Gunda (2020)
| Theatrical Performance | ||
| Domestic Box Office | $113,591 | Details |
| International Box Office | $271,366 | Details |
| Worldwide Box Office | $384,957 | |
| OpusData ID: 500320100 More info... | ||
| Further financial details... | ||
Synopsis
Experiential cinema in its purest form, GUNDA chronicles the unfiltered lives of a mother pig, a flock of chickens, and a herd of cows with masterful intimacy. Using stark, transcendent black and white cinematography and the farm’s ambient soundtrack, Master director Victor Kossakowsky invites the audience to slow down and experience life as his subjects do, taking in their world with a magical patience and an other worldly perspective. GUNDA asks us to meditate on the mystery of animal consciousness, and reckon with the role humanity plays in it.
Metrics
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 29.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $133,581 |
Movie Details
| Domestic Releases: | December 11th, 2020 (Virtual) by Neon April 16th, 2021 (Limited) by Neon |
| International Releases: | April 8th, 2021 (Limited) (Australia)
April 15th, 2021 (Wide) (New Zealand) April 15th, 2021 (Wide), released as Гунда (Russia (CIS)) May 13th, 2021 (Wide) (Italy) June 4th, 2021 (Limited) (United Kingdom) ... Show all releases |
| MPA Rating: | G (Rating bulletin 2646 (Cert #52884), 9/9/2020) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Social setting: | Life on a Farm |
| Subgenre: | Nature Documentary |
| Source: | Original Screenplay |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Sant & Usant, Louverture Films, Norwegian Film Institute, Fritt Ord Foundation, Artemis Rising Foundation, Media Programme of the European Union, Empathy Arts, Storyline Studios, Hailstone Films |
| Production Countries: | United States, Norway |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 16, 2021 | - | $5,023 | 5 | $1,005 | $5,023 | 1 | |
| Apr 23, 2021 | - | $43,400 | +764% | 10 | $4,340 | $86,729 | 2 |
| Apr 30, 2021 | - | $13,561 | -69% | 15 | $904 | $62,769 | 21 |
| May 7, 2021 | - | $8,563 | -37% | 29 | $295 | $83,422 | 22 |
| May 14, 2021 | - | $6,155 | -28% | 35 | $176 | $99,095 | 23 |
| May 21, 2021 | - | $2,136 | -65% | 14 | $153 | $110,444 | 24 |
| May 28, 2021 | - | $2,136 | n/c | 14 | $153 | $113,167 | 25 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 16, 2021 | - | $1,287 | 5 | $257 | $1,287 | 1 | ||
| Apr 17, 2021 | - | $1,623 | +26% | 5 | $325 | $2,910 | 2 | |
| Apr 18, 2021 | - | $2,113 | +30% | 5 | $423 | $5,023 | 3 | |
| Apr 19, 2021 | - | $622 | -71% | 5 | $124 | $5,645 | 4 | |
| Apr 20, 2021 | - | $753 | +21% | 5 | $151 | $6,398 | 5 | |
| Apr 21, 2021 | - | $640 | -15% | 5 | $128 | $7,038 | 6 | |
| Apr 22, 2021 | - | $742 | +16% | 5 | $148 | $7,780 | 7 | |
| Apr 23, 2021 | - | $2,213 | +198% | +72% | 10 | $221 | $45,542 | 8 |
| Apr 24, 2021 | - | $3,297 | +49% | +103% | 10 | $330 | $48,839 | 9 |
