The Happy Prince (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $464,495 | Details |
| International Box Office | $1,930,124 | Details |
| Worldwide Box Office | $2,394,619 | |
| OpusData ID: 319730100 More info... | ||
| Further financial details... | ||
Synopsis
In a cheap Parisian hotel room Oscar Wilde lies on his death bed and the past floods back, transporting him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? The lover imprisoned and freed, yet still running towards ruin in the final chapter of his life? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross who tried and failed to save him from himself. From Dieppe to Naples to Paris freedom is elusive and Oscar is a penniless vagabond, always moving on, shunned by his old acquaintances, but revered by a strange group of outlaws and urchins to whom he tells the old stories—his incomparable wit still sharp
Metrics
| Legs: | 5.38 (domestic box office/biggest weekend) |
| Domestic Share: | 19.4% (domestic box office/worldwide) |
| Production Budget: | $13,000,000 (worldwide box office is 0.2 times production budget) |
| Infl. Adj. Dom. BO | $609,805 |
Movie Details
| Domestic Releases: | October 10th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | April 12th, 2018 (Wide), released as The Happy Prince - L'ultimo ritratto di Oscar Wilde (Italy)
June 15th, 2018 (Wide) (United Kingdom) July 20th, 2018 (Wide) (Netherlands) April 5th, 2019 (Wide) (Australia) April 26th, 2019 (Wide), released as La Importancia de llamarse Oscar Wilde (Spain) ... Show all releases |
| MPA Rating: | R for sexual content, graphic nudity, language and brief drug use. (Rating bulletin 2534 (Cert #51681), 7/4/2018) |
| Running Time: | 105 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | London, Paris |
| Plot point: | Bigotry, Biography, LGBTQ+, Non-Chronological, Poet, Prison, Writing and Writers |
| Time period setting: | 1890s, 1900s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | BBC Films, Lionsgate UK, Movie Management Corporation, Daryl Prince Productions, Casa Kafka Pictures, Belfius Zielke Strat Et Go International, Raindog Films, Maze Pictures, Entre Chien et Loup, Palomar Pictures, Cine Plus, Tele München Gruppe |
| Production Countries: | United Kingdom, Germany, Belgium, Italy |
| Languages: | English, Italian, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | 36 | $59,198 | 25 | $2,368 | $117,731 | 2 | |
| Oct 26, 2018 | 36 | $80,265 | +36% | 71 | $1,130 | $223,990 | 3 |
| Nov 2, 2018 | 32 | $86,296 | +8% | 277 | $312 | $356,790 | 4 |
| Nov 9, 2018 | 50 | $19,724 | -77% | 73 | $270 | $432,023 | 5 |
| Nov 16, 2018 | 59 | $4,859 | -75% | 13 | $374 | $445,999 | 6 |
| Nov 23, 2018 | 68 | $2,453 | -50% | 5 | $491 | $450,699 | 7 |
| Nov 30, 2018 | 58 | $4,121 | +68% | 8 | $515 | $456,009 | 8 |
| Dec 7, 2018 | 61 | $4,236 | +3% | 8 | $530 | $462,720 | 9 |
| Dec 14, 2018 | 77 | $686 | -84% | 2 | $343 | $464,495 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | 82 | $5,339 | 4 | $1,335 | $5,339 | 1 | |
| Oct 12, 2018 | 40 | $53,194 | +896% | 8 | $6,649 | $58,533 | 2 |
| Oct 19, 2018 | 36 | $85,192 | +60% | 25 | $3,408 | $143,725 | 3 |
| Oct 26, 2018 | 32 | $126,769 | +49% | 71 | $1,785 | $270,494 | 4 |
| Nov 2, 2018 | 33 | $141,805 | +12% | 277 | $512 | $412,299 | 5 |
