Heat (1995)
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| Theatrical Performance | ||
| Domestic Box Office | $67,436,818 | Details |
| International Box Office | $119,996,510 | Details |
| Worldwide Box Office | $187,433,328 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $372,090 | |
| Blu-ray Sales (estimated) | $6,207,499 | |
| Total | $6,579,589 | |
| OpusData ID: 7400100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $8,445,656 (12.5% of total gross) |
| Legs: | 6.55 (domestic box office/biggest weekend) |
| Domestic Share: | 36.0% (domestic box office/worldwide) |
| Theater counts: | 1,325 opening theaters/1,704 max. theaters, 9.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $174,062,178 |
Movie Details
| Domestic Releases: | December 15th, 1995 (Wide) by Warner Bros. |
| International Releases: | February 16th, 1996 (Wide) (Australia)
February 23rd, 1996 (Limited), released as Heat - Cidade Sob Pressão (Portugal) March 23rd, 1996 (Wide) (New Zealand) August 10th, 1996 (Wide) (South Korea) November 7th, 2017 (Wide), released as Heat (Re-release) (South Korea) ... Show all releases |
| Video Release: | June 24th, 1996 by Warner Home Video |
| MPA Rating: | R for violence and language. |
| Running Time: | 170 minutes |
| Franchise: | Heat |
| Social setting: | Film Noir |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lion Brand Film, Warner Bros., Regency Enterprises |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 3 | $8,445,656 | 1,325 | $6,374 | $8,445,656 | 1 | |
| Dec 22, 1995 | 5 | $7,315,565 | -13% | 1,325 | $5,521 | $19,979,294 | 2 |
| Dec 29, 1995 | 6 | $10,292,469 | +41% | 1,341 | $7,675 | $36,493,095 | 3 |
| Jan 5, 1996 | 7 | $5,502,846 | -47% | 1,341 | $4,104 | $44,636,883 | 4 |
| Jan 12, 1996 | 7 | $6,691,991 | +22% | 1,704 | $3,927 | $53,528,100 | 5 |
| Jan 19, 1996 | 7 | $3,715,994 | -44% | 1,506 | $2,467 | $58,522,258 | 6 |
| Jan 26, 1996 | 12 | $1,912,659 | -49% | 1,276 | $1,499 | $61,426,793 | 7 |
| Feb 2, 1996 | 17 | $1,202,087 | -37% | 966 | $1,244 | $63,334,223 | 8 |
| Feb 9, 1996 | 22 | $629,489 | -48% | 775 | $812 | $64,358,683 | 9 |
| Feb 16, 1996 | 28 | $481,590 | -23% | 581 | $829 | $65,076,901 | 10 |
| Feb 23, 1996 | 33 | $214,588 | -55% | 381 | $563 | $65,398,936 | 11 |
| Mar 1, 1996 | 42 | $114,283 | -47% | 275 | $416 | $65,596,084 | 12 |
| Mar 8, 1996 | 47 | $72,969 | -36% | 205 | $356 | $65,713,556 | 13 |
| Mar 15, 1996 | 19 | $485,863 | +566% | 856 | $568 | $66,229,257 | 14 |
| Mar 22, 1996 | 26 | $310,821 | -36% | 753 | $413 | $66,802,342 | 15 |
| Mar 29, 1996 | 32 | $189,290 | -39% | 503 | $376 | $67,163,568 | 16 |
| Apr 5, 1996 | 37 | $88,609 | -53% | 252 | $352 | $67,341,986 | 17 |
| Apr 12, 1996 | 60 | $25,614 | -71% | 121 | $212 | $67,421,778 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 3 | $12,663,729 | 1,325 | $9,558 | $12,663,729 | 1 | |
| Dec 22, 1995 | 6 | $13,536,897 | +7% | 1,325 | $10,217 | $26,200,626 | 2 |
| Dec 29, 1995 | 6 | $12,933,411 | -4% | 1,341 | $9,645 | $39,134,037 | 3 |