| Apr 25, 2021 | - | $2,341 | -29% | +11% | 10 | $234 | $51,180 | 10 |
| Apr 26, 2021 | - | $1,022 | -56% | +64% | 10 | $102 | $52,202 | 11 |
| Apr 27, 2021 | - | $1,431 | +40% | +90% | 10 | $143 | $53,633 | 12 |
| Apr 28, 2021 | - | $1,674 | +17% | +162% | 10 | $167 | $55,307 | 13 |
| Apr 29, 2021 | - | $854 | -49% | +15% | 10 | $85 | $56,161 | 14 |
| Apr 30, 2021 | - | $2,000 | +134% | 15 | $133 | $58,161 | 141 | |
| May 1, 2021 | - | $2,500 | +25% | 15 | $167 | $60,661 | 142 | |
| May 2, 2021 | - | $1,800 | -28% | 15 | $120 | $62,461 | 143 | |
| May 3, 2021 | - | $702 | -61% | 16 | $44 | $63,163 | 144 | |
| May 4, 2021 | - | $1,233 | +76% | 16 | $77 | $64,396 | 145 | |
| May 5, 2021 | - | $1,404 | +14% | 16 | $88 | $65,800 | 146 | |
| May 6, 2021 | - | $1,720 | +23% | 16 | $108 | $74,859 | 147 | |
| May 7, 2021 | - | $1,922 | +12% | -4% | 29 | $66 | $76,781 | 148 |
| May 8, 2021 | - | $3,143 | +64% | +26% | 29 | $108 | $79,924 | 149 |
| May 9, 2021 | - | $3,498 | +11% | +94% | 29 | $121 | $83,422 | 150 |
| May 10, 2021 | - | $702 | -80% | n/c | 29 | $24 | $84,124 | 151 |
| May 11, 2021 | - | $732 | +4% | -41% | 29 | $25 | $84,856 | 152 |
| May 12, 2021 | - | $967 | +32% | -31% | 29 | $33 | $85,823 | 153 |
| May 13, 2021 | - | $1,720 | +78% | n/c | 29 | $59 | $92,940 | 154 |
| May 14, 2021 | - | $1,710 | -1% | -11% | 35 | $49 | $94,650 | 155 |
| May 15, 2021 | - | $1,967 | +15% | -37% | 35 | $56 | $96,617 | 156 |
| May 16, 2021 | - | $2,478 | +26% | -29% | 35 | $71 | $99,095 | 157 |
| May 17, 2021 | - | $702 | -72% | n/c | 35 | $20 | $99,797 | 158 |
| May 18, 2021 | - | $732 | +4% | n/c | 35 | $21 | $100,529 | 159 |
| May 19, 2021 | - | $967 | +32% | n/c | 35 | $28 | $101,496 | 160 |
| May 20, 2021 | - | $1,720 | +78% | n/c | 35 | $49 | $108,308 | 161 |
| May 21, 2021 | - | $796 | -54% | -53% | 14 | $57 | $109,104 | 162 |
| May 22, 2021 | - | $732 | -8% | -63% | 14 | $52 | $109,836 | 163 |
| May 23, 2021 | - | $608 | -17% | -75% | 14 | $43 | $110,444 | 164 |
| May 24, 2021 | - | $104 | -83% | -85% | 14 | $7 | $110,548 | 165 |
| May 25, 2021 | - | $106 | +2% | -86% | 14 | $8 | $110,654 | 166 |
| May 26, 2021 | - | $135 | +27% | -86% | 14 | $10 | $110,789 | 167 |
| May 27, 2021 | - | $242 | +79% | -86% | 14 | $17 | $111,031 | 168 |
| May 31, 2021 | - | $175 | +68% | 14 | $13 | $113,342 | 172 | |
| Jun 1, 2021 | - | $75 | -57% | -29% | 14 | $5 | $113,417 | 173 |
| Jun 2, 2021 | - | $174 | +132% | +29% | 14 | $12 | $113,591 | 174 |
| Jun 3, 2021 | - | $150 | -14% | -38% | 14 | $11 | $113,529 | 175 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 16, 2021 | - | $7,780 | 5 | $1,556 | $7,780 | 1 | |
| Apr 23, 2021 | - | $48,381 | +522% | 10 | $4,838 | $56,161 | 2 |
| Apr 30, 2021 | 31 | $11,667 | -76% | 16 | $729 | $74,859 | 21 |
| May 7, 2021 | 33 | $18,081 | +55% | 29 | $623 | $92,940 | 22 |
| May 14, 2021 | 30 | $15,368 | -15% | 35 | $439 | $108,308 | 23 |
