Happy Death Day 2U (2019)

Happy Death Day 2U
Theatrical Performance
Domestic Box Office $28,148,130Details
International Box Office $36,538,385Details
Worldwide Box Office $64,686,515
Home Market Performance
Est. Domestic DVD Sales $1,054,086 Details
Est. Domestic Blu-ray Sales $1,316,885 Details
Total Est. Domestic Video Sales $2,370,971
Further financial details...

Synopsis

Our hero Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead.

Metrics

Opening Weekend:$9,497,665 (33.7% of total gross)
Legs:2.96 (domestic box office/biggest weekend)
Domestic Share:43.5% (domestic box office/worldwide)
Production Budget:$9,000,000 (worldwide box office is 7.2 times production budget)
Theater counts:3,207 opening theaters/3,212 max. theaters, 3.4 weeks average run per theater
Infl. Adj. Dom. BO $33,126,293

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,101-3,200) 3,102 $28,148,130
All Time International Box Office (Rank 2,401-2,500) 2,460 $36,538,385
All Time Worldwide Box Office (Rank 2,501-2,600) 2,574 $64,686,515

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 13th, 2019 (Wide) by Universal
International Releases: February 13th, 2019 (Wide) (Egypt)
February 13th, 2019 (Wide) (France)
February 13th, 2019 (Wide) (Indonesia)
February 13th, 2019 (Wide) (Philippines)
February 13th, 2019 (Wide) (Switzerland)
... Show all releases
Video Release: April 30th, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, language, sexual material and thematic elements.
(Rating bulletin 2557 (Cert #51949), 12/12/2018)
Running Time: 100 minutes
Franchise: Happy Death Day
Comparisons: vs. The Strangers
Create your own comparison chart…
Keywords: Scientific Experiment Gone Awry, Infidelity, Time Travel, Murder Mystery, One Day, Revenge, Horror Comedy, Surprise Twist
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Universal Pictures, Dentsu Inc., Fuji Television Network
Production Countries: Japan, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Washington's Birthday (All Movies, 3-Day) 129 $9,497,665 Feb 15, 2019 5
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 212 $11,441,725 Feb 15, 2019 5
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 113 $11,006,695 Feb 15, 2019 5
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 139 $13,259,635 Feb 15, 2019 5
Washington's Birthday (Opening, 3-Day) 75 $9,497,665 Feb 15, 2019 5
Washington's Birthday (Opening, 3-Day, Inflation Adjusted) 102 $11,441,725 Feb 15, 2019 5
Washington's Birthday (Opening, 4-Day, Fri-Mon) 66 $11,006,695 Feb 15, 2019 5
Washington's Birthday (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 72 $13,259,635 Feb 15, 2019 5

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,101-3,200) 3,102 $28,148,130
All Time Domestic Inflation Adjusted Box Office (Rank 4,001-4,100) 4,026 $33,126,293
All Time Domestic Sequel Box Office (Rank 501-600) 573 $28,148,130
Top 2019 Movies at the Domestic Box Office 85 $28,148,130
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,501-1,600) 1,504 $28,148,130
All Time Domestic Box Office for Live Action Movies (Rank 2,601-2,700) 2,676 $28,148,130
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,501-1,600) 1,590 $28,148,130
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 201-300) 287 $28,148,130
All Time Domestic Box Office for PG-13 Movies (Rank 1,101-1,200) 1,186 $28,148,130
All Time Domestic Box Office for Universal Movies (Rank 401-500) 406 $28,148,130

