Heist (2015)
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| Theatrical Performance | ||
| Domestic Box Office | $50,136 | Details |
| International Box Office | $3,273,995 | Details |
| Worldwide Box Office | $3,324,131 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,035,211 | |
| Blu-ray Sales (estimated) | $585,037 | |
| Total | $1,620,248 | |
| OpusData ID: 217240100 More info... | ||
| Further financial details... | ||
Synopsis
When their attempt to rob a casino owned by the feared gangster Pope goes awry and a shootout ensues, Vaughn and Cox are forced to flee on foot and hijack city Bus 657 and take the passengers hostage. Now, in a high speed chase, Vaughn will not only have to outwit the police, led by Officer Bajos who are in hot pursuit, but he will have to contend with Pope's maniacal right hand man, Dog, in order to make it through the day alive. But we quickly learn that things are not what they seem, and Vaughn has more than one card up his sleeve.
Metrics
| Opening Weekend: | $28,688 (57.2% of total gross) |
| Legs: | 1.75 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Production Budget: | $8,900,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 24 opening theaters/24 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $71,126 |
Movie Details
| Domestic Releases: | November 13th, 2015 (Limited) by Lionsgate |
| International Releases: | November 12th, 2015 (Wide) (Ukraine)
November 12th, 2015 (Wide) (Russia (CIS)) November 12th, 2015 (Wide) (Croatia) November 13th, 2015 (Wide) (Mexico) November 13th, 2015 (Wide) (Vietnam) ... Show all releases |
| Video Release: | November 13th, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence, pervasive language and some sexual content. (Rating bulletin 2382, 7/17/2015) |
| Running Time: | 90 minutes |
| Plot point: | Gangs, Heist, Hijacking, Hostage |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Emmett Furla Oasis Films, Grindstone Entertainment Group, The Fyzz Facility, RPI , Silver Plane Films, TriVision Pictures Inc, Mass Hysteria Entertainment Company Inc |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 13, 2015 | 51 | $28,688 | 24 | $1,195 | $28,688 | 1 | |
| Nov 20, 2015 | 63 | $6,846 | -76% | 17 | $403 | $47,239 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 13, 2015 | 53 | $40,393 | 24 | $1,683 | $40,393 | 1 | |
| Nov 20, 2015 | 69 | $9,743 | -76% | 17 | $573 | $50,136 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Chile | 12/31/2015 | $0 | 0 | 31 | 38 | $180,240 | 12/31/2018 | |||
| China | 12/8/2017 | $363,017 | 0 | 7,434 | 0 | $482,729 | 4/4/2026 | |||
| Croatia | 11/12/2015 | $0 | 0 | 4 | 16 | $18,885 | 12/30/2018 | |||
| Mexico | 11/13/2015 | $395,934 | 0 | 22 | 25 | $1,011,787 | 9/8/2018 | |||
| Peru | 12/31/2015 | $126,705 | 72 | 72 | 111 | $238,723 | 12/31/2018 | |||
| Russia (CIS) | 11/12/2015 | $363,911 | 730 | 730 | 1,381 | $570,699 | 11/20/2018 | |||
| South Africa | 12/4/2015 | $19,678 | 29 | 29 | 29 | $19,678 | 12/8/2015 | |||
| South Korea | 1/14/2016 | $59,240 | 161 | 161 | 162 | $118,373 | 6/9/2016 | |||
| Ukraine | 11/12/2015 | $6,530 | 36 | 36 | 72 | $11,497 | 12/30/2018 | |||
| United Arab Emirates | 12/3/2015 | $0 | 0 | 3 | 4 | $422,176 | 12/31/2018 | |||
| Uruguay | 4/7/2016 | $4,867 | 1 | 1 | 2 | $8,244 | 12/31/2018 | |||
| Vietnam | 11/13/2015 | $0 | 0 | 2 | 2 | $163,390 | 12/30/2018 | |||
| Rest of World | $27,574 | |||||||||
| International Total | $3,273,995 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jeffrey Dean Morgan | Vaughn | |
| Robert De Niro | Pope | |
| Kate Bosworth | Sydney | |
| Dave Bautista | Cox |
Supporting
| Gina Carano | Kris | |
| Mark-Paul Gosselaar | Marconi | |
| D.B. Sweeney | Bernie | |
| Lydia Hull | Pauline | |
| Tyler J. Olson | Steve | |
| Morris Chestnut | Dog | |
| Alyssa Julya Smith | Rebecca | |
| Hawn Tran | Tom | |
| Christopher Rob Bowen | Eric | |
