Harvard Man (2002)
| Theatrical Performance | ||
| Domestic Box Office | $56,653 | Details |
| OpusData ID: 85050100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $8,425 (14.9% of total gross) |
| Legs: | 4.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $5,500,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $116,622 |
Movie Details
| Domestic Releases: | May 17th, 2002 (Wide) |
| MPA Rating: | R for drug use, language and some strong sexuality. |
| Running Time: | 99 minutes |
| Plot point: | Mafia |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 17, 2002 | 73 | $8,425 | 1 | $8,425 | $8,425 | 1 | |
| May 31, 2002 | 103 | $1,166 | 1 | $1,166 | $9,591 | 3 | |
| Jun 28, 2002 | 76 | $6,818 | 3 | $2,273 | $16,988 | 7 | |
| Jul 5, 2002 | 60 | $13,300 | +95% | 4 | $3,325 | $35,664 | 8 |
| Jul 12, 2002 | 90 | $4,620 | -65% | 3 | $1,540 | $41,498 | 9 |
| Jul 19, 2002 | 101 | $3,284 | -29% | 2 | $1,642 | $47,192 | 10 |
| Jul 26, 2002 | 114 | $1,203 | -63% | 2 | $602 | $50,242 | 11 |
| Sep 6, 2002 | 105 | $1,570 | 1 | $1,570 | $54,575 | 17 | |
| Sep 13, 2002 | 116 | $811 | -48% | 3 | $270 | $56,007 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 17, 2002 | 69 | $8,425 | 1 | $8,425 | $8,425 | 1 | |
| May 31, 2002 | 103 | $1,745 | 1 | $1,745 | $10,170 | 3 | |
| Jun 28, 2002 | 70 | $12,194 | 3 | $4,065 | $22,364 | 7 | |
| Jul 5, 2002 | 66 | $14,514 | +19% | 4 | $3,629 | $36,878 | 8 |
| Jul 12, 2002 | 94 | $7,030 | -52% | 3 | $2,343 | $43,908 | 9 |
| Jul 19, 2002 | 101 | $5,131 | -27% | 2 | $2,566 | $49,039 | 10 |
| Sep 6, 2002 | 103 | $2,191 | 1 | $2,191 | $55,196 | 17 | |
| Sep 13, 2002 | 113 | $1,457 | -34% | 3 | $486 | $56,653 | 18 |
| Adrian Grenier | Alan Jensen | |
| Sarah Michelle Gellar | Cindy Bandolini | |
| Joey Lauren Adams | Chesney Cort | |
| Eric Stoltz | Teddy Carter | |
| Rebecca Gayheart | Kelly Morgan | |
| Gianni Russo | Andrew Bandolini | |
| Ray Allen | Marcus Blake | |
| Michael Aparo | Russell | |
| Scottie Epstein | Mario | |
| John Neville | Dr. Reese | |
| Polly Shannon | Juliet | |
| Phillip Jarrett | Coach Preston | |
| Adam Bloch | Kenner | |
| Lauren Collis | Connie | |
| Landy Cannon | Butch |
Production and Technical Credits
| James Toback | Director | |
| James Toback | Screenwriter | |
| Ryan Shore | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $8,425 (14.9% of total gross) |
| Legs: | 4.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $5,500,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $116,622 |
Movie Details
| Domestic Releases: | May 17th, 2002 (Wide) |
| MPA Rating: | R for drug use, language and some strong sexuality. |
| Running Time: | 99 minutes |
| Plot point: | Mafia |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 17, 2002 | 73 | $8,425 | 1 | $8,425 | $8,425 | 1 | |
| May 31, 2002 | 103 | $1,166 | 1 | $1,166 | $9,591 | 3 | |
| Jun 28, 2002 | 76 | $6,818 | 3 | $2,273 | $16,988 | 7 | |
| Jul 5, 2002 | 60 | $13,300 | +95% | 4 | $3,325 | $35,664 | 8 |
| Jul 12, 2002 | 90 | $4,620 | -65% | 3 | $1,540 | $41,498 | 9 |
| Jul 19, 2002 | 101 | $3,284 | -29% | 2 | $1,642 | $47,192 | 10 |
| Jul 26, 2002 | 114 | $1,203 | -63% | 2 | $602 | $50,242 | 11 |
| Sep 6, 2002 | 105 | $1,570 | 1 | $1,570 | $54,575 | 17 | |
| Sep 13, 2002 | 116 | $811 | -48% | 3 | $270 | $56,007 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 17, 2002 | 69 | $8,425 | 1 | $8,425 | $8,425 | 1 | |
| May 31, 2002 | 103 | $1,745 | 1 | $1,745 | $10,170 | 3 | |
| Jun 28, 2002 | 70 | $12,194 | 3 | $4,065 | $22,364 | 7 | |
| Jul 5, 2002 | 66 | $14,514 | +19% | 4 | $3,629 | $36,878 | 8 |
| Jul 12, 2002 | 94 | $7,030 | -52% | 3 | $2,343 | $43,908 | 9 |
| Jul 19, 2002 | 101 | $5,131 | -27% | 2 | $2,566 | $49,039 | 10 |
| Sep 6, 2002 | 103 | $2,191 | 1 | $2,191 | $55,196 | 17 | |
| Sep 13, 2002 | 113 | $1,457 | -34% | 3 | $486 | $56,653 | 18 |
| Adrian Grenier | Alan Jensen | |
| Sarah Michelle Gellar | Cindy Bandolini | |
| Joey Lauren Adams | Chesney Cort | |
| Eric Stoltz | Teddy Carter | |
| Rebecca Gayheart | Kelly Morgan | |
| Gianni Russo | Andrew Bandolini | |
| Ray Allen | Marcus Blake | |
| Michael Aparo | Russell | |
| Scottie Epstein | Mario | |
| John Neville | Dr. Reese | |
| Polly Shannon | Juliet | |
| Phillip Jarrett | Coach Preston | |
| Adam Bloch | Kenner | |
| Lauren Collis | Connie | |
| Landy Cannon | Butch |
Production and Technical Credits
| James Toback | Director | |
| James Toback | Screenwriter | |
| Ryan Shore | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.