The Heir Apparent: Largo Winch (2011)
| Theatrical Performance | ||
| Domestic Box Office | $10,352 | Details |
| International Box Office | $18,957,408 | |
| Worldwide Box Office | $18,967,760 | |
| OpusData ID: 143550100 More info... | ||
| Further financial details... | ||
Synopsis
Billionaire Nerio Winch has drowned—an obviously suspicious death, given that he is the founder and main shareholder of the powerful and sprawling Group W. Who will inherent this economic empire? Officially, Nerio had no family. But he harbored a well-kept secret: a son, Largo, adopted from a Bosnian orphanage nearly thirty years ago. The only problem is that this young heir has just been thrown in jail at the far end of the Amazon. Accused of drug trafficking, he protests his innocence. Nerio has been murdered. Largo has been jailed. What if these two cases were in fact part of a conspiracy to seize control of the Winch empire?
Metrics
| Opening Weekend: | $2,830 (27.3% of total gross) |
| Legs: | 3.66 (domestic box office/biggest weekend) |
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,596 |
Movie Details
| Domestic Releases: | November 18th, 2011 (Limited) by Music Box Films |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Plot point: | Corporate Malfeasance, Falsely Accused, Orphan |
| Social setting: | Adopted Family |
| Source material: | Independent/Other Comics |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pan-Europeenne, Wild Bunch, TFI Films, Casa Productions, Areneo Belgium, Sofica, Valor 7, Sgamai Cinema 1, Canal Plus |
| Production Countries: | France, Belgium, Croatia |
| Languages: | French, English, Croatian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2011 | 84 | $2,830 | 4 | $708 | $2,830 | 1 | |
| Nov 25, 2011 | 89 | $1,360 | -52% | 4 | $340 | $5,150 | 2 |
| Dec 2, 2011 | 95 | $837 | -38% | 2 | $419 | $6,355 | 3 |
| Dec 9, 2011 | 96 | $956 | +14% | 2 | $478 | $7,621 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2011 | 87 | $3,790 | 4 | $948 | $3,790 | 1 | |
| Nov 25, 2011 | 85 | $1,728 | -54% | 3 | $576 | $5,518 | 2 |
| Dec 2, 2011 | 86 | $1,147 | -34% | 2 | $574 | $6,665 | 3 |
| Dec 9, 2011 | 92 | $1,354 | +18% | 2 | $677 | $8,019 | 4 |
| Feb 17, 2012 | 97 | $2,333 | 4 | $583 | $10,352 | 14 |
Leading
| Tomer Sisley | Largo Winch |
Supporting
| Kristin Scott Thomas | Ann Ferguson | |
| Miki Manojlovic | Nerio Winch | |
| Melanie Thierry | Lea / Naomi | |
| Gilbert Melki | Freddy | |
| Anne Consigny | Hannah | |
| Karel Roden | Mikhail Korsky | |
| Steven Waddington | Maucus | |
| Rasha Bukvic | Goran | |
| Nicolas Vaude | Gauthier | |
| Bojana Panic | Melina | |
| Benjamin Siksou | Largo Winch Teenager |
Production and Technical Credits
| Jean Van Hamme | Based on the graphic novel series 'Largo Winch' by Van Hamme | |
| Jerome Salle | Director | |
| Julien Rappeneau | Screenwriter | |
| Jerome Salle | Screenwriter | |
| Denis Rouden | Cinematographer | |
| Francois Maurel | Sound | |
| Fanny Aubrespin | Assistant Director | |
| Brieux Vanderswalm | Assistant Director | |
| Richard Marizy | Editor | |
| Pascal Villard | Sound Editor | |
| Nicolas Javelle | Sound Editor | |
| Jean-Paul Hurier | Sound Mixer | |
| Gigi Akoka | Casting Director | |
| Michel Barthelemy | Production Designer | |
| Khadija Zeggai | Costume Designer | |
| Thi Loan Nguyen | Make-up Designer | |
| Roxanne Pinheiro | Production Manager | |
| Alexandre Desplat | Composer | |
| Valerie Lindon | Music Supervisor | |
| Guy Courtecuisse | Post Production | |
| Eric Zaouali | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Billionaire Nerio Winch has drowned—an obviously suspicious death, given that he is the founder and main shareholder of the powerful and sprawling Group W. Who will inherent this economic empire? Officially, Nerio had no family. But he harbored a well-kept secret: a son, Largo, adopted from a Bosnian orphanage nearly thirty years ago. The only problem is that this young heir has just been thrown in jail at the far end of the Amazon. Accused of drug trafficking, he protests his innocence. Nerio has been murdered. Largo has been jailed. What if these two cases were in fact part of a conspiracy to seize control of the Winch empire?