| Renell Gibbs | Tagger | |
| Ashley Valenzuela | Virginia | |
| Elizabeth Windley | Riley | |
| Tyson Sullivan | Mickey | |
| Colin Lawless | Little Boy | |
| Jerry Hoven | Captain Jerry | |
| Scott Herman | Forbes | |
| Michael Brannon | Anchorman | |
| Ritchie Montgomery | Jono | |
| Ron Goleman | Police Dispatcher | |
| Summer Altice | Cristal | |
| Lance E. Nichols | Michaels | |
| Courtney B Turk* | Isabel (Nurse) | |
| Robert Aberdeen | Doctor | |
| Rachel Kerbs | Mandy | |
| Joshua Mikel | Grant | |
| Stephanie Marrero | Heather | |
| Derek Du Chesne | Dave | |
| Alexis Sterling | Waitress | |
| Han Soto | Lin Tao | |
| Rosie Fellner | Julie | |
| Stan Fitch | Tim |
Production and Technical Credits
| Scott Mann | Director | |
| Stephen Cyrus Sepher | Story by | |
| Stephen Cyrus Sepher | Screenwriter | |
| Max Adams | Screenwriter | |
| Randall Emmett | Producer | |
| George Furla | Producer | |
| Wayne Marc Godfrey | Producer | |
| Robert Jones | Producer | |
| Stephen Cyrus Sepher | Producer | |
| Alexander Tabrizi | Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| David Gilbery | Executive Producer | |
| Mark Stewart | Executive Producer | |
| Anthony Jabre | Executive Producer | |
| Steven Galanis | Executive Producer | |
| Vance Owen | Executive Producer | |
| Adam Goldworm | Executive Producer | |
| Beth Holden Garland | Executive Producer | |
| Daniel Grodnik | Executive Producer | |
| Montgomery Blencowe | Executive Producer | |
| Ted Fox | Executive Producer | |
| Corey Large | Executive Producer | |
| Brandon Cox | Director of Photography | |
| Thomas William Hallbauer | Production Designer | |
| Robert Dalva | Editor | |
| Tim Sullivan | Co-Producer | |
| Gus Furla | Co-Producer | |
| Anthony Callie | Co-Producer | |
| Ryan Black | Co-Producer | |
| William B. Steakley | Line Producer | |
| James Edward Barker | Composer | |
| Tim Despic | Composer | |
| Mike Burns | Music Supervisor | |
| Mary C Russell | Unit Production Manager | |
| Jonathan Southard | First Assistant Director | |
| Kim Barnard | Second Assistant Director | |
| Lottie Abrahams | Co-Executive Producer | |
| Arnaud Lannic | Co-Executive Producer | |
| Christophe Lannic | Co-Executive Producer | |
| Babak Eftekhari | Co-Executive Producer | |
| Cam Cannon | Associate Producer | |
| Hayley Arabia | Associate Producer | |
| Michael J Urann | Associate Producer | |
| Keith Adams | Stunt Coordinator | |
| Beau J Genot | Executive Post Production Supervisor | |
| Nick Dirosa | Script Supervisor | |
| Seamus Tierney | Second Unit Director of Photography | |
| B.J. Lehn | Sound Mixer | |
| Lisa Marie Dupree | Casting Director | |
| Brad Johnson | Set Decorator | |
| Jasmine Garnet | Art Director | |
| Rachel Stringfellow | Costume Designer | |
| Staci Witt | Make up | |
| Lauren Kelley | Hairstylist | |
| Alex Luna | First Assistant Editor | |
| Ann Trulove | Assistant Editor | |
| David Kitchens | Sound Supervisor | |
| David Barber | Supervising Sound Editor | |
| Ben Zarai | Sound Effects Editor | |
| Sean Gray | Sound Effects Editor | |
| Steve Urban | Sound Effects Editor | |
| Ben Zarai | Sound Designer | |
| Ben Zarai | Music Editor | |
| David Barber | Re-recording Mixer | |
| Carl Stern | Visual Effects Supervisor | |
| Bernie Stern | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When their attempt to rob a casino owned by the feared gangster Pope goes awry and a shootout ensues, Vaughn and Cox are forced to flee on foot and hijack city Bus 657 and take the passengers hostage. Now, in a high speed chase, Vaughn will not only have to outwit the police, led by Officer Bajos who are in hot pursuit, but he will have to contend with Pope's maniacal right hand man, Dog, in order to make it through the day alive. But we quickly learn that things are not what they seem, and Vaughn has more than one card up his sleeve.