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 15, 2019 5 $9,497,665   3,207 $2,962   $13,209,165 1
Feb 22, 2019 7 $4,888,785 -49% 3,212 $1,522   $21,511,665 2
Mar 1, 2019 10 $2,456,240 -50% 2,331 $1,054   $25,222,850 3
Mar 8, 2019 13 $870,650 -65% 1,098 $793   $26,797,295 4
Mar 15, 2019 19 $351,765 -60% 486 $724   $27,531,450 5
Mar 22, 2019 24 $197,560 -44% 328 $602   $27,851,130 6
Mar 29, 2019 27 $99,160 -50% 174 $570   $28,021,220 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 13, 2019 3 $980,110     3,207 $306   $980,110 1
Feb 14, 2019 4 $2,731,390 +179%   3,207 $852   $3,711,500 2
Feb 15, 2019 5 $2,837,615 +4%   3,207 $885   $6,549,115 3
Feb 16, 2019 5 $3,978,050 +40%   3,207 $1,240   $10,527,165 4
Feb 17, 2019 5 $2,682,000 -33%   3,207 $836   $13,209,165 5
Feb 18, 2019 5 $1,509,030 -44%   3,207 $471   $14,718,195 6
Feb 19, 2019 5 $868,180 -42%   3,207 $271   $15,586,375 7
Feb 20, 2019 5 $502,950 -42% -49% 3,207 $157   $16,089,325 8
Feb 21, 2019 5 $533,555 +6% -80% 3,207 $166   $16,622,880 9
Feb 22, 2019 7 $1,450,640 +172% -49% 3,212 $452   $18,073,520 10
Feb 23, 2019 7 $2,281,805 +57% -43% 3,212 $710   $20,355,325 11
Feb 24, 2019 7 $1,156,340 -49% -57% 3,212 $360   $21,511,665 12
Feb 25, 2019 8 $271,740 -76% -82% 3,212 $85   $21,783,405 13
Feb 26, 2019 9 $433,875 +60% -50% 3,212 $135   $22,217,280 14
Feb 27, 2019 8 $274,240 -37% -45% 3,212 $85   $22,491,520 15
Feb 28, 2019 8 $275,090 n/c -48% 3,212 $86   $22,766,610 16
Mar 1, 2019 10 $703,285 +156% -52% 2,331 $302   $23,469,895 17
Mar 2, 2019 10 $1,178,245 +68% -48% 2,331 $505   $24,648,140 18
Mar 3, 2019 11 $574,710 -51% -50% 2,331 $247   $25,222,850 19
Mar 4, 2019 13 $181,095 -68% -33% 2,331 $78   $25,403,945 20
Mar 5, 2019 13 $253,050 +40% -42% 2,331 $109   $25,656,995 21
Mar 6, 2019 14 $166,205 -34% -39% 2,331 $71   $25,823,200 22
Mar 7, 2019 15 $103,445 -38% -62% 2,331 $44   $25,926,645 23
Mar 8, 2019 13 $244,510 +136% -65% 1,098 $223   $26,171,155 24
Mar 9, 2019 13 $411,050 +68% -65% 1,098 $374   $26,582,205 25
Mar 10, 2019 13 $215,090 -48% -63% 1,098 $196   $26,797,295 26
Mar 11, 2019 13 $93,035 -57% -49% 1,098 $85   $26,890,330 27
Mar 12, 2019 13 $127,220 +37% -50% 1,098 $116   $27,017,550 28
Mar 13, 2019 14 $87,775 -31% -47% 1,098 $80   $27,105,325 29
Mar 14, 2019 14 $74,360 -15% -28% 1,098 $68   $27,179,685 30
Mar 15, 2019 - $110,080 +48% -55% 486 $227   $27,289,765 31
Mar 16, 2019 - $160,395 +46% -61% 486 $330   $27,450,160 32
Mar 17, 2019 - $81,290 -49% -62% 486 $167   $27,531,450 33
Mar 18, 2019 - $31,745 -61% -66% 486 $65   $27,563,195 34
Mar 19, 2019 - $41,480 +31% -67% 486 $85   $27,604,675 35
Mar 20, 2019 - $30,880 -26% -65% 486 $64   $27,635,555 36
Mar 21, 2019 - $18,015 -42% -76% 486 $37   $27,653,570 37
Mar 22, 2019 - $62,610 +248% -43% 328 $191   $27,716,180 38
Mar 23, 2019 - $90,065 +44% -44% 328 $275   $27,806,245 39
Mar 24, 2019 - $44,885 -50% -45% 328 $137   $27,851,130 40
Mar 25, 2019 - $18,145 -60% -43% 328 $55   $27,869,275 41
Mar 26, 2019 - $23,080 +27% -44% 328 $70   $27,892,355 42
Mar 27, 2019 - $16,470 -29% -47% 328 $50   $27,908,825 43
Mar 28, 2019 - $13,235 -20% -27% 328 $40   $27,922,060 44
Mar 29, 2019 - $34,125 +158% -45% 174 $196   $27,956,185 45
Mar 30, 2019 - $44,230 +30% -51% 174 $254   $28,000,415 46
Mar 31, 2019 - $20,805 -53% -54% 174 $120   $28,021,220 47
Apr 1, 2019 - $7,605 -63% -58% 174 $44   $28,028,825 48
Apr 2, 2019 - $9,685 +27% -58% 174 $56   $28,038,510 49
Apr 3, 2019 - $7,675 -21% -53% 174 $44   $28,046,185 50
Apr 4, 2019 - $4,860 -37% -63% 174 $28   $28,051,045 51

