Hellboy (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $21,903,748 | Details |
| International Box Office | $32,052,732 | Details |
| Worldwide Box Office | $53,956,480 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,549,313 | |
| Blu-ray Sales (estimated) | $8,893,453 | |
| Total | $12,442,766 | |
| OpusData ID: 303910100 More info... | ||
| Further financial details... | ||
Synopsis
Hellboy is back, and he’s on fire. He is called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue, a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.
Metrics
| Opening Weekend: | $12,045,147 (55.0% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 40.6% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 3,303 opening theaters/3,303 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,599,218 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Wide) by Lionsgate April 12th, 2019 (IMAX) by Lionsgate |
| International Releases: | April 10th, 2019 (Wide) (South Korea)
April 11th, 2019 (Wide) (Italy) April 11th, 2019 (Wide) (United Kingdom) April 11th, 2019 (Wide), released as Хеллбой (Russia (CIS)) April 11th, 2019 (Wide) (Mexico) ... Show all releases |
| Video Release: | July 23rd, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and gore throughout, and language (Rating bulletin 2567 (Cert #52002), 2/27/2019) |
| Running Time: | 120 minutes |
| Franchise: | Hellboy |
| Cast, crew, or production detail: | Reboot |
| Film format: | IMAX: DMR |
| Plot point: | Demons, Revenge, Shapeshifter, Witches |
| Social setting: | Supernatural |
| Source material: | Dark Horse Comics |
| Subgenre: | Action Horror |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Summit Entertainment, Millennium Films, Campbell Grobman Films, Dark Horse Entertainment, Applebox Entertainment, Lawrence Gordon, Lloyd Levin, Nu Boyana |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 3 | $12,045,147 | 3,303 | $3,647 | $12,045,147 | 1 | |
| Apr 19, 2019 | 10 | $3,951,098 | -67% | 3,303 | $1,196 | $19,747,369 | 2 |
| Apr 26, 2019 | 14 | $354,575 | -91% | 927 | $382 | $21,533,408 | 3 |
| May 3, 2019 | 29 | $68,593 | -81% | 179 | $383 | $21,796,087 | 4 |
| May 10, 2019 | 30 | $50,536 | -26% | 127 | $398 | $21,882,492 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | P | $1,400,000 | 0 | $1,400,000 | 1 | |||
| Apr 12, 2019 | 3 | $4,943,668 | 3,303 | $1,497 | $4,943,668 | 1 | ||
| Apr 13, 2019 | 4 | $4,251,822 | -14% | 3,303 | $1,287 | $9,195,490 | 2 | |
| Apr 14, 2019 | 4 | $2,849,657 | -33% | 3,303 | $863 | $12,045,147 | 3 | |
| Apr 15, 2019 | 3 | $920,945 | -68% | 3,303 | $279 | $12,966,092 | 4 | |
| Apr 16, 2019 | 4 | $1,346,260 | +46% | 3,303 | $408 | $14,312,352 | 5 | |
| Apr 17, 2019 | 7 | $750,687 | -44% | 3,303 | $227 | $15,063,039 | 6 | |
| Apr 18, 2019 | 7 | $733,232 | -2% | 3,303 | $222 | $15,796,271 | 7 | |
| Apr 19, 2019 | 10 | $1,344,324 | +83% | -73% | 3,303 | $407 | $17,140,595 | 8 |
| Apr 20, 2019 | 9 | $1,563,100 | +16% | -63% | 3,303 | $473 | $18,703,695 | 9 |