| May 21, 2021 | 37 | $2,723 | -82% | 14 | $195 | $111,031 | 24 |
| May 28, 2021 | 39 | $2,498 | -8% | 14 | $178 | $113,529 | 25 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/8/2021 | $1,572 | 11 | 13 | 62 | $35,044 | 8/24/2021 | |||
| Italy | 5/13/2021 | $1,179 | 0 | 5 | 5 | $7,198 | 10/20/2022 | |||
| Netherlands | 6/4/2021 | $2,177 | 13 | 52 | 221 | $143,921 | 10/20/2022 | |||
| New Zealand | 4/15/2021 | $3,254 | 16 | 18 | 84 | $16,136 | 10/19/2022 | |||
| Portugal | 7/23/2021 | $1,267 | 6 | 6 | 10 | $2,241 | 10/20/2022 | |||
| Russia (CIS) | 4/15/2021 | $0 | 0 | 38 | 46 | $33,808 | 10/20/2022 | |||
| South Korea | 7/14/2022 | $2,133 | 18 | 18 | 27 | $5,623 | 7/27/2022 | |||
| United Kingdom | 6/4/2021 | $7,565 | 30 | 30 | 33 | $27,395 | 7/14/2021 | |||
| International Total | $271,366 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Viktor Kasakovskiy | Director | |
| Anita Rehoff Larsen | Producer | |
| Joslyn Barnes | Co-Producer | |
| Susan Rockefeller | Co-Producer | |
| Joaquin Phoenix | Executive Producer | |
| Viktor Kossakovsky | Screenwriter | |
| Viktor Kossakovsky | Editor | |
| Egil Haskjold-Larsen | Director of Photography | |
| Viktor Kossakovsky | Director of Photography | |
| Ainara Vera | First Assistant Director | |
| Ainara Vera | Screenwriter | |
| Ainara Vera | Co-Editor | |
| Alexander Dudarev | Sound Designer | |
| Alexander Dudarev | Sound Editor | |
| Charlotte Hailstone | Line Producer | |
| Racha H. Larsen | Production Manager | |
| Tone Grottjord-Glenne | Executive Producer | |
| Regina K. Scully | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Experiential cinema in its purest form, GUNDA chronicles the unfiltered lives of a mother pig, a flock of chickens, and a herd of cows with masterful intimacy. Using stark, transcendent black and white cinematography and the farm’s ambient soundtrack, Master director Victor Kossakowsky invites the audience to slow down and experience life as his subjects do, taking in their world with a magical patience and an other worldly perspective. GUNDA asks us to meditate on the mystery of animal consciousness, and reckon with the role humanity plays in it.
Metrics
| Legs: | 2.62 (domestic box office/biggest weekend) |
| Domestic Share: | 29.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $133,581 |
Movie Details
| Domestic Releases: | December 11th, 2020 (Virtual) by Neon April 16th, 2021 (Limited) by Neon |
| International Releases: | April 8th, 2021 (Limited) (Australia)
April 15th, 2021 (Wide) (New Zealand) April 15th, 2021 (Wide), released as Гунда (Russia (CIS)) May 13th, 2021 (Wide) (Italy) June 4th, 2021 (Limited) (United Kingdom) ... Show all releases |
| MPA Rating: | G (Rating bulletin 2646 (Cert #52884), 9/9/2020) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Social setting: | Life on a Farm |
| Subgenre: | Nature Documentary |