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 8, 2019 13 $3,711,500   3,207 $1,157   $3,711,500 1
Feb 15, 2019 5 $12,911,380 +248% 3,207 $4,026   $16,622,880 2
Feb 22, 2019 7 $6,143,730 -52% 3,212 $1,913   $22,766,610 3
Mar 1, 2019 10 $3,160,035 -49% 2,331 $1,356   $25,926,645 4
Mar 8, 2019 13 $1,253,040 -60% 1,098 $1,141   $27,179,685 5
Mar 15, 2019 19 $473,885 -62% 486 $975   $27,653,570 6
Mar 22, 2019 24 $268,490 -43% 328 $819   $27,922,060 7
Mar 29, 2019 28 $128,985 -52% 174 $741   $28,051,045 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 2/14/2019 $194,456 144 165 449 $418,701 4/27/2019
Australia 2/15/2019 $447,757 220 220 628 $980,372 3/28/2019
Austria 2/15/2019 $0 0 56 131 $370,685 4/10/2019
Belgium 2/20/2019 $95,571 41 41 109 $253,981 3/28/2019
Bolivia 2/14/2019 $66,407 21 21 47 $193,794 3/20/2019
Brazil 2/21/2019 $811,108 488 514 1,582 $2,263,951 7/29/2020
Bulgaria 2/15/2019 $44,144 0 16 16 $169,958 4/9/2019
Central America 3/21/2019 $160,513 154 154 234 $263,151 4/18/2019
Chile 2/14/2019 $162,888 71 71 187 $394,079 3/20/2019
Colombia 2/14/2019 $187,217 188 188 344 $422,882 3/20/2019
Cyprus 2/14/2019 $13,449 6 6 18 $24,210 3/8/2019
Czech Republic 3/1/2019 $89,799 96 96 183 $209,049 4/10/2019
Ecuador 2/15/2019 $162,806 46 47 96 $461,516 3/20/2019
Egypt 2/13/2019 $26,912 19 19 40 $52,550 3/8/2019
Estonia 2/15/2019 $29,157 19 19 43 $70,747 4/5/2019
Finland 2/15/2019 $104,446 66 66 179 $285,969 4/5/2019
France 2/13/2019 $972,534 217 217 647 $2,141,698 3/20/2019
Germany 2/14/2019 $941,842 320 381 1,681 $2,454,019 4/24/2019
Greece 2/28/2019 $54,653 42 42 59 $158,619 3/28/2019
Hong Kong 2/28/2019 $314,520 52 52 155 $794,518 4/5/2019
Hungary 2/14/2019 $142,793 39 52 155 $300,948 4/5/2019
Indonesia 2/13/2019 $864,467 297 297 597 $1,360,241 3/8/2019
Israel 2/14/2019 $228,062 26 30 160 $694,223 4/24/2019
Italy 2/28/2019 $628,253 0 97 122 $1,325,634 4/5/2019
Japan 7/12/2019 $68,922 9 9 53 $245,700 9/18/2019
Latvia 2/22/2019 $14,842 10 10 26 $59,407 4/18/2019
Lebanon 2/14/2019 $27,533 16 16 27 $41,914 3/8/2019
Lithuania 2/15/2019 $17,787 93 93 125 $42,940 2/26/2019
Malaysia 2/21/2019 $406,535 139 139 355 $967,929 4/10/2019
Mexico 3/1/2019 $1,165,647 0 322 378 $2,351,292 4/5/2019
Middle East Region 2/14/2019 $379,094 63 63 132 $803,058 3/20/2019
Mongolia 2/22/2019 $17,226 7 7 17 $42,223 3/20/2019
Netherlands 2/15/2019 $194,731 71 71 235 $441,466 3/28/2019
New Zealand 2/14/2019 $74,490 50 51 149 $164,913 3/20/2019
Pakistan 2/15/2019 $7,295 28 28 51 $28,707 3/28/2019
Paraguay 2/14/2019 $32,406 17 17 37 $59,240 3/28/2019
Peru 2/14/2019 $447,146 101 101 241 $1,031,131 3/20/2019
Philippines 2/13/2019 $167,892 141 141 161 $216,164 3/8/2019
Poland 3/1/2019 $105,902 94 94 231 $269,594 4/18/2019
Portugal 2/14/2019 $82,833 37 44 140 $207,519 3/26/2019
Romania 2/14/2019 $53,308 74 74 165 $111,058 3/31/2021
Russia (CIS) 2/28/2019 $1,032,951 955 955 2,525 $2,135,422 4/10/2019
Serbia and Montenegro 2/14/2019 $21,538 35 44 91 $47,480 3/28/2019
Singapore 2/21/2019 $188,414 32 32 75 $419,627 12/16/2020
Slovakia 3/1/2019 $59,788 66 66 123 $126,230 4/5/2019
Slovenia 2/14/2019 $13,083 12 12 40 $37,722 4/10/2019
South Korea 2/14/2019 $1,645,085 657 657 1,014 $3,023,315 3/29/2019
Spain 2/15/2019 $499,099 214 248 978 $1,496,561 4/10/2019
Sweden 2/15/2019 $190,614 92 92 192 $307,310 4/5/2019
Switzerland 2/13/2019 $120,223 36 41 138 $394,464 5/23/2019
Taiwan 2/15/2019 $468,799 98 98 314 $898,117 3/20/2019
Thailand 2/28/2019 $165,369 108 108 108 $165,369 3/8/2019
Trinidad 2/27/2019 $11,915 14 14 18 $24,093 3/20/2019
Turkey 2/22/2019 $166,834 249 249 628 $407,306 3/21/2019
Ukraine 2/14/2019 $259,291 163 163 392 $447,122 11/6/2019
United Arab Emirates 2/14/2019 $205,860 50 50 84 $353,211 3/8/2019
United Kingdom 2/14/2019 $945,557 436 436 1,178 $1,979,075 4/5/2019
Uruguay 2/14/2019 $20,882 15 15 36 $50,571 3/20/2019
Venezuela 2/15/2019 $29,790 66 66 66 $86,296 4/10/2019
Vietnam 2/15/2019 $264,344 175 175 400 $695,456 3/8/2019
 
Rest of World $293,888
 
International Total$36,538,385 3/31/2021

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,401-2,500) 2,460 $36,538,385
All Time International Sequel Box Office (Rank 501-600) 554 $36,538,385
Top 2019 Movies at the International Box Office (Rank 101-200) 108 $36,538,385
All Time International Box Office for Original Screenplay Movies (Rank 1,101-1,200) 1,184 $36,538,385
All Time International Box Office for Live Action Movies (Rank 1,901-2,000) 1,977 $36,538,385
All Time International Box Office for Contemporary Fiction Movies (Rank 1,101-1,200) 1,113 $36,538,385
All Time International Box Office for Thriller/Suspense Movies (Rank 201-300) 211 $36,538,385
All Time International Box Office for PG-13 Movies (Rank 801-900) 857 $36,538,385
All Time International Box Office for Universal Movies (Rank 201-300) 252 $36,538,385

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 2,501-2,600) 2,574 $64,686,515
All Time Worldwide Sequel Box Office (Rank 501-600) 564 $64,686,515
Top 2019 Movies at the Worldwide Box Office 97 $64,686,515
All Time Worldwide Box Office for Original Screenplay Movies (Rank 1,201-1,300) 1,233 $64,686,515
All Time Worldwide Box Office for Live Action Movies (Rank 2,101-2,200) 2,129 $64,686,515
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,201-1,300) 1,214 $64,686,515
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 201-300) 226 $64,686,515
All Time Worldwide Box Office for PG-13 Movies (Rank 901-1,000) 956 $64,686,515
All Time Worldwide Box Office for Universal Movies (Rank 301-400) 313 $64,686,515

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 19, 2019814,713 14,713$264,245$264,2453

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 19, 2019627,075 27,075$621,638$621,6383

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jessica Rothe    Tree Gelbman