| Apr 21, 2019 | 8 | $1,043,674 | -33% | -63% | 3,303 | $316 | $19,747,369 | 10 |
| Apr 22, 2019 | 10 | $439,916 | -58% | -52% | 3,303 | $133 | $20,187,285 | 11 |
| Apr 23, 2019 | 8 | $532,221 | +21% | -60% | 3,303 | $161 | $20,719,506 | 12 |
| Apr 24, 2019 | 8 | $323,879 | -39% | -57% | 3,303 | $98 | $21,043,385 | 13 |
| Apr 25, 2019 | 11 | $135,448 | -58% | -82% | 3,303 | $41 | $21,178,833 | 14 |
| Apr 26, 2019 | 14 | $94,136 | -31% | -93% | 927 | $102 | $21,272,969 | 15 |
| Apr 27, 2019 | 14 | $154,818 | +64% | -90% | 927 | $167 | $21,427,787 | 16 |
| Apr 28, 2019 | 13 | $105,621 | -32% | -90% | 927 | $114 | $21,533,408 | 17 |
| Apr 29, 2019 | 13 | $47,475 | -55% | -89% | 927 | $51 | $21,580,883 | 18 |
| Apr 30, 2019 | 13 | $62,224 | +31% | -88% | 927 | $67 | $21,643,107 | 19 |
| May 1, 2019 | 14 | $51,009 | -18% | -84% | 927 | $55 | $21,694,116 | 20 |
| May 2, 2019 | 15 | $33,378 | -35% | -75% | 927 | $36 | $21,727,494 | 21 |
| May 3, 2019 | - | $20,099 | -40% | -79% | 179 | $112 | $21,747,593 | 22 |
| May 4, 2019 | - | $27,873 | +39% | -82% | 179 | $156 | $21,775,466 | 23 |
| May 5, 2019 | - | $20,621 | -26% | -80% | 179 | $115 | $21,796,087 | 24 |
| May 6, 2019 | - | $9,597 | -53% | -80% | 179 | $54 | $21,805,684 | 25 |
| May 7, 2019 | - | $11,311 | +18% | -82% | 179 | $63 | $21,816,995 | 26 |
| May 8, 2019 | - | $8,718 | -23% | -83% | 179 | $49 | $21,825,713 | 27 |
| May 9, 2019 | - | $6,243 | -28% | -81% | 179 | $35 | $21,831,956 | 28 |
| May 10, 2019 | - | $12,559 | +101% | -38% | 127 | $99 | $21,844,515 | 29 |
| May 11, 2019 | - | $21,997 | +75% | -21% | 127 | $173 | $21,866,512 | 30 |
| May 12, 2019 | - | $15,980 | -27% | -23% | 127 | $126 | $21,882,492 | 31 |
| May 13, 2019 | - | $5,101 | -68% | -47% | 127 | $40 | $21,887,593 | 32 |
| May 14, 2019 | - | $5,883 | +15% | -48% | 127 | $46 | $21,893,476 | 33 |
| May 15, 2019 | - | $5,476 | -7% | -37% | 127 | $43 | $21,898,952 | 34 |
| May 16, 2019 | - | $4,796 | -12% | -23% | 127 | $38 | $21,903,748 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 3 | $15,796,271 | 3,303 | $4,782 | $15,796,271 | 1 | |
| Apr 19, 2019 | 10 | $5,382,562 | -66% | 3,303 | $1,630 | $21,178,833 | 2 |
| Apr 26, 2019 | 14 | $548,661 | -90% | 927 | $592 | $21,727,494 | 3 |
| May 3, 2019 | 28 | $104,462 | -81% | 179 | $584 | $21,831,956 | 4 |
| May 10, 2019 | 32 | $71,792 | -31% | 127 | $565 | $21,903,748 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/12/2019 | $57,719 | 139 | 139 | 172 | $91,422 | 5/4/2019 | |||
| Australia | 4/12/2019 | $553,564 | 287 | 287 | 748 | $1,051,651 | 5/7/2019 | |||
| Brazil | 5/24/2019 | $302,185 | 446 | 446 | 652 | $627,494 | 6/8/2019 | |||
| Bulgaria | 4/12/2019 | $26,672 | 0 | 0 | 0 | $64,719 | 5/8/2019 | |||
| China | 11/7/2020 | $130,000 | 409 | 91,470 | 76,483 | $13,170,000 | 4/4/2026 | |||
| Czech Republic | 4/12/2019 | $146,440 | 126 | 126 | 256 | $268,625 | 5/6/2019 | |||
| France | 5/10/2019 | $1,078,112 | 410 | 415 | 1,174 | $1,779,290 | 5/31/2019 | |||
