Gringo (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $4,969,853 | Details |
| International Box Office | $6,188,487 | Details |
| Worldwide Box Office | $11,158,340 | |
| OpusData ID: 291080100 More info... | ||
| Further financial details... | ||
Synopsis
Mild-mannered businessman Harold Soyinka finds himself in Mexico, and at the mercy of his back-stabbing business colleagues back home, local drug lords, and a morally-conflicted black-ops mercenary. Crossing the line from law-abiding citizen to wanted criminal, Harold battles to survive his increasingly dangerous situation in ways that raise the question: Is he out of his depth—or two steps ahead?
Metrics
| Opening Weekend: | $2,722,420 (54.8% of total gross) |
| Legs: | 1.83 (domestic box office/biggest weekend) |
| Domestic Share: | 44.5% (domestic box office/worldwide) |
| Theater counts: | 2,404 opening theaters/2,404 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,524,634 |
Movie Details
| Domestic Releases: | March 9th, 2018 (Wide) by STX Entertainment |
| International Releases: | March 9th, 2018 (Limited) (United Kingdom)
March 9th, 2018 (Wide) (Lithuania) March 9th, 2018 (Wide) (Turkey) March 16th, 2018 (Wide), released as Гринго (Bulgaria) March 23rd, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | May 22nd, 2018 by Universal Home Entertainment |
| MPA Rating: | R for language throughout, violence and sexual content. (Rating bulletin 2502 (Cert #51047), 11/15/2017) |
| Running Time: | 110 minutes |
| Geographical setting: | Mexico |
| Plot point: | Crime, Drug Cartels, Kidnap, Mercenaries, Pharmaceuticals, Ransom, Smuggler |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Amazon Studios, Blue Tongue Films, Denver & Delilah Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 11 | $2,722,420 | 2,404 | $1,132 | $2,722,420 | 1 | |
| Mar 16, 2018 | 17 | $655,891 | -76% | 2,314 | $283 | $4,522,102 | 2 |
| Mar 23, 2018 | 50 | $36,234 | -94% | 117 | $310 | $4,938,779 | 3 |
| Mar 30, 2018 | 66 | $9,160 | -75% | 35 | $262 | $4,964,754 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 8 | $981,062 | 2,404 | $408 | $981,062 | 1 | ||
| Mar 10, 2018 | 12 | $1,028,381 | +5% | 2,404 | $428 | $2,009,443 | 2 | |
| Mar 11, 2018 | 11 | $712,977 | -31% | 2,404 | $297 | $2,722,420 | 3 | |
| Mar 12, 2018 | 11 | $287,986 | -60% | 2,404 | $120 | $3,010,406 | 4 | |
| Mar 13, 2018 | 11 | $384,138 | +33% | 2,404 | $160 | $3,394,544 | 5 | |
| Mar 14, 2018 | 11 | $277,551 | -28% | 2,404 | $115 | $3,672,095 | 6 | |
| Mar 15, 2018 | 12 | $194,116 | -30% | 2,404 | $81 | $3,866,211 | 7 | |
| Mar 16, 2018 | - | $201,725 | +4% | -79% | 2,314 | $87 | $4,067,936 | 8 |
| Mar 17, 2018 | - | $262,275 | +30% | -74% | 2,314 | $113 | $4,330,211 | 9 |
| Mar 18, 2018 | - | $191,891 | -27% | -73% | 2,314 | $83 | $4,522,102 | 10 |
| Mar 19, 2018 | - | $90,666 | -53% | -69% | 2,314 | $39 | $4,612,768 | 11 |
