Hadestown: The Musical (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $19,826,847 | Details |
| OpusData ID: 805670100 More info... | ||
| Further financial details... | ||
Synopsis
The live theater capture of the hit musical Hadestown, which won eight Tony Awards in 2019 including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, featuring the five original principals of the Broadway company. The genre-defying new musical blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.
Metrics
| Opening Weekend: | $10,261,123 (51.8% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,949 opening theaters/1,949 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,826,847 |
Movie Details
| Domestic Releases: | July 24th, 2026 (Wide) by Bleecker Street |
| Running Time: | 141 minutes |
| Plot point: | Gods and Goddesses, Relationships Gone Wrong, Romance |
| Social setting: | Greek Mythology, Underworld |
| Subgenre: | Epic Musical |
| Source: | Based on Musical or Opera |
| Genre: | Concert/Performance |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Crosswalk |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 24, 2026 | 3 | $10,261,123 | 1,949 | $5,265 | $10,261,123 | 1 | |
| Jul 31, 2026 | 6 | $2,043,929 | -80% | 1,567 | $1,304 | $18,246,609 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 23, 2026 | P | $1,500,000 | 0 | $1,500,000 | ||||
| Jul 24, 2026 | 2 | $4,068,194 | 1,949 | $2,087 | $4,068,194 | 1 | ||
| Jul 25, 2026 | 5 | $3,152,886 | -22% | 1,949 | $1,618 | $7,221,080 | 2 | |
| Jul 26, 2026 | 4 | $3,040,043 | -4% | 1,949 | $1,560 | $10,261,123 | 3 | |
| Jul 27, 2026 | 2 | $2,212,834 | -27% | 1,949 | $1,135 | $12,473,957 | 4 | |
| Jul 28, 2026 | 5 | $1,839,137 | -17% | 1,949 | $944 | $14,313,094 | 5 | |
| Jul 29, 2026 | 5 | $1,466,097 | -20% | 1,949 | $752 | $15,779,191 | 6 | |
| Jul 30, 2026 | 5 | $423,489 | -71% | 1,949 | $217 | $16,202,680 | 7 | |
| Jul 31, 2026 | 6 | $563,577 | +33% | -86% | 1,567 | $360 | $16,766,257 | 8 |
| Aug 1, 2026 | 6 | $758,480 | +35% | -76% | 1,567 | $484 | $17,524,737 | 9 |
| Aug 2, 2026 | 6 | $721,872 | -5% | -76% | 1,567 | $461 | $18,246,609 | 10 |
| Aug 3, 2026 | 6 | $471,595 | -35% | -79% | 1,567 | $301 | $18,718,204 | 11 |
| Aug 4, 2026 | 6 | $442,861 | -6% | -76% | 1,567 | $283 | $19,161,065 | 12 |
| Aug 5, 2026 | 6 | $471,716 | +7% | -68% | 1,567 | $301 | $19,632,781 | 13 |
| Aug 6, 2026 | 6 | $194,066 | -59% | -54% | 1,567 | $124 | $19,826,847 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 24, 2026 | 5 | $16,202,680 | 1,949 | $8,313 | $16,202,680 | 1 | |
| Jul 31, 2026 | 6 | $3,624,167 | -78% | 1,567 | $2,313 | $19,826,847 | 2 |
Lead Ensemble Member
| Reeve Carney | Orpheus | |
| Andre De Shields | Hermes | |
| Amber Gray | Persephone | |
| Eva Noblezada | Eurydice | |
| Patrick Page | Hades |
Supporting
| Bella Brown | Fate | |
| Madeline Charlemagne | Fate | |
| Allie Daniel | Fate | |
| Lauren Azania | Worker | |
| Tiago Dhondt Bamberger | Worker |
Production and Technical Credits
| Brett Sullivan | Director | |
| Rachel Chavkin | Directed for the stage by | |
| Anaïs Mitchell | Story based on the book by | |
| Anaïs Mitchell | Composer | |
| Anaïs Mitchell | Song Writer | |
| David Neumann | Choreography | |
| Mara Isaacs | Producer | |
| Dale Franzen | Producer | |
| Hunter Arnold | Producer | |
| Tom Kirdahy | Producer | |
| Danny Gabai | Executive Producer | |
| Kevin Iwashina | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The live theater capture of the hit musical Hadestown, which won eight Tony Awards in 2019 including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, featuring the five original principals of the Broadway company. The genre-defying new musical blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.