| Germany | 4/12/2019 | $559,728 | 0 | 0 | 0 | $559,728 | 4/19/2019 | |||
| Italy | 4/11/2019 | $858,614 | 0 | 4 | 4 | $1,566,487 | 5/10/2019 | |||
| Lithuania | 4/12/2019 | $19,370 | 93 | 93 | 112 | $27,268 | 4/23/2019 | |||
| Mexico | 4/11/2019 | $702,545 | 0 | 0 | 0 | $1,562,208 | 4/22/2019 | |||
| Netherlands | 4/12/2019 | $207,077 | 90 | 90 | 238 | $395,474 | 4/30/2019 | |||
| Poland | 4/12/2019 | $218,076 | 194 | 194 | 388 | $364,510 | 4/27/2019 | |||
| Portugal | 4/12/2019 | $180,205 | 76 | 76 | 202 | $361,564 | 5/14/2019 | |||
| Russia (CIS) | 4/11/2019 | $2,243,529 | 1,578 | 1,578 | 4,389 | $3,811,848 | 6/21/2019 | |||
| Slovakia | 4/12/2019 | $76,756 | 67 | 67 | 123 | $134,301 | 4/30/2019 | |||
| South Korea | 4/10/2019 | $1,228,117 | 726 | 726 | 1,243 | $2,309,424 | 4/25/2019 | |||
| Spain | 5/17/2019 | $563,057 | 342 | 342 | 870 | $1,057,555 | 6/7/2019 | |||
| Turkey | 4/12/2019 | $155,643 | 332 | 332 | 819 | $376,195 | 5/24/2019 | |||
| United Kingdom | 4/11/2019 | $1,294,899 | 480 | 490 | 1,229 | $2,472,969 | 4/4/2026 | |||
| International Total | $32,052,732 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Harbour | Hellboy |
Supporting
| Milla Jovovich | Nimue / The Blood Queen | |
| Ian McShane | Professor Broom | |
| Sasha Lane | Alice Monaghan | |
| Daniel Dae Kim | Ben Daimio | |
| Thomas Haden Church | Lobster Johnson | |
| Mark Stanley | Arthur | |
| Brian Gleeson | Merlin | |
| Nadya Keranova | Sister | |
| Mariya Tepavicharova | Sister | |
| Ana Tabakova | Sister | |
| Penelope Mitchell | Ganeida | |
| Terry Randal | Priest | |
| Mario De La Rosa | Esteban Ruiz / Camazotz | |
| Christopher Mata | Referee | |
| Atanas Srebrev | Agent Madison | |
| Dawn Sherrer | Agent Strode | |
| Michael Heath | Butler | |
| Alistair Petrie | Lord Adam Glaren | |
| Rick Warden | Dr. Edwin Carp | |
| Nitin Ganatra | August Swain | |
| Sophie Okonedo | Lady Hatton | |
| Markos Rounthwaite | Grigori Rasputin | |
| Ilko Iliev | Professor Doctor Karl Ruprect Kroenen | |
| Joel Harlow | Von Krupt | |
| Dimiter Banekin | Leopold Kurtz | |
| Vanessa Eichholz | Ilsa Hepstein | |
| Kristina Klebe | Leni Riefenstahl | |
| Charles Shannon | Sgt. Whitman | |
| Carl Hampe | Sir Malcom Frost | |
| Tony Van Silva | Abbot | |
| Josh Finan | Novice | |
| Stephen Graham | Gruagach | |
| Jonathan Steele | Huntsman | |
| Simon Feek | M-11 Operative | |
| Ava Brennan | Alice’s Mother | |
| Anthony Delaney | Alice’s Father | |
| Jasmine Audoux-Prevot | Baby Alice | |
| Meglena Karalambova | Leprous Hag | |
| Anna Bankina | Leprous Hag | |
| Ruth Rafailova | Leprous Hag | |
| Laila Morse | Mrs. Harker | |
| Peter Oxley | Gunsmith | |
| Nikolay Stanoev | Monk | |
| Troy James | Baby Yaga | |
| Emma Tate | Baby Yaga | |
| Manal El-Feitury | Mother | |
| Elizabeth Mehari Kahsai | Child in Parking Lot | |
| Said Barry Abdulai | Child in Parking Lot | |
| Katya Peneva | Sarah Bethany Hughes | |
| Natasha Kaplinsky | Anchorman | |
| Valentin Stoyanov | Man 1 | |
| Viktor Rangelov | Man 2 | |
| Vasil Tsvetkov | Man 3 | |
