Grumpier Old Men (1995)
| Theatrical Performance | ||
| Domestic Box Office | $71,518,503 | Details |
| OpusData ID: 6800100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $7,797,185 (10.9% of total gross) |
| Legs: | 4.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,995 opening theaters/2,037 max. theaters, 9.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $184,270,120 |
Movie Details
| Domestic Releases: | December 22nd, 1995 (Wide) by Warner Bros. |
| MPA Rating: | PG-13 for salty language and innuendos. |
| Running Time: | 101 minutes |
| Franchise: | Grumpy Old Men |
| Plot point: | Autumn Years, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 4 | $7,797,185 | 1,995 | $3,908 | $7,797,185 | 1 | |
| Dec 29, 1995 | 3 | $14,911,639 | +91% | 2,010 | $7,419 | $30,748,841 | 2 |
| Jan 5, 1996 | 2 | $7,907,676 | -47% | 2,037 | $3,882 | $41,655,319 | 3 |
| Jan 12, 1996 | 4 | $7,621,851 | -4% | 1,923 | $3,964 | $51,859,141 | 4 |
| Jan 19, 1996 | 5 | $5,071,169 | -33% | 1,901 | $2,668 | $58,245,736 | 5 |
| Jan 26, 1996 | 7 | $2,980,277 | -41% | 1,802 | $1,654 | $62,544,273 | 6 |
| Feb 2, 1996 | 12 | $2,103,497 | -29% | 1,667 | $1,262 | $65,568,289 | 7 |
| Feb 9, 1996 | 13 | $1,337,190 | -36% | 1,507 | $887 | $67,555,757 | 8 |
| Feb 16, 1996 | 21 | $772,649 | -42% | 791 | $977 | $68,822,534 | 9 |
| Feb 23, 1996 | 28 | $329,817 | -57% | 535 | $616 | $69,313,562 | 10 |
| Mar 1, 1996 | 33 | $200,468 | -39% | 410 | $489 | $69,611,350 | 11 |
| Mar 8, 1996 | 38 | $106,004 | -47% | 310 | $342 | $69,775,439 | 12 |
| Mar 15, 1996 | 45 | $64,209 | -39% | 91 | $706 | $69,877,656 | 13 |
| Mar 22, 1996 | 21 | $572,241 | +791% | 847 | $676 | $70,473,757 | 14 |
| Mar 29, 1996 | 24 | $342,186 | -40% | 847 | $404 | $71,054,458 | 15 |
| Apr 5, 1996 | 29 | $164,857 | -52% | 750 | $220 | $71,373,779 | 16 |
| Apr 12, 1996 | 57 | $31,343 | -81% | 265 | $118 | $71,499,832 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 4 | $15,837,202 | 1,995 | $7,938 | $15,837,202 | 1 | |
| Dec 29, 1995 | 3 | $17,910,441 | +13% | 2,010 | $8,911 | $33,747,643 | 2 |
| Jan 5, 1996 | 2 | $10,489,647 | -41% | 2,037 | $5,150 | $44,237,290 | 3 |
| Jan 12, 1996 | 4 | $8,937,277 | -15% | 1,923 | $4,648 | $53,174,567 | 4 |
| Jan 19, 1996 | 5 | $6,389,429 | -29% | 1,901 | $3,361 | $59,563,996 | 5 |
| Jan 26, 1996 | 9 | $3,900,796 | -39% | 1,802 | $2,165 | $63,464,792 | 6 |
| Feb 2, 1996 | 12 | $2,753,775 | -29% | 1,667 | $1,652 | $66,218,567 | 7 |
| Feb 9, 1996 | 13 | $1,831,318 | -33% | 1,507 | $1,215 | $68,049,885 | 8 |
| Feb 16, 1996 | 20 | $933,860 | -49% | 791 | $1,181 | $68,983,745 | 9 |
| Feb 23, 1996 | 28 | $427,137 | -54% | 535 | $798 | $69,410,882 | 10 |
| Mar 1, 1996 | 32 | $258,553 | -39% | 410 | $631 | $69,669,435 | 11 |
| Mar 8, 1996 | 36 | $144,012 | -44% | 310 | $465 | $69,813,447 | 12 |
| Mar 15, 1996 | 38 | $88,069 | -39% | 91 | $968 | $69,901,516 | 13 |
| Mar 22, 1996 | 19 | $810,756 | +821% | 847 | $957 | $70,712,272 | 14 |
| Mar 29, 1996 | 23 | $496,650 | -39% | 847 | $586 | $71,208,922 | 15 |
| Apr 5, 1996 | 29 | $259,567 | -48% | 750 | $346 | $71,468,489 | 16 |
| Jack Lemmon | John Gustafson | |
| Walter Matthau | Max Goldman | |
| Kevin Pollak | Jacob Goldman | |
| Daryl Hannah | Melanie Gustafson | |
| Ann-Margret | Ariel Gustafson | |
| Sophia Loren | Maria Ragetti |
Supporting
| Burgess Meredith | Grandpa Gustafson |
Production and Technical Credits
| Howard Deutch | Director | |
| Mark Steven Johnson | Screenwriter | |
| Alan Silvestri | Composer | |