Metrics
| Opening Weekend: | $10,261,123 (51.8% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,949 opening theaters/1,949 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,826,847 |
Movie Details
| Domestic Releases: | July 24th, 2026 (Wide) by Bleecker Street |
| Running Time: | 141 minutes |
| Plot point: | Gods and Goddesses, Relationships Gone Wrong, Romance |
| Social setting: | Greek Mythology, Underworld |
| Subgenre: | Epic Musical |
| Source: | Based on Musical or Opera |
| Genre: | Concert/Performance |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Crosswalk |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 24, 2026 | 3 | $10,261,123 | 1,949 | $5,265 | $10,261,123 | 1 | |
| Jul 31, 2026 | 6 | $2,043,929 | -80% | 1,567 | $1,304 | $18,246,609 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 23, 2026 | P | $1,500,000 | 0 | $1,500,000 | ||||
| Jul 24, 2026 | 2 | $4,068,194 | 1,949 | $2,087 | $4,068,194 | 1 | ||
| Jul 25, 2026 | 5 | $3,152,886 | -22% | 1,949 | $1,618 | $7,221,080 | 2 | |
| Jul 26, 2026 | 4 | $3,040,043 | -4% | 1,949 | $1,560 | $10,261,123 | 3 | |
| Jul 27, 2026 | 2 | $2,212,834 | -27% | 1,949 | $1,135 | $12,473,957 | 4 | |
| Jul 28, 2026 | 5 | $1,839,137 | -17% | 1,949 | $944 | $14,313,094 | 5 | |
| Jul 29, 2026 | 5 | $1,466,097 | -20% | 1,949 | $752 | $15,779,191 | 6 | |
| Jul 30, 2026 | 5 | $423,489 | -71% | 1,949 | $217 | $16,202,680 | 7 | |
| Jul 31, 2026 | 6 | $563,577 | +33% | -86% | 1,567 | $360 | $16,766,257 | 8 |
| Aug 1, 2026 | 6 | $758,480 | +35% | -76% | 1,567 | $484 | $17,524,737 | 9 |
| Aug 2, 2026 | 6 | $721,872 | -5% | -76% | 1,567 | $461 | $18,246,609 | 10 |
| Aug 3, 2026 | 6 | $471,595 | -35% | -79% | 1,567 | $301 | $18,718,204 | 11 |
| Aug 4, 2026 | 6 | $442,861 | -6% | -76% | 1,567 | $283 | $19,161,065 | 12 |
| Aug 5, 2026 | 6 | $471,716 | +7% | -68% | 1,567 | $301 | $19,632,781 | 13 |
| Aug 6, 2026 | 6 | $194,066 | -59% | -54% | 1,567 | $124 | $19,826,847 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 24, 2026 | 5 | $16,202,680 | 1,949 | $8,313 | $16,202,680 | 1 | |
| Jul 31, 2026 | 6 | $3,624,167 | -78% | 1,567 | $2,313 | $19,826,847 | 2 |
Lead Ensemble Member
| Reeve Carney | Orpheus | |
| Andre De Shields | Hermes | |
| Amber Gray | Persephone | |
| Eva Noblezada | Eurydice | |
| Patrick Page | Hades |
Supporting
| Bella Brown | Fate | |
| Madeline Charlemagne | Fate | |
| Allie Daniel | Fate | |
| Lauren Azania | Worker | |
| Tiago Dhondt Bamberger | Worker |
Production and Technical Credits
| Brett Sullivan | Director | |
| Rachel Chavkin | Directed for the stage by | |
| Anaïs Mitchell | Story based on the book by | |
| Anaïs Mitchell | Composer | |
| Anaïs Mitchell | Song Writer | |
| David Neumann | Choreography | |
| Mara Isaacs | Producer | |
| Dale Franzen | Producer | |
| Hunter Arnold | Producer | |
| Tom Kirdahy | Producer | |
| Danny Gabai | Executive Producer | |
| Kevin Iwashina | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.