| Mar 20, 2018 | - | $123,426 | +36% | -68% | 2,314 | $53 | $4,736,194 | 12 |
| Mar 21, 2018 | - | $92,556 | -25% | -67% | 2,314 | $40 | $4,828,750 | 13 |
| Mar 22, 2018 | - | $73,795 | -20% | -62% | 2,314 | $32 | $4,902,545 | 14 |
| Mar 23, 2018 | - | $10,167 | -86% | -95% | 117 | $87 | $4,912,712 | 15 |
| Mar 24, 2018 | - | $15,555 | +53% | -94% | 117 | $133 | $4,928,267 | 16 |
| Mar 25, 2018 | - | $10,512 | -32% | -95% | 117 | $90 | $4,938,779 | 17 |
| Mar 26, 2018 | - | $3,926 | -63% | -96% | 117 | $34 | $4,942,705 | 18 |
| Mar 27, 2018 | - | $4,853 | +24% | -96% | 117 | $41 | $4,947,558 | 19 |
| Mar 28, 2018 | - | $4,682 | -4% | -95% | 117 | $40 | $4,952,240 | 20 |
| Mar 29, 2018 | - | $3,354 | -28% | -95% | 117 | $29 | $4,955,594 | 21 |
| Mar 30, 2018 | - | $3,139 | -6% | -69% | 35 | $90 | $4,958,733 | 22 |
| Mar 31, 2018 | - | $3,297 | +5% | -79% | 35 | $94 | $4,962,030 | 23 |
| Apr 1, 2018 | - | $2,724 | -17% | -74% | 35 | $78 | $4,964,754 | 24 |
| Apr 2, 2018 | - | $1,245 | -54% | -68% | 35 | $36 | $4,965,999 | 25 |
| Apr 3, 2018 | - | $1,475 | +18% | -70% | 35 | $42 | $4,967,474 | 26 |
| Apr 4, 2018 | - | $1,231 | -17% | -74% | 35 | $35 | $4,968,705 | 27 |
| Apr 5, 2018 | - | $1,148 | -7% | -66% | 33 | $35 | $4,969,853 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 11 | $3,866,211 | 2,404 | $1,608 | $3,866,211 | 1 | |
| Mar 16, 2018 | 17 | $1,036,334 | -73% | 2,314 | $448 | $4,902,545 | 2 |
| Mar 23, 2018 | 51 | $53,049 | -95% | 117 | $453 | $4,955,594 | 3 |
| Mar 30, 2018 | 67 | $14,259 | -73% | 33 | $432 | $4,969,853 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/29/2018 | $10,077 | 0 | 0 | 0 | $12,782 | 1/1/2019 | |||
| Australia | 6/1/2018 | $229,137 | 195 | 195 | 456 | $383,408 | 6/25/2018 | |||
| Brazil | 5/4/2018 | $45,740 | 0 | 0 | 0 | $65,000 | 6/18/2018 | |||
| Bulgaria | 3/16/2018 | $14,871 | 0 | 0 | 0 | $46,900 | 2/26/2019 | |||
| Czech Republic | 4/6/2018 | $13,804 | 78 | 78 | 78 | $13,804 | 1/1/2019 | |||
| Ecuador | 4/13/2018 | $141,000 | 0 | 0 | 0 | $141,000 | 12/20/2018 | |||
| France | 5/11/2018 | $198,131 | 0 | 0 | 0 | $251,500 | 6/29/2018 | |||
| Lithuania | 3/9/2018 | $14,439 | 68 | 68 | 84 | $27,442 | 3/27/2018 | |||
| Mexico | 5/18/2018 | $73,751 | 0 | 0 | 0 | $145,000 | 6/18/2018 | |||
| Netherlands | 3/23/2018 | $79,719 | 59 | 59 | 151 | $274,847 | 9/12/2018 | |||
| Poland | 4/20/2018 | $58,598 | 0 | 0 | 0 | $151,654 | 1/1/2019 | |||
| Portugal | 3/23/2018 | $65,836 | 48 | 49 | 121 | $186,167 | 4/18/2018 | |||
| Russia (CIS) | 4/19/2018 | $336,872 | 555 | 555 | 1,122 | $680,687 | 2/26/2019 | |||
| South Korea | 3/5/2020 | $8,889 | 45 | 45 | 45 | $15,347 | 3/11/2020 | |||
| Spain | 3/23/2018 | $71,524 | 82 | 82 | 82 | $141,050 | 6/22/2018 | |||
| Turkey | 3/9/2018 | $14,772 | 48 | 48 | 48 | $14,772 | 2/26/2019 | |||
| United Kingdom | 3/9/2018 | $298,113 | 423 | 423 | 423 | $571,954 | 4/4/2026 | |||
