Hart's War (2002)
| Theatrical Performance | ||
| Domestic Box Office | $19,076,815 | Details |
| International Box Office | $14,000,000 | |
| Worldwide Box Office | $33,076,815 | |
| OpusData ID: 26100100 More info... | ||
| Further financial details... | ||
Synopsis
Lt. Tommy Hart is a second-year Harvard Law School student who enlists to fight in World War II but ends up being taken prisoner by the Germans. When a murder at the Nazi-run Stalag Luft 13 leaves a black Tuskegee airman named Lt. Lincoln Scott accused of the crime, high-ranking prisoner Col. William McNamara persuades camp commandant Col. Werner Visser to allow the prisoners to hold their own trial. Hart is recruited to defend his fellow officer, but as he reluctantly investigates, he discovers that not all of his fellow allied soldiers are fighting the same war and that his client may well have been framed.
Metrics
| Opening Weekend: | $7,771,753 (40.7% of total gross) |
| Legs: | 2.45 (domestic box office/biggest weekend) |
| Domestic Share: | 57.7% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,459 opening theaters/2,459 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,270,002 |
Movie Details
| Domestic Releases: | February 15th, 2002 (Wide) by MGM |
| Video Release: | February 4th, 2003 by MGM Video |
| MPA Rating: | R for some strong war violence and language |
| Running Time: | 128 minutes |
| Plot point: | Bigotry, Court Martial, POW, Prison Break, War |
| Release detail: | Disrupted by 2001 September 11 Attacks |
| Social setting: | World War II |
| Subgenre: | War Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, David Ladd Films, David Foster, Cheyenne Enterprises LLC |
| Production Countries: | United States |
| Languages: | English, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2002 | 7 | $7,771,753 | 2,459 | $3,161 | $7,771,753 | 1 | |
| Feb 22, 2002 | 8 | $4,461,246 | -43% | 2,459 | $1,814 | $15,000,723 | 2 |
| Mar 1, 2002 | 20 | $1,401,007 | -69% | 1,982 | $707 | $17,804,048 | 3 |
| Mar 8, 2002 | 29 | $349,531 | -75% | 950 | $368 | $18,631,938 | 4 |
| Mar 15, 2002 | 44 | $101,641 | -71% | 253 | $402 | $18,886,260 | 5 |
| Mar 22, 2002 | 48 | $74,123 | -27% | 211 | $351 | $19,003,827 | 6 |
| Mar 29, 2002 | 73 | $12,609 | -83% | 44 | $287 | $19,036,854 | 7 |
| Apr 19, 2002 | 132 | $1,372 | 7 | $196 | $19,068,786 | 10 | |
| Apr 26, 2002 | 128 | $2,117 | +54% | 10 | $212 | $19,071,805 | 11 |
| May 3, 2002 | 117 | $1,723 | -19% | 4 | $431 | $19,074,442 | 12 |
| May 10, 2002 | 119 | $1,175 | -32% | 3 | $392 | $19,076,262 | 13 |
| May 17, 2002 | 125 | $133 | -89% | 1 | $133 | $19,076,815 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2002 | 5 | $2,061,000 | 2,459 | $838 | $2,061,000 | 1 | ||
| Feb 16, 2002 | 7 | $2,940,000 | +43% | 2,459 | $1,196 | $5,001,000 | 2 | |
| Feb 17, 2002 | 7 | $2,003,000 | -32% | 2,459 | $815 | $7,004,000 | 3 | |
| Feb 18, 2002 | 8 | $1,136,000 | -43% | 2,459 | $462 | $8,907,000 | 4 | |
| Feb 19, 2002 | 6 | $628,000 | -45% | 2,459 | $255 | $9,535,000 | 5 | |
| Feb 20, 2002 | 6 | $516,000 | -18% | 2,459 | $210 | $10,051,000 | 6 | |
| Feb 21, 2002 | 7 | $488,000 | -5% | 2,459 | $198 | $10,539,000 | 7 | |
| Feb 22, 2002 | 8 | $1,261,000 | +158% | -39% | 2,459 | $513 | $11,800,000 | 8 |
| Feb 23, 2002 | 8 | $1,904,000 | +51% | -35% | 2,459 | $774 | $13,704,000 | 9 |
| Feb 24, 2002 | 8 | $1,030,000 | -46% | -49% | 2,459 | $419 | $15,000,723 | 10 |
| Feb 25, 2002 | 6 | $340,000 | -67% | -70% | 2,459 | $138 | $15,841,000 | 11 |
| Feb 26, 2002 | 5 | $378,000 | +11% | -40% | 2,459 | $154 | $15,719,000 | 12 |
| Feb 27, 2002 | 6 | $352,000 | -7% | -32% | 2,459 | $143 | $16,072,000 | 13 |
