Greta (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $10,544,310 | Details |
| International Box Office | $8,201,558 | Details |
| Worldwide Box Office | $18,745,868 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $65,244 | |
| Blu-ray Sales (estimated) | $38,752 | |
| Total | $103,996 | |
| OpusData ID: 365640100 More info... | ||
| Further financial details... | ||
Synopsis
A sweet, naïve young woman trying to make it on her own in New York City, Frances doesn’t think twice about returning the handbag she finds on the subway to its rightful owner. That owner is Greta, an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends — but Greta’s maternal charms begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta’s life is what it seems.
Metrics
| Opening Weekend: | $4,481,910 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 56.2% (domestic box office/worldwide) |
| Theater counts: | 2,411 opening theaters/2,417 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,767,467 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Wide) by Focus Features |
| International Releases: | February 28th, 2019 (Wide) (New Zealand)
March 1st, 2019 (Wide) (Australia) March 1st, 2019 (Wide) (Lithuania) March 21st, 2019 (Wide), released as В ОБЪЯТИЯХ ЛЖИ (Russia (CIS)) April 5th, 2019 (Wide) (Taiwan) ... Show all releases |
| Video Release: | May 14th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for some violence and disturbing images. (Rating bulletin 2539 (Cert #51628), 8/8/2018) |
| Running Time: | 98 minutes |
| Geographical setting: | New York City |
| Plot point: | Obsession, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Sidney Kimmel Entertainment, Showbox, Beijing Universe Starlight Culture Media Company, FIS Eireann, Screen Ireland |
| Production Countries: | United States, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 8 | $4,481,910 | 2,411 | $1,859 | $4,481,910 | 1 | |
| Mar 8, 2019 | 8 | $2,188,430 | -51% | 2,417 | $905 | $8,279,165 | 2 |
| Mar 15, 2019 | 16 | $657,880 | -70% | 980 | $671 | $9,987,580 | 3 |
| Mar 22, 2019 | 32 | $115,620 | -82% | 384 | $301 | $10,418,510 | 4 |
| Mar 29, 2019 | 50 | $17,500 | -85% | 77 | $227 | $10,508,895 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 4 | $1,603,595 | 2,411 | $665 | $1,603,595 | 1 | ||
| Mar 2, 2019 | 8 | $1,804,505 | +13% | 2,411 | $748 | $3,408,100 | 2 | |
| Mar 3, 2019 | 8 | $1,073,810 | -40% | 2,411 | $445 | $4,481,910 | 3 | |
| Mar 4, 2019 | 6 | $366,290 | -66% | 2,411 | $152 | $4,848,200 | 4 | |
| Mar 5, 2019 | 5 | $582,525 | +59% | 2,411 | $242 | $5,430,725 | 5 | |
| Mar 6, 2019 | 5 | $361,985 | -38% | 2,411 | $150 | $5,792,710 | 6 | |
| Mar 7, 2019 | 7 | $298,025 | -18% | 2,411 | $124 | $6,090,735 | 7 | |
| Mar 8, 2019 | 8 | $624,725 | +110% | -61% | 2,417 | $258 | $6,715,460 | 8 |
| Mar 9, 2019 | 9 | $958,325 | +53% | -47% | 2,417 | $396 | $7,673,785 | 9 |
| Mar 10, 2019 | 8 | $605,380 | -37% | -44% | 2,417 | $250 | $8,279,165 | 10 |
| Mar 11, 2019 | 8 | $244,190 | -60% | -33% | 2,417 | $101 | $8,523,355 | 11 |
| Mar 12, 2019 | 8 | $382,270 | +57% | -34% | 2,417 | $158 | $8,905,625 | 12 |