Supporting Cast

Israel Broussard    Carter Davis
Suraj Sharma    Samar Ghosh
Steve Zissis    Dean Bronson
Phi Vu    Ryan Phan
Sarah Yarkin    Dre Morgan
Rachel Matthews    Danielle Bouseman
Ruby Modine    Lori Spengler
Charles Aitken    Gregory Butler
Laura Clifton    Stephanie Butler
Missy Yager    Julie Gelbman
Jason Bayle    David Gelbman
Caleb Spillyards    Tim Bauer
Jimmy Gonzales    Police Officer
Peter Jaymes Jr    Police Officer
Rob Mello    John Tombs
Kenneth Israel    Dr. Parker
James Evermore    Homeless Man
Johnny Ballance    Angry Student
Tenea Intriago    Student Protestor
Lindsey Smith    Waitress
Tran Tran    Emily
Gigi Erneta    Reporter
Blaine Kern    Nick Sims
Brenda Currin    Old Lady
Cariella Smith    Becky Shepard
Brady Edwin Lewis*    Frat Brother
Wendy Miklovic    New Nurse
Ramsey Anderson    Keith Lumbly
Brent Henry    Skydiving Instructor
Sylvia Grace Crim    MRI Technician
Andy Dylan    Babyface Killer
Preston Schrag    Exhausted Frat Brother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Christopher Landon    Director
Christopher Landon    Screenwriter
Scott Lobdell    Character Creator
Jason Blum    Producer
Angela Mancuso    Executive Producer
John Baldecchi    Executive Producer
Samson Mucke    Executive Producer
Beatriz Sequeira    Co-Producer
Ryan Turek    Co-Producer
Toby Oliver    Director of Photography
Bill Boes    Production Designer
Ben Baudhuin    Editor
Bear McCreary    Composer
Andrea von Foerster    Music Supervisor
Whitney Anne Adams    Costume Designer
Terri Taylor    Casting Director
Sarah Domeier Lindo*    Casting Director
Jennifer Scudder Trent    Co-Producer
Samson Mucke    Unit Production Manager
Fernando Altschul    First Assistant Director
Joe May    Second Assistant Director
Erin Vitali    Associate Producer
Nancy Kirhoffer    Post-Production Supervisor
Jason Stewart    Art Director
Andrew Bofinger    Set Decorator
Adele Plauche    Set Designer
Robert C. Bigelow    Sound Mixer
David K. Nami*    Special Effects Coordinator
Amy Gavel    Costume Supervisor
Ashley Levy    Make up
Margeaux Fox    Hairstylist
Marta Goldstein    Script Supervisor
Lorna Street Dopson    Script Supervisor
Lisa Latter    Location Manager
Chris Welcker    Sound Mixer
Annette Farnsworth-Ryder    Costume Supervisor
Dee Leveque    Hairstylist
Jesus Rosales    Assistant Editor
Derek Larsen    Second Assistant Editor
Trevor Gates    Supervising Sound Editor
Jonathan Wales    Re-recording Mixer
Jason Dotts    Supervising Dialogue/ADR Editor
Paul Knox    Sound Effects Editor
Michael Baird    Dialogue Editor
Diego Staub    Foley Mixer
Kevin Aragunde    Foley Mixer
Oliver Taylor    Visual Effects Supervisor
Scott Michael Smith    Score Mixer
Bernd Mazagg    Score Recordist
Michael Baber*    Music Editor
Jason Akers    Additional Music
Omer Ben-Zvi    Additional Music
Sam Ewing    Additional Music
Kevin Lax    Additional Music
Mark Rayner    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 14th, 2019

May 15th, 2019

Fighting With My Family

It’s another weak week on the home market. The biggest release of the week is Fighting With My Family, which is also one of the best. The other contenders for Pick of the Week are a documentary, Apollo 11; a classic collection, The Buster Keaton Collection: Volume 1; and a foreign-language import, Princess Mononoke. They are all worth owning, but they all have issues as well. The last two releases are double-dips, while the first two don’t have a ton of extras. In the end, I went with Fighting With My Family as the Pick of the Week, because it has the best combination of movie quality and extras without being a double-dip. More...

Home Market Releases for April 30, 2019

April 30th, 2019

Police Story Double-Feature

The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week. More...

Weekend Wrap-Up: Dragons Breath Fire and Life into the Box Office

February 26th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World not only led the way over the weekend, it had the fastest start of the year so far. This helped the overall box office grow to $127 million. This is 4.3% higher than last weekend, which might not seem impressive, but this is a post-holiday weekend and we usually see a substantial drop-off. On the other hand, this is still 34% lower than this weekend last year, as Black Panther’s sophomore stint was almost exactly double The Hidden World’s debut. This left 2019 even further behind 2018 and the gap is now 25% or $460 million at $1.36 billion to $1.82 billion. More...

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Estimates: Alita Wins Battle for Top Spot, but Production Budget is Winning the War

February 17th, 2019

Alita: Battle Angel

Alita: Battle Angel is topping the weekend chart with an estimated $27.8 million over the three-day weekend and $33.0 million over four. Adding in Thursday’s result gives us a total opening of $41.7 million, which is more than we predicted and we were already a little more bullish than most. Its reviews were bouncing above then sinking below the overall positive level throughout the week, but they seem to have settled on the south side at 58% positive. We won’t get the CinemaScore until Monday, but I suspect it will be substantially better than this and be in the B plus / A minus range. We don’t have solid numbers for its international weekend, but estimates have it in the $40 million range during its second weekend of release. This would have been a great run so far, had the film not cost so much to make. More...

Friday Estimates: Alita Battles it’s Way to the Top

February 16th, 2019

Alita: Battle Angel

Alita: Battle Angel started strong on Thursday with $8.72 million and held on well on Friday down just 14% to $7.53 million. Granted, this was the worst decline of the three new releases, but it was also the only one to open on Thursday, so I think this is a strong showing. The reviews remain right on the edge of the overall positive level, so it should have acceptable legs. Look for between $25 million and $26 million over the three-day weekend and $30 million over four. This would be a good start, if the film cost $100 million to make. However, with a budget between $160 million and $170 million, depending on tax breaks, even getting to $100 million domestically will just be saving face. More...

Weekend Predictions: Will there be a Lot of Love At the Box Office this week?

February 14th, 2019

Alita: Battle Angel

It’s a very odd weekend at the box office. Not only is it a long weekend with most people having Monday off, but Valentine’s Day is Thursday and two of the three wide releases opened on Wednesday. The biggest new release is Alita: Battle Angel, but the film reportedly cost as much as $200 million to make and there’s a chance it will open with less than $20 million over the three-day portion of the weekend. Isn’t It Romantic should get the biggest boost thanks to Valentine’s Day. Meanwhile, Happy Death Day 2U is hoping to top the original. As for this weekend last year, it was the weekend Black Panther debuted. 2019 is going to get destroyed at the year-over-year comparison, again. If it loses by less than 50%, I will be happy. That’s how bad things have gotten. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Happy Death Day 2U Trailer

January 10th, 2019

Horror movie starring Jessica Rothe opens on February 14 ... Full Movie Details.

