Greta (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $10,544,310 | Details |
| International Box Office | $8,201,558 | |
| Worldwide Box Office | $18,745,868 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $65,132 | |
| Blu-ray Sales (estimated) | $38,307 | |
| Total | $103,439 | |
| Further financial details... | ||
Synopsis
A sweet, naïve young woman trying to make it on her own in New York City, Frances doesn’t think twice about returning the handbag she finds on the subway to its rightful owner. That owner is Greta, an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends — but Greta’s maternal charms begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta’s life is what it seems.
Metrics
| Opening Weekend: | $4,481,910 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 56.2% (domestic box office/worldwide) |
| Theater counts: | 2,411 opening theaters/2,417 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,767,467 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Wide) by Focus Features |
| International Releases: | February 28th, 2019 (Wide) (New Zealand)
March 1st, 2019 (Wide) (Australia) March 1st, 2019 (Wide) (Lithuania) March 21st, 2019 (Wide), released as В ОБЪЯТИЯХ ЛЖИ (Russia (CIS)) April 5th, 2019 (Wide) (Taiwan) |
| Video Release: | May 14th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for some violence and disturbing images. (Rating bulletin 2539 (Cert #51628), 8/8/2018) |
| Running Time: | 98 minutes |
| Geographical setting: | New York City |
| Plot point: | Obsession, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Sidney Kimmel Entertainment, Showbox, Beijing Universe Starlight Culture Media Company, FIS Eireann, Screen Ireland |
| Production Countries: | United States, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 8 | $4,481,910 | 2,411 | $1,859 | $4,481,910 | 1 | |
| Mar 8, 2019 | 8 | $2,188,430 | -51% | 2,417 | $905 | $8,279,165 | 2 |
| Mar 15, 2019 | 16 | $657,880 | -70% | 980 | $671 | $9,987,580 | 3 |
| Mar 22, 2019 | 32 | $115,620 | -82% | 384 | $301 | $10,418,510 | 4 |
| Mar 29, 2019 | 50 | $17,500 | -85% | 77 | $227 | $10,508,895 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 4 | $1,603,595 | 2,411 | $665 | $1,603,595 | 1 | ||
| Mar 2, 2019 | 8 | $1,804,505 | +13% | 2,411 | $748 | $3,408,100 | 2 | |
| Mar 3, 2019 | 8 | $1,073,810 | -40% | 2,411 | $445 | $4,481,910 | 3 | |
| Mar 4, 2019 | 6 | $366,290 | -66% | 2,411 | $152 | $4,848,200 | 4 | |
| Mar 5, 2019 | 5 | $582,525 | +59% | 2,411 | $242 | $5,430,725 | 5 | |
| Mar 6, 2019 | 5 | $361,985 | -38% | 2,411 | $150 | $5,792,710 | 6 | |
| Mar 7, 2019 | 7 | $298,025 | -18% | 2,411 | $124 | $6,090,735 | 7 | |
| Mar 8, 2019 | 8 | $624,725 | +110% | -61% | 2,417 | $258 | $6,715,460 | 8 |
| Mar 9, 2019 | 9 | $958,325 | +53% | -47% | 2,417 | $396 | $7,673,785 | 9 |
| Mar 10, 2019 | 8 | $605,380 | -37% | -44% | 2,417 | $250 | $8,279,165 | 10 |
| Mar 11, 2019 | 8 | $244,190 | -60% | -33% | 2,417 | $101 | $8,523,355 | 11 |
| Mar 12, 2019 | 8 | $382,270 | +57% | -34% | 2,417 | $158 | $8,905,625 | 12 |
| Mar 13, 2019 | 9 | $241,405 | -37% | -33% | 2,417 | $100 | $9,147,030 | 13 |
| Mar 14, 2019 | 9 | $182,670 | -24% | -39% | 2,417 | $76 | $9,329,700 | 14 |
| Mar 15, 2019 | - | $200,765 | +10% | -68% | 980 | $205 | $9,530,465 | 15 |
| Mar 16, 2019 | - | $285,750 | +42% | -70% | 980 | $292 | $9,816,215 | 16 |