| Mar 13, 2019 | 9 | $241,405 | -37% | -33% | 2,417 | $100 | $9,147,030 | 13 |
| Mar 14, 2019 | 9 | $182,670 | -24% | -39% | 2,417 | $76 | $9,329,700 | 14 |
| Mar 15, 2019 | - | $200,765 | +10% | -68% | 980 | $205 | $9,530,465 | 15 |
| Mar 16, 2019 | - | $285,750 | +42% | -70% | 980 | $292 | $9,816,215 | 16 |
| Mar 17, 2019 | - | $171,365 | -40% | -72% | 980 | $175 | $9,987,580 | 17 |
| Mar 18, 2019 | 15 | $78,195 | -54% | -68% | 980 | $80 | $10,065,775 | 18 |
| Mar 19, 2019 | - | $113,075 | +45% | -70% | 980 | $115 | $10,178,850 | 19 |
| Mar 20, 2019 | 15 | $80,590 | -29% | -67% | 980 | $82 | $10,259,440 | 20 |
| Mar 21, 2019 | - | $43,450 | -46% | -76% | 980 | $44 | $10,302,890 | 21 |
| Mar 22, 2019 | - | $35,270 | -19% | -82% | 384 | $92 | $10,338,160 | 22 |
| Mar 23, 2019 | - | $46,190 | +31% | -84% | 384 | $120 | $10,384,350 | 23 |
| Mar 24, 2019 | - | $34,160 | -26% | -80% | 384 | $89 | $10,418,510 | 24 |
| Mar 25, 2019 | - | $17,435 | -49% | -78% | 384 | $45 | $10,435,945 | 25 |
| Mar 26, 2019 | - | $24,735 | +42% | -78% | 384 | $64 | $10,460,680 | 26 |
| Mar 27, 2019 | - | $19,050 | -23% | -76% | 384 | $50 | $10,479,730 | 27 |
| Mar 28, 2019 | - | $11,665 | -39% | -73% | 384 | $30 | $10,491,395 | 28 |
| Mar 29, 2019 | - | $4,850 | -58% | -86% | 77 | $63 | $10,496,245 | 29 |
| Mar 30, 2019 | - | $7,865 | +62% | -83% | 77 | $102 | $10,504,110 | 30 |
| Mar 31, 2019 | - | $4,785 | -39% | -86% | 77 | $62 | $10,508,895 | 31 |
| Apr 1, 2019 | - | $2,490 | -48% | -86% | 77 | $32 | $10,511,385 | 32 |
| Apr 2, 2019 | - | $3,990 | +60% | -84% | 77 | $52 | $10,515,375 | 33 |
| Apr 3, 2019 | - | $2,240 | -44% | -88% | 77 | $29 | $10,517,615 | 34 |
| Apr 4, 2019 | - | $1,810 | -19% | -84% | 77 | $24 | $10,519,425 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 7 | $6,090,735 | 2,411 | $2,526 | $6,090,735 | 1 | |
| Mar 8, 2019 | 9 | $3,238,965 | -47% | 2,417 | $1,340 | $9,329,700 | 2 |
| Mar 15, 2019 | 16 | $973,190 | -70% | 980 | $993 | $10,302,890 | 3 |
| Mar 22, 2019 | 29 | $188,505 | -81% | 384 | $491 | $10,491,395 | 4 |
| Mar 29, 2019 | 49 | $28,030 | -85% | 77 | $364 | $10,519,425 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/30/2019 | $16,174 | 49 | 49 | 54 | $21,519 | 9/26/2019 | |||
| Australia | 3/1/2019 | $364,053 | 194 | 194 | 670 | $1,005,878 | 5/2/2019 | |||
| Brazil | 6/14/2019 | $92,437 | 112 | 112 | 187 | $175,904 | 9/15/2019 | |||
| France | 6/14/2019 | $4,625 | 10 | 239 | 906 | $1,002,026 | 9/8/2019 | |||
| Germany | 5/17/2019 | $0 | 0 | 169 | 466 | $414,597 | 4/4/2026 | |||
| Lithuania | 3/1/2019 | $13,693 | 63 | 63 | 96 | $33,756 | 3/26/2019 | |||
| Mexico | 6/14/2019 | $381,600 | 0 | 39 | 54 | $928,995 | 10/19/2022 | |||
| Netherlands | 5/3/2019 | $65,755 | 44 | 44 | 138 | $145,899 | 4/4/2026 | |||
| New Zealand | 2/28/2019 | $0 | 0 | 38 | 39 | $71,891 | 4/24/2019 | |||
| Portugal | 4/12/2019 | $19,637 | 23 | 23 | 45 | $36,442 | 4/23/2019 | |||
| Russia (CIS) | 3/21/2019 | $258,559 | 412 | 412 | 879 | $594,354 | 5/18/2019 | |||
| South Korea | 6/20/2019 | $2,264 | 1 | 189 | 214 | $278,198 | 8/4/2019 | |||
| Spain | 5/24/2019 | $101,488 | 69 | 78 | 197 | $251,020 | 6/13/2019 | |||
| Taiwan | 4/5/2019 | $0 | 0 | 18 | 20 | $183,084 | 1/3/2020 | |||