| Nov 9, 2018 | 50 | $28,841 | -80% | 73 | $395 | $441,140 | 6 |
| Nov 16, 2018 | 60 | $7,106 | -75% | 13 | $547 | $448,246 | 7 |
| Nov 23, 2018 | 67 | $3,642 | -49% | 5 | $728 | $451,888 | 8 |
| Nov 30, 2018 | 60 | $6,596 | +81% | 8 | $825 | $458,484 | 9 |
| Dec 7, 2018 | 65 | $5,325 | -19% | 8 | $666 | $463,809 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/5/2019 | $44,812 | 27 | 29 | 111 | $168,887 | 6/18/2019 | |||
| Italy | 4/12/2018 | $256,902 | 0 | 0 | 0 | $409,926 | 4/23/2018 | |||
| Netherlands | 7/20/2018 | $25,217 | 22 | 40 | 127 | $156,584 | 9/12/2018 | |||
| Spain | 4/26/2019 | $26,762 | 24 | 30 | 54 | $65,124 | 5/9/2019 | |||
| United Kingdom | 6/15/2018 | $142,372 | 34 | 154 | 555 | $1,129,603 | 4/4/2026 | |||
| International Total | $1,930,124 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Rupert Everett | Oscar Wilde |
Supporting
| Colin Firth | Reggie Turner | |
| Colin Morgan | Lord Alfred “Bosie” Douglas | |
| Emily Watson | Constance Lloyd | |
| Tom Wilkinson | Fr. Dunne | |
| Anna Chancellor | Mrs. Arbuthnot | |
| Edwin Thomas | Robbie Ross | |
| Beatrice Dalle | Café Manager | |
| Julian Wadham | Mr. Arbuthnot | |
| John Standing | Dr. Tucker | |
| Andre Penvern | Mr. Dupoirier | |
| Tom Colley | Maurice Gilbert | |
| Stephen M. Gilbert | Paine | |
| Alister Cameron | Mr. Howard | |
| Benjamin Voisin | Jean |
Production and Technical Credits
| Rupert Everett | Director | |
| Sebastien Delloye | Producer | |
| Philipp Kreuzer | Producer | |
| Joerg Schulze | Producer | |
| Azim Bolkiah | Executive Producer | |
| Connie Filipello | Executive Producer | |
| Ged Doherty | Executive Producer | |
| Andreas Zielke | Executive Producer | |
| Sebastien Delloye | Executive Producer | |
| Christine Langan | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a cheap Parisian hotel room Oscar Wilde lies on his death bed and the past floods back, transporting him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? The lover imprisoned and freed, yet still running towards ruin in the final chapter of his life? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross who tried and failed to save him from himself. From Dieppe to Naples to Paris freedom is elusive and Oscar is a penniless vagabond, always moving on, shunned by his old acquaintances, but revered by a strange group of outlaws and urchins to whom he tells the old stories—his incomparable wit still sharp
Metrics
| Legs: | 5.38 (domestic box office/biggest weekend) |
| Domestic Share: | 19.4% (domestic box office/worldwide) |
| Production Budget: | $13,000,000 (worldwide box office is 0.2 times production budget) |
| Infl. Adj. Dom. BO | $609,805 |
Movie Details
| Domestic Releases: | October 10th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | April 12th, 2018 (Wide), released as The Happy Prince - L'ultimo ritratto di Oscar Wilde (Italy)
June 15th, 2018 (Wide) (United Kingdom) July 20th, 2018 (Wide) (Netherlands) April 5th, 2019 (Wide) (Australia) April 26th, 2019 (Wide), released as La Importancia de llamarse Oscar Wilde (Spain) ... Show all releases |
| MPA Rating: | R for sexual content, graphic nudity, language and brief drug use. (Rating bulletin 2534 (Cert #51681), 7/4/2018) |
| Running Time: | 105 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | London, Paris |