| Jan 5, 1996 | 6 | $7,702,072 | -40% | 1,341 | $5,744 | $46,836,109 | 4 |
| Jan 12, 1996 | 6 | $7,970,155 | +3% | 1,704 | $4,677 | $54,806,264 | 5 |
| Jan 19, 1996 | 8 | $4,707,870 | -41% | 1,506 | $3,126 | $59,514,134 | 6 |
| Jan 26, 1996 | 13 | $2,618,002 | -44% | 1,276 | $2,052 | $62,132,136 | 7 |
| Feb 2, 1996 | 17 | $1,597,058 | -39% | 966 | $1,653 | $63,729,194 | 8 |
| Feb 9, 1996 | 22 | $866,117 | -46% | 775 | $1,118 | $64,595,311 | 9 |
| Feb 16, 1996 | 29 | $589,037 | -32% | 581 | $1,014 | $65,184,348 | 10 |
| Feb 23, 1996 | 33 | $297,453 | -50% | 381 | $781 | $65,481,801 | 11 |
| Mar 1, 1996 | 40 | $158,786 | -47% | 275 | $577 | $65,640,587 | 12 |
| Mar 8, 1996 | 40 | $102,807 | -35% | 205 | $501 | $65,743,394 | 13 |
| Mar 15, 1996 | 19 | $748,127 | +628% | 856 | $874 | $66,491,521 | 14 |
| Mar 22, 1996 | 26 | $482,757 | -35% | 753 | $641 | $66,974,278 | 15 |
| Mar 29, 1996 | 28 | $279,099 | -42% | 503 | $555 | $67,253,377 | 16 |
| Apr 5, 1996 | 36 | $142,787 | -49% | 252 | $567 | $67,396,164 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/16/1996 | $0 | 0 | 6 | 8 | $1,481,356 | 8/24/2020 | |||
| New Zealand | 3/23/1996 | $0 | 0 | 8 | 27 | $5,300 | 4/4/2026 | |||
| Portugal | 2/23/1996 | $0 | 0 | 1 | 1 | $952 | 4/6/2026 | |||
| South Korea | 8/10/1996 | $0 | 0 | 54 | 54 | $38,276 | 1/8/2019 | |||
| Rest of World | $118,470,626 | |||||||||
| International Total | $119,996,510 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Al Pacino | Vincent Hanna | |
| Robert De Niro | Neil McCauley | |
| Val Kilmer | Chris Shiherlis |
Supporting
| Tom Sizemore | Michael Cheritto | |
| Diane Venora | Justine Hanna | |
| Amy Brenneman | Eady | |
| Ashley Judd | Charlene Shiherlis | |
| Mykelti Williamson | Sergeant Drucker | |
| Wes Studi | Detective Casals | |
| Ted Levine | Bosko | |
| Jon Voight | Nate | |
| Jeremy Piven | Dr. Bob | |
| Natalie Portman | Lauren | |
| Hank Azaria | Alan Marciano | |
| Tom Noonan | Kelso | |
| Tone Loc | Richard Torena | |
| Dennis Haysbert | Donald Breedan | |
| Xander Berkeley | Ralph | |
| Danny Trejo | Trejo | |
| William Fichtner | Roger Van Zant | |
| Kevin Gage | Waingro | |
| Susan Traylor | Elaine Cheritto | |
| Kim Staunton | Lillian | |
| Henry Rollins | Hugh Benny | |
| Jerry Trimble | Schwartz | |
| Martin Ferrero | Construction Clerk | |
| Ricky Harris | Albert Torena | |
| Begonya Plaza | Anna Trejo | |
| Hazelle Goodman | Hooker's Mother | |
| Ray Buktenica | Timmons | |
| Rick Avery | Armored Guard #2 | |
| Brad Baldridge | Children's Hospital Doctor | |
| Andrew Camuccio | Dominick | |
| Brian Camuccio | Dominick | |
| Max Daniels | Shooter at Drive-In | |
| Vince Deadrick, Jr. * | Driver at Drive-In | |
| Charles Duke | Cop #5 | |
| Thomas Elfmont | Desk Clerk Cop | |
| Kenny Endoso | Bartender | |
| Kimberly Flynn | Casals' Date | |
| Steven Ford | Officer Bruce | |
| Farrah Forke | Claudia | |
| Hannes Fritsch | Miracle Mile Bartender | |
| Amanda Graves | Linda Cheritto | |
| Emily Graves | Anita Cheritto | |