| Turkey | 4/19/2019 | $15,302 | 53 | 53 | 98 | $40,205 | 5/9/2019 | |||
| United Kingdom | 4/19/2019 | $431,428 | 385 | 385 | 881 | $1,281,884 | 4/4/2026 | |||
| Rest of World | $1,735,906 | |||||||||
| International Total | $8,201,558 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chloë Grace Moretz | Frances | |
| Isabelle Huppert | Greta |
Supporting
| Maika Monroe | Erica | |
| Colm Feore | Chris McCullen | |
| Stephen Rea | Brian Cody | |
| Parker Sawyers | Gary | |
| Angela Thompson | Subway Love Interest | |
| Graeme Thomas King | Brian | |
| Jeff Hiller | Henri | |
| Arthur Lee | Lim | |
| Rosa Escoda | Lim’s Date | |
| Jessica Preddy | Actress | |
| Hershel Blatt | Random Kid | |
| Romii Reilly | Woman in City Square | |
| Thaddeus Daniels | Officer Deroy | |
| Navi Dhanoa | Cabbie | |
| Nagisa Morimoto | Waitress | |
| Elisa Berkeley | Madeleine | |
| Aneta Dina Keder | Frances’s Mom |
Production and Technical Credits
| Neil Jordan | Director | |
| Neil Jordan | Screenwriter | |
| Ray Wright | Screenwriter | |
| Ray Wright | Story by | |
| Lawrence Bender | Producer | |
| James Flynn | Producer | |
| Sidney Kimmel | Producer | |
| John Penotti | Producer | |
| Neil Jordan | Producer | |
| Neil Jordan | Executive Producer | |
| Kim Do-Soo | Executive Producer | |
| Hwang Soon-Il | Executive Producer | |
| Lei Luo | Executive Producer | |
| Mei Han | Executive Producer | |
| Bruce Toll | Executive Producer | |
| Mark O’Connor | Co-Producer | |
| Dylan Tarason | Co-Producer | |
| Seamus McGarvey | Director of Photography | |
| Anna Rackard | Production Designer | |
| Nick Emerson | Editor | |
| Javier Navarrete | Composer | |
| Joan Bergin | Costume Designer | |
| Jina Jay | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A sweet, naïve young woman trying to make it on her own in New York City, Frances doesn’t think twice about returning the handbag she finds on the subway to its rightful owner. That owner is Greta, an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends — but Greta’s maternal charms begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta’s life is what it seems.
Metrics
| Opening Weekend: | $4,481,910 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 56.2% (domestic box office/worldwide) |
| Theater counts: | 2,411 opening theaters/2,417 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,767,467 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Wide) by Focus Features |
| International Releases: | February 28th, 2019 (Wide) (New Zealand)
March 1st, 2019 (Wide) (Australia) March 1st, 2019 (Wide) (Lithuania) March 21st, 2019 (Wide), released as В ОБЪЯТИЯХ ЛЖИ (Russia (CIS)) April 5th, 2019 (Wide) (Taiwan) ... Show all releases |
| Video Release: | May 14th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for some violence and disturbing images. (Rating bulletin 2539 (Cert #51628), 8/8/2018) |
| Running Time: | 98 minutes |
| Geographical setting: | New York City |
| Plot point: | Obsession, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Sidney Kimmel Entertainment, Showbox, Beijing Universe Starlight Culture Media Company, FIS Eireann, Screen Ireland |