Our hero Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Our hero Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead.

Metrics

Opening Weekend:$9,497,665 (33.7% of total gross)
Legs:2.96 (domestic box office/biggest weekend)
Domestic Share:43.5% (domestic box office/worldwide)
Production Budget:$9,000,000 (worldwide box office is 7.2 times production budget)
Theater counts:3,207 opening theaters/3,212 max. theaters, 3.4 weeks average run per theater
Infl. Adj. Dom. BO $33,126,293

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,101-3,200) 3,102 $28,148,130
All Time International Box Office (Rank 2,401-2,500) 2,460 $36,538,385
All Time Worldwide Box Office (Rank 2,501-2,600) 2,574 $64,686,515

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 13th, 2019 (Wide) by Universal
International Releases: February 13th, 2019 (Wide) (Egypt)
February 13th, 2019 (Wide) (France)
February 13th, 2019 (Wide) (Indonesia)
February 13th, 2019 (Wide) (Philippines)
February 13th, 2019 (Wide) (Switzerland)
... Show all releases
Video Release: April 30th, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for violence, language, sexual material and thematic elements.
(Rating bulletin 2557 (Cert #51949), 12/12/2018)
Running Time: 100 minutes
Franchise: Happy Death Day
Comparisons: vs. The Strangers
Create your own comparison chart…
Keywords: Scientific Experiment Gone Awry, Infidelity, Time Travel, Murder Mystery, One Day, Revenge, Horror Comedy, Surprise Twist
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Universal Pictures, Dentsu Inc., Fuji Television Network
Production Countries: Japan, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Washington's Birthday (All Movies, 3-Day) 129 $9,497,665 Feb 15, 2019 5
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 212 $11,441,725 Feb 15, 2019 5
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 113 $11,006,695 Feb 15, 2019 5
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 139 $13,259,635 Feb 15, 2019 5
Washington's Birthday (Opening, 3-Day) 75 $9,497,665 Feb 15, 2019 5
Washington's Birthday (Opening, 3-Day, Inflation Adjusted) 102 $11,441,725 Feb 15, 2019 5
Washington's Birthday (Opening, 4-Day, Fri-Mon) 66 $11,006,695 Feb 15, 2019 5
Washington's Birthday (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 72 $13,259,635 Feb 15, 2019 5

Leading Cast

Jessica Rothe    Tree Gelbman

Supporting Cast

Israel Broussard    Carter Davis
Suraj Sharma    Samar Ghosh
Steve Zissis    Dean Bronson
Phi Vu    Ryan Phan
Sarah Yarkin    Dre Morgan
Rachel Matthews    Danielle Bouseman
Ruby Modine    Lori Spengler
Charles Aitken    Gregory Butler
Laura Clifton    Stephanie Butler
Missy Yager    Julie Gelbman
Jason Bayle    David Gelbman
Caleb Spillyards    Tim Bauer
Jimmy Gonzales    Police Officer
Peter Jaymes Jr    Police Officer
Rob Mello    John Tombs
Kenneth Israel    Dr. Parker
James Evermore    Homeless Man
Johnny Ballance    Angry Student
Tenea Intriago    Student Protestor
Lindsey Smith    Waitress
Tran Tran    Emily
Gigi Erneta    Reporter
Blaine Kern    Nick Sims
Brenda Currin    Old Lady
Cariella Smith    Becky Shepard
Brady Edwin Lewis*    Frat Brother
Wendy Miklovic    New Nurse
Ramsey Anderson    Keith Lumbly
Brent Henry    Skydiving Instructor
Sylvia Grace Crim    MRI Technician
Andy Dylan    Babyface Killer
Preston Schrag    Exhausted Frat Brother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Christopher Landon    Director
Christopher Landon    Screenwriter
Scott Lobdell    Character Creator
Jason Blum    Producer
Angela Mancuso    Executive Producer
John Baldecchi    Executive Producer
Samson Mucke    Executive Producer
Beatriz Sequeira    Co-Producer
Ryan Turek    Co-Producer
Toby Oliver    Director of Photography
Bill Boes    Production Designer
Ben Baudhuin    Editor
Bear McCreary    Composer
Andrea von Foerster    Music Supervisor
Whitney Anne Adams    Costume Designer
Terri Taylor    Casting Director
Sarah Domeier Lindo*    Casting Director
Jennifer Scudder Trent    Co-Producer
Samson Mucke    Unit Production Manager
Fernando Altschul    First Assistant Director
Joe May    Second Assistant Director
Erin Vitali    Associate Producer
Nancy Kirhoffer    Post-Production Supervisor
Jason Stewart    Art Director
Andrew Bofinger    Set Decorator
Adele Plauche    Set Designer
Robert C. Bigelow    Sound Mixer
David K. Nami*    Special Effects Coordinator
Amy Gavel    Costume Supervisor
Ashley Levy    Make up
Margeaux Fox    Hairstylist
Marta Goldstein    Script Supervisor
Lorna Street Dopson    Script Supervisor
Lisa Latter    Location Manager
Chris Welcker    Sound Mixer
Annette Farnsworth-Ryder    Costume Supervisor
Dee Leveque    Hairstylist
Jesus Rosales    Assistant Editor
Derek Larsen    Second Assistant Editor
Trevor Gates    Supervising Sound Editor
Jonathan Wales    Re-recording Mixer
Jason Dotts    Supervising Dialogue/ADR Editor
Paul Knox    Sound Effects Editor
Michael Baird    Dialogue Editor
Diego Staub    Foley Mixer
Kevin Aragunde    Foley Mixer
Oliver Taylor    Visual Effects Supervisor
Scott Michael Smith    Score Mixer
Bernd Mazagg    Score Recordist
Michael Baber*    Music Editor
Jason Akers    Additional Music
Omer Ben-Zvi    Additional Music
Sam Ewing    Additional Music
Kevin Lax    Additional Music
Mark Rayner    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 14th, 2019

May 15th, 2019

Fighting With My Family

It’s another weak week on the home market. The biggest release of the week is Fighting With My Family, which is also one of the best. The other contenders for Pick of the Week are a documentary, Apollo 11; a classic collection, The Buster Keaton Collection: Volume 1; and a foreign-language import, Princess Mononoke. They are all worth owning, but they all have issues as well. The last two releases are double-dips, while the first two don’t have a ton of extras. In the end, I went with Fighting With My Family as the Pick of the Week, because it has the best combination of movie quality and extras without being a double-dip. More...