| Niki Harris | Marcia Drucker | |
| Ted Harvey | Detective #2 | |
| Patricia Healy | Bosko's Date | |
| Paul Herman | Sgt. Heinz | |
| Cindy Katz | Rachel | |
| Brian Libby | Captain Jackson | |
| Bill McIntosh | Armored Guard #1 | |
| Dan Martin | Harry Dieter | |
| Rick Marzan | Basketball Player | |
| Terry Miller | Children's Hospital Nurse | |
| Paul Moyer | News Anchorman | |
| Daniel O'Haco | Detective #1 | |
| Mario Roberts | Bank Guard #1 | |
| Phillip Robinson | Alphonse | |
| Thomas Rosales, Jr. | Armored Truck Driver | |
| Rainell Saunders | Dead Hooker | |
| Kai Soremekun | Prostitute | |
| Rey Verdugo | Vegas Cop | |
| Wendy L. Walsh* | News Anchorwoman | |
| Yvonne Zima | Hostage Girl |
Production and Technical Credits
| Michael Mann | Director | |
| Michael Mann | Screenwriter | |
| Michael Mann | Producer | |
| Art Linson | Producer | |
| Arnon Milchan | Executive Producer | |
| Pieter Jan Brugge | Executive Producer | |
| Dante Spinotti | Director of Photography | |
| Neil Spisak | Production Designer | |
| Dov Hoenig | Editor | |
| Pasquale Buba | Editor | |
| Elliot Goldenthal | Composer | |
| Kathleen M. Shea | Associate Producer | |
| Gusmano Cesaretti | Associate Producer | |
| Ami Canaan Mann | Second Unit Director | |
| Christopher Cronyn | Unit Production Manager | |
| Marjorie Stone McShirley | Art Director | |
| Anne H. Ahrens | Set Decorator | |
| Neil Krepela | Visual Effects Supervisor | |
| Terry D. Frazee | Special Effects Coordinator | |
| Deborah L. Scott | Costume Designer | |
| Darryl M. Athons | Costume Supervisor | |
| William Goldenberg | Editor | |
| Tom Rolf | Editor | |
| Lee Orloff | Sound Mixer | |
| Chris Jenkins | Re-recording Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Ron Bartlett | Re-recording Mixer | |
| Anna Behlmer | Re-recording Mixer | |
| Mark Smith | Re-recording Mixer | |
| John Arrias | Re-recording Mixer | |
| Per Hallberg | Supervising Sound Editor | |
| Larry Kemp | Supervising Sound Editor | |
| Richard Dwan, Jr. * | Sound Effects Editor | |
| Christopher Assells | Sound Effects Editor | |
| Peter Michael Sullivan | Sound Effects Editor | |
| Mark LaPointe | Sound Effects Editor | |
| Scott Martin Gershin | Sound Effects Editor | |
| Alan Rankin | Sound Effects Editor | |
| Randy Kelley | Sound Effects Editor | |
| Rick Bozeat | Sound Effects Editor | |
| Mark P. Stoeckinger | Sound Effects Editor | |
| Peter Lehman | Sound Effects Editor | |
| Brian McPherson | Sound Effects Editor | |
| Dave McMoyler | Sound Effects Editor | |
| Rick Morris | Sound Effects Editor | |
| Dan M. Rich* | Dialogue Editor | |
| Lauren Stevens | Dialogue Editor | |
| Neal Anderson | Dialogue Editor | |
| Hector Gika | Dialogue Editor | |
| Duncan Burns | Dialogue Editor | |
| Bill Abbott | Supervising Music Editor | |
| Christopher Brooks | Supervising Music Editor | |
| Lee Scott | Music Editor | |
| Stephen Lotwis | Music Editor | |
| Michael Connell | Music Editor | |
| Jay B. Richardson | Music Editor | |
| Denise Okimoto | Music Editor | |
