Hamilton (2020)
| Theatrical Performance | ||
| Domestic Box Office | $16,946,377 | Details |
| International Box Office | $3,997,248 | Details |
| Worldwide Box Office | $20,943,625 | |
| OpusData ID: 448770100 More info... | ||
| Further financial details... | ||
Synopsis
The true story behind one of America’s foremost founding fathers and first U.S. Secretary of the Treasury, Alexander Hamilton, an immigrant from the Caribbean who became George Washington's right-hand man during the American Revolutionary War.
Metrics
| Legs: | 1.68 (domestic box office/biggest weekend) |
| Domestic Share: | 80.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $16,946,377 |
Movie Details
| Domestic Releases: | October 15th, 2021 (Canceled) by Walt Disney September 5th, 2025 (Wide) by Walt Disney |
| International Releases: | September 25th, 2025 (Wide) (Mexico)
September 25th, 2025 (Wide) (Brazil) September 25th, 2025 (Wide) (Argentina) September 25th, 2025 (Wide) (Chile) September 25th, 2025 (Wide) (Colombia) ... Show all releases |
| Video Release: | July 3rd, 2020 by Disney+ |
| MPA Rating: | PG-13 for language and some suggestive material. (Rating bulletin 2629 (Cert #52711), 5/13/2020) |
| Running Time: | 162 minutes |
| Plot point: | American Revolutionary War, Biography, Duel, Politicians, Professional Rivalry, War |
| Release detail: | Delayed Release, Disrupted by 2020 COVID-19 pandemic |
| Social setting: | Revolution |
| Subgenre: | Epic Musical |
| Time period setting: | 1700s, 1800s, Colonial United States |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Walt Disney Pictures, 5000 Broadway Productions, Old 320 Sycamore, RadicalMedia, Nevis Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 2 | $10,113,542 | 1,825 | $5,542 | $10,113,542 | 1 | |
| Sep 12, 2025 | 7 | $2,218,248 | -78% | 1,850 | $1,199 | $14,975,779 | 2 |
| Sep 19, 2025 | 14 | $666,261 | -70% | 1,110 | $600 | $16,490,748 | 3 |
| Sep 26, 2025 | - | $83,601 | -87% | 175 | $478 | $16,881,610 | 4 |
| Oct 3, 2025 | - | $14,260 | -83% | 45 | $317 | $16,936,152 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 4, 2025 | P | $850,000 | 0 | $850,000 | ||||
| Sep 5, 2025 | 2 | $3,931,901 | 1,825 | $2,154 | $3,931,901 | 1 | ||
| Sep 6, 2025 | 2 | $3,589,480 | -9% | 1,825 | $1,967 | $7,521,381 | 2 | |
| Sep 7, 2025 | 2 | $2,592,161 | -28% | 1,825 | $1,420 | $10,113,542 | 3 | |
| Sep 8, 2025 | 2 | $666,509 | -74% | 1,825 | $365 | $10,780,051 | 4 | |
| Sep 9, 2025 | 2 | $830,271 | +25% | 1,825 | $455 | $11,610,322 | 5 | |
| Sep 10, 2025 | 2 | $677,621 | -18% | 1,825 | $371 | $12,287,943 | 6 | |
| Sep 11, 2025 | 2 | $469,588 | -31% | 1,825 | $257 | $12,757,531 | 7 | |
| Sep 12, 2025 | 9 | $533,988 | +14% | -86% | 1,850 | $289 | $13,291,519 | 8 |
| Sep 13, 2025 | 8 | $949,969 | +78% | -74% | 1,850 | $513 | $14,241,488 | 9 |
