Happy End (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $293,163 | Details |
| International Box Office | $2,077,764 | Details |
| Worldwide Box Office | $2,370,927 | |
| OpusData ID: 294030100 More info... | ||
| Further financial details... | ||
Synopsis
“All around us, the world, and we, in its midst, blind.” A snapshot from the life of a bourgeois European family.
Metrics
| Opening Weekend: | $23,091 (7.9% of total gross) |
| Legs: | 9.64 (domestic box office/biggest weekend) |
| Domestic Share: | 12.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/20 max. theaters, 7.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $386,177 |
Movie Details
| Domestic Releases: | December 22nd, 2017 (Limited) by Sony Pictures Classics |
| International Releases: | October 6th, 2017 (Wide) (France)
October 13th, 2017 (Wide), released as Mutlu Son (Turkey) November 17th, 2017 (Wide) (Netherlands) November 30th, 2017 (Wide) (Italy) December 1st, 2017 (Wide) (United Kingdom) ... Show all releases |
| MPA Rating: | R for some sexual material and language. (Rating bulletin 2481 (Cert #51115), 6/21/2017) |
| Running Time: | 107 minutes |
| Geographical setting: | France |
| Plot point: | Autumn Years, Dysfunctional Family, Family Secrets, Faulty Memory, Infidelity, Refugee, Suicide Attempt, Wheelchair User |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Les Films du Losange, X Filme Creative Pool, WEGA Film, Arte France Cinema, France 3 Cinema, Westdeutscher Rundfunk, Bayerischer Rundfunk, Arte, ARTE France, France Television, Canal Plus, Cine Plus, ORF |
| Production Countries: | France, Germany, Austria |
| Languages: | French, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2017 | 32 | $23,091 | 3 | $7,697 | $23,091 | 1 | |
| Dec 29, 2017 | 42 | $18,450 | -20% | 3 | $6,150 | $63,109 | 2 |
| Jan 5, 2018 | 48 | $13,699 | -26% | 6 | $2,283 | $83,292 | 3 |
| Jan 12, 2018 | 40 | $29,900 | +118% | 11 | $2,718 | $123,395 | 4 |
| Jan 19, 2018 | 42 | $30,403 | +2% | 18 | $1,689 | $161,783 | 5 |
| Jan 26, 2018 | 47 | $21,008 | -31% | 14 | $1,501 | $197,697 | 6 |
| Feb 2, 2018 | 50 | $13,709 | -35% | 15 | $914 | $221,665 | 7 |
| Feb 9, 2018 | 54 | $15,406 | +12% | 20 | $770 | $245,037 | 8 |
| Feb 16, 2018 | 56 | $12,550 | -19% | 16 | $784 | $265,404 | 9 |
| Feb 23, 2018 | 65 | $6,976 | -44% | 18 | $388 | $277,964 | 10 |
| Mar 2, 2018 | 76 | $2,776 | -60% | 13 | $214 | $285,532 | 11 |
| Mar 9, 2018 | 68 | $4,530 | +63% | 14 | $324 | $293,163 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2017 | 41 | $44,659 | 3 | $14,886 | $44,659 | 1 | |
| Dec 29, 2017 | 45 | $24,934 | -44% | 3 | $8,311 | $69,593 | 2 |
| Jan 5, 2018 | 46 | $23,902 | -4% | 6 | $3,984 | $93,495 | 3 |
| Jan 12, 2018 | 43 | $37,885 | +59% | 11 | $3,444 | $131,380 | 4 |
| Jan 19, 2018 | 44 | $45,309 | +20% | 18 | $2,517 | $176,689 | 5 |
| Jan 26, 2018 | 46 | $31,267 | -31% | 14 | $2,233 | $207,956 | 6 |
| Feb 2, 2018 | 51 | $21,675 | -31% | 15 | $1,445 | $229,631 | 7 |
| Feb 9, 2018 | 52 | $23,223 | +7% | 20 | $1,161 | $252,854 | 8 |
| Feb 16, 2018 | 57 | $18,134 | -22% | 16 | $1,133 | $270,988 | 9 |
| Feb 23, 2018 | 66 | $11,768 | -35% | 18 | $654 | $282,756 | 10 |
| Mar 2, 2018 | 70 | $5,877 | -50% | 13 | $452 | $288,633 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/9/2018 | $25,315 | 20 | 1 | 68 | $131,220 | 4/4/2026 | |||
| France | 10/6/2017 | $282,044 | 0 | 0 | 0 | $563,059 | 9/23/2018 | |||
| Italy | 11/30/2017 | $161,195 | 0 | 0 | 0 | $275,618 | 12/11/2017 | |||
| Lithuania | 2/9/2018 | $2,958 | 14 | 14 | 26 | $5,913 | 3/19/2018 | |||
| Mexico | 7/5/2018 | $52,451 | 0 | 0 | 0 | $58,745 | 7/10/2018 | |||
| Netherlands | 11/17/2017 | $75,267 | 32 | 51 | 193 | $338,429 | 12/20/2017 | |||
| New Zealand | 2/9/2018 | $1,722 | 3 | 4 | 7 | $37,860 | 2/19/2018 | |||
