The Hallow (2015)
| Theatrical Performance | ||
| Domestic Box Office | $8,967 | Details |
| International Box Office | $2,073,774 | Details |
| Worldwide Box Office | $2,082,741 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $107,410 | |
| Blu-ray Sales (estimated) | $251,920 | |
| Total | $359,330 | |
| OpusData ID: 241790100 More info... | ||
| Further financial details... | ||
Synopsis
When London conservationist Adam and his wife Clare move with their infant son to a remote house near the Irish forest, they quickly find their new neighbors unwelcoming. The discovery of a gruesome “zombie fungus” growing in the house is just the beginning, as the surrounding woods spew forth a terrifying array of folkloric banshees, baby snatchers, and demons. Awash in the otherworldly atmosphere of a dark fairy tale, The Hallow cleverly toys with genre conventions while unleashing some of the most nightmarishly terrifying creatures in years.
Metrics
| Opening Weekend: | $2,361 (26.3% of total gross) |
| Legs: | 3.80 (domestic box office/biggest weekend) |
| Domestic Share: | 0.4% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,725 |
Movie Details
| Domestic Releases: | November 13th, 2015 (Limited) by IFC Midnight |
| International Releases: | November 6th, 2015 (Wide) (Mexico)
November 13th, 2015 (Wide) (United Kingdom) November 19th, 2015 (Wide) (Malaysia) December 9th, 2015 (Wide) (Philippines) December 31st, 2015 (Wide) (Germany) ... Show all releases |
| Video Release: | April 5th, 2016 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Geographical setting: | Ireland |
| Plot point: | Monster |
| Social setting: | Cabin in the Woods, Supernatural |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Occupant Entertainment, Hyperion Media, Prescience, Altus Media, Electric Shadow Company, Bord Scannan na hEireann, Irish Film Board, Fantastic Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 91 | $1,559 | 1 | $1,559 | $1,559 | 1 | |
| Nov 13, 2015 | 84 | $2,361 | +51% | 8 | $295 | $5,412 | 2 |
| Nov 20, 2015 | 86 | $1,318 | -44% | 7 | $188 | $8,967 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 91 | $3,051 | 1 | $3,051 | $3,051 | 1 | |
| Nov 13, 2015 | 85 | $4,598 | +51% | 8 | $575 | $7,649 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Central America | 1/21/2016 | $54,653 | 51 | 51 | 71 | $105,807 | 2/17/2016 | |||
| Chile | 2/11/2016 | $29,123 | 15 | 15 | 17 | $44,493 | 12/31/2018 | |||
| Colombia | 1/21/2016 | $135,709 | 105 | 105 | 105 | $135,709 | 12/31/2018 | |||
| France | 3/30/2016 | $129,403 | 85 | 85 | 85 | $129,403 | 6/9/2016 | |||
| Germany | 12/31/2015 | $208 | 2 | 2 | 2 | $208 | 9/5/2016 | |||
| Malaysia | 11/19/2015 | $74,857 | 56 | 62 | 137 | $179,973 | 12/16/2015 | |||
| Mexico | 11/6/2015 | $346,398 | 0 | 43 | 43 | $745,975 | 11/25/2015 | |||
| Peru | 12/31/2015 | $110,452 | 62 | 62 | 106 | $287,976 | 12/31/2018 | |||
| Russia (CIS) | 2/18/2016 | $55,334 | 270 | 270 | 270 | $140,422 | 12/31/2018 | |||
| United Kingdom | 11/13/2015 | $78,695 | 46 | 46 | 98 | $145,173 | 1/6/2016 | |||
| Rest of World | $158,635 | |||||||||
| International Total | $2,073,774 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joseph Mawle | Adam Hitchens | |
| Bojana Novakovic | Clare Hitchens |
Supporting
| Michael McElhatton | Colm Donnelly | |
| Michael Smiley | Garda Davey | |
| Charlotte Williams | Cora Hallow | |
| Gary Lydon | Doyle | |
| Stephen Cromwell | Jules | |
| Wren Hardy | Young Finn | |
| James Rodgers | Finn | |
| Stuart Graham | Contractor Paul Williams |
Production and Technical Credits
| Corin Hardy | Director | |
| Corin Hardy | Screenwriter | |
| Felipe Marino | Screenwriter | |
| Corin Hardy | Story by | |
| Felipe Marino | Story by | |
| Tom Deville | Story by | |
| Joe Neurauter | Producer | |
| Felipe Marino | Producer | |
| Brendan McCarthy | Co-Producer | |
| John McDonnell | Co-Producer | |
| Michael Mailis | Executive Producer | |
| Keith Calder | Executive Producer | |
| Will Clarke | Executive Producer | |
| Kate Sharp | Executive Producer | |
| Paul Brett | Executive Producer | |
| Tim Smith | Executive Producer | |
| James Swarbrick | Executive Producer | |
| Susan Wrubel | Co-Executive Producer | |
| Jay Taylor | Associate Producer | |
| John Jencks | Associate Producer | |
| Jules Claassen | Associate Producer | |
| Martijn Van Broekhuizen | Cinematographer | |
| Mags Linnane | Production Designer | |
| Nick Emerson | Editor | |
| James Gosling | Composer | |
| Lara Campbell | Costume Designer | |
| Melany Mitchell | Music Supervisor | |
| Dixie Chassay | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When London conservationist Adam and his wife Clare move with their infant son to a remote house near the Irish forest, they quickly find their new neighbors unwelcoming. The discovery of a gruesome “zombie fungus” growing in the house is just the beginning, as the surrounding woods spew forth a terrifying array of folkloric banshees, baby snatchers, and demons. Awash in the otherworldly atmosphere of a dark fairy tale, The Hallow cleverly toys with genre conventions while unleashing some of the most nightmarishly terrifying creatures in years.