| Source: | Original Screenplay |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Sant & Usant, Louverture Films, Norwegian Film Institute, Fritt Ord Foundation, Artemis Rising Foundation, Media Programme of the European Union, Empathy Arts, Storyline Studios, Hailstone Films |
| Production Countries: | United States, Norway |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 16, 2021 | - | $5,023 | 5 | $1,005 | $5,023 | 1 | |
| Apr 23, 2021 | - | $43,400 | +764% | 10 | $4,340 | $86,729 | 2 |
| Apr 30, 2021 | - | $13,561 | -69% | 15 | $904 | $62,769 | 21 |
| May 7, 2021 | - | $8,563 | -37% | 29 | $295 | $83,422 | 22 |
| May 14, 2021 | - | $6,155 | -28% | 35 | $176 | $99,095 | 23 |
| May 21, 2021 | - | $2,136 | -65% | 14 | $153 | $110,444 | 24 |
| May 28, 2021 | - | $2,136 | n/c | 14 | $153 | $113,167 | 25 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 16, 2021 | - | $1,287 | 5 | $257 | $1,287 | 1 | ||
| Apr 17, 2021 | - | $1,623 | +26% | 5 | $325 | $2,910 | 2 | |
| Apr 18, 2021 | - | $2,113 | +30% | 5 | $423 | $5,023 | 3 | |
| Apr 19, 2021 | - | $622 | -71% | 5 | $124 | $5,645 | 4 | |
| Apr 20, 2021 | - | $753 | +21% | 5 | $151 | $6,398 | 5 | |
| Apr 21, 2021 | - | $640 | -15% | 5 | $128 | $7,038 | 6 | |
| Apr 22, 2021 | - | $742 | +16% | 5 | $148 | $7,780 | 7 | |
| Apr 23, 2021 | - | $2,213 | +198% | +72% | 10 | $221 | $45,542 | 8 |
| Apr 24, 2021 | - | $3,297 | +49% | +103% | 10 | $330 | $48,839 | 9 |
| Apr 25, 2021 | - | $2,341 | -29% | +11% | 10 | $234 | $51,180 | 10 |
| Apr 26, 2021 | - | $1,022 | -56% | +64% | 10 | $102 | $52,202 | 11 |
| Apr 27, 2021 | - | $1,431 | +40% | +90% | 10 | $143 | $53,633 | 12 |
| Apr 28, 2021 | - | $1,674 | +17% | +162% | 10 | $167 | $55,307 | 13 |
| Apr 29, 2021 | - | $854 | -49% | +15% | 10 | $85 | $56,161 | 14 |
| Apr 30, 2021 | - | $2,000 | +134% | 15 | $133 | $58,161 | 141 | |
| May 1, 2021 | - | $2,500 | +25% | 15 | $167 | $60,661 | 142 | |
| May 2, 2021 | - | $1,800 | -28% | 15 | $120 | $62,461 | 143 | |
| May 3, 2021 | - | $702 | -61% | 16 | $44 | $63,163 | 144 | |
| May 4, 2021 | - | $1,233 | +76% | 16 | $77 | $64,396 | 145 | |
| May 5, 2021 | - | $1,404 | +14% | 16 | $88 | $65,800 | 146 | |
| May 6, 2021 | - | $1,720 | +23% | 16 | $108 | $74,859 | 147 | |
| May 7, 2021 | - | $1,922 | +12% | -4% | 29 | $66 | $76,781 | 148 |
| May 8, 2021 | - | $3,143 | +64% | +26% | 29 | $108 | $79,924 | 149 |
| May 9, 2021 | - | $3,498 | +11% | +94% | 29 | $121 | $83,422 | 150 |
| May 10, 2021 | - | $702 | -80% | n/c | 29 | $24 | $84,124 | 151 |
| May 11, 2021 | - | $732 | +4% | -41% | 29 | $25 | $84,856 | 152 |
| May 12, 2021 | - | $967 | +32% | -31% | 29 | $33 | $85,823 | 153 |
| May 13, 2021 | - | $1,720 | +78% | n/c | 29 | $59 | $92,940 | 154 |
| May 14, 2021 | - | $1,710 | -1% | -11% | 35 | $49 | $94,650 | 155 |
| May 15, 2021 | - | $1,967 | +15% | -37% | 35 | $56 | $96,617 | 156 |
| May 16, 2021 | - | $2,478 | +26% | -29% | 35 | $71 | $99,095 | 157 |
| May 17, 2021 | - | $702 | -72% | n/c | 35 | $20 | $99,797 | 158 |
