Head Full of Honey (2018)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $12,350 | Details |
| International Box Office | $320,000 | Details |
| Worldwide Box Office | $332,350 | |
| OpusData ID: 323850100 More info... | ||
| Further financial details... | ||
Synopsis
Unable to live alone, Amadeus reluctantly moves in with his son, Nick and Nick’s wife, Sarah—a couple who are dealing with problems of their own—and their bright 10-year-old daughter, Tilda, outside of London. There, despite the disruption and chaos that ensues when Amadeus becomes part of the already tense household, he and his granddaughter develop a special bond. Tilda’s patience and affection for her grandfather becomes his strongest link to life and the person he used to be. When Amadeus expresses a deep desire to revisit the places of his fondest remaining memories, Tilda makes a bold decision. Giving her parents the slip, she accompanies him on an unpredictable road trip to Venice, Italy, that will transform not only their lives but the entire family.
Metrics
| Opening Weekend: | $8,715 (70.6% of total gross) |
| Legs: | 1.42 (domestic box office/biggest weekend) |
| Domestic Share: | 3.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,218 |
Movie Details
| Domestic Releases: | November 30th, 2018 (Limited) by Warner Bros. |
| International Releases: | March 21st, 2019 (Wide), released as Un viaggio indimenticabile (Italy)
March 22nd, 2019 (Wide) (France) April 19th, 2019 (Limited) (United Kingdom) |
| MPA Rating: | PG-13 for language, some suggestive material and thematic elements. (Rating bulletin 2551 (Cert #51879), 10/31/2018) |
| Running Time: | 139 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Barefoot Films |
| Production Countries: | Italy, United Kingdom, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 50 | $8,715 | 4 | $2,179 | $8,715 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | - | $3,183 | 4 | $796 | $3,183 | 1 | |
| Dec 1, 2018 | - | $3,315 | +4% | 4 | $829 | $6,498 | 2 |
| Dec 2, 2018 | - | $2,217 | -33% | 4 | $554 | $8,715 | 3 |
| Dec 3, 2018 | - | $1,175 | -47% | 4 | $294 | $9,890 | 4 |
| Dec 4, 2018 | - | $523 | -55% | 4 | $131 | $10,413 | 5 |
| Dec 5, 2018 | - | $924 | +77% | 4 | $231 | $11,337 | 6 |
| Dec 6, 2018 | - | $1,013 | +10% | 4 | $253 | $12,350 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 52 | $12,350 | 4 | $3,088 | $12,350 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/22/2019 | $75,142 | 95 | 95 | 95 | $75,142 | 3/30/2019 | |||
| Italy | 3/21/2019 | $40,680 | 0 | 0 | 0 | $40,800 | 3/25/2019 | |||
| United Kingdom | 4/19/2019 | $10,653 | 121 | 121 | 121 | $10,653 | 4/24/2019 | |||
| Rest of World | $193,405 | |||||||||
| International Total | $320,000 | 4/24/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nick Nolte | Amadeus |
Supporting
| Matt Dillon | Nick | |
| Emily Mortimer | Sarah |
Leading
| Sophia Lane Nolte | Matilda |
Supporting
| Jacqueline Bisset | Vivian | |
| Greta Scacchi | Abbess | |
| Eric Roberts | Dr. Holst | |
| Julian Ovenden | Serge | |
| Til Schweiger | Owner London Restaurant | |
| Jake Weber | Dr. Edwards | |
| Joplin Sibtain | Mickey | |
| Claire Forlani | Headmistress | |
| Emily Cox | Nursing Home Manager | |
| Costa Ronin | Russian Oligarch in Restaurant | |
| Maximilan Befort | Man at Ticket Counter | |
| Toni Garrn | Nora | |
| Leigh Gill | Vince | |
| Anna-Lea Mende | Nun in Garden | |
| Alistair Brammer | Waiter in Train Restaurant | |
| Rossano Rubicondi | Carabiniere | |
| Giampiero Judica | Hotel Receptionist | |
| Dominic Coleman | Officer Police Station | |
| Simone Spinazze | Capitano | |
| Luca Ribezzo | Police Chief | |
| Jo Ashe | Hilda | |
| Elisabeth Kanettis | Nun | |
| J. David Hinze | Priest | |
| Nicholas Reinke | Pyrotechnician | |
| Jessica McIntyre | Doctor’s Receptionist | |
| Michael Klammer | Carabiniere | |
| Tim Wilde | Train Guard | |
| Nicola Ransom | Secretary | |
| Murali Perumal | Emre | |
| Veronica Ferres | Woman in Orient Express | |
| Noah Petersen | Marius | |
| Ian Thomas McMillan | Tourette’s Patient | |
| Valerie Huber | Nurse | |
| Sylvia Pugliese | Loretta | |
| Lisa Ayimah | Female Police Officer | |
| Penelope Frego | Female Receptionist | |
| Lia Bottazzi | Wrong Leading Girl in Train Station |
Production and Technical Credits
| Til Schweiger | Director | |
| Til Schweiger | Screenwriter | |
| Lo Malinke | Screenwriter | |
| Jojo Moyes | Screenwriter | |
| Til Schweiger | Producer | |
| Christian Specht | Producer | |
| Hilly Martinek | Script based on the movie “Honig Im Kopf” by | |
| Kimberly Hines | Executive Producer | |
| Rene Richter | Director of Photography | |
| Isabel Von Forster | Production Designer | |
| Christoph Strothjohann | Editor | |
| Til Schweiger | Editor | |
| Metin Misdik | Costume Designer | |
| Cassandra Han | Casting Director | |
| Des Hamilton | Casting Director | |
| Iris Baumuller | Casting Director | |
| Martin Todsharow | Composer | |
| Diego Baldenweg | Composer | |
| Nora Baldenweg | Composer | |
| Lionel Baldenweg | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Unable to live alone, Amadeus reluctantly moves in with his son, Nick and Nick’s wife, Sarah—a couple who are dealing with problems of their own—and their bright 10-year-old daughter, Tilda, outside of London. There, despite the disruption and chaos that ensues when Amadeus becomes part of the already tense household, he and his granddaughter develop a special bond. Tilda’s patience and affection for her grandfather becomes his strongest link to life and the person he used to be. When Amadeus expresses a deep desire to revisit the places of his fondest remaining memories, Tilda makes a bold decision. Giving her parents the slip, she accompanies him on an unpredictable road trip to Venice, Italy, that will transform not only their lives but the entire family.