| Joshua Samuel Hector | Man 4 |
Production and Technical Credits
| Neil Marshall | Director | |
| Andrew Cosby | Screenwriter | |
| Mike Mignola | Story based on the Dark Horse Comic Book Created by | |
| Lawrence Gordon | Producer | |
| Lloyd Levin | Producer | |
| Mike Richardson | Producer | |
| Philip Westgren | Producer | |
| Carl Hampe | Producer | |
| John Thompson | Producer | |
| Matt O'Toole | Producer | |
| Les Weldon | Producer | |
| Yariv Lerner | Producer | |
| Mike Mignola | Executive Producer | |
| Marc Helwig | Executive Producer | |
| Avi Lerner | Executive Producer | |
| Trevor Short | Executive Producer | |
| John Thompson | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Christa Campbell | Executive Producer | |
| Jeffrey Greenstein | Executive Producer | |
| Lorenzo Senatore | Director of Photography | |
| Martin Bernfeld | Editor | |
| Paul Kirby | Production Designer | |
| Stephanie Collie | Costume Designer | |
| Benjamin Wallfisch | Composer | |
| Steve Begg | Visual Effects Supervisor | |
| Joel Harlow | Creature Designer | |
| Joel Harlow | Special Make-up Effects | |
| Dan Hubbard | Casting Director | |
| Elena Melamed | Line Producer | |
| Elena Melamed | Unit Production Manager | |
| Neil Wallace | First Assistant Director | |
| Helen Fraser | Second Assistant Director | |
| Markos Rounthwaite | Stunt Coordinator | |
| Lonnie Ramati | Co-Executive Producer | |
| Martin Bernfeld | Co-Producer | |
| Danail Hadzhiyski | Visual Effects Producer | |
| Anna V. James* | Visual Effects Producer | |
| Janet Muswell | Visual Effects Producer | |
| Michael Solinger | Post-Production Supervisor | |
| Selena Arizanovic | Music Supervisor | |
| Tony Lewis | Supervising Music Editor | |
| Luke Clare | First Assistant Editor | |
| Gemma Bourne | Assistant Editor | |
| Amar Ingreji | Assistant Editor | |
| Matthew Collinge | Sound Supervisor | |
| Andrew Stirk | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Rob Prynne | Sound Designer | |
| Paul Carter | Sound Designer | |
| Martin Cantwell | Sound Designer | |
| Rob Turner | Sound Effects Editor | |
| Matt Davies | Dialogue and ADR Supervisor | |
| Lilly Blazewicz | Foley Editor | |
| Ivan Rangelov | Supervising Art Director | |
| Adriano Giombini | Art Director | |
| Alessandro Troso | Art Director | |
| Alexei Karaghiaur | Art Director | |
| Andrew Ackland-Snow | Art Director | |
| Vladimir Kaloyanov | Sound Mixer | |
| Stefania Velichkova | Script Supervisor | |
| Yosif Mladenov | Set Designer | |
| Stefan Manchev | Set Designer | |
| Valentina Mladenova* | Set Decorator | |
| Anna Gelinova | Costume Supervisor | |
| Ivo Jivkov | Special Effects Supervisor | |
| Diyan Hristov | Second Unit Director | |
| Benjamin Wallfisch | Music Producer | |
| Arabella Winter | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Hellboy is back, and he’s on fire. He is called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue, a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.