| May 18, 2021 | - | $732 | +4% | n/c | 35 | $21 | $100,529 | 159 |
| May 19, 2021 | - | $967 | +32% | n/c | 35 | $28 | $101,496 | 160 |
| May 20, 2021 | - | $1,720 | +78% | n/c | 35 | $49 | $108,308 | 161 |
| May 21, 2021 | - | $796 | -54% | -53% | 14 | $57 | $109,104 | 162 |
| May 22, 2021 | - | $732 | -8% | -63% | 14 | $52 | $109,836 | 163 |
| May 23, 2021 | - | $608 | -17% | -75% | 14 | $43 | $110,444 | 164 |
| May 24, 2021 | - | $104 | -83% | -85% | 14 | $7 | $110,548 | 165 |
| May 25, 2021 | - | $106 | +2% | -86% | 14 | $8 | $110,654 | 166 |
| May 26, 2021 | - | $135 | +27% | -86% | 14 | $10 | $110,789 | 167 |
| May 27, 2021 | - | $242 | +79% | -86% | 14 | $17 | $111,031 | 168 |
| May 31, 2021 | - | $175 | +68% | 14 | $13 | $113,342 | 172 | |
| Jun 1, 2021 | - | $75 | -57% | -29% | 14 | $5 | $113,417 | 173 |
| Jun 2, 2021 | - | $174 | +132% | +29% | 14 | $12 | $113,591 | 174 |
| Jun 3, 2021 | - | $150 | -14% | -38% | 14 | $11 | $113,529 | 175 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 16, 2021 | - | $7,780 | 5 | $1,556 | $7,780 | 1 | |
| Apr 23, 2021 | - | $48,381 | +522% | 10 | $4,838 | $56,161 | 2 |
| Apr 30, 2021 | 31 | $11,667 | -76% | 16 | $729 | $74,859 | 21 |
| May 7, 2021 | 33 | $18,081 | +55% | 29 | $623 | $92,940 | 22 |
| May 14, 2021 | 30 | $15,368 | -15% | 35 | $439 | $108,308 | 23 |
| May 21, 2021 | 37 | $2,723 | -82% | 14 | $195 | $111,031 | 24 |
| May 28, 2021 | 39 | $2,498 | -8% | 14 | $178 | $113,529 | 25 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/8/2021 | $1,572 | 11 | 13 | 62 | $35,044 | 8/24/2021 | |||
| Italy | 5/13/2021 | $1,179 | 0 | 5 | 5 | $7,198 | 10/20/2022 | |||
| Netherlands | 6/4/2021 | $2,177 | 13 | 52 | 221 | $143,921 | 10/20/2022 | |||
| New Zealand | 4/15/2021 | $3,254 | 16 | 18 | 84 | $16,136 | 10/19/2022 | |||
| Portugal | 7/23/2021 | $1,267 | 6 | 6 | 10 | $2,241 | 10/20/2022 | |||
| Russia (CIS) | 4/15/2021 | $0 | 0 | 38 | 46 | $33,808 | 10/20/2022 | |||
| South Korea | 7/14/2022 | $2,133 | 18 | 18 | 27 | $5,623 | 7/27/2022 | |||
| United Kingdom | 6/4/2021 | $7,565 | 30 | 30 | 33 | $27,395 | 7/14/2021 | |||
| International Total | $271,366 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Viktor Kasakovskiy | Director | |
| Anita Rehoff Larsen | Producer | |
| Joslyn Barnes | Co-Producer | |
| Susan Rockefeller | Co-Producer | |
| Joaquin Phoenix | Executive Producer | |
| Viktor Kossakovsky | Screenwriter | |
| Viktor Kossakovsky | Editor | |
| Egil Haskjold-Larsen | Director of Photography | |
| Viktor Kossakovsky | Director of Photography | |
| Ainara Vera | First Assistant Director | |
| Ainara Vera | Screenwriter | |
| Ainara Vera | Co-Editor | |
| Alexander Dudarev | Sound Designer | |
| Alexander Dudarev | Sound Editor | |
| Charlotte Hailstone | Line Producer | |
| Racha H. Larsen | Production Manager | |
| Tone Grottjord-Glenne | Executive Producer | |
| Regina K. Scully | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.