Hell of a Summer (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $3,182,680 | Details |
| OpusData ID: 724700100 More info... | ||
| Further financial details... | ||
Synopsis
24-year old camp counselor Jason Hochberg arrives at Camp Pineway thinking his biggest problem is that he feels out of touch with his teenage co-workers. What he doesn’t know is that a masked killer is lurking on the campgrounds, brutally picking counselors off one by one.
Metrics
| Opening Weekend: | $1,765,814 (55.5% of total gross) |
| Legs: | 1.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 1,255 opening theaters/1,255 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,182,680 |
Movie Details
| Domestic Releases: | April 4th, 2025 (Wide) by Neon |
| Video Release: | April 22nd, 2025 by Neon |
| MPA Rating: | R for horror violence, language throughout, and some sexual references. (Rating bulletin 2870 (cert #55361), 1/29/2025) |
| Running Time: | 88 minutes |
| Film festival: | Toronto International Film Festival 2023 |
| Filming location (country): | Canada |
| Plot point: | Celebrity Worship, Exes in Love, Internet, Rescue, Social Media |
| Social setting: | Summer Camp |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Neon Films, 30 West |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | 8 | $1,765,814 | 1,255 | $1,407 | $1,765,814 | 1 | |
| Apr 11, 2025 | 14 | $427,039 | -76% | 968 | $441 | $2,878,833 | 2 |
| Apr 18, 2025 | - | $27,539 | -94% | 80 | $344 | $3,163,948 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 3, 2025 | P | $215,000 | 0 | $215,000 | ||||
| Apr 4, 2025 | 7 | $728,726 | 1,255 | $581 | $728,726 | 1 | ||
| Apr 5, 2025 | 8 | $618,271 | -15% | 1,255 | $493 | $1,346,997 | 2 | |
| Apr 6, 2025 | 9 | $418,817 | -32% | 1,255 | $334 | $1,765,814 | 3 | |
| Apr 7, 2025 | - | $173,722 | -59% | 1,255 | $138 | $1,939,536 | 4 | |
| Apr 8, 2025 | - | $251,897 | +45% | 1,255 | $201 | $2,191,433 | 5 | |
| Apr 9, 2025 | - | $171,290 | -32% | 1,255 | $136 | $2,362,723 | 6 | |
| Apr 10, 2025 | - | $89,071 | -48% | 1,255 | $71 | $2,451,794 | 7 | |
| Apr 11, 2025 | - | $141,002 | +58% | -81% | 968 | $146 | $2,592,796 | 8 |
| Apr 12, 2025 | - | $177,663 | +26% | -71% | 968 | $184 | $2,770,459 | 9 |
| Apr 13, 2025 | - | $108,374 | -39% | -74% | 968 | $112 | $2,878,833 | 10 |
| Apr 14, 2025 | - | $60,690 | -44% | -65% | 966 | $63 | $2,939,523 | 11 |
| Apr 15, 2025 | - | $89,214 | +47% | -65% | 966 | $92 | $3,028,737 | 12 |
| Apr 16, 2025 | - | $72,263 | -19% | -58% | 966 | $75 | $3,101,000 | 13 |
| Apr 17, 2025 | - | $35,409 | -51% | -60% | 966 | $37 | $3,136,409 | 14 |
| Apr 18, 2025 | - | $10,087 | -72% | -93% | 80 | $126 | $3,146,496 | 15 |
| Apr 19, 2025 | - | $11,308 | +12% | -94% | 80 | $141 | $3,157,804 | 16 |
| Apr 20, 2025 | - | $6,144 | -46% | -94% | 80 | $77 | $3,163,948 | 17 |
| Apr 21, 2025 | - | $4,698 | -24% | -92% | 80 | $59 | $3,168,646 | 18 |
| Apr 22, 2025 | - | $5,066 | +8% | -94% | 80 | $63 | $3,173,712 | 19 |
| Apr 23, 2025 | - | $5,683 | +12% | -92% | 80 | $71 | $3,179,395 | 20 |
| Apr 24, 2025 | - | $3,285 | -42% | -91% | 80 | $41 | $3,182,680 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | 9 | $2,451,794 | 1,255 | $1,954 | $2,451,794 | 1 | |