Metrics
| Opening Weekend: | $2,361 (26.3% of total gross) |
| Legs: | 3.80 (domestic box office/biggest weekend) |
| Domestic Share: | 0.4% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,725 |
Movie Details
| Domestic Releases: | November 13th, 2015 (Limited) by IFC Midnight |
| International Releases: | November 6th, 2015 (Wide) (Mexico)
November 13th, 2015 (Wide) (United Kingdom) November 19th, 2015 (Wide) (Malaysia) December 9th, 2015 (Wide) (Philippines) December 31st, 2015 (Wide) (Germany) ... Show all releases |
| Video Release: | April 5th, 2016 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Geographical setting: | Ireland |
| Plot point: | Monster |
| Social setting: | Cabin in the Woods, Supernatural |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Occupant Entertainment, Hyperion Media, Prescience, Altus Media, Electric Shadow Company, Bord Scannan na hEireann, Irish Film Board, Fantastic Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 91 | $1,559 | 1 | $1,559 | $1,559 | 1 | |
| Nov 13, 2015 | 84 | $2,361 | +51% | 8 | $295 | $5,412 | 2 |
| Nov 20, 2015 | 86 | $1,318 | -44% | 7 | $188 | $8,967 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 91 | $3,051 | 1 | $3,051 | $3,051 | 1 | |
| Nov 13, 2015 | 85 | $4,598 | +51% | 8 | $575 | $7,649 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Central America | 1/21/2016 | $54,653 | 51 | 51 | 71 | $105,807 | 2/17/2016 | |||
| Chile | 2/11/2016 | $29,123 | 15 | 15 | 17 | $44,493 | 12/31/2018 | |||
| Colombia | 1/21/2016 | $135,709 | 105 | 105 | 105 | $135,709 | 12/31/2018 | |||
| France | 3/30/2016 | $129,403 | 85 | 85 | 85 | $129,403 | 6/9/2016 | |||
| Germany | 12/31/2015 | $208 | 2 | 2 | 2 | $208 | 9/5/2016 | |||
| Malaysia | 11/19/2015 | $74,857 | 56 | 62 | 137 | $179,973 | 12/16/2015 | |||
| Mexico | 11/6/2015 | $346,398 | 0 | 43 | 43 | $745,975 | 11/25/2015 | |||
| Peru | 12/31/2015 | $110,452 | 62 | 62 | 106 | $287,976 | 12/31/2018 | |||
| Russia (CIS) | 2/18/2016 | $55,334 | 270 | 270 | 270 | $140,422 | 12/31/2018 | |||
| United Kingdom | 11/13/2015 | $78,695 | 46 | 46 | 98 | $145,173 | 1/6/2016 | |||
| Rest of World | $158,635 | |||||||||
| International Total | $2,073,774 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joseph Mawle | Adam Hitchens | |
| Bojana Novakovic | Clare Hitchens |
Supporting
| Michael McElhatton | Colm Donnelly | |
| Michael Smiley | Garda Davey | |
| Charlotte Williams | Cora Hallow | |
| Gary Lydon | Doyle | |
| Stephen Cromwell | Jules | |
| Wren Hardy | Young Finn | |
| James Rodgers | Finn | |
| Stuart Graham | Contractor Paul Williams |
Production and Technical Credits
| Corin Hardy | Director | |
| Corin Hardy | Screenwriter | |
| Felipe Marino | Screenwriter | |
| Corin Hardy | Story by | |
| Felipe Marino | Story by | |
| Tom Deville | Story by | |
| Joe Neurauter | Producer | |
| Felipe Marino | Producer | |
| Brendan McCarthy | Co-Producer | |
| John McDonnell | Co-Producer | |
| Michael Mailis | Executive Producer | |
| Keith Calder | Executive Producer | |
| Will Clarke | Executive Producer | |
| Kate Sharp | Executive Producer | |
| Paul Brett | Executive Producer | |
| Tim Smith | Executive Producer | |
| James Swarbrick | Executive Producer | |
| Susan Wrubel | Co-Executive Producer | |
| Jay Taylor | Associate Producer | |
| John Jencks | Associate Producer | |
| Jules Claassen | Associate Producer | |
| Martijn Van Broekhuizen | Cinematographer | |
| Mags Linnane | Production Designer | |
| Nick Emerson | Editor | |
| James Gosling | Composer | |
| Lara Campbell | Costume Designer | |
| Melany Mitchell | Music Supervisor | |
| Dixie Chassay | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.