Hearts Beat Loud (2018)
| Theatrical Performance | ||
| Domestic Box Office | $2,386,254 | Details |
| International Box Office | $83,256 | Details |
| Worldwide Box Office | $2,469,510 | |
| OpusData ID: 322530100 More info... | ||
| Further financial details... | ||
Synopsis
In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly “jam sesh” into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery.
Metrics
| Opening Weekend: | $74,524 (3.1% of total gross) |
| Legs: | 6.14 (domestic box office/biggest weekend) |
| Domestic Share: | 96.6% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 4 opening theaters/170 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,132,778 |
Movie Details
| Domestic Releases: | June 8th, 2018 (Limited) by Gunpowder & Sky |
| International Releases: | August 3rd, 2018 (Limited) (United Kingdom)
September 7th, 2018 (Wide) (Australia) |
| Video Release: | September 14th, 2018 by Gunpowder & Sky |
| MPA Rating: | PG-13 for some drug references and brief language. (Rating bulletin 2518 (Cert #51508), 3/14/2018) |
| Running Time: | 97 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | Brooklyn, New York, New York City |
| Plot point: | Father and Daughter, Father’s Footsteps, Internet, Musicians, Singers, Songwriter, Viral Video |
| Release detail: | Festival Acquisition |
| Social setting: | College, Graduation |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Burn Later, Houston King Productions, Park Pictures , Gunpowder and Sky |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 37 | $74,524 | 4 | $18,631 | $74,524 | 1 | |
| Jun 15, 2018 | 24 | $246,763 | +231% | 83 | $2,973 | $345,635 | 2 |
| Jun 22, 2018 | 19 | $288,241 | +17% | 104 | $2,772 | $763,913 | 3 |
| Jun 29, 2018 | 18 | $388,442 | +35% | 170 | $2,285 | $1,295,309 | 4 |
| Jul 6, 2018 | 24 | $253,824 | -35% | 169 | $1,502 | $1,853,918 | 5 |
| Jul 13, 2018 | 28 | $130,051 | -49% | 130 | $1,000 | $2,113,992 | 6 |
| Jul 20, 2018 | 37 | $60,306 | -54% | 89 | $678 | $2,254,849 | 7 |
| Jul 27, 2018 | 40 | $27,377 | -55% | 49 | $559 | $2,323,241 | 8 |
| Aug 3, 2018 | 51 | $13,278 | -51% | 33 | $402 | $2,354,030 | 9 |
| Aug 10, 2018 | 63 | $5,052 | -62% | 14 | $361 | $2,368,400 | 10 |
| Aug 17, 2018 | 66 | $4,630 | -8% | 12 | $386 | $2,376,036 | 11 |
| Aug 24, 2018 | 73 | $4,553 | -2% | 7 | $650 | $2,384,689 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 39 | $98,872 | 4 | $24,718 | $98,872 | 1 | |
| Jun 15, 2018 | 23 | $376,800 | +281% | 83 | $4,540 | $475,672 | 2 |
| Jun 22, 2018 | 19 | $431,195 | +14% | 104 | $4,146 | $906,867 | 3 |
| Jun 29, 2018 | 19 | $693,227 | +61% | 170 | $4,078 | $1,600,094 | 4 |
| Jul 6, 2018 | 24 | $378,383 | -45% | 169 | $2,239 | $1,983,740 | 5 |
| Jul 13, 2018 | 28 | $210,803 | -44% | 130 | $1,622 | $2,194,543 | 6 |
| Jul 20, 2018 | 37 | $101,321 | -52% | 93 | $1,089 | $2,295,864 | 7 |
| Jul 27, 2018 | 40 | $44,888 | -56% | 51 | $880 | $2,340,752 | 8 |
| Aug 3, 2018 | 50 | $22,596 | -50% | 34 | $665 | $2,363,348 | 9 |
| Aug 10, 2018 | 66 | $8,058 | -64% | 15 | $537 | $2,371,406 | 10 |
| Aug 17, 2018 | 64 | $8,730 | +8% | 12 | $728 | $2,380,136 | 11 |
| Aug 24, 2018 | 75 | $6,118 | -30% | 8 | $765 | $2,386,254 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/7/2018 | $7,338 | 12 | 12 | 30 | $20,553 | 10/15/2018 | |||
| United Kingdom | 8/3/2018 | $14,155 | 16 | 16 | 16 | $14,155 | 4/4/2026 | |||
| Rest of World | $48,548 | |||||||||
| International Total | $83,256 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nick Offerman | Frank Fisher | |
| Kiersey Clemons | Sam Fisher |
Supporting
| Ted Danson | Dave | |
| Sasha Lane | Rose | |
| Blythe Danner | Marianne Fisher | |
| Toni Collette | Leslie |
Production and Technical Credits
| Brett Haley | Director | |
| Brett Haley | Screenwriter | |
| Marc Basch | Screenwriter | |
| Sam Bisbee | Producer | |
| Houston King | Producer | |
| Sam Slater | Producer | |
| Franklin Carson | Executive Producer | |
| Paul Bernon | Executive Producer | |
| David Bernon | Executive Producer | |
| Jackie Kelman Bisbee | Executive Producer | |
| Lance Acord | Executive Producer | |
| Theodora Dunlap | Executive Producer | |
| Danny Rifkin | Executive Producer | |
| Frank Brenner | Executive Producer | |
| Nick Offerman | Executive Producer | |
| Amy Jarvela | Co-Producer | |
| Rowan Riley | Co-Producer | |
| Keegan DeWitt | Composer | |
| Eric Lin | Director of Photography | |
| Erin Magill | Production Designer | |
| Patrick B. Colman | Editor | |
| Joseph Rudge* | Music Supervisor | |
| Chris Swanson | Music Supervisor | |
| Melissa Vargas | Costume Designer | |
| Tiffany Little Canfield | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly “jam sesh” into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery.