Home Market Releases for April 30, 2019

April 30th, 2019

Police Story Double-Feature

The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week. More...

Weekend Wrap-Up: Dragons Breath Fire and Life into the Box Office

February 26th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World not only led the way over the weekend, it had the fastest start of the year so far. This helped the overall box office grow to $127 million. This is 4.3% higher than last weekend, which might not seem impressive, but this is a post-holiday weekend and we usually see a substantial drop-off. On the other hand, this is still 34% lower than this weekend last year, as Black Panther’s sophomore stint was almost exactly double The Hidden World’s debut. This left 2019 even further behind 2018 and the gap is now 25% or $460 million at $1.36 billion to $1.82 billion. More...

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Estimates: Alita Wins Battle for Top Spot, but Production Budget is Winning the War

February 17th, 2019

Alita: Battle Angel

Alita: Battle Angel is topping the weekend chart with an estimated $27.8 million over the three-day weekend and $33.0 million over four. Adding in Thursday’s result gives us a total opening of $41.7 million, which is more than we predicted and we were already a little more bullish than most. Its reviews were bouncing above then sinking below the overall positive level throughout the week, but they seem to have settled on the south side at 58% positive. We won’t get the CinemaScore until Monday, but I suspect it will be substantially better than this and be in the B plus / A minus range. We don’t have solid numbers for its international weekend, but estimates have it in the $40 million range during its second weekend of release. This would have been a great run so far, had the film not cost so much to make. More...

Friday Estimates: Alita Battles it’s Way to the Top

February 16th, 2019

Alita: Battle Angel

Alita: Battle Angel started strong on Thursday with $8.72 million and held on well on Friday down just 14% to $7.53 million. Granted, this was the worst decline of the three new releases, but it was also the only one to open on Thursday, so I think this is a strong showing. The reviews remain right on the edge of the overall positive level, so it should have acceptable legs. Look for between $25 million and $26 million over the three-day weekend and $30 million over four. This would be a good start, if the film cost $100 million to make. However, with a budget between $160 million and $170 million, depending on tax breaks, even getting to $100 million domestically will just be saving face. More...

Weekend Predictions: Will there be a Lot of Love At the Box Office this week?

February 14th, 2019

Alita: Battle Angel

It’s a very odd weekend at the box office. Not only is it a long weekend with most people having Monday off, but Valentine’s Day is Thursday and two of the three wide releases opened on Wednesday. The biggest new release is Alita: Battle Angel, but the film reportedly cost as much as $200 million to make and there’s a chance it will open with less than $20 million over the three-day portion of the weekend. Isn’t It Romantic should get the biggest boost thanks to Valentine’s Day. Meanwhile, Happy Death Day 2U is hoping to top the original. As for this weekend last year, it was the weekend Black Panther debuted. 2019 is going to get destroyed at the year-over-year comparison, again. If it loses by less than 50%, I will be happy. That’s how bad things have gotten. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Happy Death Day 2U Trailer

January 10th, 2019

Horror movie starring Jessica Rothe opens on February 14 ... Full Movie Details.

Our hero Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,101-3,200) 3,102 $28,148,130
All Time Domestic Inflation Adjusted Box Office (Rank 4,001-4,100) 4,026 $33,126,293
All Time Domestic Sequel Box Office (Rank 501-600) 573 $28,148,130
Top 2019 Movies at the Domestic Box Office 85 $28,148,130
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,501-1,600) 1,504 $28,148,130
All Time Domestic Box Office for Live Action Movies (Rank 2,601-2,700) 2,676 $28,148,130
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,501-1,600) 1,590 $28,148,130
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 201-300) 287 $28,148,130
All Time Domestic Box Office for PG-13 Movies (Rank 1,101-1,200) 1,186 $28,148,130
All Time Domestic Box Office for Universal Movies (Rank 401-500) 406 $28,148,130