| Sep 14, 2025 | 6 | $734,291 | -23% | -72% | 1,850 | $397 | $14,975,779 | 10 |
| Sep 15, 2025 | 7 | $206,383 | -72% | -69% | 1,850 | $112 | $15,182,162 | 11 |
| Sep 16, 2025 | 7 | $269,046 | +30% | -68% | 1,850 | $145 | $15,451,208 | 12 |
| Sep 17, 2025 | - | $245,940 | -9% | -64% | 1,850 | $133 | $15,697,148 | 13 |
| Sep 18, 2025 | 8 | $127,339 | -48% | -73% | 1,850 | $69 | $15,824,487 | 14 |
| Sep 19, 2025 | - | $157,892 | +24% | -70% | 1,110 | $142 | $15,982,379 | 15 |
| Sep 20, 2025 | - | $296,004 | +87% | -69% | 1,110 | $267 | $16,278,383 | 16 |
| Sep 21, 2025 | - | $212,365 | -28% | -71% | 1,110 | $191 | $16,490,748 | 17 |
| Sep 22, 2025 | - | $67,070 | -68% | -68% | 1,110 | $60 | $16,557,818 | 18 |
| Sep 23, 2025 | - | $105,188 | +57% | -61% | 1,110 | $95 | $16,663,006 | 19 |
| Sep 24, 2025 | - | $84,273 | -20% | -66% | 1,110 | $76 | $16,747,279 | 20 |
| Sep 25, 2025 | 12 | $50,730 | -40% | -60% | 1,110 | $46 | $16,798,009 | 21 |
| Sep 26, 2025 | - | $16,914 | -67% | -89% | 175 | $97 | $16,814,923 | 22 |
| Sep 27, 2025 | - | $39,920 | +136% | -87% | 175 | $228 | $16,854,843 | 23 |
| Sep 28, 2025 | - | $26,767 | -33% | -87% | 175 | $153 | $16,881,610 | 24 |
| Sep 29, 2025 | - | $9,422 | -65% | -86% | 175 | $54 | $16,891,032 | 25 |
| Sep 30, 2025 | - | $12,860 | +36% | -88% | 175 | $73 | $16,903,892 | 26 |
| Oct 1, 2025 | - | $9,438 | -27% | -89% | 175 | $54 | $16,913,330 | 27 |
| Oct 2, 2025 | - | $8,562 | -9% | -83% | 175 | $49 | $16,921,892 | 28 |
| Oct 3, 2025 | - | $4,411 | -48% | -74% | 45 | $98 | $16,926,303 | 29 |
| Oct 4, 2025 | - | $5,403 | +22% | -86% | 45 | $120 | $16,931,706 | 30 |
| Oct 5, 2025 | - | $4,446 | -18% | -83% | 45 | $99 | $16,936,152 | 31 |
| Oct 6, 2025 | - | $1,734 | -61% | -82% | 45 | $39 | $16,937,886 | 32 |
| Oct 7, 2025 | - | $2,886 | +66% | -78% | 45 | $64 | $16,940,772 | 33 |
| Oct 8, 2025 | - | $2,901 | +1% | -69% | 45 | $64 | $16,943,673 | 34 |
| Oct 9, 2025 | - | $2,704 | -7% | -68% | 45 | $60 | $16,946,377 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 2 | $12,757,531 | 1,825 | $6,990 | $12,757,531 | 1 | |
| Sep 12, 2025 | 7 | $3,066,956 | -76% | 1,850 | $1,658 | $15,824,487 | 2 |
| Sep 19, 2025 | 12 | $973,522 | -68% | 1,110 | $877 | $16,798,009 | 3 |
| Sep 26, 2025 | 24 | $123,883 | -87% | 175 | $708 | $16,921,892 | 4 |
| Oct 3, 2025 | 31 | $24,485 | -80% | 45 | $544 | $16,946,377 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/25/2025 | $89,286 | 0 | 0 | 0 | $128,342 | 4/28/2026 | |||
| Australia | 11/13/2025 | $286,569 | 240 | 240 | 0 | $407,719 | 4/4/2026 | |||
| Brazil | 9/25/2025 | $61,396 | 0 | 0 | 0 | $96,483 | 4/28/2026 | |||
| Chile | 9/25/2025 | $113,170 | 0 | 0 | 0 | $143,188 | 4/28/2026 | |||
| Colombia | 9/25/2025 | $49,474 | 0 | 0 | 0 | $73,875 | 4/28/2026 | |||
| Mexico | 9/25/2025 | $250,597 | 0 | 0 | 0 | $367,215 | 4/28/2026 | |||
