Habemus Papam (2011)
| Theatrical Performance | ||
| Domestic Box Office | $486,902 | Details |
| International Box Office | $22,445,245 | Details |
| Worldwide Box Office | $22,932,147 | |
| OpusData ID: 160590100 More info... | ||
| Further financial details... | ||
Synopsis
Melville is a cardinal who suddenly finds himself elected as the next Pope. Never the front runner and completely caught off guard, he panics as he’s presented to the faithful in St. Peter’s Square. To prevent a world wide crisis, the Vatican’s spokesman calls in an unlikely psychiatrist who is neither religious or all that committed, to find out what is wrong with the new Pope. As the world nervously waits outside, inside the therapist tries to find a solution. But Cardinal Melville is adamant: he does not want the job, or at least needs time to think it over.
Metrics
| Opening Weekend: | $31,368 (6.4% of total gross) |
| Legs: | 8.86 (domestic box office/biggest weekend) |
| Domestic Share: | 2.1% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/27 max. theaters, 6.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $731,581 |
Movie Details
| Domestic Releases: | April 6th, 2012 (Limited) by IFC Films, released as We Have A Pope |
| International Releases: | December 30th, 2011 (Wide) (Lithuania)
March 16th, 2012 (Wide) (Brazil) March 30th, 2012 (Wide) (Colombia) April 26th, 2012 (Wide) (Serbia and Montenegro) July 12th, 2012 (Wide) (Denmark) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 104 minutes |
| Plot point: | Anxiety and Phobias, Dead Language, Religious |
| Social setting: | Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sofica Coficup, Backup Films, Canal Plus, France Television, Sacher Film, Fandango Portobello, Fandango Le Pact, France 3 Cinema, RAI Cinema |
| Production Countries: | Italy, France |
| Languages: | Italian, German, Latin, English, Spanish, Polish, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2012 | 50 | $31,368 | 3 | $10,456 | $31,368 | 1 | |
| Apr 13, 2012 | 48 | $48,591 | +55% | 15 | $3,239 | $98,094 | 2 |
| Apr 20, 2012 | 50 | $44,505 | -8% | 19 | $2,342 | $164,661 | 3 |
| Apr 27, 2012 | 47 | $54,966 | +24% | 27 | $2,036 | $239,773 | 4 |
| May 4, 2012 | 50 | $34,829 | -37% | 24 | $1,451 | $294,837 | 5 |
| May 11, 2012 | 49 | $33,341 | -4% | 26 | $1,282 | $344,303 | 6 |
| May 18, 2012 | 50 | $22,332 | -33% | 20 | $1,117 | $383,163 | 7 |
| Jun 1, 2012 | 57 | $16,709 | 16 | $1,044 | $461,313 | 9 | |
| Jun 8, 2012 | 63 | $11,282 | -32% | 14 | $806 | $480,926 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2012 | 53 | $49,503 | 3 | $16,501 | $49,503 | 1 | |
| Apr 13, 2012 | 49 | $70,653 | +43% | 15 | $4,710 | $120,156 | 2 |
| Apr 20, 2012 | 50 | $64,651 | -8% | 19 | $3,403 | $184,807 | 3 |
| Apr 27, 2012 | 46 | $75,201 | +16% | 27 | $2,785 | $260,008 | 4 |
| May 4, 2012 | 47 | $50,954 | -32% | 24 | $2,123 | $310,962 | 5 |
| May 11, 2012 | 50 | $49,869 | -2% | 26 | $1,918 | $360,831 | 6 |
| May 18, 2012 | 45 | $37,033 | -26% | 20 | $1,852 | $397,864 | 7 |
| Jun 1, 2012 | 57 | $25,040 | 16 | $1,565 | $469,644 | 9 | |