| Apr 11, 2025 | 13 | $684,615 | -72% | 966 | $709 | $3,136,409 | 2 |
| Apr 18, 2025 | 34 | $46,271 | -93% | 80 | $578 | $3,182,680 | 3 |
Leading
| Fred Hechinger | Jason Hochberg |
Supporting
| Abby Quinn | Claire | |
| Pharaoh Woon-A-Tai | Mike | |
| Billy Bryk | Bobby | |
| Finn Wolfhard | Chris | |
| Pardis Saremi | Demi | |
| Rosebud Baker | Kathy | |
| Daniel Gravelle | Ari | |
| Matthew Finlan | Ezra | |
| Adam Pally | John | |
| Krista Nazaire | Shannon | |
| Julia Lalonde | Noelle | |
| Julia Doyle | Miley |
Production and Technical Credits
| Billy Bryk | Director | |
| Finn Wolfhard | Director | |
| Finn Wolfhard | Screenwriter | |
| Billy Bryk | Screenwriter | |
| Michael Costigan | Producer | |
| Finn Wolfhard | Producer | |
| Billy Bryk | Producer | |
| Jay Van Hoy | Producer | |
| Fred Hechinger | Producer | |
| Jason Bateman | Executive Producer | |
| Dan Steinman | Executive Producer | |
| Drew Brennan | Executive Producer | |
| Micah Green | Executive Producer | |
| Sarah Hong | Executive Producer | |
| Kristy Neville | Executive Producer | |
| Chareese McLaughlin | Production Designer | |
| Christine Armstrong | Editor | |
| David Marks | Editor | |
| Jay McCarrol | Composer | |
| Kristofer Bonnell | Director of Photography | |
| Cotey Pope | Set Decorator | |
| Kevin Eade | First Assistant Director | |
| Abigail Thorpe | Second Assistant Director | |
| Kathy Choi | Dialogue Editor | |
| Raiza Rodrigues | Dialogue Editor | |
| Ian Geldart | Sound Effects Editor | |
| Paul Germann | Sound Designer | |
| Taylor Doherty | Sound Mixer | |
| Hugo de la Cerda | Re-recording Mixer | |
| Tristan Zerafa | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
24-year old camp counselor Jason Hochberg arrives at Camp Pineway thinking his biggest problem is that he feels out of touch with his teenage co-workers. What he doesn’t know is that a masked killer is lurking on the campgrounds, brutally picking counselors off one by one.
Metrics
| Opening Weekend: | $1,765,814 (55.5% of total gross) |
| Legs: | 1.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 1,255 opening theaters/1,255 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,182,680 |
Movie Details
| Domestic Releases: | April 4th, 2025 (Wide) by Neon |
| Video Release: | April 22nd, 2025 by Neon |
| MPA Rating: | R for horror violence, language throughout, and some sexual references. (Rating bulletin 2870 (cert #55361), 1/29/2025) |
| Running Time: | 88 minutes |
| Film festival: | Toronto International Film Festival 2023 |
| Filming location (country): | Canada |
| Plot point: | Celebrity Worship, Exes in Love, Internet, Rescue, Social Media |
| Social setting: | Summer Camp |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Neon Films, 30 West |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | 8 | $1,765,814 | 1,255 | $1,407 | $1,765,814 | 1 | |
| Apr 11, 2025 | 14 | $427,039 | -76% | 968 | $441 | $2,878,833 | 2 |
| Apr 18, 2025 | - | $27,539 | -94% | 80 | $344 | $3,163,948 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 3, 2025 | P | $215,000 | 0 | $215,000 | ||||
| Apr 4, 2025 | 7 | $728,726 | 1,255 | $581 | $728,726 | 1 | ||
| Apr 5, 2025 | 8 | $618,271 | -15% | 1,255 | $493 | $1,346,997 | 2 | |