Metrics
| Opening Weekend: | $2,830 (27.3% of total gross) |
| Legs: | 3.66 (domestic box office/biggest weekend) |
| Domestic Share: | 0.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,596 |
Movie Details
| Domestic Releases: | November 18th, 2011 (Limited) by Music Box Films |
| MPA Rating: | Not Rated |
| Running Time: | 108 minutes |
| Plot point: | Corporate Malfeasance, Falsely Accused, Orphan |
| Social setting: | Adopted Family |
| Source material: | Independent/Other Comics |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pan-Europeenne, Wild Bunch, TFI Films, Casa Productions, Areneo Belgium, Sofica, Valor 7, Sgamai Cinema 1, Canal Plus |
| Production Countries: | France, Belgium, Croatia |
| Languages: | French, English, Croatian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2011 | 84 | $2,830 | 4 | $708 | $2,830 | 1 | |
| Nov 25, 2011 | 89 | $1,360 | -52% | 4 | $340 | $5,150 | 2 |
| Dec 2, 2011 | 95 | $837 | -38% | 2 | $419 | $6,355 | 3 |
| Dec 9, 2011 | 96 | $956 | +14% | 2 | $478 | $7,621 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 18, 2011 | 87 | $3,790 | 4 | $948 | $3,790 | 1 | |
| Nov 25, 2011 | 85 | $1,728 | -54% | 3 | $576 | $5,518 | 2 |
| Dec 2, 2011 | 86 | $1,147 | -34% | 2 | $574 | $6,665 | 3 |
| Dec 9, 2011 | 92 | $1,354 | +18% | 2 | $677 | $8,019 | 4 |
| Feb 17, 2012 | 97 | $2,333 | 4 | $583 | $10,352 | 14 |
Leading
| Tomer Sisley | Largo Winch |
Supporting
| Kristin Scott Thomas | Ann Ferguson | |
| Miki Manojlovic | Nerio Winch | |
| Melanie Thierry | Lea / Naomi | |
| Gilbert Melki | Freddy | |
| Anne Consigny | Hannah | |
| Karel Roden | Mikhail Korsky | |
| Steven Waddington | Maucus | |
| Rasha Bukvic | Goran | |
| Nicolas Vaude | Gauthier | |
| Bojana Panic | Melina | |
| Benjamin Siksou | Largo Winch Teenager |
Production and Technical Credits
| Jean Van Hamme | Based on the graphic novel series 'Largo Winch' by Van Hamme | |
| Jerome Salle | Director | |
| Julien Rappeneau | Screenwriter | |
| Jerome Salle | Screenwriter | |
| Denis Rouden | Cinematographer | |
| Francois Maurel | Sound | |
| Fanny Aubrespin | Assistant Director | |
| Brieux Vanderswalm | Assistant Director | |
| Richard Marizy | Editor | |
| Pascal Villard | Sound Editor | |
| Nicolas Javelle | Sound Editor | |
| Jean-Paul Hurier | Sound Mixer | |
| Gigi Akoka | Casting Director | |
| Michel Barthelemy | Production Designer | |
| Khadija Zeggai | Costume Designer | |
| Thi Loan Nguyen | Make-up Designer | |
| Roxanne Pinheiro | Production Manager | |
| Alexandre Desplat | Composer | |
| Valerie Lindon | Music Supervisor | |
| Guy Courtecuisse | Post Production | |
| Eric Zaouali | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.