| Rest of World | $3,065,173 | |||||||||
| International Total | $6,188,487 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| David Oyelowo | Harold Soyinka | |
| Charlize Theron | Elaine Markinson | |
| Joel Edgerton | Richard Rusk | |
| Amanda Seyfried | Sunny | |
| Thandie Newton* | Bonnie Soyinka | |
| Sharlto Copley | Mitch Rush |
Supporting
| Yul Vazquez | Angel Valverde | |
| Alan Ruck | Jerry | |
| Harry Treadaway | Miles | |
| Kenneth Choi | Marty | |
| Melonie Diaz | Mia | |
| Diego Catano | Ronaldo | |
| Hector Kotsifakis | Roberto Vega | |
| Bashir Salahuddin | Stu | |
| Carlos Corona | The Black Panther | |
| Theo Taplitz | Justin | |
| Rodrigo Corea | Ernesto Gonzalez |
Production and Technical Credits
| Nash Edgerton | Director | |
| Anthony Tambakis | Screenwriter | |
| Matthew Stone | Screenwriter | |
| Matthew Stone | Story by | |
| Rebecca Yeldham | Producer | |
| Nash Edgerton | Producer | |
| Beth Kono | Producer | |
| A.J. Dix | Producer | |
| Charlize Theron | Producer | |
| Anthony Tambakis | Producer | |
| Trish Hofmann | Executive Producer | |
| Matthew Stone | Executive Producer | |
| Natasha Braier | Director of Photography | |
| Eduard Grau | Director of Photography | |
| Patrice Vermette | Production Designer | |
| Luke Doolan | Editor | |
| David Rennie | Editor | |
| Tatiana S. Riegel | Editor | |
| Donna Zakowska | Costume Designer | |
| Christophe Beck | Composer | |
| Dana Sano | Music Supervisor | |
| Carmen Cuba | Casting Director | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Mild-mannered businessman Harold Soyinka finds himself in Mexico, and at the mercy of his back-stabbing business colleagues back home, local drug lords, and a morally-conflicted black-ops mercenary. Crossing the line from law-abiding citizen to wanted criminal, Harold battles to survive his increasingly dangerous situation in ways that raise the question: Is he out of his depth—or two steps ahead?
Metrics
| Opening Weekend: | $2,722,420 (54.8% of total gross) |
| Legs: | 1.83 (domestic box office/biggest weekend) |
| Domestic Share: | 44.5% (domestic box office/worldwide) |
| Theater counts: | 2,404 opening theaters/2,404 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,524,634 |
Movie Details
| Domestic Releases: | March 9th, 2018 (Wide) by STX Entertainment |
| International Releases: | March 9th, 2018 (Limited) (United Kingdom)
March 9th, 2018 (Wide) (Lithuania) March 9th, 2018 (Wide) (Turkey) March 16th, 2018 (Wide), released as Гринго (Bulgaria) March 23rd, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | May 22nd, 2018 by Universal Home Entertainment |
| MPA Rating: | R for language throughout, violence and sexual content. (Rating bulletin 2502 (Cert #51047), 11/15/2017) |
| Running Time: | 110 minutes |
| Geographical setting: | Mexico |
