Hâmonî (2015)
| Theatrical Performance | ||
| Domestic Box Office | $23,248 | Details |
| International Box Office | $407,320 | Details |
| Worldwide Box Office | $430,568 | |
| OpusData ID: 260120100 More info... | ||
| Further financial details... | ||
Synopsis
In a future ruled by an unwavering dedication to good health, three high school girls led by the defiant Miach Mihie attempt suicide as the ultimate act of rebellion. Tuan Kirie survives, but can’t shake the hatred she has for the “perfect world” she lives in. Years later, a simultaneous mass suicide rocks the globe and sends society into a state of shock. A small group stands up to take credit for the event, claiming they’ve hijacked the consciousness of every person on the planet. Everything about the terrorists’ message sounds too familiar to Tuan. She suspects her old friend Miach might be involved, but how could that be when she’d supposedly killed herself years earlier? Desperate for answers, Tuan launches an investigation that takes her across the globe chasing the ghost of her old friend. But what is Miach’s end game? Will she finally wake the world from its monotonous slumber? Or, end it all for good?
Metrics
| Opening Weekend: | $760 (3.3% of total gross) |
| Legs: | 30.59 (domestic box office/biggest weekend) |
| Domestic Share: | 5.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $32,148 |
Movie Details
| Domestic Releases: | May 20th, 2016 (Limited) by FUNimation, released as Project Itoh - Harmony |
| International Releases: | November 13th, 2015 (Wide) (Japan)
February 26th, 2016 (Wide) (Hong Kong) |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Anime |
| Plot point: | Corporate Malfeasance, LGBTQ+, Police Procedural, Secret Agent, Suicide, Terrorism |
| Social setting: | Dystopia, Post Apocalypse, World War III |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Studio 4°C |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 20, 2016 | 101 | $760 | 3 | $253 | $23,248 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 2/26/2016 | $0 | 0 | 1 | 2 | $22,040 | 11/15/2018 | |||
| Japan | 11/13/2015 | $270,821 | 0 | 0 | 0 | $385,280 | 8/24/2018 | |||
| International Total | $407,320 | 11/15/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jamie Marchi | Tuan Kirie |
Supporting
| Monica Rial | Miach Mihie | |
| Brittney Karbowski | Cian Reikado | |
| Jeremy Schwartz | Nuada Kirie | |
| Rachel Robinson | Os Cara Stauffenberg | |
| Christopher Bevins | Elijah Vashlov | |
| Mark Stoddard | Keita Saeki | |
| Stephanie Young | Gabrielle Étaín | |
| Linda Leonard | Reiko Mihie | |
| Patrick Seitz | Uwe Woll |
Production and Technical Credits
| Michael Arias | Director | |
| Takashi Nakamura | Director | |
| Koji Yamamoto | Screenwriter | |
| Project Itoh | Based on the novel by | |
| Yoshihiro Ike | Composer | |
| Takahiro Tanaka | Character Designer | |
| Marefumi Niibayashi | Art Director | |
| Osamu Hasada | Art Director | |
| Takahiro Tanaka | Chief Animation Director | |
| Kazuyoshi Takeuchi | Animation Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a future ruled by an unwavering dedication to good health, three high school girls led by the defiant Miach Mihie attempt suicide as the ultimate act of rebellion. Tuan Kirie survives, but can’t shake the hatred she has for the “perfect world” she lives in. Years later, a simultaneous mass suicide rocks the globe and sends society into a state of shock. A small group stands up to take credit for the event, claiming they’ve hijacked the consciousness of every person on the planet. Everything about the terrorists’ message sounds too familiar to Tuan. She suspects her old friend Miach might be involved, but how could that be when she’d supposedly killed herself years earlier? Desperate for answers, Tuan launches an investigation that takes her across the globe chasing the ghost of her old friend. But what is Miach’s end game? Will she finally wake the world from its monotonous slumber? Or, end it all for good?
Metrics
| Opening Weekend: | $760 (3.3% of total gross) |
| Legs: | 30.59 (domestic box office/biggest weekend) |
| Domestic Share: | 5.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $32,148 |
Movie Details
| Domestic Releases: | May 20th, 2016 (Limited) by FUNimation, released as Project Itoh - Harmony |
| International Releases: | November 13th, 2015 (Wide) (Japan)
February 26th, 2016 (Wide) (Hong Kong) |
| MPA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Anime |
| Plot point: | Corporate Malfeasance, LGBTQ+, Police Procedural, Secret Agent, Suicide, Terrorism |
| Social setting: | Dystopia, Post Apocalypse, World War III |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Studio 4°C |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 20, 2016 | 101 | $760 | 3 | $253 | $23,248 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 2/26/2016 | $0 | 0 | 1 | 2 | $22,040 | 11/15/2018 | |||
| Japan | 11/13/2015 | $270,821 | 0 | 0 | 0 | $385,280 | 8/24/2018 | |||
| International Total | $407,320 | 11/15/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jamie Marchi | Tuan Kirie |
Supporting
| Monica Rial | Miach Mihie | |
| Brittney Karbowski | Cian Reikado | |
| Jeremy Schwartz | Nuada Kirie | |
| Rachel Robinson | Os Cara Stauffenberg | |
| Christopher Bevins | Elijah Vashlov | |
| Mark Stoddard | Keita Saeki | |
| Stephanie Young | Gabrielle Étaín | |
| Linda Leonard | Reiko Mihie | |
| Patrick Seitz | Uwe Woll |
Production and Technical Credits
| Michael Arias | Director | |
| Takashi Nakamura | Director | |
| Koji Yamamoto | Screenwriter | |
| Project Itoh | Based on the novel by | |
| Yoshihiro Ike | Composer | |
| Takahiro Tanaka | Character Designer | |
| Marefumi Niibayashi | Art Director | |
| Osamu Hasada | Art Director | |
| Takahiro Tanaka | Chief Animation Director | |
| Kazuyoshi Takeuchi | Animation Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.