| New Zealand | 11/13/2025 | $41,559 | 64 | 64 | 0 | $59,484 | 4/4/2026 | |||
| Philippines | 10/1/2025 | $217,110 | 0 | 0 | 0 | $312,046 | 4/28/2026 | |||
| United Kingdom | 9/26/2025 | $2,372,421 | 710 | 710 | 710 | $2,405,048 | 4/28/2026 | |||
| Rest of World | $3,848 | |||||||||
| International Total | $3,997,248 | 4/28/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lin-Manuel Miranda | Alexander Hamilton |
Supporting
| Leslie Odom Jr. | Aaron Burr |
Leading
| Christopher Jackson | George Washington |
Supporting
| Phillipa Soo | Eliza Hamilton | |
| Anthony Ramos | John Laurens / Philip Hamilton | |
| Daveed Diggs | Marquis de Lafayette / Thomas Jefferson | |
| Jasmine Cephas-Jones | Peggy Schyler / Maria Reynolds | |
| Renee Elise Goldsberry | Angelica Schuyler | |
| Okieriete Onaodowan | Hercules Mulligan / James Madison | |
| Jonathan Groff | King George III |
Production and Technical Credits
| Thomas Kail | Director | |
| Lin-Manuel Miranda | Story based on the musical by | |
| Lin-Manuel Miranda | Producer | |
| Jeffrey Seller | Producer | |
| Thomas Kail | Producer | |
| Sander Jacobs | Executive Producer | |
| Jill Furman | Executive Producer | |
| Maggie Brohn | Executive Producer | |
| David Korins | Production Designer | |
| Jonah Moran | Editor | |
| Lin-Manuel Miranda | Composer | |
| Declan Quinn | Director of Photography | |
| Chris Rouchard | Co-Producer | |
| Jon Kamen | Co-Executive Producer | |
| Dave Sirulnick | Co-Executive Producer | |
| Justin Wilkes | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story behind one of America’s foremost founding fathers and first U.S. Secretary of the Treasury, Alexander Hamilton, an immigrant from the Caribbean who became George Washington's right-hand man during the American Revolutionary War.
Metrics
| Legs: | 1.68 (domestic box office/biggest weekend) |
| Domestic Share: | 80.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $16,946,377 |
Movie Details
| Domestic Releases: | October 15th, 2021 (Canceled) by Walt Disney September 5th, 2025 (Wide) by Walt Disney |
| International Releases: | September 25th, 2025 (Wide) (Mexico)
September 25th, 2025 (Wide) (Brazil) September 25th, 2025 (Wide) (Argentina) September 25th, 2025 (Wide) (Chile) September 25th, 2025 (Wide) (Colombia) ... Show all releases |
| Video Release: | July 3rd, 2020 by Disney+ |
| MPA Rating: | PG-13 for language and some suggestive material. (Rating bulletin 2629 (Cert #52711), 5/13/2020) |
| Running Time: | 162 minutes |
| Plot point: | American Revolutionary War, Biography, Duel, Politicians, Professional Rivalry, War |
| Release detail: | Delayed Release, Disrupted by 2020 COVID-19 pandemic |
| Social setting: | Revolution |
| Subgenre: | Epic Musical |