| Feb 28, 2002 | 6 | $331,000 | -6% | -32% | 2,459 | $135 | $16,403,000 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2002 | 5 | $10,539,477 | 2,459 | $4,286 | $10,539,477 | 1 | |
| Feb 22, 2002 | 8 | $5,863,564 | -44% | 2,459 | $2,385 | $16,403,041 | 2 |
| Mar 1, 2002 | 20 | $1,879,366 | -68% | 1,982 | $948 | $18,282,407 | 3 |
| Mar 8, 2002 | 28 | $502,212 | -73% | 950 | $529 | $18,784,619 | 4 |
| Mar 15, 2002 | 43 | $145,085 | -71% | 253 | $573 | $18,929,704 | 5 |
| Mar 22, 2002 | 50 | $94,541 | -35% | 211 | $448 | $19,024,245 | 6 |
| Apr 19, 2002 | 121 | $2,274 | 7 | $325 | $19,069,688 | 10 | |
| Apr 26, 2002 | 122 | $3,031 | +33% | 10 | $303 | $19,072,719 | 11 |
| May 3, 2002 | 111 | $2,368 | -22% | 4 | $592 | $19,075,087 | 12 |
| May 10, 2002 | 108 | $1,595 | -33% | 3 | $532 | $19,076,682 | 13 |
| May 17, 2002 | 102 | $133 | -92% | 1 | $133 | $19,076,815 | 14 |
Leading
| Colin Farrell | Lieutenant Tommy Hart | |
| Bruce Willis | Colonel William McNamara |
Supporting
| Terrence Howard | Lieutenant Lincoln Scott | |
| Cole Hauser | Bedford | |
| Marcel Iures | Visser | |
| Linus Roach | Ross | |
| Jonathan Brandis | Waverly | |
| Sam Jaeger | Sisk | |
| Sebastian Tillinger | Moose | |
| Michael Weston | Potts | |
| Maury Sterling | Gerber | |
| David Barrass | Fussel | |
| Sam Worthington | Depot | |
| Rick Ravanello | Major Joe Clary | |
| Rory Cochrane | Webb | |
| Vicellous Reon Shannon | Lamar Archer |
Production and Technical Credits
| Gregory Hoblit | Director | |
| Terry George | Screenwriter | |
| Billy Ray | Screenwriter | |
| Jeb Stuart | Screenwriter | |
| David Ladd | Producer | |
| David Foster | Producer | |
| Gregory Hoblit | Producer | |
| Arnold Rifkin | Producer | |
| Wolfgang Glattes | Executive Producer | |
| John Katzenbach | Story based on the novel by | |
| Alar Kivilo | Director of Photography | |
| Lilly Kilvert | Production Designer | |
| David Rosenbloom | Editor | |
| Elisabetta Beraldo | Costume Designer | |
| Rachel Portman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Lt. Tommy Hart is a second-year Harvard Law School student who enlists to fight in World War II but ends up being taken prisoner by the Germans. When a murder at the Nazi-run Stalag Luft 13 leaves a black Tuskegee airman named Lt. Lincoln Scott accused of the crime, high-ranking prisoner Col. William McNamara persuades camp commandant Col. Werner Visser to allow the prisoners to hold their own trial. Hart is recruited to defend his fellow officer, but as he reluctantly investigates, he discovers that not all of his fellow allied soldiers are fighting the same war and that his client may well have been framed.
Metrics
| Opening Weekend: | $7,771,753 (40.7% of total gross) |
| Legs: | 2.45 (domestic box office/biggest weekend) |
| Domestic Share: | 57.7% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,459 opening theaters/2,459 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,270,002 |
Movie Details
| Domestic Releases: | February 15th, 2002 (Wide) by MGM |
| Video Release: | February 4th, 2003 by MGM Video |
| MPA Rating: | R for some strong war violence and language |
| Running Time: | 128 minutes |
| Plot point: | Bigotry, Court Martial, POW, Prison Break, War |
| Release detail: | Disrupted by 2001 September 11 Attacks |
| Social setting: | World War II |
| Subgenre: | War Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, David Ladd Films, David Foster, Cheyenne Enterprises LLC |
| Production Countries: | United States |
| Languages: | English, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2002 | 7 | $7,771,753 | 2,459 | $3,161 | $7,771,753 | 1 | |
| Feb 22, 2002 | 8 | $4,461,246 | -43% | 2,459 | $1,814 | $15,000,723 | 2 |
| Mar 1, 2002 | 20 | $1,401,007 | -69% | 1,982 | $707 | $17,804,048 | 3 |
