Hail Satan? (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $424,284 | Details |
| International Box Office | $43,011 | Details |
| Worldwide Box Office | $467,295 | |
| OpusData ID: 386210100 More info... | ||
| Further financial details... | ||
Synopsis
With unprecedented access, HAIL SATAN traces the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple and its enigmatic leader Lucien Greaves are calling for a Satanic revolution to save the nation’s soul. But are they for real?
Metrics
| Opening Weekend: | $26,496 (6.2% of total gross) |
| Legs: | 6.49 (domestic box office/biggest weekend) |
| Domestic Share: | 90.8% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/67 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $553,975 |
Movie Details
| Domestic Releases: | April 17th, 2019 (Limited) by Magnolia Pictures |
| International Releases: | July 12th, 2019 (Wide) (Australia)
August 23rd, 2019 (Wide) (United Kingdom) June 14th, 2020 (Wide) (Portugal) |
| Video Release: | July 23rd, 2019 by Magnolia Home Entertainment |
| MPA Rating: | R for graphic nudity, and some language. (Rating bulletin 2566 (Cert #52057), 2/20/2019) |
| Running Time: | 95 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Plot point: | Government Bureaucracy, Religious, Satanic Panic |
| Social setting: | Satanism |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Hard Working Movies, Catapult Film Fund, Sundance Institute Documentary Film Program, Just Films, Ford Foundation, Rooftop Films, Cinereach Films, Chicken and Egg Pictures, Colgate University, Magnolia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 54 | $26,496 | 3 | $8,832 | $26,496 | 1 | |
| Apr 26, 2019 | 31 | $48,209 | +82% | 18 | $2,678 | $83,813 | 2 |
| May 3, 2019 | 36 | $56,093 | +16% | 39 | $1,438 | $164,193 | 3 |
| May 10, 2019 | 28 | $65,399 | +17% | 64 | $1,022 | $260,301 | 4 |
| May 17, 2019 | 36 | $36,360 | -44% | 56 | $649 | $332,481 | 5 |
| May 24, 2019 | 47 | $18,626 | -49% | 39 | $478 | $376,032 | 6 |
| May 31, 2019 | 51 | $8,465 | -55% | 24 | $353 | $400,297 | 7 |
| Jun 7, 2019 | 58 | $5,693 | -33% | 9 | $633 | $414,356 | 8 |
| Jun 14, 2019 | 73 | $1,171 | -79% | 9 | $130 | $419,167 | 9 |
| Jun 21, 2019 | 70 | $1,741 | +49% | 6 | $290 | $423,177 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 56 | $35,604 | 3 | $11,868 | $35,604 | 2 | |
| Apr 26, 2019 | 30 | $72,496 | +104% | 21 | $3,452 | $108,100 | 3 |
| May 3, 2019 | 33 | $86,802 | +20% | 41 | $2,117 | $194,902 | 4 |
| May 10, 2019 | 28 | $101,219 | +17% | 67 | $1,511 | $296,121 | 5 |
| May 17, 2019 | 37 | $61,285 | -39% | 59 | $1,039 | $357,406 | 6 |
| May 24, 2019 | 47 | $34,426 | -44% | 48 | $717 | $391,832 | 7 |
| May 31, 2019 | 50 | $16,831 | -51% | 28 | $601 | $408,663 | 8 |
| Jun 7, 2019 | - | $9,333 | -45% | 11 | $848 | $417,996 | 9 |
| Jun 14, 2019 | - | $3,440 | -63% | 6 | $573 | $421,436 | 10 |
| Jun 21, 2019 | 73 | $2,848 | -17% | 7 | $407 | $424,284 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/12/2019 | $7,954 | 6 | 6 | 14 | $21,745 | 8/27/2019 | |||
| Portugal | 6/14/2020 | $129 | 1 | 1 | 1 | $129 | 6/16/2020 | |||
| United Kingdom | 8/23/2019 | $21,137 | 23 | 23 | 23 | $21,137 | 8/28/2019 | |||
| International Total | $43,011 | 6/16/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Penny Lane | Director | |
| Gabriel Sedgwick | Producer | |
| Amy Foote | Editor | |
| Aaron Wickenden | Editor | |
| Naiti Gamez | Director of Photography | |
| Brian McOmber | Composer | |
| Kyle McKeveny | Music Supervisor | |
| Lori Cheatle | Executive Producer | |
| Nickolas Hasse | Associate Producer | |
| Taylor Roy | Main Unit Sound Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
With unprecedented access, HAIL SATAN traces the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple and its enigmatic leader Lucien Greaves are calling for a Satanic revolution to save the nation’s soul. But are they for real?