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 15, 2019 5 $9,497,665   3,207 $2,962   $13,209,165 1
Feb 22, 2019 7 $4,888,785 -49% 3,212 $1,522   $21,511,665 2
Mar 1, 2019 10 $2,456,240 -50% 2,331 $1,054   $25,222,850 3
Mar 8, 2019 13 $870,650 -65% 1,098 $793   $26,797,295 4
Mar 15, 2019 19 $351,765 -60% 486 $724   $27,531,450 5
Mar 22, 2019 24 $197,560 -44% 328 $602   $27,851,130 6
Mar 29, 2019 27 $99,160 -50% 174 $570   $28,021,220 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 13, 2019 3 $980,110     3,207 $306   $980,110 1
Feb 14, 2019 4 $2,731,390 +179%   3,207 $852   $3,711,500 2
Feb 15, 2019 5 $2,837,615 +4%   3,207 $885   $6,549,115 3
Feb 16, 2019 5 $3,978,050 +40%   3,207 $1,240   $10,527,165 4
Feb 17, 2019 5 $2,682,000 -33%   3,207 $836   $13,209,165 5
Feb 18, 2019 5 $1,509,030 -44%   3,207 $471   $14,718,195 6
Feb 19, 2019 5 $868,180 -42%   3,207 $271   $15,586,375 7
Feb 20, 2019 5 $502,950 -42% -49% 3,207 $157   $16,089,325 8
Feb 21, 2019 5 $533,555 +6% -80% 3,207 $166   $16,622,880 9
Feb 22, 2019 7 $1,450,640 +172% -49% 3,212 $452   $18,073,520 10
Feb 23, 2019 7 $2,281,805 +57% -43% 3,212 $710   $20,355,325 11
Feb 24, 2019 7 $1,156,340 -49% -57% 3,212 $360   $21,511,665 12
Feb 25, 2019 8 $271,740 -76% -82% 3,212 $85   $21,783,405 13
Feb 26, 2019 9 $433,875 +60% -50% 3,212 $135   $22,217,280 14
Feb 27, 2019 8 $274,240 -37% -45% 3,212 $85   $22,491,520 15
Feb 28, 2019 8 $275,090 n/c -48% 3,212 $86   $22,766,610 16
Mar 1, 2019 10 $703,285 +156% -52% 2,331 $302   $23,469,895 17
Mar 2, 2019 10 $1,178,245 +68% -48% 2,331 $505   $24,648,140 18
Mar 3, 2019 11 $574,710 -51% -50% 2,331 $247   $25,222,850 19
Mar 4, 2019 13 $181,095 -68% -33% 2,331 $78   $25,403,945 20
Mar 5, 2019 13 $253,050 +40% -42% 2,331 $109   $25,656,995 21
Mar 6, 2019 14 $166,205 -34% -39% 2,331 $71   $25,823,200 22
Mar 7, 2019 15 $103,445 -38% -62% 2,331 $44   $25,926,645 23
Mar 8, 2019 13 $244,510 +136% -65% 1,098 $223   $26,171,155 24
Mar 9, 2019 13 $411,050 +68% -65% 1,098 $374   $26,582,205 25
Mar 10, 2019 13 $215,090 -48% -63% 1,098 $196   $26,797,295 26
Mar 11, 2019 13 $93,035 -57% -49% 1,098 $85   $26,890,330 27
Mar 12, 2019 13 $127,220 +37% -50% 1,098 $116   $27,017,550 28
Mar 13, 2019 14 $87,775 -31% -47% 1,098 $80   $27,105,325 29
Mar 14, 2019 14 $74,360 -15% -28% 1,098 $68   $27,179,685 30
Mar 15, 2019 - $110,080 +48% -55% 486 $227   $27,289,765 31
Mar 16, 2019 - $160,395 +46% -61% 486 $330   $27,450,160 32
Mar 17, 2019 - $81,290 -49% -62% 486 $167   $27,531,450 33
Mar 18, 2019 - $31,745 -61% -66% 486 $65   $27,563,195 34
Mar 19, 2019 - $41,480 +31% -67% 486 $85   $27,604,675 35
Mar 20, 2019 - $30,880 -26% -65% 486 $64   $27,635,555 36
Mar 21, 2019 - $18,015 -42% -76% 486 $37   $27,653,570 37
Mar 22, 2019 - $62,610 +248% -43% 328 $191   $27,716,180 38
Mar 23, 2019 - $90,065 +44% -44% 328 $275   $27,806,245 39
Mar 24, 2019 - $44,885 -50% -45% 328 $137   $27,851,130 40
Mar 25, 2019 - $18,145 -60% -43% 328 $55   $27,869,275 41
Mar 26, 2019 - $23,080 +27% -44% 328 $70   $27,892,355 42
Mar 27, 2019 - $16,470 -29% -47% 328 $50   $27,908,825 43
Mar 28, 2019 - $13,235 -20% -27% 328 $40   $27,922,060 44
Mar 29, 2019 - $34,125 +158% -45% 174 $196   $27,956,185 45
Mar 30, 2019 - $44,230 +30% -51% 174 $254   $28,000,415 46
Mar 31, 2019 - $20,805 -53% -54% 174 $120   $28,021,220 47
Apr 1, 2019 - $7,605 -63% -58% 174 $44   $28,028,825 48
Apr 2, 2019 - $9,685 +27% -58% 174 $56   $28,038,510 49
Apr 3, 2019 - $7,675 -21% -53% 174 $44   $28,046,185 50
Apr 4, 2019 - $4,860 -37% -63% 174 $28   $28,051,045 51