| Plot point: | Crime, Drug Cartels, Kidnap, Mercenaries, Pharmaceuticals, Ransom, Smuggler |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Amazon Studios, Blue Tongue Films, Denver & Delilah Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 11 | $2,722,420 | 2,404 | $1,132 | $2,722,420 | 1 | |
| Mar 16, 2018 | 17 | $655,891 | -76% | 2,314 | $283 | $4,522,102 | 2 |
| Mar 23, 2018 | 50 | $36,234 | -94% | 117 | $310 | $4,938,779 | 3 |
| Mar 30, 2018 | 66 | $9,160 | -75% | 35 | $262 | $4,964,754 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 8 | $981,062 | 2,404 | $408 | $981,062 | 1 | ||
| Mar 10, 2018 | 12 | $1,028,381 | +5% | 2,404 | $428 | $2,009,443 | 2 | |
| Mar 11, 2018 | 11 | $712,977 | -31% | 2,404 | $297 | $2,722,420 | 3 | |
| Mar 12, 2018 | 11 | $287,986 | -60% | 2,404 | $120 | $3,010,406 | 4 | |
| Mar 13, 2018 | 11 | $384,138 | +33% | 2,404 | $160 | $3,394,544 | 5 | |
| Mar 14, 2018 | 11 | $277,551 | -28% | 2,404 | $115 | $3,672,095 | 6 | |
| Mar 15, 2018 | 12 | $194,116 | -30% | 2,404 | $81 | $3,866,211 | 7 | |
| Mar 16, 2018 | - | $201,725 | +4% | -79% | 2,314 | $87 | $4,067,936 | 8 |
| Mar 17, 2018 | - | $262,275 | +30% | -74% | 2,314 | $113 | $4,330,211 | 9 |
| Mar 18, 2018 | - | $191,891 | -27% | -73% | 2,314 | $83 | $4,522,102 | 10 |
| Mar 19, 2018 | - | $90,666 | -53% | -69% | 2,314 | $39 | $4,612,768 | 11 |
| Mar 20, 2018 | - | $123,426 | +36% | -68% | 2,314 | $53 | $4,736,194 | 12 |
| Mar 21, 2018 | - | $92,556 | -25% | -67% | 2,314 | $40 | $4,828,750 | 13 |
| Mar 22, 2018 | - | $73,795 | -20% | -62% | 2,314 | $32 | $4,902,545 | 14 |
| Mar 23, 2018 | - | $10,167 | -86% | -95% | 117 | $87 | $4,912,712 | 15 |
| Mar 24, 2018 | - | $15,555 | +53% | -94% | 117 | $133 | $4,928,267 | 16 |
| Mar 25, 2018 | - | $10,512 | -32% | -95% | 117 | $90 | $4,938,779 | 17 |
| Mar 26, 2018 | - | $3,926 | -63% | -96% | 117 | $34 | $4,942,705 | 18 |
| Mar 27, 2018 | - | $4,853 | +24% | -96% | 117 | $41 | $4,947,558 | 19 |
| Mar 28, 2018 | - | $4,682 | -4% | -95% | 117 | $40 | $4,952,240 | 20 |
| Mar 29, 2018 | - | $3,354 | -28% | -95% | 117 | $29 | $4,955,594 | 21 |
| Mar 30, 2018 | - | $3,139 | -6% | -69% | 35 | $90 | $4,958,733 | 22 |
| Mar 31, 2018 | - | $3,297 | +5% | -79% | 35 | $94 | $4,962,030 | 23 |
| Apr 1, 2018 | - | $2,724 | -17% | -74% | 35 | $78 | $4,964,754 | 24 |
| Apr 2, 2018 | - | $1,245 | -54% | -68% | 35 | $36 | $4,965,999 | 25 |
| Apr 3, 2018 | - | $1,475 | +18% | -70% | 35 | $42 | $4,967,474 | 26 |
| Apr 4, 2018 | - | $1,231 | -17% | -74% | 35 | $35 | $4,968,705 | 27 |
| Apr 5, 2018 | - | $1,148 | -7% | -66% | 33 | $35 | $4,969,853 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 9, 2018 | 11 | $3,866,211 | 2,404 | $1,608 | $3,866,211 | 1 | |
| Mar 16, 2018 | 17 | $1,036,334 | -73% | 2,314 | $448 | $4,902,545 | 2 |
| Mar 23, 2018 | 51 | $53,049 | -95% | 117 | $453 | $4,955,594 | 3 |