Metrics
| Opening Weekend: | $74,524 (3.1% of total gross) |
| Legs: | 6.14 (domestic box office/biggest weekend) |
| Domestic Share: | 96.6% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 4 opening theaters/170 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,132,778 |
Movie Details
| Domestic Releases: | June 8th, 2018 (Limited) by Gunpowder & Sky |
| International Releases: | August 3rd, 2018 (Limited) (United Kingdom)
September 7th, 2018 (Wide) (Australia) |
| Video Release: | September 14th, 2018 by Gunpowder & Sky |
| MPA Rating: | PG-13 for some drug references and brief language. (Rating bulletin 2518 (Cert #51508), 3/14/2018) |
| Running Time: | 97 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Geographical setting: | Brooklyn, New York, New York City |
| Plot point: | Father and Daughter, Father’s Footsteps, Internet, Musicians, Singers, Songwriter, Viral Video |
| Release detail: | Festival Acquisition |
| Social setting: | College, Graduation |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Burn Later, Houston King Productions, Park Pictures , Gunpowder and Sky |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 37 | $74,524 | 4 | $18,631 | $74,524 | 1 | |
| Jun 15, 2018 | 24 | $246,763 | +231% | 83 | $2,973 | $345,635 | 2 |
| Jun 22, 2018 | 19 | $288,241 | +17% | 104 | $2,772 | $763,913 | 3 |
| Jun 29, 2018 | 18 | $388,442 | +35% | 170 | $2,285 | $1,295,309 | 4 |
| Jul 6, 2018 | 24 | $253,824 | -35% | 169 | $1,502 | $1,853,918 | 5 |
| Jul 13, 2018 | 28 | $130,051 | -49% | 130 | $1,000 | $2,113,992 | 6 |
| Jul 20, 2018 | 37 | $60,306 | -54% | 89 | $678 | $2,254,849 | 7 |
| Jul 27, 2018 | 40 | $27,377 | -55% | 49 | $559 | $2,323,241 | 8 |
| Aug 3, 2018 | 51 | $13,278 | -51% | 33 | $402 | $2,354,030 | 9 |
| Aug 10, 2018 | 63 | $5,052 | -62% | 14 | $361 | $2,368,400 | 10 |
| Aug 17, 2018 | 66 | $4,630 | -8% | 12 | $386 | $2,376,036 | 11 |
| Aug 24, 2018 | 73 | $4,553 | -2% | 7 | $650 | $2,384,689 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 8, 2018 | 39 | $98,872 | 4 | $24,718 | $98,872 | 1 | |
| Jun 15, 2018 | 23 | $376,800 | +281% | 83 | $4,540 | $475,672 | 2 |
| Jun 22, 2018 | 19 | $431,195 | +14% | 104 | $4,146 | $906,867 | 3 |
| Jun 29, 2018 | 19 | $693,227 | +61% | 170 | $4,078 | $1,600,094 | 4 |
| Jul 6, 2018 | 24 | $378,383 | -45% | 169 | $2,239 | $1,983,740 | 5 |
| Jul 13, 2018 | 28 | $210,803 | -44% | 130 | $1,622 | $2,194,543 | 6 |
| Jul 20, 2018 | 37 | $101,321 | -52% | 93 | $1,089 | $2,295,864 | 7 |
| Jul 27, 2018 | 40 | $44,888 | -56% | 51 | $880 | $2,340,752 | 8 |
| Aug 3, 2018 | 50 | $22,596 | -50% | 34 | $665 | $2,363,348 | 9 |
| Aug 10, 2018 | 66 | $8,058 | -64% | 15 | $537 | $2,371,406 | 10 |
| Aug 17, 2018 | 64 | $8,730 | +8% | 12 | $728 | $2,380,136 | 11 |
| Aug 24, 2018 | 75 | $6,118 | -30% | 8 | $765 | $2,386,254 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/7/2018 | $7,338 | 12 | 12 | 30 | $20,553 | 10/15/2018 | |||
| United Kingdom | 8/3/2018 | $14,155 | 16 | 16 | 16 | $14,155 | 4/4/2026 | |||
| Rest of World | $48,548 | |||||||||
| International Total | $83,256 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nick Offerman | Frank Fisher | |
| Kiersey Clemons | Sam Fisher |
Supporting
| Ted Danson | Dave | |
| Sasha Lane | Rose | |
| Blythe Danner | Marianne Fisher | |
| Toni Collette | Leslie |
Production and Technical Credits
| Brett Haley | Director | |
| Brett Haley | Screenwriter | |
| Marc Basch | Screenwriter | |
| Sam Bisbee | Producer | |
| Houston King | Producer | |
| Sam Slater | Producer | |
| Franklin Carson | Executive Producer | |
| Paul Bernon | Executive Producer | |
| David Bernon | Executive Producer | |
| Jackie Kelman Bisbee | Executive Producer | |
| Lance Acord | Executive Producer | |
| Theodora Dunlap | Executive Producer | |
| Danny Rifkin | Executive Producer | |
| Frank Brenner | Executive Producer | |
| Nick Offerman | Executive Producer | |
| Amy Jarvela | Co-Producer | |
| Rowan Riley | Co-Producer | |
| Keegan DeWitt | Composer | |
| Eric Lin | Director of Photography | |
| Erin Magill | Production Designer | |
| Patrick B. Colman | Editor | |
| Joseph Rudge* | Music Supervisor | |
| Chris Swanson | Music Supervisor | |
| Melissa Vargas | Costume Designer | |
| Tiffany Little Canfield | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.