Ha-Chan, Shake Your Booty! (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $411,720 | Details |
| International Box Office | $2,819 | |
| Worldwide Box Office | $414,539 | |
| OpusData ID: 789570100 More info... | ||
| Further financial details... | ||
Synopsis
Haru and Luis love competing in Tokyo’s ballroom dance scene, but after tragedy strikes, Haru withdraws into isolation. When friends coax her back to the studio, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
Metrics
| Opening Weekend: | $219,700 (53.4% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 99.3% (domestic box office/worldwide) |
| Theater counts: | 540 opening theaters/540 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $411,720 |
Movie Details
| Domestic Releases: | September 25th, 2026 (Limited) by Sony Pictures Classics |
| MPA Rating: | R for sexual content and language. (Rating bulletin 2944 (cert #56053), 7/8/2026) |
| Running Time: | 122 minutes |
| Film festival: | Sundance Film Festival 2026 |
| Geographical setting: | Japan, Tokyo |
| Plot point: | Dancing, Death of a Partner, Death of a Spouse or Fiancée / Fiancé, Open Relationships, Widow/Widower |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sony Pictures Classics, JDM Pictures, Beauregard Pictures, Thefool |
| Production Countries: | United States |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | - | $219,700 | 540 | $407 | $219,700 | 1 | |
| Oct 2, 2026 | - | $33,343 | -85% | 75 | $445 | $363,584 | 2 |
| Oct 9, 2026 | - | $10,577 | -68% | 30 | $353 | $401,448 | 3 |
| Oct 16, 2026 | - | $3,559 | -66% | 16 | $222 | $411,720 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | - | $101,236 | 540 | $187 | $101,236 | 1 | ||
| Sep 26, 2026 | - | $63,833 | -37% | 540 | $118 | $165,069 | 2 | |
| Sep 27, 2026 | - | $54,631 | -14% | 540 | $101 | $219,700 | 3 | |
| Sep 28, 2026 | - | $28,195 | -48% | 540 | $52 | $247,895 | 4 | |
| Sep 29, 2026 | - | $31,027 | +10% | 540 | $57 | $278,922 | 5 | |
| Sep 30, 2026 | - | $32,545 | +5% | 540 | $60 | $311,467 | 6 | |
| Oct 1, 2026 | - | $18,773 | -42% | 540 | $35 | $330,240 | 7 | |
| Oct 2, 2026 | - | $10,198 | -46% | -90% | 75 | $136 | $340,438 | 8 |
| Oct 3, 2026 | - | $13,081 | +28% | -80% | 75 | $174 | $353,519 | 9 |
| Oct 4, 2026 | - | $10,064 | -23% | -82% | 75 | $134 | $363,584 | 10 |
| Oct 5, 2026 | - | $5,626 | -44% | -80% | 75 | $75 | $369,210 | 11 |
| Oct 6, 2026 | - | $6,915 | +23% | -78% | 75 | $92 | $376,125 | 12 |
| Oct 7, 2026 | - | $6,445 | -7% | -80% | 75 | $86 | $382,570 | 13 |
| Oct 8, 2026 | - | $8,212 | +27% | -56% | 75 | $109 | $390,781 | 14 |
| Oct 9, 2026 | - | $2,924 | -64% | -71% | 30 | $97 | $393,705 | 15 |
| Oct 10, 2026 | - | $4,520 | +55% | -65% | 30 | $151 | $398,225 | 16 |
| Oct 11, 2026 | - | $3,133 | -31% | -69% | 30 | $104 | $401,448 | 17 |
| Oct 12, 2026 | - | $1,880 | -40% | -67% | 30 | $63 | $403,328 | 18 |
| Oct 13, 2026 | - | $1,994 | +6% | -71% | 30 | $66 | $405,322 | 19 |
| Oct 14, 2026 | - | $1,550 | -22% | -76% | 30 | $52 | $406,872 | 20 |
| Oct 15, 2026 | - | $1,289 | -17% | -84% | 30 | $43 | $408,161 | 21 |
| Oct 16, 2026 | - | $915 | -29% | -69% | 16 | $57 | $409,076 | 22 |
| Oct 17, 2026 | - | $1,091 | +19% | -76% | 16 | $68 | $410,167 | 23 |
| Oct 18, 2026 | - | $1,553 | +42% | -50% | 16 | $97 | $411,720 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | 17 | $330,240 | 540 | $612 | $330,240 | 1 | |
| Oct 2, 2026 | 27 | $60,541 | -82% | 75 | $807 | $390,781 | 2 |
| Oct 9, 2026 | 41 | $17,380 | -71% | 30 | $579 | $408,161 | 3 |
Leading
| Rinko Kikuchi | Haru |
Supporting
| Alberto Guerra | Fedir | |
| Alejandro Edda | Luis | |
| Keren Louis | Mila |
Production and Technical Credits
| Josef Wladyka | Director | |
| Josef Wladyka | Screenwriter | |
| Nicholas Huynh | Screenwriter | |
| Josef Wladyka | Producer | |
| Kimberly Parker Zox | Producer | |
| Mao Nagakura | Producer | |
| James M. Hausler | Executive Producer | |
| Rinko Kikuchi | Executive Producer | |
| Kenji Ito | Executive Producer | |
| Daniel Satinoff | Director of Photography | |
| BabyMix | Costume Designer | |
| Masami Tanaka | Production Designer | |