| Production Countries: | United States, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 8 | $4,481,910 | 2,411 | $1,859 | $4,481,910 | 1 | |
| Mar 8, 2019 | 8 | $2,188,430 | -51% | 2,417 | $905 | $8,279,165 | 2 |
| Mar 15, 2019 | 16 | $657,880 | -70% | 980 | $671 | $9,987,580 | 3 |
| Mar 22, 2019 | 32 | $115,620 | -82% | 384 | $301 | $10,418,510 | 4 |
| Mar 29, 2019 | 50 | $17,500 | -85% | 77 | $227 | $10,508,895 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 4 | $1,603,595 | 2,411 | $665 | $1,603,595 | 1 | ||
| Mar 2, 2019 | 8 | $1,804,505 | +13% | 2,411 | $748 | $3,408,100 | 2 | |
| Mar 3, 2019 | 8 | $1,073,810 | -40% | 2,411 | $445 | $4,481,910 | 3 | |
| Mar 4, 2019 | 6 | $366,290 | -66% | 2,411 | $152 | $4,848,200 | 4 | |
| Mar 5, 2019 | 5 | $582,525 | +59% | 2,411 | $242 | $5,430,725 | 5 | |
| Mar 6, 2019 | 5 | $361,985 | -38% | 2,411 | $150 | $5,792,710 | 6 | |
| Mar 7, 2019 | 7 | $298,025 | -18% | 2,411 | $124 | $6,090,735 | 7 | |
| Mar 8, 2019 | 8 | $624,725 | +110% | -61% | 2,417 | $258 | $6,715,460 | 8 |
| Mar 9, 2019 | 9 | $958,325 | +53% | -47% | 2,417 | $396 | $7,673,785 | 9 |
| Mar 10, 2019 | 8 | $605,380 | -37% | -44% | 2,417 | $250 | $8,279,165 | 10 |
| Mar 11, 2019 | 8 | $244,190 | -60% | -33% | 2,417 | $101 | $8,523,355 | 11 |
| Mar 12, 2019 | 8 | $382,270 | +57% | -34% | 2,417 | $158 | $8,905,625 | 12 |
| Mar 13, 2019 | 9 | $241,405 | -37% | -33% | 2,417 | $100 | $9,147,030 | 13 |
| Mar 14, 2019 | 9 | $182,670 | -24% | -39% | 2,417 | $76 | $9,329,700 | 14 |
| Mar 15, 2019 | - | $200,765 | +10% | -68% | 980 | $205 | $9,530,465 | 15 |
| Mar 16, 2019 | - | $285,750 | +42% | -70% | 980 | $292 | $9,816,215 | 16 |
| Mar 17, 2019 | - | $171,365 | -40% | -72% | 980 | $175 | $9,987,580 | 17 |
| Mar 18, 2019 | 15 | $78,195 | -54% | -68% | 980 | $80 | $10,065,775 | 18 |
| Mar 19, 2019 | - | $113,075 | +45% | -70% | 980 | $115 | $10,178,850 | 19 |
| Mar 20, 2019 | 15 | $80,590 | -29% | -67% | 980 | $82 | $10,259,440 | 20 |
| Mar 21, 2019 | - | $43,450 | -46% | -76% | 980 | $44 | $10,302,890 | 21 |
| Mar 22, 2019 | - | $35,270 | -19% | -82% | 384 | $92 | $10,338,160 | 22 |
| Mar 23, 2019 | - | $46,190 | +31% | -84% | 384 | $120 | $10,384,350 | 23 |
| Mar 24, 2019 | - | $34,160 | -26% | -80% | 384 | $89 | $10,418,510 | 24 |
| Mar 25, 2019 | - | $17,435 | -49% | -78% | 384 | $45 | $10,435,945 | 25 |
| Mar 26, 2019 | - | $24,735 | +42% | -78% | 384 | $64 | $10,460,680 | 26 |
| Mar 27, 2019 | - | $19,050 | -23% | -76% | 384 | $50 | $10,479,730 | 27 |
| Mar 28, 2019 | - | $11,665 | -39% | -73% | 384 | $30 | $10,491,395 | 28 |
| Mar 29, 2019 | - | $4,850 | -58% | -86% | 77 | $63 | $10,496,245 | 29 |
| Mar 30, 2019 | - | $7,865 | +62% | -83% | 77 | $102 | $10,504,110 | 30 |
| Mar 31, 2019 | - | $4,785 | -39% | -86% | 77 | $62 | $10,508,895 | 31 |
| Apr 1, 2019 | - | $2,490 | -48% | -86% | 77 | $32 | $10,511,385 | 32 |
| Apr 2, 2019 | - | $3,990 | +60% | -84% | 77 | $52 | $10,515,375 | 33 |
| Apr 3, 2019 | - | $2,240 | -44% | -88% | 77 | $29 | $10,517,615 | 34 |
| Apr 4, 2019 | - | $1,810 | -19% | -84% | 77 | $24 | $10,519,425 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 7 | $6,090,735 | 2,411 | $2,526 | $6,090,735 | 1 | |