Metrics
| Opening Weekend: | $8,715 (70.6% of total gross) |
| Legs: | 1.42 (domestic box office/biggest weekend) |
| Domestic Share: | 3.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,218 |
Movie Details
| Domestic Releases: | November 30th, 2018 (Limited) by Warner Bros. |
| International Releases: | March 21st, 2019 (Wide), released as Un viaggio indimenticabile (Italy)
March 22nd, 2019 (Wide) (France) April 19th, 2019 (Limited) (United Kingdom) |
| MPA Rating: | PG-13 for language, some suggestive material and thematic elements. (Rating bulletin 2551 (Cert #51879), 10/31/2018) |
| Running Time: | 139 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Barefoot Films |
| Production Countries: | Italy, United Kingdom, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 50 | $8,715 | 4 | $2,179 | $8,715 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | - | $3,183 | 4 | $796 | $3,183 | 1 | |
| Dec 1, 2018 | - | $3,315 | +4% | 4 | $829 | $6,498 | 2 |
| Dec 2, 2018 | - | $2,217 | -33% | 4 | $554 | $8,715 | 3 |
| Dec 3, 2018 | - | $1,175 | -47% | 4 | $294 | $9,890 | 4 |
| Dec 4, 2018 | - | $523 | -55% | 4 | $131 | $10,413 | 5 |
| Dec 5, 2018 | - | $924 | +77% | 4 | $231 | $11,337 | 6 |
| Dec 6, 2018 | - | $1,013 | +10% | 4 | $253 | $12,350 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 30, 2018 | 52 | $12,350 | 4 | $3,088 | $12,350 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/22/2019 | $75,142 | 95 | 95 | 95 | $75,142 | 3/30/2019 | |||
| Italy | 3/21/2019 | $40,680 | 0 | 0 | 0 | $40,800 | 3/25/2019 | |||
| United Kingdom | 4/19/2019 | $10,653 | 121 | 121 | 121 | $10,653 | 4/24/2019 | |||
| Rest of World | $193,405 | |||||||||
| International Total | $320,000 | 4/24/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nick Nolte | Amadeus |
Supporting
| Matt Dillon | Nick | |
| Emily Mortimer | Sarah |
Leading
| Sophia Lane Nolte | Matilda |
Supporting
| Jacqueline Bisset | Vivian | |
| Greta Scacchi | Abbess | |
| Eric Roberts | Dr. Holst | |
| Julian Ovenden | Serge | |
| Til Schweiger | Owner London Restaurant | |
| Jake Weber | Dr. Edwards | |
| Joplin Sibtain | Mickey | |
| Claire Forlani | Headmistress | |
| Emily Cox | Nursing Home Manager | |
| Costa Ronin | Russian Oligarch in Restaurant | |
| Maximilan Befort | Man at Ticket Counter | |
| Toni Garrn | Nora | |
| Leigh Gill | Vince | |
| Anna-Lea Mende | Nun in Garden | |
| Alistair Brammer | Waiter in Train Restaurant | |
| Rossano Rubicondi | Carabiniere | |
| Giampiero Judica | Hotel Receptionist | |
| Dominic Coleman | Officer Police Station | |
| Simone Spinazze | Capitano | |
| Luca Ribezzo | Police Chief | |
| Jo Ashe | Hilda | |
| Elisabeth Kanettis | Nun | |
| J. David Hinze | Priest | |
| Nicholas Reinke | Pyrotechnician | |
| Jessica McIntyre | Doctor’s Receptionist | |
| Michael Klammer | Carabiniere | |
| Tim Wilde | Train Guard | |
| Nicola Ransom | Secretary | |
| Murali Perumal | Emre | |
| Veronica Ferres | Woman in Orient Express | |
| Noah Petersen | Marius | |
| Ian Thomas McMillan | Tourette’s Patient | |
| Valerie Huber | Nurse | |
| Sylvia Pugliese | Loretta | |
| Lisa Ayimah | Female Police Officer | |
| Penelope Frego | Female Receptionist | |
| Lia Bottazzi | Wrong Leading Girl in Train Station |
Production and Technical Credits
| Til Schweiger | Director | |
| Til Schweiger | Screenwriter | |
| Lo Malinke | Screenwriter | |
| Jojo Moyes | Screenwriter | |
| Til Schweiger | Producer | |
| Christian Specht | Producer | |
| Hilly Martinek | Script based on the movie “Honig Im Kopf” by | |
| Kimberly Hines | Executive Producer | |
| Rene Richter | Director of Photography | |
| Isabel Von Forster | Production Designer | |
| Christoph Strothjohann | Editor | |
| Til Schweiger | Editor | |
| Metin Misdik | Costume Designer | |
| Cassandra Han | Casting Director | |
| Des Hamilton | Casting Director | |
| Iris Baumuller | Casting Director | |
| Martin Todsharow | Composer | |
| Diego Baldenweg | Composer | |
| Nora Baldenweg | Composer | |
| Lionel Baldenweg | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.