Metrics
| Opening Weekend: | $26,496 (6.2% of total gross) |
| Legs: | 6.49 (domestic box office/biggest weekend) |
| Domestic Share: | 90.8% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/67 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $553,975 |
Movie Details
| Domestic Releases: | April 17th, 2019 (Limited) by Magnolia Pictures |
| International Releases: | July 12th, 2019 (Wide) (Australia)
August 23rd, 2019 (Wide) (United Kingdom) June 14th, 2020 (Wide) (Portugal) |
| Video Release: | July 23rd, 2019 by Magnolia Home Entertainment |
| MPA Rating: | R for graphic nudity, and some language. (Rating bulletin 2566 (Cert #52057), 2/20/2019) |
| Running Time: | 95 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Plot point: | Government Bureaucracy, Religious, Satanic Panic |
| Social setting: | Satanism |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Hard Working Movies, Catapult Film Fund, Sundance Institute Documentary Film Program, Just Films, Ford Foundation, Rooftop Films, Cinereach Films, Chicken and Egg Pictures, Colgate University, Magnolia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 54 | $26,496 | 3 | $8,832 | $26,496 | 1 | |
| Apr 26, 2019 | 31 | $48,209 | +82% | 18 | $2,678 | $83,813 | 2 |
| May 3, 2019 | 36 | $56,093 | +16% | 39 | $1,438 | $164,193 | 3 |
| May 10, 2019 | 28 | $65,399 | +17% | 64 | $1,022 | $260,301 | 4 |
| May 17, 2019 | 36 | $36,360 | -44% | 56 | $649 | $332,481 | 5 |
| May 24, 2019 | 47 | $18,626 | -49% | 39 | $478 | $376,032 | 6 |
| May 31, 2019 | 51 | $8,465 | -55% | 24 | $353 | $400,297 | 7 |
| Jun 7, 2019 | 58 | $5,693 | -33% | 9 | $633 | $414,356 | 8 |
| Jun 14, 2019 | 73 | $1,171 | -79% | 9 | $130 | $419,167 | 9 |
| Jun 21, 2019 | 70 | $1,741 | +49% | 6 | $290 | $423,177 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 56 | $35,604 | 3 | $11,868 | $35,604 | 2 | |
| Apr 26, 2019 | 30 | $72,496 | +104% | 21 | $3,452 | $108,100 | 3 |
| May 3, 2019 | 33 | $86,802 | +20% | 41 | $2,117 | $194,902 | 4 |
| May 10, 2019 | 28 | $101,219 | +17% | 67 | $1,511 | $296,121 | 5 |
| May 17, 2019 | 37 | $61,285 | -39% | 59 | $1,039 | $357,406 | 6 |
| May 24, 2019 | 47 | $34,426 | -44% | 48 | $717 | $391,832 | 7 |
| May 31, 2019 | 50 | $16,831 | -51% | 28 | $601 | $408,663 | 8 |
| Jun 7, 2019 | - | $9,333 | -45% | 11 | $848 | $417,996 | 9 |
| Jun 14, 2019 | - | $3,440 | -63% | 6 | $573 | $421,436 | 10 |
| Jun 21, 2019 | 73 | $2,848 | -17% | 7 | $407 | $424,284 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/12/2019 | $7,954 | 6 | 6 | 14 | $21,745 | 8/27/2019 | |||
| Portugal | 6/14/2020 | $129 | 1 | 1 | 1 | $129 | 6/16/2020 | |||
| United Kingdom | 8/23/2019 | $21,137 | 23 | 23 | 23 | $21,137 | 8/28/2019 | |||
| International Total | $43,011 | 6/16/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Penny Lane | Director | |
| Gabriel Sedgwick | Producer | |
| Amy Foote | Editor | |
| Aaron Wickenden | Editor | |
| Naiti Gamez | Director of Photography | |
| Brian McOmber | Composer | |
| Kyle McKeveny | Music Supervisor | |
| Lori Cheatle | Executive Producer | |
| Nickolas Hasse | Associate Producer | |
| Taylor Roy | Main Unit Sound Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.