| Mar 8, 2019 | 9 | $3,238,965 | -47% | 2,417 | $1,340 | $9,329,700 | 2 |
| Mar 15, 2019 | 16 | $973,190 | -70% | 980 | $993 | $10,302,890 | 3 |
| Mar 22, 2019 | 29 | $188,505 | -81% | 384 | $491 | $10,491,395 | 4 |
| Mar 29, 2019 | 49 | $28,030 | -85% | 77 | $364 | $10,519,425 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/30/2019 | $16,174 | 49 | 49 | 54 | $21,519 | 9/26/2019 | |||
| Australia | 3/1/2019 | $364,053 | 194 | 194 | 670 | $1,005,878 | 5/2/2019 | |||
| Brazil | 6/14/2019 | $92,437 | 112 | 112 | 187 | $175,904 | 9/15/2019 | |||
| France | 6/14/2019 | $4,625 | 10 | 239 | 906 | $1,002,026 | 9/8/2019 | |||
| Germany | 5/17/2019 | $0 | 0 | 169 | 466 | $414,597 | 4/4/2026 | |||
| Lithuania | 3/1/2019 | $13,693 | 63 | 63 | 96 | $33,756 | 3/26/2019 | |||
| Mexico | 6/14/2019 | $381,600 | 0 | 39 | 54 | $928,995 | 10/19/2022 | |||
| Netherlands | 5/3/2019 | $65,755 | 44 | 44 | 138 | $145,899 | 4/4/2026 | |||
| New Zealand | 2/28/2019 | $0 | 0 | 38 | 39 | $71,891 | 4/24/2019 | |||
| Portugal | 4/12/2019 | $19,637 | 23 | 23 | 45 | $36,442 | 4/23/2019 | |||
| Russia (CIS) | 3/21/2019 | $258,559 | 412 | 412 | 879 | $594,354 | 5/18/2019 | |||
| South Korea | 6/20/2019 | $2,264 | 1 | 189 | 214 | $278,198 | 8/4/2019 | |||
| Spain | 5/24/2019 | $101,488 | 69 | 78 | 197 | $251,020 | 6/13/2019 | |||
| Taiwan | 4/5/2019 | $0 | 0 | 18 | 20 | $183,084 | 1/3/2020 | |||
| Turkey | 4/19/2019 | $15,302 | 53 | 53 | 98 | $40,205 | 5/9/2019 | |||
| United Kingdom | 4/19/2019 | $431,428 | 385 | 385 | 881 | $1,281,884 | 4/4/2026 | |||
| Rest of World | $1,735,906 | |||||||||
| International Total | $8,201,558 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chloë Grace Moretz | Frances | |
| Isabelle Huppert | Greta |
Supporting
| Maika Monroe | Erica | |
| Colm Feore | Chris McCullen | |
| Stephen Rea | Brian Cody | |
| Parker Sawyers | Gary | |
| Angela Thompson | Subway Love Interest | |
| Graeme Thomas King | Brian | |
| Jeff Hiller | Henri | |
| Arthur Lee | Lim | |
| Rosa Escoda | Lim’s Date | |
| Jessica Preddy | Actress | |
| Hershel Blatt | Random Kid | |
| Romii Reilly | Woman in City Square | |
| Thaddeus Daniels | Officer Deroy | |
| Navi Dhanoa | Cabbie | |
| Nagisa Morimoto | Waitress | |
| Elisa Berkeley | Madeleine | |
| Aneta Dina Keder | Frances’s Mom |
Production and Technical Credits
| Neil Jordan | Director | |
| Neil Jordan | Screenwriter | |
| Ray Wright | Screenwriter | |
| Ray Wright | Story by | |
| Lawrence Bender | Producer | |
| James Flynn | Producer | |
| Sidney Kimmel | Producer | |
| John Penotti | Producer | |
| Neil Jordan | Producer | |
| Neil Jordan | Executive Producer | |
| Kim Do-Soo | Executive Producer | |
| Hwang Soon-Il | Executive Producer | |
| Lei Luo | Executive Producer | |
| Mei Han | Executive Producer | |
| Bruce Toll | Executive Producer | |
| Mark O’Connor | Co-Producer | |
| Dylan Tarason | Co-Producer | |
| Seamus McGarvey | Director of Photography | |
| Anna Rackard | Production Designer | |
| Nick Emerson | Editor | |
| Javier Navarrete | Composer | |
| Joan Bergin | Costume Designer | |
| Jina Jay | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.