
| International Total | $1,075,674 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steve Coogan | Sir Richard McCreadie |
Supporting
| David Mitchell | Nick | |
| Isla Fisher | Samantha | |
| Dinita Gohil | Amanda | |
| Asa Butterfield | Finn | |
| Sophie Cookson | Lily | |
| Jamie Blackley | Young Richard McCreadie | |
| Shanina Shaik | Naomi | |
| Jonny Sweet | Jules | |
| Sarah Solemani | Melanie | |
| Tim Key | Sam | |
| Asim Chaudhry | Frank The Lion Tamer | |
| Ollie Locke | Fabian | |
| Pearl Mackie | Cathy | |
| Kareem Alkabbani | Kareem | |
| Shirley Henderson | Margaret |
Production and Technical Credits
| Michael Winterbottom | Director | |
| Michael Winterbottom | Screenwriter | |
| Damian Jones | Producer | |
| Melissa Parmenter | Producer | |
| Daniel Battsek | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Anthony Wilcox | Co-Producer | |
| Giles Nuttgens | Director of Photography | |
| Denis Schnegg | Production Designer | |
| Mags Arnold | Editor | |
| Liam Hendrix Heath | Editor | |
| Marc Richardson | Editor | |
| Anthony Unwin | Costume Designer | |
| David Fish | Music Supervisor | |
| Rupert Hollier | Music Supervisor | |
| Sarah Crowe | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.