Guillermo Del Toro’s Pinocchio (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $86,906 | Details |
| Worldwide Box Office | $86,906 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $232,027 | |
| Blu-ray Sales (estimated) | $1,093,390 | |
| Total | $1,325,417 | |
| OpusData ID: 398580100 More info... | ||
| Further financial details... | ||
Synopsis
A dark, twisted retelling of the famous Carlo Collodi fairy tale about the wooden puppet who dreams of becoming a real boy. When Pinocchio comes to life, he turns out not to be that nice of a boy, creating mischief and playing mean tricks. He eventually learns a few lessons.
Metrics
| Production Budget: | $35,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 9th, 2022 (Limited) by Netflix |
| International Releases: | November 23rd, 2022 (Limited) (South Korea)
November 24th, 2022 (Wide) (Australia) November 24th, 2022 (Wide) (Germany) November 24th, 2022 (Limited) (Netherlands) November 25th, 2022 (Special Engagement) (Spain) ... Show all releases |
| Video Release: | December 9th, 2022 by Netflix |
| MPA Rating: | PG for dark thematic material, violence, peril, some rude humor and brief smoking. (Rating bulletin 2753 (cert #53839), 10/12/2022) |
| Running Time: | 114 minutes |
| Geographical setting: | Italy |
| Plot point: | Fairy Godmother, Living Toys |
| Social setting: | Fascism |
| Subgenre: | Family Adventure |
| Time period setting: | 1930s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Stop-Motion Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Pathe, Shadow Machine, Jim Henson Productions |
| Production Countries: | United States, France |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 11/24/2022 | $28,659 | 34 | 34 | 34 | $28,659 | 2/17/2023 | |||
| Portugal | 11/25/2022 | $7,342 | 29 | 29 | 52 | $15,190 | 3/21/2023 | |||
| South Korea | 11/23/2022 | $19,653 | 54 | 54 | 78 | $43,057 | 3/1/2023 | |||
| International Total | $86,906 | 3/21/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gregory Mann | Pinocchio |
Supporting
| Ewan McGregor | Cricket | |
| David Bradley | Geppetto | |
| Cate Blanchett | ||
| Finn Wolfhard | ||
| John Turturro | ||
| Ron Perlman | ||
| Tim Blake Nelson | ||
| Burn Gorman |
Production and Technical Credits
| Guillermo del Toro | Director | |
| Mark Gustafson | Director | |
| Guillermo del Toro | Screenwriter | |
| Patrick McHale | Screenwriter | |
| Gris Grimly | Screenwriter | |
| Matthew Robbins | Screenwriter | |
| Guillermo del Toro | Story by | |
| Matthew Robbins | Story by | |
| Carlo Collodi | Story based on “The Adventures of Pinocchio” by | |
| Guillermo del Toro | Producer | |
| Lisa Henson | Producer | |
| Brian Henson | Producer | |
| Allison Abbate | Producer | |
| Jason Lust | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A dark, twisted retelling of the famous Carlo Collodi fairy tale about the wooden puppet who dreams of becoming a real boy. When Pinocchio comes to life, he turns out not to be that nice of a boy, creating mischief and playing mean tricks. He eventually learns a few lessons.
Metrics
| Production Budget: | $35,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 9th, 2022 (Limited) by Netflix |
| International Releases: | November 23rd, 2022 (Limited) (South Korea)
November 24th, 2022 (Wide) (Australia) November 24th, 2022 (Wide) (Germany) November 24th, 2022 (Limited) (Netherlands) November 25th, 2022 (Special Engagement) (Spain) ... Show all releases |
| Video Release: | December 9th, 2022 by Netflix |
| MPA Rating: | PG for dark thematic material, violence, peril, some rude humor and brief smoking. (Rating bulletin 2753 (cert #53839), 10/12/2022) |
| Running Time: | 114 minutes |
| Geographical setting: | Italy |
| Plot point: | Fairy Godmother, Living Toys |
| Social setting: | Fascism |
| Subgenre: | Family Adventure |
| Time period setting: | 1930s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Stop-Motion Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Pathe, Shadow Machine, Jim Henson Productions |
| Production Countries: | United States, France |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 11/24/2022 | $28,659 | 34 | 34 | 34 | $28,659 | 2/17/2023 | |||
| Portugal | 11/25/2022 | $7,342 | 29 | 29 | 52 | $15,190 | 3/21/2023 | |||
| South Korea | 11/23/2022 | $19,653 | 54 | 54 | 78 | $43,057 | 3/1/2023 | |||
| International Total | $86,906 | 3/21/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gregory Mann | Pinocchio |
Supporting
| Ewan McGregor | Cricket | |
| David Bradley | Geppetto | |
| Cate Blanchett | ||
| Finn Wolfhard | ||
| John Turturro | ||
| Ron Perlman | ||
| Tim Blake Nelson | ||
| Burn Gorman |
Production and Technical Credits
| Guillermo del Toro | Director | |
| Mark Gustafson | Director | |
| Guillermo del Toro | Screenwriter | |
| Patrick McHale | Screenwriter | |
| Gris Grimly | Screenwriter | |
| Matthew Robbins | Screenwriter | |
| Guillermo del Toro | Story by | |
| Matthew Robbins | Story by | |
| Carlo Collodi | Story based on “The Adventures of Pinocchio” by | |
| Guillermo del Toro | Producer | |
| Lisa Henson | Producer | |
| Brian Henson | Producer | |
| Allison Abbate | Producer | |
| Jason Lust | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.