| Jun 8, 2012 | 64 | $17,258 | -31% | 14 | $1,233 | $486,902 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 3/16/2012 | $0 | 0 | 10 | 44 | $573,496 | 12/11/2015 | |||
| Colombia | 3/30/2012 | $0 | 0 | 6 | 15 | $94,499 | 12/29/2018 | |||
| Denmark | 7/12/2012 | $12,217 | 10 | 10 | 33 | $50,429 | 12/11/2015 | |||
| Lithuania | 12/30/2011 | $0 | 0 | 1 | 1 | $5,844 | 12/10/2015 | |||
| Serbia and Montenegro | 4/26/2012 | $167 | 1 | 1 | 8 | $6,234 | 12/29/2018 | |||
| Taiwan | 8/17/2012 | $3,752 | 2 | 2 | 4 | $12,832 | 12/11/2015 | |||
| Venezuela | 12/28/2012 | $489 | 5,600 | 11,990 | 18,841 | $40,971 | 12/14/2015 | |||
| Rest of World | $21,660,940 | |||||||||
| International Total | $22,445,245 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michel Piccoli | The Pope |
Supporting
| Jerzy Stuhr | Spokesperson | |
| Rento Scarpa | Cardinal Gregori | |
| Franco Graziosi | Cardinal Bollati | |
| Camillo Milli | Cardinal Pescardona | |
| Roberto Nobile | Cardinal Cevasco | |
| Ulrich Von Dobschutz | Cardinal Brummer | |
| Gianluca Gobbi | Swiss Guard | |
| Nanni Moretti | Male Psychotherapist | |
| Margherita Buy | Female Psychotherapist |
Production and Technical Credits
| Nanni Moretti | Director | |
| Nanni Moretti | Screenwriter | |
| Francesco Piccolo | Screenwriter | |
| Federica Pontremoli | Screenwriter | |
| Alessandro Pesci | Director of Photography | |
| Paola Bizzarri | Production Designer | |
| Lina Nerli Taviani | Costume Designer | |
| Alessandro Zanon | Sound Designer | |
| Luciano Lucchi | Line Producer | |
| Barbara Daniele | Assistant Director | |
| Franco Piersanti | Composer | |
| Nanni Moretti | Producer | |
| Domenico Procacci | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Melville is a cardinal who suddenly finds himself elected as the next Pope. Never the front runner and completely caught off guard, he panics as he’s presented to the faithful in St. Peter’s Square. To prevent a world wide crisis, the Vatican’s spokesman calls in an unlikely psychiatrist who is neither religious or all that committed, to find out what is wrong with the new Pope. As the world nervously waits outside, inside the therapist tries to find a solution. But Cardinal Melville is adamant: he does not want the job, or at least needs time to think it over.
Metrics
| Opening Weekend: | $31,368 (6.4% of total gross) |
| Legs: | 8.86 (domestic box office/biggest weekend) |
| Domestic Share: | 2.1% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/27 max. theaters, 6.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $731,581 |
Movie Details
| Domestic Releases: | April 6th, 2012 (Limited) by IFC Films, released as We Have A Pope |
| International Releases: | December 30th, 2011 (Wide) (Lithuania)
March 16th, 2012 (Wide) (Brazil) March 30th, 2012 (Wide) (Colombia) April 26th, 2012 (Wide) (Serbia and Montenegro) July 12th, 2012 (Wide) (Denmark) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 104 minutes |
| Plot point: | Anxiety and Phobias, Dead Language, Religious |
| Social setting: | Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sofica Coficup, Backup Films, Canal Plus, France Television, Sacher Film, Fandango Portobello, Fandango Le Pact, France 3 Cinema, RAI Cinema |
