Hardware (1990)
| Theatrical Performance | ||
| Domestic Box Office | $5,649,801 | Details |
| OpusData ID: 45370100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,557,498 (45.3% of total gross) |
| Legs: | 2.21 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 695 opening theaters/695 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,141,998 |
Movie Details
| Domestic Releases: | September 14th, 1990 (Wide) by Millimeter Films |
| MPA Rating: | R for strong violence, sexuality and language |
| Running Time: | 94 minutes |
| Plot point: | Killer Inanimate Objects, Robot |
| Social setting: | Dystopia, Post Apocalypse |
| Subgenre: | Action Horror |
| Target audience: | Cult Movie |
| Time period setting: | Cyberpunk, Near Future |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 1990 | 6 | $2,557,498 | 695 | $3,680 | $2,557,498 | 1 | |
| Sep 21, 1990 | 10 | $1,305,713 | -49% | 692 | $1,887 | $4,331,824 | 2 |
| Sep 28, 1990 | 17 | $556,930 | -57% | 597 | $933 | $5,072,970 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 1990 | 7 | $3,026,111 | 695 | $4,354 | $3,026,111 | 1 | |
| Sep 21, 1990 | 10 | $1,489,929 | -51% | 692 | $2,153 | $4,516,040 | 2 |
Leading
| Stacey Travis | Jill | |
| Dylan McDermott | Moses Baxter |
Supporting
| Iggy Pop | Angry Bob |
Production and Technical Credits
| Richard Stanley | Director | |
| Richard Stanley | Screenwriter | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,557,498 (45.3% of total gross) |
| Legs: | 2.21 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 695 opening theaters/695 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,141,998 |
Movie Details
| Domestic Releases: | September 14th, 1990 (Wide) by Millimeter Films |
| MPA Rating: | R for strong violence, sexuality and language |
| Running Time: | 94 minutes |
| Plot point: | Killer Inanimate Objects, Robot |
| Social setting: | Dystopia, Post Apocalypse |
| Subgenre: | Action Horror |
| Target audience: | Cult Movie |
| Time period setting: | Cyberpunk, Near Future |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 1990 | 6 | $2,557,498 | 695 | $3,680 | $2,557,498 | 1 | |
| Sep 21, 1990 | 10 | $1,305,713 | -49% | 692 | $1,887 | $4,331,824 | 2 |
| Sep 28, 1990 | 17 | $556,930 | -57% | 597 | $933 | $5,072,970 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 1990 | 7 | $3,026,111 | 695 | $4,354 | $3,026,111 | 1 | |
| Sep 21, 1990 | 10 | $1,489,929 | -51% | 692 | $2,153 | $4,516,040 | 2 |
Leading
| Stacey Travis | Jill | |
| Dylan McDermott | Moses Baxter |
Supporting
| Iggy Pop | Angry Bob |
Production and Technical Credits
| Richard Stanley | Director | |
| Richard Stanley | Screenwriter | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.