Halloween 5: The Revenge of Michael Myers (1989)
| Theatrical Performance | ||
| Domestic Box Office | $11,642,254 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $165,979 | |
| Blu-ray Sales (estimated) | $622,264 | |
| Total | $788,243 | |
| OpusData ID: 34720100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $5,093,428 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 1,483 opening theaters/1,495 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $33,000,974 |
Movie Details
| Domestic Releases: | October 13th, 1989 (Wide) by Galaxy International Releasing |
| Video Release: | August 21st, 2012 by Anchor Bay Home Entertainment |
| MPA Rating: | R |
| Running Time: | 96 minutes |
| Franchise: | Halloween |
| Social setting: | Supernatural |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnum Motion Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1989 | 2 | $5,093,428 | 1,483 | $3,435 | $5,093,428 | 1 | |
| Oct 20, 1989 | 6 | $2,792,611 | -45% | 1,495 | $1,868 | $9,125,564 | 2 |
| Oct 27, 1989 | 11 | $977,119 | -65% | 1,076 | $908 | $10,677,956 | 3 |
| Nov 3, 1989 | 13 | $449,686 | -54% | 537 | $837 | $11,446,192 | 4 |
| Nov 10, 1989 | 15 | $163,407 | -64% | 253 | $646 | $11,642,254 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1989 | 2 | $6,332,953 | 1,483 | $4,270 | $6,332,953 | 1 | |
| Oct 20, 1989 | 7 | $3,367,884 | -47% | 1,495 | $2,253 | $9,700,837 | 2 |
| Oct 27, 1989 | 8 | $1,295,669 | -62% | 1,076 | $1,204 | $10,996,506 | 3 |
| Nov 3, 1989 | 10 | $482,341 | -63% | 537 | $898 | $11,478,847 | 4 |
| Nov 10, 1989 | 10 | $163,407 | -66% | 253 | $646 | $11,642,254 | 5 |
Supporting
| Donald Pleasance | Dr. Samuel “Sam” Loomis |
Leading
| Danielle Harris | Jamie Lloyd |
Supporting
| Ellie Cornell | Rachel Carruthers | |
| Beau Starr | Sheriff Ben Meeker | |
| Wendy Kaplan | Tina Williams | |
| Tamara Glynn | Samantha Thomas |
Leading
| Don Shanks | Michael Myers / Man in Black |
Supporting
| Betty Carvalho | Nurse Patsey | |
| Jeffrey Landman | Billy Hill |
Production and Technical Credits
| Dominique Othenin-Girard | Director | |
| Moustapha Akkad | Executive Producer | |
| Ramsey Thomas | Producer | |
| Michael Jacobs | Screenwriter | |
| Dominique Othenin-Girard | Screenwriter | |
| Shem Bitterman | Screenwriter | |
| Robert Draper | Director of Photography | |
| Rick Nathanson | Line Producer | |
| Alan Howarth | Composer | |
| John Carpenter | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $5,093,428 (43.7% of total gross) |
| Legs: | 2.29 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $6,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 1,483 opening theaters/1,495 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $33,000,974 |
Movie Details
| Domestic Releases: | October 13th, 1989 (Wide) by Galaxy International Releasing |
| Video Release: | August 21st, 2012 by Anchor Bay Home Entertainment |
| MPA Rating: | R |
| Running Time: | 96 minutes |
| Franchise: | Halloween |
| Social setting: | Supernatural |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnum Motion Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1989 | 2 | $5,093,428 | 1,483 | $3,435 | $5,093,428 | 1 | |
| Oct 20, 1989 | 6 | $2,792,611 | -45% | 1,495 | $1,868 | $9,125,564 | 2 |
| Oct 27, 1989 | 11 | $977,119 | -65% | 1,076 | $908 | $10,677,956 | 3 |
| Nov 3, 1989 | 13 | $449,686 | -54% | 537 | $837 | $11,446,192 | 4 |
| Nov 10, 1989 | 15 | $163,407 | -64% | 253 | $646 | $11,642,254 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1989 | 2 | $6,332,953 | 1,483 | $4,270 | $6,332,953 | 1 | |
| Oct 20, 1989 | 7 | $3,367,884 | -47% | 1,495 | $2,253 | $9,700,837 | 2 |
| Oct 27, 1989 | 8 | $1,295,669 | -62% | 1,076 | $1,204 | $10,996,506 | 3 |
| Nov 3, 1989 | 10 | $482,341 | -63% | 537 | $898 | $11,478,847 | 4 |
| Nov 10, 1989 | 10 | $163,407 | -66% | 253 | $646 | $11,642,254 | 5 |
Supporting
| Donald Pleasance | Dr. Samuel “Sam” Loomis |
Leading
| Danielle Harris | Jamie Lloyd |
Supporting
| Ellie Cornell | Rachel Carruthers | |
| Beau Starr | Sheriff Ben Meeker | |
| Wendy Kaplan | Tina Williams | |
| Tamara Glynn | Samantha Thomas |
Leading
| Don Shanks | Michael Myers / Man in Black |
Supporting
| Betty Carvalho | Nurse Patsey | |
| Jeffrey Landman | Billy Hill |
Production and Technical Credits
| Dominique Othenin-Girard | Director | |
| Moustapha Akkad | Executive Producer | |
| Ramsey Thomas | Producer | |
| Michael Jacobs | Screenwriter | |
| Dominique Othenin-Girard | Screenwriter | |
| Shem Bitterman | Screenwriter | |
| Robert Draper | Director of Photography | |
| Rick Nathanson | Line Producer | |
| Alan Howarth | Composer | |
| John Carpenter | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.