| Portugal | 7/27/2018 | $3,777 | 2 | 3 | 14 | $21,864 | 9/11/2018 | |||
| Russia (CIS) | 1/25/2018 | $55,535 | 137 | 137 | 137 | $117,883 | 1/1/2019 | |||
| South Korea | 6/20/2019 | $8,649 | 35 | 35 | 66 | $50,017 | 7/11/2019 | |||
| Spain | 7/20/2018 | $82,254 | 55 | 63 | 191 | $255,183 | 8/19/2018 | |||
| Turkey | 10/13/2017 | $11,929 | 15 | 15 | 28 | $38,743 | 2/26/2019 | |||
| United Kingdom | 12/1/2017 | $183,230 | 49 | 49 | 49 | $183,230 | 12/6/2017 | |||
| International Total | $2,077,764 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Isabelle Huppert | Anne | |
| Jean-Louis Trintignant | Georges | |
| Mathieu Kassovitz | Thomas | |
| Fantine Harduin | Ève |
Supporting
| Franz Rogowski | Pierre |
Lead Ensemble Member
| Laura Verlinden | Anaïs | |
| Toby Jones | Lawrence |
Supporting
| Aurelia Petit | Nathalie | |
| Hille Perl | Claire / The Gamba player | |
| Hassam Ghancy | Rachid | |
| Nabila Akkari | Jamila | |
| Joud Geistlich | Selin | |
| Philippe Du Janerand | Maitre Barin | |
| Dominique Besnehard | Hairdresser | |
| Bruno Tuchszer | Inspector | |
| Alexandre Carriere | Inspector | |
| Nathalie Richard | Estate Agent | |
| David Yelland | Bank Manager | |
| Wael Sersoub | Fighter / Witness | |
| Marie-Pierre Feringue | Fighter / Witness | |
| Florence Masure | Receptionist | |
| Maryline Even | Wife’s Victim | |
| Maelle Bellec | Anais’ Friend | |
| David El Hakim | Refreshment room’s waiter | |
| Frederic Lampire | Head waiter | |
| Timothe Buquen | Youtuber |
Production and Technical Credits
| Michael Haneke | Director | |
| Michael Haneke | Screenwriter | |
| Christian Berger | Director of Photography | |
| Olivier Radot | Production Designer | |
| Catherine Leterrier | Costume Designer | |
| Guillaume Sciama | Sound Designer | |
| Jean-Pierre Laforce | Sound Designer | |
| Denise Gerrard | Sound Designer | |
| Monika Willi | Editor | |
| Margaret Menegoz | Supervising Producer | |
| Stefan Arndt | Producer | |
| Veit Heiduschka | Producer | |
| Michael Katz | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
“All around us, the world, and we, in its midst, blind.” A snapshot from the life of a bourgeois European family.
Metrics
| Opening Weekend: | $23,091 (7.9% of total gross) |
| Legs: | 9.64 (domestic box office/biggest weekend) |
| Domestic Share: | 12.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/20 max. theaters, 7.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $386,177 |
Movie Details
| Domestic Releases: | December 22nd, 2017 (Limited) by Sony Pictures Classics |
| International Releases: | October 6th, 2017 (Wide) (France)
October 13th, 2017 (Wide), released as Mutlu Son (Turkey) November 17th, 2017 (Wide) (Netherlands) November 30th, 2017 (Wide) (Italy) December 1st, 2017 (Wide) (United Kingdom) ... Show all releases |
| MPA Rating: | R for some sexual material and language. (Rating bulletin 2481 (Cert #51115), 6/21/2017) |
| Running Time: | 107 minutes |
| Geographical setting: | France |
| Plot point: | Autumn Years, Dysfunctional Family, Family Secrets, Faulty Memory, Infidelity, Refugee, Suicide Attempt, Wheelchair User |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Les Films du Losange, X Filme Creative Pool, WEGA Film, Arte France Cinema, France 3 Cinema, Westdeutscher Rundfunk, Bayerischer Rundfunk, Arte, ARTE France, France Television, Canal Plus, Cine Plus, ORF |
| Production Countries: | France, Germany, Austria |
| Languages: | French, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2017 | 32 | $23,091 | 3 | $7,697 | $23,091 | 1 | |
| Dec 29, 2017 | 42 | $18,450 | -20% | 3 | $6,150 | $63,109 | 2 |
| Jan 5, 2018 | 48 | $13,699 | -26% | 6 | $2,283 | $83,292 | 3 |
| Jan 12, 2018 | 40 | $29,900 | +118% | 11 | $2,718 | $123,395 | 4 |
| Jan 19, 2018 | 42 | $30,403 | +2% | 18 | $1,689 | $161,783 | 5 |