| Apr 6, 2025 | 9 | $418,817 | -32% | 1,255 | $334 | $1,765,814 | 3 | |
| Apr 7, 2025 | - | $173,722 | -59% | 1,255 | $138 | $1,939,536 | 4 | |
| Apr 8, 2025 | - | $251,897 | +45% | 1,255 | $201 | $2,191,433 | 5 | |
| Apr 9, 2025 | - | $171,290 | -32% | 1,255 | $136 | $2,362,723 | 6 | |
| Apr 10, 2025 | - | $89,071 | -48% | 1,255 | $71 | $2,451,794 | 7 | |
| Apr 11, 2025 | - | $141,002 | +58% | -81% | 968 | $146 | $2,592,796 | 8 |
| Apr 12, 2025 | - | $177,663 | +26% | -71% | 968 | $184 | $2,770,459 | 9 |
| Apr 13, 2025 | - | $108,374 | -39% | -74% | 968 | $112 | $2,878,833 | 10 |
| Apr 14, 2025 | - | $60,690 | -44% | -65% | 966 | $63 | $2,939,523 | 11 |
| Apr 15, 2025 | - | $89,214 | +47% | -65% | 966 | $92 | $3,028,737 | 12 |
| Apr 16, 2025 | - | $72,263 | -19% | -58% | 966 | $75 | $3,101,000 | 13 |
| Apr 17, 2025 | - | $35,409 | -51% | -60% | 966 | $37 | $3,136,409 | 14 |
| Apr 18, 2025 | - | $10,087 | -72% | -93% | 80 | $126 | $3,146,496 | 15 |
| Apr 19, 2025 | - | $11,308 | +12% | -94% | 80 | $141 | $3,157,804 | 16 |
| Apr 20, 2025 | - | $6,144 | -46% | -94% | 80 | $77 | $3,163,948 | 17 |
| Apr 21, 2025 | - | $4,698 | -24% | -92% | 80 | $59 | $3,168,646 | 18 |
| Apr 22, 2025 | - | $5,066 | +8% | -94% | 80 | $63 | $3,173,712 | 19 |
| Apr 23, 2025 | - | $5,683 | +12% | -92% | 80 | $71 | $3,179,395 | 20 |
| Apr 24, 2025 | - | $3,285 | -42% | -91% | 80 | $41 | $3,182,680 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 4, 2025 | 9 | $2,451,794 | 1,255 | $1,954 | $2,451,794 | 1 | |
| Apr 11, 2025 | 13 | $684,615 | -72% | 966 | $709 | $3,136,409 | 2 |
| Apr 18, 2025 | 34 | $46,271 | -93% | 80 | $578 | $3,182,680 | 3 |
Leading
| Fred Hechinger | Jason Hochberg |
Supporting
| Abby Quinn | Claire | |
| Pharaoh Woon-A-Tai | Mike | |
| Billy Bryk | Bobby | |
| Finn Wolfhard | Chris | |
| Pardis Saremi | Demi | |
| Rosebud Baker | Kathy | |
| Daniel Gravelle | Ari | |
| Matthew Finlan | Ezra | |
| Adam Pally | John | |
| Krista Nazaire | Shannon | |
| Julia Lalonde | Noelle | |
| Julia Doyle | Miley |
Production and Technical Credits
| Billy Bryk | Director | |
| Finn Wolfhard | Director | |
| Finn Wolfhard | Screenwriter | |
| Billy Bryk | Screenwriter | |
| Michael Costigan | Producer | |
| Finn Wolfhard | Producer | |
| Billy Bryk | Producer | |
| Jay Van Hoy | Producer | |
| Fred Hechinger | Producer | |
| Jason Bateman | Executive Producer | |
| Dan Steinman | Executive Producer | |
| Drew Brennan | Executive Producer | |
| Micah Green | Executive Producer | |
| Sarah Hong | Executive Producer | |
| Kristy Neville | Executive Producer | |
| Chareese McLaughlin | Production Designer | |
| Christine Armstrong | Editor | |
| David Marks | Editor | |
| Jay McCarrol | Composer | |
| Kristofer Bonnell | Director of Photography | |
| Cotey Pope | Set Decorator | |
| Kevin Eade | First Assistant Director | |
| Abigail Thorpe | Second Assistant Director | |
| Kathy Choi | Dialogue Editor | |
| Raiza Rodrigues | Dialogue Editor | |
| Ian Geldart | Sound Effects Editor | |
| Paul Germann | Sound Designer | |
| Taylor Doherty | Sound Mixer | |
| Hugo de la Cerda | Re-recording Mixer | |
| Tristan Zerafa | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.