| Time period setting: | 1700s, 1800s, Colonial United States |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Walt Disney Pictures, 5000 Broadway Productions, Old 320 Sycamore, RadicalMedia, Nevis Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 2 | $10,113,542 | 1,825 | $5,542 | $10,113,542 | 1 | |
| Sep 12, 2025 | 7 | $2,218,248 | -78% | 1,850 | $1,199 | $14,975,779 | 2 |
| Sep 19, 2025 | 14 | $666,261 | -70% | 1,110 | $600 | $16,490,748 | 3 |
| Sep 26, 2025 | - | $83,601 | -87% | 175 | $478 | $16,881,610 | 4 |
| Oct 3, 2025 | - | $14,260 | -83% | 45 | $317 | $16,936,152 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 4, 2025 | P | $850,000 | 0 | $850,000 | ||||
| Sep 5, 2025 | 2 | $3,931,901 | 1,825 | $2,154 | $3,931,901 | 1 | ||
| Sep 6, 2025 | 2 | $3,589,480 | -9% | 1,825 | $1,967 | $7,521,381 | 2 | |
| Sep 7, 2025 | 2 | $2,592,161 | -28% | 1,825 | $1,420 | $10,113,542 | 3 | |
| Sep 8, 2025 | 2 | $666,509 | -74% | 1,825 | $365 | $10,780,051 | 4 | |
| Sep 9, 2025 | 2 | $830,271 | +25% | 1,825 | $455 | $11,610,322 | 5 | |
| Sep 10, 2025 | 2 | $677,621 | -18% | 1,825 | $371 | $12,287,943 | 6 | |
| Sep 11, 2025 | 2 | $469,588 | -31% | 1,825 | $257 | $12,757,531 | 7 | |
| Sep 12, 2025 | 9 | $533,988 | +14% | -86% | 1,850 | $289 | $13,291,519 | 8 |
| Sep 13, 2025 | 8 | $949,969 | +78% | -74% | 1,850 | $513 | $14,241,488 | 9 |
| Sep 14, 2025 | 6 | $734,291 | -23% | -72% | 1,850 | $397 | $14,975,779 | 10 |
| Sep 15, 2025 | 7 | $206,383 | -72% | -69% | 1,850 | $112 | $15,182,162 | 11 |
| Sep 16, 2025 | 7 | $269,046 | +30% | -68% | 1,850 | $145 | $15,451,208 | 12 |
| Sep 17, 2025 | - | $245,940 | -9% | -64% | 1,850 | $133 | $15,697,148 | 13 |
| Sep 18, 2025 | 8 | $127,339 | -48% | -73% | 1,850 | $69 | $15,824,487 | 14 |
| Sep 19, 2025 | - | $157,892 | +24% | -70% | 1,110 | $142 | $15,982,379 | 15 |
| Sep 20, 2025 | - | $296,004 | +87% | -69% | 1,110 | $267 | $16,278,383 | 16 |
| Sep 21, 2025 | - | $212,365 | -28% | -71% | 1,110 | $191 | $16,490,748 | 17 |
| Sep 22, 2025 | - | $67,070 | -68% | -68% | 1,110 | $60 | $16,557,818 | 18 |
| Sep 23, 2025 | - | $105,188 | +57% | -61% | 1,110 | $95 | $16,663,006 | 19 |
| Sep 24, 2025 | - | $84,273 | -20% | -66% | 1,110 | $76 | $16,747,279 | 20 |
| Sep 25, 2025 | 12 | $50,730 | -40% | -60% | 1,110 | $46 | $16,798,009 | 21 |
| Sep 26, 2025 | - | $16,914 | -67% | -89% | 175 | $97 | $16,814,923 | 22 |
| Sep 27, 2025 | - | $39,920 | +136% | -87% | 175 | $228 | $16,854,843 | 23 |
| Sep 28, 2025 | - | $26,767 | -33% | -87% | 175 | $153 | $16,881,610 | 24 |
| Sep 29, 2025 | - | $9,422 | -65% | -86% | 175 | $54 | $16,891,032 | 25 |
| Sep 30, 2025 | - | $12,860 | +36% | -88% | 175 | $73 | $16,903,892 | 26 |
| Oct 1, 2025 | - | $9,438 | -27% | -89% | 175 | $54 | $16,913,330 | 27 |
| Oct 2, 2025 | - | $8,562 | -9% | -83% | 175 | $49 | $16,921,892 | 28 |
| Oct 3, 2025 | - | $4,411 | -48% | -74% | 45 | $98 | $16,926,303 | 29 |