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 8, 2019 13 $3,711,500   3,207 $1,157   $3,711,500 1
Feb 15, 2019 5 $12,911,380 +248% 3,207 $4,026   $16,622,880 2
Feb 22, 2019 7 $6,143,730 -52% 3,212 $1,913   $22,766,610 3
Mar 1, 2019 10 $3,160,035 -49% 2,331 $1,356   $25,926,645 4
Mar 8, 2019 13 $1,253,040 -60% 1,098 $1,141   $27,179,685 5
Mar 15, 2019 19 $473,885 -62% 486 $975   $27,653,570 6
Mar 22, 2019 24 $268,490 -43% 328 $819   $27,922,060 7
Mar 29, 2019 28 $128,985 -52% 174 $741   $28,051,045 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 2/14/2019 $194,456 144 165 449 $418,701 4/27/2019
Australia 2/15/2019 $447,757 220 220 628 $980,372 3/28/2019
Austria 2/15/2019 $0 0 56 131 $370,685 4/10/2019
Belgium 2/20/2019 $95,571 41 41 109 $253,981 3/28/2019
Bolivia 2/14/2019 $66,407 21 21 47 $193,794 3/20/2019
Brazil 2/21/2019 $811,108 488 514 1,582 $2,263,951 7/29/2020
Bulgaria 2/15/2019 $44,144 0 16 16 $169,958 4/9/2019
Central America 3/21/2019 $160,513 154 154 234 $263,151 4/18/2019
Chile 2/14/2019 $162,888 71 71 187 $394,079 3/20/2019
Colombia 2/14/2019 $187,217 188 188 344 $422,882 3/20/2019
Cyprus 2/14/2019 $13,449 6 6 18 $24,210 3/8/2019
Czech Republic 3/1/2019 $89,799 96 96 183 $209,049 4/10/2019
Ecuador 2/15/2019 $162,806 46 47 96 $461,516 3/20/2019
Egypt 2/13/2019 $26,912 19 19 40 $52,550 3/8/2019
Estonia 2/15/2019 $29,157 19 19 43 $70,747 4/5/2019
Finland 2/15/2019 $104,446 66 66 179 $285,969 4/5/2019
France 2/13/2019 $972,534 217 217 647 $2,141,698 3/20/2019
Germany 2/14/2019 $941,842 320 381 1,681 $2,454,019 4/24/2019
Greece 2/28/2019 $54,653 42 42 59 $158,619 3/28/2019
Hong Kong 2/28/2019 $314,520 52 52 155 $794,518 4/5/2019
Hungary 2/14/2019 $142,793 39 52 155 $300,948 4/5/2019
Indonesia 2/13/2019 $864,467 297 297 597 $1,360,241 3/8/2019
Israel 2/14/2019 $228,062 26 30 160 $694,223 4/24/2019
Italy 2/28/2019 $628,253 0 97 122 $1,325,634 4/5/2019
Japan 7/12/2019 $68,922 9 9 53 $245,700 9/18/2019
Latvia 2/22/2019 $14,842 10 10 26 $59,407 4/18/2019
Lebanon 2/14/2019 $27,533 16 16 27 $41,914 3/8/2019
Lithuania 2/15/2019 $17,787 93 93 125 $42,940 2/26/2019
Malaysia 2/21/2019 $406,535 139 139 355 $967,929 4/10/2019
Mexico 3/1/2019 $1,165,647 0 322 378 $2,351,292 4/5/2019
Middle East Region 2/14/2019 $379,094 63 63 132 $803,058 3/20/2019
Mongolia 2/22/2019 $17,226 7 7 17 $42,223 3/20/2019
Netherlands 2/15/2019 $194,731 71 71 235 $441,466 3/28/2019
New Zealand 2/14/2019 $74,490 50 51 149 $164,913 3/20/2019
Pakistan 2/15/2019 $7,295 28 28 51 $28,707 3/28/2019
Paraguay 2/14/2019 $32,406 17 17 37 $59,240 3/28/2019
Peru 2/14/2019 $447,146 101 101 241 $1,031,131 3/20/2019
Philippines 2/13/2019 $167,892 141 141 161 $216,164 3/8/2019
Poland 3/1/2019 $105,902 94 94 231 $269,594 4/18/2019
Portugal 2/14/2019 $82,833 37 44 140 $207,519 3/26/2019
Romania 2/14/2019 $53,308 74 74 165 $111,058 3/31/2021
Russia (CIS) 2/28/2019 $1,032,951 955 955 2,525 $2,135,422 4/10/2019
Serbia and Montenegro 2/14/2019 $21,538 35 44 91 $47,480 3/28/2019
Singapore 2/21/2019 $188,414 32 32 75 $419,627 12/16/2020
Slovakia 3/1/2019 $59,788 66 66 123 $126,230 4/5/2019
Slovenia 2/14/2019 $13,083 12 12 40 $37,722 4/10/2019
South Korea 2/14/2019 $1,645,085 657 657 1,014 $3,023,315 3/29/2019
Spain 2/15/2019 $499,099 214 248 978 $1,496,561 4/10/2019
Sweden 2/15/2019 $190,614 92 92 192 $307,310 4/5/2019
Switzerland 2/13/2019 $120,223 36 41 138 $394,464 5/23/2019
Taiwan 2/15/2019 $468,799 98 98 314 $898,117 3/20/2019
Thailand 2/28/2019 $165,369 108 108 108 $165,369 3/8/2019
Trinidad 2/27/2019 $11,915 14 14 18 $24,093 3/20/2019
Turkey 2/22/2019 $166,834 249 249 628 $407,306 3/21/2019
Ukraine 2/14/2019 $259,291 163 163 392 $447,122 11/6/2019
United Arab Emirates 2/14/2019 $205,860 50 50 84 $353,211 3/8/2019
United Kingdom 2/14/2019 $945,557 436 436 1,178 $1,979,075 4/5/2019
Uruguay 2/14/2019 $20,882 15 15 36 $50,571 3/20/2019
Venezuela 2/15/2019 $29,790 66 66 66 $86,296 4/10/2019
Vietnam 2/15/2019 $264,344 175 175 400 $695,456 3/8/2019
 
Rest of World $293,888
 
International Total$36,538,385 3/31/2021

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,401-2,500) 2,460 $36,538,385
All Time International Sequel Box Office (Rank 501-600) 554 $36,538,385
Top 2019 Movies at the International Box Office (Rank 101-200) 108 $36,538,385
All Time International Box Office for Original Screenplay Movies (Rank 1,101-1,200) 1,184 $36,538,385
All Time International Box Office for Live Action Movies (Rank 1,901-2,000) 1,977 $36,538,385
All Time International Box Office for Contemporary Fiction Movies (Rank 1,101-1,200) 1,113 $36,538,385
All Time International Box Office for Thriller/Suspense Movies (Rank 201-300) 211 $36,538,385
All Time International Box Office for PG-13 Movies (Rank 801-900) 857 $36,538,385
All Time International Box Office for Universal Movies (Rank 201-300) 252 $36,538,385

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 2,501-2,600) 2,574 $64,686,515
All Time Worldwide Sequel Box Office (Rank 501-600) 564 $64,686,515
Top 2019 Movies at the Worldwide Box Office 97 $64,686,515
All Time Worldwide Box Office for Original Screenplay Movies (Rank 1,201-1,300) 1,233 $64,686,515
All Time Worldwide Box Office for Live Action Movies (Rank 2,101-2,200) 2,129 $64,686,515
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,201-1,300) 1,214 $64,686,515
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 201-300) 226 $64,686,515
All Time Worldwide Box Office for PG-13 Movies (Rank 901-1,000) 956 $64,686,515
All Time Worldwide Box Office for Universal Movies (Rank 301-400) 313 $64,686,515

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 19, 2019814,713 14,713$264,245$264,2453

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 19, 2019627,075 27,075$621,638$621,6383

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.