| Benjamin Rodriguez Jr | Editor | |
| Dina Juntila | Music Supervisor | |
| Nathan Halpern | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Haru and Luis love competing in Tokyo’s ballroom dance scene, but after tragedy strikes, Haru withdraws into isolation. When friends coax her back to the studio, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
Metrics
| Opening Weekend: | $219,700 (53.4% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 99.3% (domestic box office/worldwide) |
| Theater counts: | 540 opening theaters/540 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $411,720 |
Movie Details
| Domestic Releases: | September 25th, 2026 (Limited) by Sony Pictures Classics |
| MPA Rating: | R for sexual content and language. (Rating bulletin 2944 (cert #56053), 7/8/2026) |
| Running Time: | 122 minutes |
| Film festival: | Sundance Film Festival 2026 |
| Geographical setting: | Japan, Tokyo |
| Plot point: | Dancing, Death of a Partner, Death of a Spouse or Fiancée / Fiancé, Open Relationships, Widow/Widower |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sony Pictures Classics, JDM Pictures, Beauregard Pictures, Thefool |
| Production Countries: | United States |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | - | $219,700 | 540 | $407 | $219,700 | 1 | |
| Oct 2, 2026 | - | $33,343 | -85% | 75 | $445 | $363,584 | 2 |
| Oct 9, 2026 | - | $10,577 | -68% | 30 | $353 | $401,448 | 3 |
| Oct 16, 2026 | - | $3,559 | -66% | 16 | $222 | $411,720 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | - | $101,236 | 540 | $187 | $101,236 | 1 | ||
| Sep 26, 2026 | - | $63,833 | -37% | 540 | $118 | $165,069 | 2 | |
| Sep 27, 2026 | - | $54,631 | -14% | 540 | $101 | $219,700 | 3 | |
| Sep 28, 2026 | - | $28,195 | -48% | 540 | $52 | $247,895 | 4 | |
| Sep 29, 2026 | - | $31,027 | +10% | 540 | $57 | $278,922 | 5 | |
| Sep 30, 2026 | - | $32,545 | +5% | 540 | $60 | $311,467 | 6 | |
| Oct 1, 2026 | - | $18,773 | -42% | 540 | $35 | $330,240 | 7 | |
| Oct 2, 2026 | - | $10,198 | -46% | -90% | 75 | $136 | $340,438 | 8 |
| Oct 3, 2026 | - | $13,081 | +28% | -80% | 75 | $174 | $353,519 | 9 |
| Oct 4, 2026 | - | $10,064 | -23% | -82% | 75 | $134 | $363,584 | 10 |
| Oct 5, 2026 | - | $5,626 | -44% | -80% | 75 | $75 | $369,210 | 11 |
| Oct 6, 2026 | - | $6,915 | +23% | -78% | 75 | $92 | $376,125 | 12 |
| Oct 7, 2026 | - | $6,445 | -7% | -80% | 75 | $86 | $382,570 | 13 |
| Oct 8, 2026 | - | $8,212 | +27% | -56% | 75 | $109 | $390,781 | 14 |
| Oct 9, 2026 | - | $2,924 | -64% | -71% | 30 | $97 | $393,705 | 15 |
| Oct 10, 2026 | - | $4,520 | +55% | -65% | 30 | $151 | $398,225 | 16 |
| Oct 11, 2026 | - | $3,133 | -31% | -69% | 30 | $104 | $401,448 | 17 |
| Oct 12, 2026 | - | $1,880 | -40% | -67% | 30 | $63 | $403,328 | 18 |
| Oct 13, 2026 | - | $1,994 | +6% | -71% | 30 | $66 | $405,322 | 19 |
| Oct 14, 2026 | - | $1,550 | -22% | -76% | 30 | $52 | $406,872 | 20 |
| Oct 15, 2026 | - | $1,289 | -17% | -84% | 30 | $43 | $408,161 | 21 |
| Oct 16, 2026 | - | $915 | -29% | -69% | 16 | $57 | $409,076 | 22 |
| Oct 17, 2026 | - | $1,091 | +19% | -76% | 16 | $68 | $410,167 | 23 |
| Oct 18, 2026 | - | $1,553 | +42% | -50% | 16 | $97 | $411,720 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | 17 | $330,240 | 540 | $612 | $330,240 | 1 | |
| Oct 2, 2026 | 27 | $60,541 | -82% | 75 | $807 | $390,781 | 2 |
| Oct 9, 2026 | 41 | $17,380 | -71% | 30 | $579 | $408,161 | 3 |
Leading
| Rinko Kikuchi | Haru |
Supporting
| Alberto Guerra | Fedir | |
| Alejandro Edda | Luis | |
| Keren Louis | Mila |
Production and Technical Credits
| Josef Wladyka | Director | |
| Josef Wladyka | Screenwriter | |
| Nicholas Huynh | Screenwriter | |
| Josef Wladyka | Producer | |
| Kimberly Parker Zox | Producer | |
| Mao Nagakura | Producer | |
| James M. Hausler | Executive Producer | |
| Rinko Kikuchi | Executive Producer | |
| Kenji Ito | Executive Producer | |
| Daniel Satinoff | Director of Photography | |
| BabyMix | Costume Designer | |
| Masami Tanaka | Production Designer | |
| Benjamin Rodriguez Jr | Editor | |
| Dina Juntila | Music Supervisor | |
| Nathan Halpern | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.