Guten Tag, Ramon (2014)
| Theatrical Performance | ||
| Domestic Box Office | $154,356 | Details |
| International Box Office | $4,700,000 | |
| Worldwide Box Office | $4,854,356 | |
| OpusData ID: 221300100 More info... | ||
| Further financial details... | ||
Synopsis
Guten Tag, Ramón tells the story of Ramón, a young man from a small northern Mexican town who has tried, unsuccessfully, to cross the US border five times. Back home he refuses to become a criminal. He decides instead to travel to Germany and contact a friend's aunt but his plans go awry when he can't find her. He struggles to survive on the streets, not properly prepared for the harsh weather and carrying practically no money, until he meets Ruth, a retired and lonely woman. Moving beyond language barriers and prejudices, they develop an amazing friendship
Metrics
| Opening Weekend: | $51,105 (33.1% of total gross) |
| Legs: | 3.02 (domestic box office/biggest weekend) |
| Domestic Share: | 3.2% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 15 opening theaters/29 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $218,988 |
Movie Details
| Domestic Releases: | January 30th, 2015 (Limited) by 20th Century Fox, released as Buen dia Ramon |
| International Releases: | August 21st, 2014 (Wide) (Mexico) |
| MPA Rating: | PG-13 for some sexual material, language and an intense situation. |
| Running Time: | 119 minutes |
| Geographical setting: | Germany |
| Plot point: | Immigration, Money Troubles |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Beanca Films, MPN Cologne Film 3, Fox International Productions |
| Production Countries: | Mexico, Germany |
| Languages: | German, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2015 | 48 | $51,105 | 15 | $3,407 | $51,105 | 1 | |
| Feb 6, 2015 | 56 | $37,373 | -27% | 24 | $1,557 | $100,412 | 2 |
| Feb 13, 2015 | 58 | $29,255 | -22% | 29 | $1,009 | $140,683 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 2, 2015 | - | $3,106 | 15 | $207 | $54,211 | 4 | ||
| Feb 3, 2015 | - | $3,793 | +22% | 15 | $253 | $58,004 | 5 | |
| Feb 4, 2015 | - | $2,481 | -35% | 15 | $165 | $60,485 | 6 | |
| Feb 5, 2015 | - | $2,554 | +3% | 15 | $170 | $63,039 | 7 | |
| Feb 6, 2015 | - | $6,163 | +141% | 24 | $257 | $69,202 | 8 | |
| Feb 7, 2015 | - | $15,452 | +151% | 24 | $644 | $84,654 | 9 | |
| Feb 8, 2015 | - | $15,758 | +2% | 24 | $657 | $100,412 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2015 | 50 | $63,039 | 15 | $4,203 | $63,039 | 1 | |
| Feb 6, 2015 | 55 | $48,389 | -23% | 24 | $2,016 | $111,428 | 2 |
| Feb 13, 2015 | 58 | $42,928 | -11% | 29 | $1,480 | $154,356 | 3 |
Leading
| Kristyan Ferrer | Ramon |
Supporting
| Ingeborg Schoener | Ruth | |
| Hector Kotsifakis | Guero | |
| Rudiger Evers | Karl | |
| Franziska Kruse | Hanna | |
| Adriana Barraza | Esperenza | |
| Arcelia Ramirez | Rosa |
Production and Technical Credits
| Jorge Ramirez Suarez | Director | |
| Jorge Ramirez Suarez | Screenwriter | |
| Jorge Ramirez Suarez | Producer | |
| Thierry Potok | Co-Producer | |
| Jorge Ramirez | Co-Producer | |
| Horacio Rodriguez | Line Producer | |
| Aquiles Vilagrasa-Roth | Line Producer | |
| Julien Prevost | Production Manager | |
| Christiane Zietzer | Production Manager | |
| Carlos Hidalgo Valdes | Director of Photography | |
| Florent Vitse | Production Designer | |
| Rodrigo Flores Lopez | Composer | |
| Jonathan Hafter | Music Supervisor | |
| Nacho Soto | Sound Designer | |
| Bernardo Brieno | Sound Designer | |
| Karim Gonzalez | Sound Designer | |
| Norman Serina | Sound Mixer | |
| Roland Rebscher | Sound Mixer | |
| Naomi Crespo | Costume Designer | |
| Carmen Praetorius | Costume Designer | |
| Maria Antonia Yanes | Casting Director | |