Metrics
| Opening Weekend: | $28,688 (57.2% of total gross) |
| Legs: | 1.75 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Production Budget: | $8,900,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 24 opening theaters/24 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $71,126 |
Movie Details
| Domestic Releases: | November 13th, 2015 (Limited) by Lionsgate |
| International Releases: | November 12th, 2015 (Wide) (Ukraine)
November 12th, 2015 (Wide) (Russia (CIS)) November 12th, 2015 (Wide) (Croatia) November 13th, 2015 (Wide) (Mexico) November 13th, 2015 (Wide) (Vietnam) ... Show all releases |
| Video Release: | November 13th, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence, pervasive language and some sexual content. (Rating bulletin 2382, 7/17/2015) |
| Running Time: | 90 minutes |
| Plot point: | Gangs, Heist, Hijacking, Hostage |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Emmett Furla Oasis Films, Grindstone Entertainment Group, The Fyzz Facility, RPI , Silver Plane Films, TriVision Pictures Inc, Mass Hysteria Entertainment Company Inc |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 13, 2015 | 51 | $28,688 | 24 | $1,195 | $28,688 | 1 | |
| Nov 20, 2015 | 63 | $6,846 | -76% | 17 | $403 | $47,239 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 13, 2015 | 53 | $40,393 | 24 | $1,683 | $40,393 | 1 | |
| Nov 20, 2015 | 69 | $9,743 | -76% | 17 | $573 | $50,136 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Chile | 12/31/2015 | $0 | 0 | 31 | 38 | $180,240 | 12/31/2018 | |||
| China | 12/8/2017 | $363,017 | 0 | 7,434 | 0 | $482,729 | 4/4/2026 | |||
| Croatia | 11/12/2015 | $0 | 0 | 4 | 16 | $18,885 | 12/30/2018 | |||
| Mexico | 11/13/2015 | $395,934 | 0 | 22 | 25 | $1,011,787 | 9/8/2018 | |||
| Peru | 12/31/2015 | $126,705 | 72 | 72 | 111 | $238,723 | 12/31/2018 | |||
| Russia (CIS) | 11/12/2015 | $363,911 | 730 | 730 | 1,381 | $570,699 | 11/20/2018 | |||
| South Africa | 12/4/2015 | $19,678 | 29 | 29 | 29 | $19,678 | 12/8/2015 | |||
| South Korea | 1/14/2016 | $59,240 | 161 | 161 | 162 | $118,373 | 6/9/2016 | |||
| Ukraine | 11/12/2015 | $6,530 | 36 | 36 | 72 | $11,497 | 12/30/2018 | |||
| United Arab Emirates | 12/3/2015 | $0 | 0 | 3 | 4 | $422,176 | 12/31/2018 | |||
| Uruguay | 4/7/2016 | $4,867 | 1 | 1 | 2 | $8,244 | 12/31/2018 | |||
| Vietnam | 11/13/2015 | $0 | 0 | 2 | 2 | $163,390 | 12/30/2018 | |||
| Rest of World | $27,574 | |||||||||
| International Total | $3,273,995 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jeffrey Dean Morgan | Vaughn | |
| Robert De Niro | Pope | |
| Kate Bosworth | Sydney | |
| Dave Bautista | Cox |
Supporting
| Gina Carano | Kris | |
| Mark-Paul Gosselaar | Marconi | |
| D.B. Sweeney | Bernie | |
| Lydia Hull | Pauline | |
| Tyler J. Olson | Steve | |
| Morris Chestnut | Dog | |
| Alyssa Julya Smith | Rebecca | |
| Hawn Tran | Tom | |
| Christopher Rob Bowen | Eric | |
| Renell Gibbs | Tagger | |
| Ashley Valenzuela | Virginia | |
| Elizabeth Windley | Riley | |
| Tyson Sullivan | Mickey | |
| Colin Lawless | Little Boy | |
| Jerry Hoven | Captain Jerry | |
| Scott Herman | Forbes | |