| Plot point: | Bigotry, Biography, LGBTQ+, Non-Chronological, Poet, Prison, Writing and Writers |
| Time period setting: | 1890s, 1900s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | BBC Films, Lionsgate UK, Movie Management Corporation, Daryl Prince Productions, Casa Kafka Pictures, Belfius Zielke Strat Et Go International, Raindog Films, Maze Pictures, Entre Chien et Loup, Palomar Pictures, Cine Plus, Tele München Gruppe |
| Production Countries: | United Kingdom, Germany, Belgium, Italy |
| Languages: | English, Italian, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 19, 2018 | 36 | $59,198 | 25 | $2,368 | $117,731 | 2 | |
| Oct 26, 2018 | 36 | $80,265 | +36% | 71 | $1,130 | $223,990 | 3 |
| Nov 2, 2018 | 32 | $86,296 | +8% | 277 | $312 | $356,790 | 4 |
| Nov 9, 2018 | 50 | $19,724 | -77% | 73 | $270 | $432,023 | 5 |
| Nov 16, 2018 | 59 | $4,859 | -75% | 13 | $374 | $445,999 | 6 |
| Nov 23, 2018 | 68 | $2,453 | -50% | 5 | $491 | $450,699 | 7 |
| Nov 30, 2018 | 58 | $4,121 | +68% | 8 | $515 | $456,009 | 8 |
| Dec 7, 2018 | 61 | $4,236 | +3% | 8 | $530 | $462,720 | 9 |
| Dec 14, 2018 | 77 | $686 | -84% | 2 | $343 | $464,495 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 5, 2018 | 82 | $5,339 | 4 | $1,335 | $5,339 | 1 | |
| Oct 12, 2018 | 40 | $53,194 | +896% | 8 | $6,649 | $58,533 | 2 |
| Oct 19, 2018 | 36 | $85,192 | +60% | 25 | $3,408 | $143,725 | 3 |
| Oct 26, 2018 | 32 | $126,769 | +49% | 71 | $1,785 | $270,494 | 4 |
| Nov 2, 2018 | 33 | $141,805 | +12% | 277 | $512 | $412,299 | 5 |
| Nov 9, 2018 | 50 | $28,841 | -80% | 73 | $395 | $441,140 | 6 |
| Nov 16, 2018 | 60 | $7,106 | -75% | 13 | $547 | $448,246 | 7 |
| Nov 23, 2018 | 67 | $3,642 | -49% | 5 | $728 | $451,888 | 8 |
| Nov 30, 2018 | 60 | $6,596 | +81% | 8 | $825 | $458,484 | 9 |
| Dec 7, 2018 | 65 | $5,325 | -19% | 8 | $666 | $463,809 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/5/2019 | $44,812 | 27 | 29 | 111 | $168,887 | 6/18/2019 | |||
| Italy | 4/12/2018 | $256,902 | 0 | 0 | 0 | $409,926 | 4/23/2018 | |||
| Netherlands | 7/20/2018 | $25,217 | 22 | 40 | 127 | $156,584 | 9/12/2018 | |||
| Spain | 4/26/2019 | $26,762 | 24 | 30 | 54 | $65,124 | 5/9/2019 | |||
| United Kingdom | 6/15/2018 | $142,372 | 34 | 154 | 555 | $1,129,603 | 4/4/2026 | |||
| International Total | $1,930,124 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Rupert Everett | Oscar Wilde |
Supporting
| Colin Firth | Reggie Turner | |
| Colin Morgan | Lord Alfred “Bosie” Douglas | |
| Emily Watson | Constance Lloyd | |
| Tom Wilkinson | Fr. Dunne | |
| Anna Chancellor | Mrs. Arbuthnot | |
| Edwin Thomas | Robbie Ross | |
| Beatrice Dalle | Café Manager | |
| Julian Wadham | Mr. Arbuthnot | |
| John Standing | Dr. Tucker | |
| Andre Penvern | Mr. Dupoirier | |
| Tom Colley | Maurice Gilbert | |
| Stephen M. Gilbert | Paine | |
| Alister Cameron | Mr. Howard | |
| Benjamin Voisin | Jean |
Production and Technical Credits
| Rupert Everett | Director | |
| Sebastien Delloye | Producer | |
| Philipp Kreuzer | Producer | |
| Joerg Schulze | Producer | |
| Azim Bolkiah | Executive Producer | |
| Connie Filipello | Executive Producer | |
| Ged Doherty | Executive Producer | |
| Andreas Zielke | Executive Producer | |
| Sebastien Delloye | Executive Producer | |
| Christine Langan | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.