| Mar 17, 2019 | - | $171,365 | -40% | -72% | 980 | $175 | $9,987,580 | 17 |
| Mar 18, 2019 | 15 | $78,195 | -54% | -68% | 980 | $80 | $10,065,775 | 18 |
| Mar 19, 2019 | - | $113,075 | +45% | -70% | 980 | $115 | $10,178,850 | 19 |
| Mar 20, 2019 | 15 | $80,590 | -29% | -67% | 980 | $82 | $10,259,440 | 20 |
| Mar 21, 2019 | - | $43,450 | -46% | -76% | 980 | $44 | $10,302,890 | 21 |
| Mar 22, 2019 | - | $35,270 | -19% | -82% | 384 | $92 | $10,338,160 | 22 |
| Mar 23, 2019 | - | $46,190 | +31% | -84% | 384 | $120 | $10,384,350 | 23 |
| Mar 24, 2019 | - | $34,160 | -26% | -80% | 384 | $89 | $10,418,510 | 24 |
| Mar 25, 2019 | - | $17,435 | -49% | -78% | 384 | $45 | $10,435,945 | 25 |
| Mar 26, 2019 | - | $24,735 | +42% | -78% | 384 | $64 | $10,460,680 | 26 |
| Mar 27, 2019 | - | $19,050 | -23% | -76% | 384 | $50 | $10,479,730 | 27 |
| Mar 28, 2019 | - | $11,665 | -39% | -73% | 384 | $30 | $10,491,395 | 28 |
| Mar 29, 2019 | - | $4,850 | -58% | -86% | 77 | $63 | $10,496,245 | 29 |
| Mar 30, 2019 | - | $7,865 | +62% | -83% | 77 | $102 | $10,504,110 | 30 |
| Mar 31, 2019 | - | $4,785 | -39% | -86% | 77 | $62 | $10,508,895 | 31 |
| Apr 1, 2019 | - | $2,490 | -48% | -86% | 77 | $32 | $10,511,385 | 32 |
| Apr 2, 2019 | - | $3,990 | +60% | -84% | 77 | $52 | $10,515,375 | 33 |
| Apr 3, 2019 | - | $2,240 | -44% | -88% | 77 | $29 | $10,517,615 | 34 |
| Apr 4, 2019 | - | $1,810 | -19% | -84% | 77 | $24 | $10,519,425 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 7 | $6,090,735 | 2,411 | $2,526 | $6,090,735 | 1 | |
| Mar 8, 2019 | 9 | $3,238,965 | -47% | 2,417 | $1,340 | $9,329,700 | 2 |
| Mar 15, 2019 | 16 | $973,190 | -70% | 980 | $993 | $10,302,890 | 3 |
| Mar 22, 2019 | 29 | $188,505 | -81% | 384 | $491 | $10,491,395 | 4 |
| Mar 29, 2019 | 49 | $28,030 | -85% | 77 | $364 | $10,519,425 | 5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A sweet, naïve young woman trying to make it on her own in New York City, Frances doesn’t think twice about returning the handbag she finds on the subway to its rightful owner. That owner is Greta, an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends — but Greta’s maternal charms begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta’s life is what it seems.
Metrics
| Opening Weekend: | $4,481,910 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 56.2% (domestic box office/worldwide) |
| Theater counts: | 2,411 opening theaters/2,417 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,767,467 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Wide) by Focus Features |
| International Releases: | February 28th, 2019 (Wide) (New Zealand)
March 1st, 2019 (Wide) (Australia) March 1st, 2019 (Wide) (Lithuania) March 21st, 2019 (Wide), released as В ОБЪЯТИЯХ ЛЖИ (Russia (CIS)) April 5th, 2019 (Wide) (Taiwan) |
| Video Release: | May 14th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for some violence and disturbing images. (Rating bulletin 2539 (Cert #51628), 8/8/2018) |
| Running Time: | 98 minutes |
| Geographical setting: | New York City |
| Plot point: | Obsession, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Sidney Kimmel Entertainment, Showbox, Beijing Universe Starlight Culture Media Company, FIS Eireann, Screen Ireland |
| Production Countries: | United States, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 8 | $4,481,910 | 2,411 | $1,859 | $4,481,910 | 1 | |