| Emilie Mia | Casting Director | |
| Charlotte Stefaner | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Guten Tag, Ramón tells the story of Ramón, a young man from a small northern Mexican town who has tried, unsuccessfully, to cross the US border five times. Back home he refuses to become a criminal. He decides instead to travel to Germany and contact a friend's aunt but his plans go awry when he can't find her. He struggles to survive on the streets, not properly prepared for the harsh weather and carrying practically no money, until he meets Ruth, a retired and lonely woman. Moving beyond language barriers and prejudices, they develop an amazing friendship
Metrics
| Opening Weekend: | $51,105 (33.1% of total gross) |
| Legs: | 3.02 (domestic box office/biggest weekend) |
| Domestic Share: | 3.2% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 15 opening theaters/29 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $218,988 |
Movie Details
| Domestic Releases: | January 30th, 2015 (Limited) by 20th Century Fox, released as Buen dia Ramon |
| International Releases: | August 21st, 2014 (Wide) (Mexico) |
| MPA Rating: | PG-13 for some sexual material, language and an intense situation. |
| Running Time: | 119 minutes |
| Geographical setting: | Germany |
| Plot point: | Immigration, Money Troubles |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Beanca Films, MPN Cologne Film 3, Fox International Productions |
| Production Countries: | Mexico, Germany |
| Languages: | German, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2015 | 48 | $51,105 | 15 | $3,407 | $51,105 | 1 | |
| Feb 6, 2015 | 56 | $37,373 | -27% | 24 | $1,557 | $100,412 | 2 |
| Feb 13, 2015 | 58 | $29,255 | -22% | 29 | $1,009 | $140,683 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 2, 2015 | - | $3,106 | 15 | $207 | $54,211 | 4 | ||
| Feb 3, 2015 | - | $3,793 | +22% | 15 | $253 | $58,004 | 5 | |
| Feb 4, 2015 | - | $2,481 | -35% | 15 | $165 | $60,485 | 6 | |
| Feb 5, 2015 | - | $2,554 | +3% | 15 | $170 | $63,039 | 7 | |
| Feb 6, 2015 | - | $6,163 | +141% | 24 | $257 | $69,202 | 8 | |
| Feb 7, 2015 | - | $15,452 | +151% | 24 | $644 | $84,654 | 9 | |
| Feb 8, 2015 | - | $15,758 | +2% | 24 | $657 | $100,412 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 30, 2015 | 50 | $63,039 | 15 | $4,203 | $63,039 | 1 | |
| Feb 6, 2015 | 55 | $48,389 | -23% | 24 | $2,016 | $111,428 | 2 |
| Feb 13, 2015 | 58 | $42,928 | -11% | 29 | $1,480 | $154,356 | 3 |
Leading
| Kristyan Ferrer | Ramon |
Supporting
| Ingeborg Schoener | Ruth | |
| Hector Kotsifakis | Guero | |
| Rudiger Evers | Karl | |
| Franziska Kruse | Hanna | |
| Adriana Barraza | Esperenza | |
| Arcelia Ramirez | Rosa |
Production and Technical Credits
| Jorge Ramirez Suarez | Director | |
| Jorge Ramirez Suarez | Screenwriter | |
| Jorge Ramirez Suarez | Producer | |
| Thierry Potok | Co-Producer | |
| Jorge Ramirez | Co-Producer | |
| Horacio Rodriguez | Line Producer | |
| Aquiles Vilagrasa-Roth | Line Producer | |
| Julien Prevost | Production Manager | |
| Christiane Zietzer | Production Manager | |
| Carlos Hidalgo Valdes | Director of Photography | |
| Florent Vitse | Production Designer | |
| Rodrigo Flores Lopez | Composer | |
| Jonathan Hafter | Music Supervisor | |
| Nacho Soto | Sound Designer | |
| Bernardo Brieno | Sound Designer | |
| Karim Gonzalez | Sound Designer | |
| Norman Serina | Sound Mixer | |
| Roland Rebscher | Sound Mixer | |
| Naomi Crespo | Costume Designer | |
| Carmen Praetorius | Costume Designer | |
| Maria Antonia Yanes | Casting Director | |
| Emilie Mia | Casting Director | |
| Charlotte Stefaner | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.