Hatsukoi (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $219,680 | Details |
| International Box Office | $3,451,532 | Details |
| Worldwide Box Office | $3,671,212 | |
| OpusData ID: 418630100 More info... | ||
| Further financial details... | ||
Synopsis
The film is the prolific auteur, Takashi Miike, at his most fun and anarchic, a noir-tinged yakuza film blending genres in the story of a young boxer and a call girl, who fall passionately in love while getting innocently caught up in a drug-smuggling scheme over the course of one night in Tokyo.
Metrics
| Opening Weekend: | $21,151 (9.6% of total gross) |
| Legs: | 3.89 (domestic box office/biggest weekend) |
| Domestic Share: | 6.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/40 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $286,837 |
Movie Details
| Domestic Releases: | September 27th, 2019 (Limited) by Well Go USA, released as First Love |
| International Releases: | November 28th, 2019 (Wide), released as Первая любовь (Russia (CIS))
January 3rd, 2020 (Wide) (France) February 14th, 2020 (Wide), released as First Love (United Kingdom) March 13th, 2020 (Wide), released as İlk Aşk (Turkey) March 14th, 2020 (Limited), released as First Love (Australia) ... Show all releases |
| Video Release: | February 11th, 2020 by Well Go USA Video, released as First Love |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Geographical setting: | Tokyo |
| Plot point: | Drug Trafficking |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | OLM, Recorded Picture Company, Toei Animation |
| Production Countries: | Japan, United Kingdom |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 45 | $21,151 | 2 | $10,576 | $21,151 | 1 | |
| Oct 4, 2019 | 33 | $56,478 | +167% | 40 | $1,412 | $89,994 | 2 |
| Oct 11, 2019 | 42 | $31,035 | -45% | 40 | $776 | $157,334 | 3 |
| Oct 18, 2019 | 50 | $15,703 | -49% | 34 | $462 | $195,366 | 4 |
| Oct 25, 2019 | 60 | $5,474 | -65% | 20 | $274 | $211,009 | 5 |
| Nov 1, 2019 | 63 | $2,446 | -55% | 6 | $408 | $218,329 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 47 | $33,516 | 2 | $16,758 | $33,516 | 1 | |
| Oct 4, 2019 | 32 | $92,783 | +177% | 40 | $2,320 | $126,299 | 2 |
| Oct 11, 2019 | 39 | $53,364 | -42% | 40 | $1,334 | $179,663 | 3 |
| Oct 18, 2019 | 47 | $25,872 | -52% | 34 | $761 | $205,535 | 4 |
| Oct 25, 2019 | 58 | $10,348 | -60% | 20 | $517 | $215,883 | 5 |
| Nov 1, 2019 | 68 | $3,797 | -63% | 6 | $633 | $219,680 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/3/2020 | $85,719 | 46 | 46 | 46 | $85,719 | 1/10/2020 | |||
| Japan | 2/12/2021 | $0 | 0 | 0 | 0 | $3,294,666 | 2/27/2021 | |||
| Portugal | 12/18/2020 | $113 | 1 | 1 | 4 | $918 | 4/27/2021 | |||
| Russia (CIS) | 11/28/2019 | $0 | 0 | 4 | 5 | $14,337 | 10/19/2022 | |||
| South Korea | 12/17/2020 | $11,410 | 79 | 79 | 114 | $17,054 | 4/4/2026 | |||
| Spain | 7/10/2020 | $8,106 | 45 | 45 | 45 | $8,106 | 7/16/2020 | |||
| Turkey | 3/13/2020 | $1,076 | 16 | 16 | 16 | $1,216 | 10/19/2022 | |||
| United Kingdom | 2/14/2020 | $17,019 | 13 | 13 | 13 | $17,019 | 4/4/2026 | |||
| Rest of World | $12,497 | |||||||||
| International Total | $3,451,532 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Masataka Kubota | ||
| Nao Omori |
Supporting
| Shota Sometani | ||
| Sakurako Konishi |
Production and Technical Credits
| Takashi Miike | Director | |
| Masaru Nakamura | Screenwriter | |
| Jeremy Thomas | Producer | |
| Muneyuki Kii | Producer | |
| Misako Saka | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The film is the prolific auteur, Takashi Miike, at his most fun and anarchic, a noir-tinged yakuza film blending genres in the story of a young boxer and a call girl, who fall passionately in love while getting innocently caught up in a drug-smuggling scheme over the course of one night in Tokyo.