| John Caglione, Jr. | Make up | |
| Vera Mitchell | Hairstylist | |
| Budd Carr | Music Supervisor | |
| Bonnie Timmermann | Casting Director | |
| Joel Kramer | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $8,445,656 (12.5% of total gross) |
| Legs: | 6.55 (domestic box office/biggest weekend) |
| Domestic Share: | 36.0% (domestic box office/worldwide) |
| Theater counts: | 1,325 opening theaters/1,704 max. theaters, 9.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $174,062,178 |
Movie Details
| Domestic Releases: | December 15th, 1995 (Wide) by Warner Bros. |
| International Releases: | February 16th, 1996 (Wide) (Australia)
February 23rd, 1996 (Limited), released as Heat - Cidade Sob Pressão (Portugal) March 23rd, 1996 (Wide) (New Zealand) August 10th, 1996 (Wide) (South Korea) November 7th, 2017 (Wide), released as Heat (Re-release) (South Korea) ... Show all releases |
| Video Release: | June 24th, 1996 by Warner Home Video |
| MPA Rating: | R for violence and language. |
| Running Time: | 170 minutes |
| Franchise: | Heat |
| Social setting: | Film Noir |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lion Brand Film, Warner Bros., Regency Enterprises |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 3 | $8,445,656 | 1,325 | $6,374 | $8,445,656 | 1 | |
| Dec 22, 1995 | 5 | $7,315,565 | -13% | 1,325 | $5,521 | $19,979,294 | 2 |
| Dec 29, 1995 | 6 | $10,292,469 | +41% | 1,341 | $7,675 | $36,493,095 | 3 |
| Jan 5, 1996 | 7 | $5,502,846 | -47% | 1,341 | $4,104 | $44,636,883 | 4 |
| Jan 12, 1996 | 7 | $6,691,991 | +22% | 1,704 | $3,927 | $53,528,100 | 5 |
| Jan 19, 1996 | 7 | $3,715,994 | -44% | 1,506 | $2,467 | $58,522,258 | 6 |
| Jan 26, 1996 | 12 | $1,912,659 | -49% | 1,276 | $1,499 | $61,426,793 | 7 |
| Feb 2, 1996 | 17 | $1,202,087 | -37% | 966 | $1,244 | $63,334,223 | 8 |
| Feb 9, 1996 | 22 | $629,489 | -48% | 775 | $812 | $64,358,683 | 9 |
| Feb 16, 1996 | 28 | $481,590 | -23% | 581 | $829 | $65,076,901 | 10 |
| Feb 23, 1996 | 33 | $214,588 | -55% | 381 | $563 | $65,398,936 | 11 |
| Mar 1, 1996 | 42 | $114,283 | -47% | 275 | $416 | $65,596,084 | 12 |
| Mar 8, 1996 | 47 | $72,969 | -36% | 205 | $356 | $65,713,556 | 13 |
| Mar 15, 1996 | 19 | $485,863 | +566% | 856 | $568 | $66,229,257 | 14 |
| Mar 22, 1996 | 26 | $310,821 | -36% | 753 | $413 | $66,802,342 | 15 |
| Mar 29, 1996 | 32 | $189,290 | -39% | 503 | $376 | $67,163,568 | 16 |
| Apr 5, 1996 | 37 | $88,609 | -53% | 252 | $352 | $67,341,986 | 17 |
| Apr 12, 1996 | 60 | $25,614 | -71% | 121 | $212 | $67,421,778 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 15, 1995 | 3 | $12,663,729 | 1,325 | $9,558 | $12,663,729 | 1 | |
| Dec 22, 1995 | 6 | $13,536,897 | +7% | 1,325 | $10,217 | $26,200,626 | 2 |
| Dec 29, 1995 | 6 | $12,933,411 | -4% | 1,341 | $9,645 | $39,134,037 | 3 |
| Jan 5, 1996 | 6 | $7,702,072 | -40% | 1,341 | $5,744 | $46,836,109 | 4 |
| Jan 12, 1996 | 6 | $7,970,155 | +3% | 1,704 | $4,677 | $54,806,264 | 5 |
| Jan 19, 1996 | 8 | $4,707,870 | -41% | 1,506 | $3,126 | $59,514,134 | 6 |