| Jan 26, 2018 | 47 | $21,008 | -31% | 14 | $1,501 | $197,697 | 6 |
| Feb 2, 2018 | 50 | $13,709 | -35% | 15 | $914 | $221,665 | 7 |
| Feb 9, 2018 | 54 | $15,406 | +12% | 20 | $770 | $245,037 | 8 |
| Feb 16, 2018 | 56 | $12,550 | -19% | 16 | $784 | $265,404 | 9 |
| Feb 23, 2018 | 65 | $6,976 | -44% | 18 | $388 | $277,964 | 10 |
| Mar 2, 2018 | 76 | $2,776 | -60% | 13 | $214 | $285,532 | 11 |
| Mar 9, 2018 | 68 | $4,530 | +63% | 14 | $324 | $293,163 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2017 | 41 | $44,659 | 3 | $14,886 | $44,659 | 1 | |
| Dec 29, 2017 | 45 | $24,934 | -44% | 3 | $8,311 | $69,593 | 2 |
| Jan 5, 2018 | 46 | $23,902 | -4% | 6 | $3,984 | $93,495 | 3 |
| Jan 12, 2018 | 43 | $37,885 | +59% | 11 | $3,444 | $131,380 | 4 |
| Jan 19, 2018 | 44 | $45,309 | +20% | 18 | $2,517 | $176,689 | 5 |
| Jan 26, 2018 | 46 | $31,267 | -31% | 14 | $2,233 | $207,956 | 6 |
| Feb 2, 2018 | 51 | $21,675 | -31% | 15 | $1,445 | $229,631 | 7 |
| Feb 9, 2018 | 52 | $23,223 | +7% | 20 | $1,161 | $252,854 | 8 |
| Feb 16, 2018 | 57 | $18,134 | -22% | 16 | $1,133 | $270,988 | 9 |
| Feb 23, 2018 | 66 | $11,768 | -35% | 18 | $654 | $282,756 | 10 |
| Mar 2, 2018 | 70 | $5,877 | -50% | 13 | $452 | $288,633 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/9/2018 | $25,315 | 20 | 1 | 68 | $131,220 | 4/4/2026 | |||
| France | 10/6/2017 | $282,044 | 0 | 0 | 0 | $563,059 | 9/23/2018 | |||
| Italy | 11/30/2017 | $161,195 | 0 | 0 | 0 | $275,618 | 12/11/2017 | |||
| Lithuania | 2/9/2018 | $2,958 | 14 | 14 | 26 | $5,913 | 3/19/2018 | |||
| Mexico | 7/5/2018 | $52,451 | 0 | 0 | 0 | $58,745 | 7/10/2018 | |||
| Netherlands | 11/17/2017 | $75,267 | 32 | 51 | 193 | $338,429 | 12/20/2017 | |||
| New Zealand | 2/9/2018 | $1,722 | 3 | 4 | 7 | $37,860 | 2/19/2018 | |||
| Portugal | 7/27/2018 | $3,777 | 2 | 3 | 14 | $21,864 | 9/11/2018 | |||
| Russia (CIS) | 1/25/2018 | $55,535 | 137 | 137 | 137 | $117,883 | 1/1/2019 | |||
| South Korea | 6/20/2019 | $8,649 | 35 | 35 | 66 | $50,017 | 7/11/2019 | |||
| Spain | 7/20/2018 | $82,254 | 55 | 63 | 191 | $255,183 | 8/19/2018 | |||
| Turkey | 10/13/2017 | $11,929 | 15 | 15 | 28 | $38,743 | 2/26/2019 | |||
| United Kingdom | 12/1/2017 | $183,230 | 49 | 49 | 49 | $183,230 | 12/6/2017 | |||
| International Total | $2,077,764 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Isabelle Huppert | Anne | |
| Jean-Louis Trintignant | Georges | |
| Mathieu Kassovitz | Thomas | |
| Fantine Harduin | Ève |
Supporting
| Franz Rogowski | Pierre |
Lead Ensemble Member
| Laura Verlinden | Anaïs | |
| Toby Jones | Lawrence |
Supporting
| Aurelia Petit | Nathalie | |
| Hille Perl | Claire / The Gamba player | |
| Hassam Ghancy | Rachid | |
| Nabila Akkari | Jamila | |
| Joud Geistlich | Selin | |
| Philippe Du Janerand | Maitre Barin | |
| Dominique Besnehard | Hairdresser | |
| Bruno Tuchszer | Inspector | |
| Alexandre Carriere | Inspector | |
| Nathalie Richard | Estate Agent | |
| David Yelland | Bank Manager | |
| Wael Sersoub | Fighter / Witness | |
| Marie-Pierre Feringue | Fighter / Witness | |
| Florence Masure | Receptionist | |
| Maryline Even | Wife’s Victim | |
| Maelle Bellec | Anais’ Friend | |
| David El Hakim | Refreshment room’s waiter | |
| Frederic Lampire | Head waiter | |
| Timothe Buquen | Youtuber |
Production and Technical Credits
| Michael Haneke | Director | |
| Michael Haneke | Screenwriter | |
| Christian Berger | Director of Photography | |
| Olivier Radot | Production Designer | |
| Catherine Leterrier | Costume Designer | |
| Guillaume Sciama | Sound Designer | |
| Jean-Pierre Laforce | Sound Designer | |
| Denise Gerrard | Sound Designer | |
| Monika Willi | Editor | |
| Margaret Menegoz | Supervising Producer | |
| Stefan Arndt | Producer | |
| Veit Heiduschka | Producer | |
| Michael Katz | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.