| Mar 8, 2019 | 8 | $2,188,430 | -51% | 2,417 | $905 | $8,279,165 | 2 |
| Mar 15, 2019 | 16 | $657,880 | -70% | 980 | $671 | $9,987,580 | 3 |
| Mar 22, 2019 | 32 | $115,620 | -82% | 384 | $301 | $10,418,510 | 4 |
| Mar 29, 2019 | 50 | $17,500 | -85% | 77 | $227 | $10,508,895 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 4 | $1,603,595 | 2,411 | $665 | $1,603,595 | 1 | ||
| Mar 2, 2019 | 8 | $1,804,505 | +13% | 2,411 | $748 | $3,408,100 | 2 | |
| Mar 3, 2019 | 8 | $1,073,810 | -40% | 2,411 | $445 | $4,481,910 | 3 | |
| Mar 4, 2019 | 6 | $366,290 | -66% | 2,411 | $152 | $4,848,200 | 4 | |
| Mar 5, 2019 | 5 | $582,525 | +59% | 2,411 | $242 | $5,430,725 | 5 | |
| Mar 6, 2019 | 5 | $361,985 | -38% | 2,411 | $150 | $5,792,710 | 6 | |
| Mar 7, 2019 | 7 | $298,025 | -18% | 2,411 | $124 | $6,090,735 | 7 | |
| Mar 8, 2019 | 8 | $624,725 | +110% | -61% | 2,417 | $258 | $6,715,460 | 8 |
| Mar 9, 2019 | 9 | $958,325 | +53% | -47% | 2,417 | $396 | $7,673,785 | 9 |
| Mar 10, 2019 | 8 | $605,380 | -37% | -44% | 2,417 | $250 | $8,279,165 | 10 |
| Mar 11, 2019 | 8 | $244,190 | -60% | -33% | 2,417 | $101 | $8,523,355 | 11 |
| Mar 12, 2019 | 8 | $382,270 | +57% | -34% | 2,417 | $158 | $8,905,625 | 12 |
| Mar 13, 2019 | 9 | $241,405 | -37% | -33% | 2,417 | $100 | $9,147,030 | 13 |
| Mar 14, 2019 | 9 | $182,670 | -24% | -39% | 2,417 | $76 | $9,329,700 | 14 |
| Mar 15, 2019 | - | $200,765 | +10% | -68% | 980 | $205 | $9,530,465 | 15 |
| Mar 16, 2019 | - | $285,750 | +42% | -70% | 980 | $292 | $9,816,215 | 16 |
| Mar 17, 2019 | - | $171,365 | -40% | -72% | 980 | $175 | $9,987,580 | 17 |
| Mar 18, 2019 | 15 | $78,195 | -54% | -68% | 980 | $80 | $10,065,775 | 18 |
| Mar 19, 2019 | - | $113,075 | +45% | -70% | 980 | $115 | $10,178,850 | 19 |
| Mar 20, 2019 | 15 | $80,590 | -29% | -67% | 980 | $82 | $10,259,440 | 20 |
| Mar 21, 2019 | - | $43,450 | -46% | -76% | 980 | $44 | $10,302,890 | 21 |
| Mar 22, 2019 | - | $35,270 | -19% | -82% | 384 | $92 | $10,338,160 | 22 |
| Mar 23, 2019 | - | $46,190 | +31% | -84% | 384 | $120 | $10,384,350 | 23 |
| Mar 24, 2019 | - | $34,160 | -26% | -80% | 384 | $89 | $10,418,510 | 24 |
| Mar 25, 2019 | - | $17,435 | -49% | -78% | 384 | $45 | $10,435,945 | 25 |
| Mar 26, 2019 | - | $24,735 | +42% | -78% | 384 | $64 | $10,460,680 | 26 |
| Mar 27, 2019 | - | $19,050 | -23% | -76% | 384 | $50 | $10,479,730 | 27 |
| Mar 28, 2019 | - | $11,665 | -39% | -73% | 384 | $30 | $10,491,395 | 28 |
| Mar 29, 2019 | - | $4,850 | -58% | -86% | 77 | $63 | $10,496,245 | 29 |
| Mar 30, 2019 | - | $7,865 | +62% | -83% | 77 | $102 | $10,504,110 | 30 |
| Mar 31, 2019 | - | $4,785 | -39% | -86% | 77 | $62 | $10,508,895 | 31 |
| Apr 1, 2019 | - | $2,490 | -48% | -86% | 77 | $32 | $10,511,385 | 32 |
| Apr 2, 2019 | - | $3,990 | +60% | -84% | 77 | $52 | $10,515,375 | 33 |
| Apr 3, 2019 | - | $2,240 | -44% | -88% | 77 | $29 | $10,517,615 | 34 |
| Apr 4, 2019 | - | $1,810 | -19% | -84% | 77 | $24 | $10,519,425 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 7 | $6,090,735 | 2,411 | $2,526 | $6,090,735 | 1 | |
| Mar 8, 2019 | 9 | $3,238,965 | -47% | 2,417 | $1,340 | $9,329,700 | 2 |
| Mar 15, 2019 | 16 | $973,190 | -70% | 980 | $993 | $10,302,890 | 3 |
| Mar 22, 2019 | 29 | $188,505 | -81% | 384 | $491 | $10,491,395 | 4 |
| Mar 29, 2019 | 49 | $28,030 | -85% | 77 | $364 | $10,519,425 | 5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.