| Jan 26, 1996 | 13 | $2,618,002 | -44% | 1,276 | $2,052 | $62,132,136 | 7 |
| Feb 2, 1996 | 17 | $1,597,058 | -39% | 966 | $1,653 | $63,729,194 | 8 |
| Feb 9, 1996 | 22 | $866,117 | -46% | 775 | $1,118 | $64,595,311 | 9 |
| Feb 16, 1996 | 29 | $589,037 | -32% | 581 | $1,014 | $65,184,348 | 10 |
| Feb 23, 1996 | 33 | $297,453 | -50% | 381 | $781 | $65,481,801 | 11 |
| Mar 1, 1996 | 40 | $158,786 | -47% | 275 | $577 | $65,640,587 | 12 |
| Mar 8, 1996 | 40 | $102,807 | -35% | 205 | $501 | $65,743,394 | 13 |
| Mar 15, 1996 | 19 | $748,127 | +628% | 856 | $874 | $66,491,521 | 14 |
| Mar 22, 1996 | 26 | $482,757 | -35% | 753 | $641 | $66,974,278 | 15 |
| Mar 29, 1996 | 28 | $279,099 | -42% | 503 | $555 | $67,253,377 | 16 |
| Apr 5, 1996 | 36 | $142,787 | -49% | 252 | $567 | $67,396,164 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/16/1996 | $0 | 0 | 6 | 8 | $1,481,356 | 8/24/2020 | |||
| New Zealand | 3/23/1996 | $0 | 0 | 8 | 27 | $5,300 | 4/4/2026 | |||
| Portugal | 2/23/1996 | $0 | 0 | 1 | 1 | $952 | 4/6/2026 | |||
| South Korea | 8/10/1996 | $0 | 0 | 54 | 54 | $38,276 | 1/8/2019 | |||
| Rest of World | $118,470,626 | |||||||||
| International Total | $119,996,510 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Al Pacino | Vincent Hanna | |
| Robert De Niro | Neil McCauley | |
| Val Kilmer | Chris Shiherlis |
Supporting
| Tom Sizemore | Michael Cheritto | |
| Diane Venora | Justine Hanna | |
| Amy Brenneman | Eady | |
| Ashley Judd | Charlene Shiherlis | |
| Mykelti Williamson | Sergeant Drucker | |
| Wes Studi | Detective Casals | |
| Ted Levine | Bosko | |
| Jon Voight | Nate | |
| Jeremy Piven | Dr. Bob | |
| Natalie Portman | Lauren | |
| Hank Azaria | Alan Marciano | |
| Tom Noonan | Kelso | |
| Tone Loc | Richard Torena | |
| Dennis Haysbert | Donald Breedan | |
| Xander Berkeley | Ralph | |
| Danny Trejo | Trejo | |
| William Fichtner | Roger Van Zant | |
| Kevin Gage | Waingro | |
| Susan Traylor | Elaine Cheritto | |
| Kim Staunton | Lillian | |
| Henry Rollins | Hugh Benny | |
| Jerry Trimble | Schwartz | |
| Martin Ferrero | Construction Clerk | |
| Ricky Harris | Albert Torena | |
| Begonya Plaza | Anna Trejo | |
| Hazelle Goodman | Hooker's Mother | |
| Ray Buktenica | Timmons | |
| Rick Avery | Armored Guard #2 | |
| Brad Baldridge | Children's Hospital Doctor | |
| Andrew Camuccio | Dominick | |
| Brian Camuccio | Dominick | |
| Max Daniels | Shooter at Drive-In | |
| Vince Deadrick, Jr. * | Driver at Drive-In | |
| Charles Duke | Cop #5 | |
| Thomas Elfmont | Desk Clerk Cop | |
| Kenny Endoso | Bartender | |
| Kimberly Flynn | Casals' Date | |
| Steven Ford | Officer Bruce | |
| Farrah Forke | Claudia | |
| Hannes Fritsch | Miracle Mile Bartender | |
| Amanda Graves | Linda Cheritto | |
| Emily Graves | Anita Cheritto | |
| Niki Harris | Marcia Drucker | |
| Ted Harvey | Detective #2 | |
| Patricia Healy | Bosko's Date | |
| Paul Herman | Sgt. Heinz | |
| Cindy Katz | Rachel | |
| Brian Libby | Captain Jackson | |
| Bill McIntosh | Armored Guard #1 | |