| Oct 4, 2025 | - | $5,403 | +22% | -86% | 45 | $120 | $16,931,706 | 30 |
| Oct 5, 2025 | - | $4,446 | -18% | -83% | 45 | $99 | $16,936,152 | 31 |
| Oct 6, 2025 | - | $1,734 | -61% | -82% | 45 | $39 | $16,937,886 | 32 |
| Oct 7, 2025 | - | $2,886 | +66% | -78% | 45 | $64 | $16,940,772 | 33 |
| Oct 8, 2025 | - | $2,901 | +1% | -69% | 45 | $64 | $16,943,673 | 34 |
| Oct 9, 2025 | - | $2,704 | -7% | -68% | 45 | $60 | $16,946,377 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 5, 2025 | 2 | $12,757,531 | 1,825 | $6,990 | $12,757,531 | 1 | |
| Sep 12, 2025 | 7 | $3,066,956 | -76% | 1,850 | $1,658 | $15,824,487 | 2 |
| Sep 19, 2025 | 12 | $973,522 | -68% | 1,110 | $877 | $16,798,009 | 3 |
| Sep 26, 2025 | 24 | $123,883 | -87% | 175 | $708 | $16,921,892 | 4 |
| Oct 3, 2025 | 31 | $24,485 | -80% | 45 | $544 | $16,946,377 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/25/2025 | $89,286 | 0 | 0 | 0 | $128,342 | 4/28/2026 | |||
| Australia | 11/13/2025 | $286,569 | 240 | 240 | 0 | $407,719 | 4/4/2026 | |||
| Brazil | 9/25/2025 | $61,396 | 0 | 0 | 0 | $96,483 | 4/28/2026 | |||
| Chile | 9/25/2025 | $113,170 | 0 | 0 | 0 | $143,188 | 4/28/2026 | |||
| Colombia | 9/25/2025 | $49,474 | 0 | 0 | 0 | $73,875 | 4/28/2026 | |||
| Mexico | 9/25/2025 | $250,597 | 0 | 0 | 0 | $367,215 | 4/28/2026 | |||
| New Zealand | 11/13/2025 | $41,559 | 64 | 64 | 0 | $59,484 | 4/4/2026 | |||
| Philippines | 10/1/2025 | $217,110 | 0 | 0 | 0 | $312,046 | 4/28/2026 | |||
| United Kingdom | 9/26/2025 | $2,372,421 | 710 | 710 | 710 | $2,405,048 | 4/28/2026 | |||
| Rest of World | $3,848 | |||||||||
| International Total | $3,997,248 | 4/28/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lin-Manuel Miranda | Alexander Hamilton |
Supporting
| Leslie Odom Jr. | Aaron Burr |
Leading
| Christopher Jackson | George Washington |
Supporting
| Phillipa Soo | Eliza Hamilton | |
| Anthony Ramos | John Laurens / Philip Hamilton | |
| Daveed Diggs | Marquis de Lafayette / Thomas Jefferson | |
| Jasmine Cephas-Jones | Peggy Schyler / Maria Reynolds | |
| Renee Elise Goldsberry | Angelica Schuyler | |
| Okieriete Onaodowan | Hercules Mulligan / James Madison | |
| Jonathan Groff | King George III |
Production and Technical Credits
| Thomas Kail | Director | |
| Lin-Manuel Miranda | Story based on the musical by | |
| Lin-Manuel Miranda | Producer | |
| Jeffrey Seller | Producer | |
| Thomas Kail | Producer | |
| Sander Jacobs | Executive Producer | |
| Jill Furman | Executive Producer | |
| Maggie Brohn | Executive Producer | |
| David Korins | Production Designer | |
| Jonah Moran | Editor | |
| Lin-Manuel Miranda | Composer | |
| Declan Quinn | Director of Photography | |
| Chris Rouchard | Co-Producer | |
| Jon Kamen | Co-Executive Producer | |
| Dave Sirulnick | Co-Executive Producer | |
| Justin Wilkes | Co-Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.