Metrics
| Opening Weekend: | $21,151 (9.6% of total gross) |
| Legs: | 3.89 (domestic box office/biggest weekend) |
| Domestic Share: | 6.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/40 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $286,837 |
Movie Details
| Domestic Releases: | September 27th, 2019 (Limited) by Well Go USA, released as First Love |
| International Releases: | November 28th, 2019 (Wide), released as Первая любовь (Russia (CIS))
January 3rd, 2020 (Wide) (France) February 14th, 2020 (Wide), released as First Love (United Kingdom) March 13th, 2020 (Wide), released as İlk Aşk (Turkey) March 14th, 2020 (Limited), released as First Love (Australia) ... Show all releases |
| Video Release: | February 11th, 2020 by Well Go USA Video, released as First Love |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Geographical setting: | Tokyo |
| Plot point: | Drug Trafficking |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | OLM, Recorded Picture Company, Toei Animation |
| Production Countries: | Japan, United Kingdom |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 45 | $21,151 | 2 | $10,576 | $21,151 | 1 | |
| Oct 4, 2019 | 33 | $56,478 | +167% | 40 | $1,412 | $89,994 | 2 |
| Oct 11, 2019 | 42 | $31,035 | -45% | 40 | $776 | $157,334 | 3 |
| Oct 18, 2019 | 50 | $15,703 | -49% | 34 | $462 | $195,366 | 4 |
| Oct 25, 2019 | 60 | $5,474 | -65% | 20 | $274 | $211,009 | 5 |
| Nov 1, 2019 | 63 | $2,446 | -55% | 6 | $408 | $218,329 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 27, 2019 | 47 | $33,516 | 2 | $16,758 | $33,516 | 1 | |
| Oct 4, 2019 | 32 | $92,783 | +177% | 40 | $2,320 | $126,299 | 2 |
| Oct 11, 2019 | 39 | $53,364 | -42% | 40 | $1,334 | $179,663 | 3 |
| Oct 18, 2019 | 47 | $25,872 | -52% | 34 | $761 | $205,535 | 4 |
| Oct 25, 2019 | 58 | $10,348 | -60% | 20 | $517 | $215,883 | 5 |
| Nov 1, 2019 | 68 | $3,797 | -63% | 6 | $633 | $219,680 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/3/2020 | $85,719 | 46 | 46 | 46 | $85,719 | 1/10/2020 | |||
| Japan | 2/12/2021 | $0 | 0 | 0 | 0 | $3,294,666 | 2/27/2021 | |||
| Portugal | 12/18/2020 | $113 | 1 | 1 | 4 | $918 | 4/27/2021 | |||
| Russia (CIS) | 11/28/2019 | $0 | 0 | 4 | 5 | $14,337 | 10/19/2022 | |||
| South Korea | 12/17/2020 | $11,410 | 79 | 79 | 114 | $17,054 | 4/4/2026 | |||
| Spain | 7/10/2020 | $8,106 | 45 | 45 | 45 | $8,106 | 7/16/2020 | |||
| Turkey | 3/13/2020 | $1,076 | 16 | 16 | 16 | $1,216 | 10/19/2022 | |||
| United Kingdom | 2/14/2020 | $17,019 | 13 | 13 | 13 | $17,019 | 4/4/2026 | |||
| Rest of World | $12,497 | |||||||||
| International Total | $3,451,532 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Masataka Kubota | ||
| Nao Omori |
Supporting
| Shota Sometani | ||
| Sakurako Konishi |
Production and Technical Credits
| Takashi Miike | Director | |
| Masaru Nakamura | Screenwriter | |
| Jeremy Thomas | Producer | |
| Muneyuki Kii | Producer | |
| Misako Saka | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.