| Mar 30, 2018 | 67 | $14,259 | -73% | 33 | $432 | $4,969,853 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/29/2018 | $10,077 | 0 | 0 | 0 | $12,782 | 1/1/2019 | |||
| Australia | 6/1/2018 | $229,137 | 195 | 195 | 456 | $383,408 | 6/25/2018 | |||
| Brazil | 5/4/2018 | $45,740 | 0 | 0 | 0 | $65,000 | 6/18/2018 | |||
| Bulgaria | 3/16/2018 | $14,871 | 0 | 0 | 0 | $46,900 | 2/26/2019 | |||
| Czech Republic | 4/6/2018 | $13,804 | 78 | 78 | 78 | $13,804 | 1/1/2019 | |||
| Ecuador | 4/13/2018 | $141,000 | 0 | 0 | 0 | $141,000 | 12/20/2018 | |||
| France | 5/11/2018 | $198,131 | 0 | 0 | 0 | $251,500 | 6/29/2018 | |||
| Lithuania | 3/9/2018 | $14,439 | 68 | 68 | 84 | $27,442 | 3/27/2018 | |||
| Mexico | 5/18/2018 | $73,751 | 0 | 0 | 0 | $145,000 | 6/18/2018 | |||
| Netherlands | 3/23/2018 | $79,719 | 59 | 59 | 151 | $274,847 | 9/12/2018 | |||
| Poland | 4/20/2018 | $58,598 | 0 | 0 | 0 | $151,654 | 1/1/2019 | |||
| Portugal | 3/23/2018 | $65,836 | 48 | 49 | 121 | $186,167 | 4/18/2018 | |||
| Russia (CIS) | 4/19/2018 | $336,872 | 555 | 555 | 1,122 | $680,687 | 2/26/2019 | |||
| South Korea | 3/5/2020 | $8,889 | 45 | 45 | 45 | $15,347 | 3/11/2020 | |||
| Spain | 3/23/2018 | $71,524 | 82 | 82 | 82 | $141,050 | 6/22/2018 | |||
| Turkey | 3/9/2018 | $14,772 | 48 | 48 | 48 | $14,772 | 2/26/2019 | |||
| United Kingdom | 3/9/2018 | $298,113 | 423 | 423 | 423 | $571,954 | 4/4/2026 | |||
| Rest of World | $3,065,173 | |||||||||
| International Total | $6,188,487 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| David Oyelowo | Harold Soyinka | |
| Charlize Theron | Elaine Markinson | |
| Joel Edgerton | Richard Rusk | |
| Amanda Seyfried | Sunny | |
| Thandie Newton* | Bonnie Soyinka | |
| Sharlto Copley | Mitch Rush |
Supporting
| Yul Vazquez | Angel Valverde | |
| Alan Ruck | Jerry | |
| Harry Treadaway | Miles | |
| Kenneth Choi | Marty | |
| Melonie Diaz | Mia | |
| Diego Catano | Ronaldo | |
| Hector Kotsifakis | Roberto Vega | |
| Bashir Salahuddin | Stu | |
| Carlos Corona | The Black Panther | |
| Theo Taplitz | Justin | |
| Rodrigo Corea | Ernesto Gonzalez |
Production and Technical Credits
| Nash Edgerton | Director | |
| Anthony Tambakis | Screenwriter | |
| Matthew Stone | Screenwriter | |
| Matthew Stone | Story by | |
| Rebecca Yeldham | Producer | |
| Nash Edgerton | Producer | |
| Beth Kono | Producer | |
| A.J. Dix | Producer | |
| Charlize Theron | Producer | |
| Anthony Tambakis | Producer | |
| Trish Hofmann | Executive Producer | |
| Matthew Stone | Executive Producer | |
| Natasha Braier | Director of Photography | |
| Eduard Grau | Director of Photography | |
| Patrice Vermette | Production Designer | |
| Luke Doolan | Editor | |
| David Rennie | Editor | |
| Tatiana S. Riegel | Editor | |
| Donna Zakowska | Costume Designer | |
| Christophe Beck | Composer | |
| Dana Sano | Music Supervisor | |
| Carmen Cuba | Casting Director | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.