| Mar 8, 2002 | 29 | $349,531 | -75% | 950 | $368 | $18,631,938 | 4 |
| Mar 15, 2002 | 44 | $101,641 | -71% | 253 | $402 | $18,886,260 | 5 |
| Mar 22, 2002 | 48 | $74,123 | -27% | 211 | $351 | $19,003,827 | 6 |
| Mar 29, 2002 | 73 | $12,609 | -83% | 44 | $287 | $19,036,854 | 7 |
| Apr 19, 2002 | 132 | $1,372 | 7 | $196 | $19,068,786 | 10 | |
| Apr 26, 2002 | 128 | $2,117 | +54% | 10 | $212 | $19,071,805 | 11 |
| May 3, 2002 | 117 | $1,723 | -19% | 4 | $431 | $19,074,442 | 12 |
| May 10, 2002 | 119 | $1,175 | -32% | 3 | $392 | $19,076,262 | 13 |
| May 17, 2002 | 125 | $133 | -89% | 1 | $133 | $19,076,815 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2002 | 5 | $2,061,000 | 2,459 | $838 | $2,061,000 | 1 | ||
| Feb 16, 2002 | 7 | $2,940,000 | +43% | 2,459 | $1,196 | $5,001,000 | 2 | |
| Feb 17, 2002 | 7 | $2,003,000 | -32% | 2,459 | $815 | $7,004,000 | 3 | |
| Feb 18, 2002 | 8 | $1,136,000 | -43% | 2,459 | $462 | $8,907,000 | 4 | |
| Feb 19, 2002 | 6 | $628,000 | -45% | 2,459 | $255 | $9,535,000 | 5 | |
| Feb 20, 2002 | 6 | $516,000 | -18% | 2,459 | $210 | $10,051,000 | 6 | |
| Feb 21, 2002 | 7 | $488,000 | -5% | 2,459 | $198 | $10,539,000 | 7 | |
| Feb 22, 2002 | 8 | $1,261,000 | +158% | -39% | 2,459 | $513 | $11,800,000 | 8 |
| Feb 23, 2002 | 8 | $1,904,000 | +51% | -35% | 2,459 | $774 | $13,704,000 | 9 |
| Feb 24, 2002 | 8 | $1,030,000 | -46% | -49% | 2,459 | $419 | $15,000,723 | 10 |
| Feb 25, 2002 | 6 | $340,000 | -67% | -70% | 2,459 | $138 | $15,841,000 | 11 |
| Feb 26, 2002 | 5 | $378,000 | +11% | -40% | 2,459 | $154 | $15,719,000 | 12 |
| Feb 27, 2002 | 6 | $352,000 | -7% | -32% | 2,459 | $143 | $16,072,000 | 13 |
| Feb 28, 2002 | 6 | $331,000 | -6% | -32% | 2,459 | $135 | $16,403,000 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2002 | 5 | $10,539,477 | 2,459 | $4,286 | $10,539,477 | 1 | |
| Feb 22, 2002 | 8 | $5,863,564 | -44% | 2,459 | $2,385 | $16,403,041 | 2 |
| Mar 1, 2002 | 20 | $1,879,366 | -68% | 1,982 | $948 | $18,282,407 | 3 |
| Mar 8, 2002 | 28 | $502,212 | -73% | 950 | $529 | $18,784,619 | 4 |
| Mar 15, 2002 | 43 | $145,085 | -71% | 253 | $573 | $18,929,704 | 5 |
| Mar 22, 2002 | 50 | $94,541 | -35% | 211 | $448 | $19,024,245 | 6 |
| Apr 19, 2002 | 121 | $2,274 | 7 | $325 | $19,069,688 | 10 | |
| Apr 26, 2002 | 122 | $3,031 | +33% | 10 | $303 | $19,072,719 | 11 |
| May 3, 2002 | 111 | $2,368 | -22% | 4 | $592 | $19,075,087 | 12 |
| May 10, 2002 | 108 | $1,595 | -33% | 3 | $532 | $19,076,682 | 13 |
| May 17, 2002 | 102 | $133 | -92% | 1 | $133 | $19,076,815 | 14 |
Leading
| Colin Farrell | Lieutenant Tommy Hart | |
| Bruce Willis | Colonel William McNamara |
Supporting
| Terrence Howard | Lieutenant Lincoln Scott | |
| Cole Hauser | Bedford | |
| Marcel Iures | Visser | |
| Linus Roach | Ross | |
| Jonathan Brandis | Waverly | |
| Sam Jaeger | Sisk | |
| Sebastian Tillinger | Moose | |
| Michael Weston | Potts | |
| Maury Sterling | Gerber | |
| David Barrass | Fussel | |
| Sam Worthington | Depot | |
| Rick Ravanello | Major Joe Clary | |
| Rory Cochrane | Webb | |
| Vicellous Reon Shannon | Lamar Archer |
Production and Technical Credits
| Gregory Hoblit | Director | |
| Terry George | Screenwriter | |
| Billy Ray | Screenwriter | |
| Jeb Stuart | Screenwriter | |
| David Ladd | Producer | |
| David Foster | Producer | |
| Gregory Hoblit | Producer | |
| Arnold Rifkin | Producer | |
| Wolfgang Glattes | Executive Producer | |
| John Katzenbach | Story based on the novel by | |
| Alar Kivilo | Director of Photography | |
| Lilly Kilvert | Production Designer | |
| David Rosenbloom | Editor | |
| Elisabetta Beraldo | Costume Designer | |
| Rachel Portman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.