| Dan Martin | Harry Dieter | |
| Rick Marzan | Basketball Player | |
| Terry Miller | Children's Hospital Nurse | |
| Paul Moyer | News Anchorman | |
| Daniel O'Haco | Detective #1 | |
| Mario Roberts | Bank Guard #1 | |
| Phillip Robinson | Alphonse | |
| Thomas Rosales, Jr. | Armored Truck Driver | |
| Rainell Saunders | Dead Hooker | |
| Kai Soremekun | Prostitute | |
| Rey Verdugo | Vegas Cop | |
| Wendy L. Walsh* | News Anchorwoman | |
| Yvonne Zima | Hostage Girl |
Production and Technical Credits
| Michael Mann | Director | |
| Michael Mann | Screenwriter | |
| Michael Mann | Producer | |
| Art Linson | Producer | |
| Arnon Milchan | Executive Producer | |
| Pieter Jan Brugge | Executive Producer | |
| Dante Spinotti | Director of Photography | |
| Neil Spisak | Production Designer | |
| Dov Hoenig | Editor | |
| Pasquale Buba | Editor | |
| Elliot Goldenthal | Composer | |
| Kathleen M. Shea | Associate Producer | |
| Gusmano Cesaretti | Associate Producer | |
| Ami Canaan Mann | Second Unit Director | |
| Christopher Cronyn | Unit Production Manager | |
| Marjorie Stone McShirley | Art Director | |
| Anne H. Ahrens | Set Decorator | |
| Neil Krepela | Visual Effects Supervisor | |
| Terry D. Frazee | Special Effects Coordinator | |
| Deborah L. Scott | Costume Designer | |
| Darryl M. Athons | Costume Supervisor | |
| William Goldenberg | Editor | |
| Tom Rolf | Editor | |
| Lee Orloff | Sound Mixer | |
| Chris Jenkins | Re-recording Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Ron Bartlett | Re-recording Mixer | |
| Anna Behlmer | Re-recording Mixer | |
| Mark Smith | Re-recording Mixer | |
| John Arrias | Re-recording Mixer | |
| Per Hallberg | Supervising Sound Editor | |
| Larry Kemp | Supervising Sound Editor | |
| Richard Dwan, Jr. * | Sound Effects Editor | |
| Christopher Assells | Sound Effects Editor | |
| Peter Michael Sullivan | Sound Effects Editor | |
| Mark LaPointe | Sound Effects Editor | |
| Scott Martin Gershin | Sound Effects Editor | |
| Alan Rankin | Sound Effects Editor | |
| Randy Kelley | Sound Effects Editor | |
| Rick Bozeat | Sound Effects Editor | |
| Mark P. Stoeckinger | Sound Effects Editor | |
| Peter Lehman | Sound Effects Editor | |
| Brian McPherson | Sound Effects Editor | |
| Dave McMoyler | Sound Effects Editor | |
| Rick Morris | Sound Effects Editor | |
| Dan M. Rich* | Dialogue Editor | |
| Lauren Stevens | Dialogue Editor | |
| Neal Anderson | Dialogue Editor | |
| Hector Gika | Dialogue Editor | |
| Duncan Burns | Dialogue Editor | |
| Bill Abbott | Supervising Music Editor | |
| Christopher Brooks | Supervising Music Editor | |
| Lee Scott | Music Editor | |
| Stephen Lotwis | Music Editor | |
| Michael Connell | Music Editor | |
| Jay B. Richardson | Music Editor | |
| Denise Okimoto | Music Editor | |
| John Caglione, Jr. | Make up | |
| Vera Mitchell | Hairstylist | |
| Budd Carr | Music Supervisor | |
| Bonnie Timmermann | Casting Director | |
| Joel Kramer | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.