| Michael Brannon | Anchorman | |
| Ritchie Montgomery | Jono | |
| Ron Goleman | Police Dispatcher | |
| Summer Altice | Cristal | |
| Lance E. Nichols | Michaels | |
| Courtney B Turk* | Isabel (Nurse) | |
| Robert Aberdeen | Doctor | |
| Rachel Kerbs | Mandy | |
| Joshua Mikel | Grant | |
| Stephanie Marrero | Heather | |
| Derek Du Chesne | Dave | |
| Alexis Sterling | Waitress | |
| Han Soto | Lin Tao | |
| Rosie Fellner | Julie | |
| Stan Fitch | Tim |
Production and Technical Credits
| Scott Mann | Director | |
| Stephen Cyrus Sepher | Story by | |
| Stephen Cyrus Sepher | Screenwriter | |
| Max Adams | Screenwriter | |
| Randall Emmett | Producer | |
| George Furla | Producer | |
| Wayne Marc Godfrey | Producer | |
| Robert Jones | Producer | |
| Stephen Cyrus Sepher | Producer | |
| Alexander Tabrizi | Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| David Gilbery | Executive Producer | |
| Mark Stewart | Executive Producer | |
| Anthony Jabre | Executive Producer | |
| Steven Galanis | Executive Producer | |
| Vance Owen | Executive Producer | |
| Adam Goldworm | Executive Producer | |
| Beth Holden Garland | Executive Producer | |
| Daniel Grodnik | Executive Producer | |
| Montgomery Blencowe | Executive Producer | |
| Ted Fox | Executive Producer | |
| Corey Large | Executive Producer | |
| Brandon Cox | Director of Photography | |
| Thomas William Hallbauer | Production Designer | |
| Robert Dalva | Editor | |
| Tim Sullivan | Co-Producer | |
| Gus Furla | Co-Producer | |
| Anthony Callie | Co-Producer | |
| Ryan Black | Co-Producer | |
| William B. Steakley | Line Producer | |
| James Edward Barker | Composer | |
| Tim Despic | Composer | |
| Mike Burns | Music Supervisor | |
| Mary C Russell | Unit Production Manager | |
| Jonathan Southard | First Assistant Director | |
| Kim Barnard | Second Assistant Director | |
| Lottie Abrahams | Co-Executive Producer | |
| Arnaud Lannic | Co-Executive Producer | |
| Christophe Lannic | Co-Executive Producer | |
| Babak Eftekhari | Co-Executive Producer | |
| Cam Cannon | Associate Producer | |
| Hayley Arabia | Associate Producer | |
| Michael J Urann | Associate Producer | |
| Keith Adams | Stunt Coordinator | |
| Beau J Genot | Executive Post Production Supervisor | |
| Nick Dirosa | Script Supervisor | |
| Seamus Tierney | Second Unit Director of Photography | |
| B.J. Lehn | Sound Mixer | |
| Lisa Marie Dupree | Casting Director | |
| Brad Johnson | Set Decorator | |
| Jasmine Garnet | Art Director | |
| Rachel Stringfellow | Costume Designer | |
| Staci Witt | Make up | |
| Lauren Kelley | Hairstylist | |
| Alex Luna | First Assistant Editor | |
| Ann Trulove | Assistant Editor | |
| David Kitchens | Sound Supervisor | |
| David Barber | Supervising Sound Editor | |
| Ben Zarai | Sound Effects Editor | |
| Sean Gray | Sound Effects Editor | |
| Steve Urban | Sound Effects Editor | |
| Ben Zarai | Sound Designer | |
| Ben Zarai | Music Editor | |
| David Barber | Re-recording Mixer | |
| Carl Stern | Visual Effects Supervisor | |
| Bernie Stern | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.