| Kenneth Karman | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $7,797,185 (10.9% of total gross) |
| Legs: | 4.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,995 opening theaters/2,037 max. theaters, 9.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $184,270,120 |
Movie Details
| Domestic Releases: | December 22nd, 1995 (Wide) by Warner Bros. |
| MPA Rating: | PG-13 for salty language and innuendos. |
| Running Time: | 101 minutes |
| Franchise: | Grumpy Old Men |
| Plot point: | Autumn Years, Relationships Gone Wrong, Romance |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 4 | $7,797,185 | 1,995 | $3,908 | $7,797,185 | 1 | |
| Dec 29, 1995 | 3 | $14,911,639 | +91% | 2,010 | $7,419 | $30,748,841 | 2 |
| Jan 5, 1996 | 2 | $7,907,676 | -47% | 2,037 | $3,882 | $41,655,319 | 3 |
| Jan 12, 1996 | 4 | $7,621,851 | -4% | 1,923 | $3,964 | $51,859,141 | 4 |
| Jan 19, 1996 | 5 | $5,071,169 | -33% | 1,901 | $2,668 | $58,245,736 | 5 |
| Jan 26, 1996 | 7 | $2,980,277 | -41% | 1,802 | $1,654 | $62,544,273 | 6 |
| Feb 2, 1996 | 12 | $2,103,497 | -29% | 1,667 | $1,262 | $65,568,289 | 7 |
| Feb 9, 1996 | 13 | $1,337,190 | -36% | 1,507 | $887 | $67,555,757 | 8 |
| Feb 16, 1996 | 21 | $772,649 | -42% | 791 | $977 | $68,822,534 | 9 |
| Feb 23, 1996 | 28 | $329,817 | -57% | 535 | $616 | $69,313,562 | 10 |
| Mar 1, 1996 | 33 | $200,468 | -39% | 410 | $489 | $69,611,350 | 11 |
| Mar 8, 1996 | 38 | $106,004 | -47% | 310 | $342 | $69,775,439 | 12 |
| Mar 15, 1996 | 45 | $64,209 | -39% | 91 | $706 | $69,877,656 | 13 |
| Mar 22, 1996 | 21 | $572,241 | +791% | 847 | $676 | $70,473,757 | 14 |
| Mar 29, 1996 | 24 | $342,186 | -40% | 847 | $404 | $71,054,458 | 15 |
| Apr 5, 1996 | 29 | $164,857 | -52% | 750 | $220 | $71,373,779 | 16 |
| Apr 12, 1996 | 57 | $31,343 | -81% | 265 | $118 | $71,499,832 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 1995 | 4 | $15,837,202 | 1,995 | $7,938 | $15,837,202 | 1 | |
| Dec 29, 1995 | 3 | $17,910,441 | +13% | 2,010 | $8,911 | $33,747,643 | 2 |
| Jan 5, 1996 | 2 | $10,489,647 | -41% | 2,037 | $5,150 | $44,237,290 | 3 |
| Jan 12, 1996 | 4 | $8,937,277 | -15% | 1,923 | $4,648 | $53,174,567 | 4 |
| Jan 19, 1996 | 5 | $6,389,429 | -29% | 1,901 | $3,361 | $59,563,996 | 5 |
| Jan 26, 1996 | 9 | $3,900,796 | -39% | 1,802 | $2,165 | $63,464,792 | 6 |
| Feb 2, 1996 | 12 | $2,753,775 | -29% | 1,667 | $1,652 | $66,218,567 | 7 |
| Feb 9, 1996 | 13 | $1,831,318 | -33% | 1,507 | $1,215 | $68,049,885 | 8 |
| Feb 16, 1996 | 20 | $933,860 | -49% | 791 | $1,181 | $68,983,745 | 9 |
| Feb 23, 1996 | 28 | $427,137 | -54% | 535 | $798 | $69,410,882 | 10 |
| Mar 1, 1996 | 32 | $258,553 | -39% | 410 | $631 | $69,669,435 | 11 |
| Mar 8, 1996 | 36 | $144,012 | -44% | 310 | $465 | $69,813,447 | 12 |
| Mar 15, 1996 | 38 | $88,069 | -39% | 91 | $968 | $69,901,516 | 13 |
| Mar 22, 1996 | 19 | $810,756 | +821% | 847 | $957 | $70,712,272 | 14 |
| Mar 29, 1996 | 23 | $496,650 | -39% | 847 | $586 | $71,208,922 | 15 |
| Apr 5, 1996 | 29 | $259,567 | -48% | 750 | $346 | $71,468,489 | 16 |
| Jack Lemmon | John Gustafson | |
| Walter Matthau | Max Goldman | |
| Kevin Pollak | Jacob Goldman | |
| Daryl Hannah | Melanie Gustafson | |
| Ann-Margret | Ariel Gustafson | |
| Sophia Loren | Maria Ragetti |
Supporting
| Burgess Meredith | Grandpa Gustafson |
Production and Technical Credits
| Howard Deutch | Director | |
| Mark Steven Johnson | Screenwriter | |
| Alan Silvestri | Composer | |
| Kenneth Karman | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.