| Production Countries: | Italy, France |
| Languages: | Italian, German, Latin, English, Spanish, Polish, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2012 | 50 | $31,368 | 3 | $10,456 | $31,368 | 1 | |
| Apr 13, 2012 | 48 | $48,591 | +55% | 15 | $3,239 | $98,094 | 2 |
| Apr 20, 2012 | 50 | $44,505 | -8% | 19 | $2,342 | $164,661 | 3 |
| Apr 27, 2012 | 47 | $54,966 | +24% | 27 | $2,036 | $239,773 | 4 |
| May 4, 2012 | 50 | $34,829 | -37% | 24 | $1,451 | $294,837 | 5 |
| May 11, 2012 | 49 | $33,341 | -4% | 26 | $1,282 | $344,303 | 6 |
| May 18, 2012 | 50 | $22,332 | -33% | 20 | $1,117 | $383,163 | 7 |
| Jun 1, 2012 | 57 | $16,709 | 16 | $1,044 | $461,313 | 9 | |
| Jun 8, 2012 | 63 | $11,282 | -32% | 14 | $806 | $480,926 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 6, 2012 | 53 | $49,503 | 3 | $16,501 | $49,503 | 1 | |
| Apr 13, 2012 | 49 | $70,653 | +43% | 15 | $4,710 | $120,156 | 2 |
| Apr 20, 2012 | 50 | $64,651 | -8% | 19 | $3,403 | $184,807 | 3 |
| Apr 27, 2012 | 46 | $75,201 | +16% | 27 | $2,785 | $260,008 | 4 |
| May 4, 2012 | 47 | $50,954 | -32% | 24 | $2,123 | $310,962 | 5 |
| May 11, 2012 | 50 | $49,869 | -2% | 26 | $1,918 | $360,831 | 6 |
| May 18, 2012 | 45 | $37,033 | -26% | 20 | $1,852 | $397,864 | 7 |
| Jun 1, 2012 | 57 | $25,040 | 16 | $1,565 | $469,644 | 9 | |
| Jun 8, 2012 | 64 | $17,258 | -31% | 14 | $1,233 | $486,902 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 3/16/2012 | $0 | 0 | 10 | 44 | $573,496 | 12/11/2015 | |||
| Colombia | 3/30/2012 | $0 | 0 | 6 | 15 | $94,499 | 12/29/2018 | |||
| Denmark | 7/12/2012 | $12,217 | 10 | 10 | 33 | $50,429 | 12/11/2015 | |||
| Lithuania | 12/30/2011 | $0 | 0 | 1 | 1 | $5,844 | 12/10/2015 | |||
| Serbia and Montenegro | 4/26/2012 | $167 | 1 | 1 | 8 | $6,234 | 12/29/2018 | |||
| Taiwan | 8/17/2012 | $3,752 | 2 | 2 | 4 | $12,832 | 12/11/2015 | |||
| Venezuela | 12/28/2012 | $489 | 5,600 | 11,990 | 18,841 | $40,971 | 12/14/2015 | |||
| Rest of World | $21,660,940 | |||||||||
| International Total | $22,445,245 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michel Piccoli | The Pope |
Supporting
| Jerzy Stuhr | Spokesperson | |
| Rento Scarpa | Cardinal Gregori | |
| Franco Graziosi | Cardinal Bollati | |
| Camillo Milli | Cardinal Pescardona | |
| Roberto Nobile | Cardinal Cevasco | |
| Ulrich Von Dobschutz | Cardinal Brummer | |
| Gianluca Gobbi | Swiss Guard | |
| Nanni Moretti | Male Psychotherapist | |
| Margherita Buy | Female Psychotherapist |
Production and Technical Credits
| Nanni Moretti | Director | |
| Nanni Moretti | Screenwriter | |
| Francesco Piccolo | Screenwriter | |
| Federica Pontremoli | Screenwriter | |
| Alessandro Pesci | Director of Photography | |
| Paola Bizzarri | Production Designer | |
| Lina Nerli Taviani | Costume Designer | |
| Alessandro Zanon | Sound Designer | |
| Luciano Lucchi | Line Producer | |
| Barbara Daniele | Assistant Director | |
| Franco Piersanti | Composer | |
| Nanni Moretti | Producer | |
| Domenico Procacci | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.