Metrics
| Opening Weekend: | $12,045,147 (55.0% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 40.6% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 3,303 opening theaters/3,303 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,599,218 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Wide) by Lionsgate April 12th, 2019 (IMAX) by Lionsgate |
| International Releases: | April 10th, 2019 (Wide) (South Korea)
April 11th, 2019 (Wide) (Italy) April 11th, 2019 (Wide) (United Kingdom) April 11th, 2019 (Wide), released as Хеллбой (Russia (CIS)) April 11th, 2019 (Wide) (Mexico) ... Show all releases |
| Video Release: | July 23rd, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and gore throughout, and language (Rating bulletin 2567 (Cert #52002), 2/27/2019) |
| Running Time: | 120 minutes |
| Franchise: | Hellboy |
| Cast, crew, or production detail: | Reboot |
| Film format: | IMAX: DMR |
| Plot point: | Demons, Revenge, Shapeshifter, Witches |
| Social setting: | Supernatural |
| Source material: | Dark Horse Comics |
| Subgenre: | Action Horror |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Summit Entertainment, Millennium Films, Campbell Grobman Films, Dark Horse Entertainment, Applebox Entertainment, Lawrence Gordon, Lloyd Levin, Nu Boyana |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 3 | $12,045,147 | 3,303 | $3,647 | $12,045,147 | 1 | |
| Apr 19, 2019 | 10 | $3,951,098 | -67% | 3,303 | $1,196 | $19,747,369 | 2 |
| Apr 26, 2019 | 14 | $354,575 | -91% | 927 | $382 | $21,533,408 | 3 |
| May 3, 2019 | 29 | $68,593 | -81% | 179 | $383 | $21,796,087 | 4 |
| May 10, 2019 | 30 | $50,536 | -26% | 127 | $398 | $21,882,492 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | P | $1,400,000 | 0 | $1,400,000 | 1 | |||
| Apr 12, 2019 | 3 | $4,943,668 | 3,303 | $1,497 | $4,943,668 | 1 | ||
| Apr 13, 2019 | 4 | $4,251,822 | -14% | 3,303 | $1,287 | $9,195,490 | 2 | |
| Apr 14, 2019 | 4 | $2,849,657 | -33% | 3,303 | $863 | $12,045,147 | 3 | |
| Apr 15, 2019 | 3 | $920,945 | -68% | 3,303 | $279 | $12,966,092 | 4 | |
| Apr 16, 2019 | 4 | $1,346,260 | +46% | 3,303 | $408 | $14,312,352 | 5 | |
| Apr 17, 2019 | 7 | $750,687 | -44% | 3,303 | $227 | $15,063,039 | 6 | |
| Apr 18, 2019 | 7 | $733,232 | -2% | 3,303 | $222 | $15,796,271 | 7 | |
| Apr 19, 2019 | 10 | $1,344,324 | +83% | -73% | 3,303 | $407 | $17,140,595 | 8 |
| Apr 20, 2019 | 9 | $1,563,100 | +16% | -63% | 3,303 | $473 | $18,703,695 | 9 |
| Apr 21, 2019 | 8 | $1,043,674 | -33% | -63% | 3,303 | $316 | $19,747,369 | 10 |
| Apr 22, 2019 | 10 | $439,916 | -58% | -52% | 3,303 | $133 | $20,187,285 | 11 |
| Apr 23, 2019 | 8 | $532,221 | +21% | -60% | 3,303 | $161 | $20,719,506 | 12 |
| Apr 24, 2019 | 8 | $323,879 | -39% | -57% | 3,303 | $98 | $21,043,385 | 13 |
| Apr 25, 2019 | 11 | $135,448 | -58% | -82% | 3,303 | $41 | $21,178,833 | 14 |
| Apr 26, 2019 | 14 | $94,136 | -31% | -93% | 927 | $102 | $21,272,969 | 15 |
| Apr 27, 2019 | 14 | $154,818 | +64% | -90% | 927 | $167 | $21,427,787 | 16 |
| Apr 28, 2019 | 13 | $105,621 | -32% | -90% | 927 | $114 | $21,533,408 | 17 |
| Apr 29, 2019 | 13 | $47,475 | -55% | -89% | 927 | $51 | $21,580,883 | 18 |
| Apr 30, 2019 | 13 | $62,224 | +31% | -88% | 927 | $67 | $21,643,107 | 19 |
| May 1, 2019 | 14 | $51,009 | -18% | -84% | 927 | $55 | $21,694,116 | 20 |
| May 2, 2019 | 15 | $33,378 | -35% | -75% | 927 | $36 | $21,727,494 | 21 |
| May 3, 2019 | - | $20,099 | -40% | -79% | 179 | $112 | $21,747,593 | 22 |
| May 4, 2019 | - | $27,873 | +39% | -82% | 179 | $156 | $21,775,466 | 23 |
| May 5, 2019 | - | $20,621 | -26% | -80% | 179 | $115 | $21,796,087 | 24 |
| May 6, 2019 | - | $9,597 | -53% | -80% | 179 | $54 | $21,805,684 | 25 |
| May 7, 2019 | - | $11,311 | +18% | -82% | 179 | $63 | $21,816,995 | 26 |
| May 8, 2019 | - | $8,718 | -23% | -83% | 179 | $49 | $21,825,713 | 27 |
| May 9, 2019 | - | $6,243 | -28% | -81% | 179 | $35 | $21,831,956 | 28 |
| May 10, 2019 | - | $12,559 | +101% | -38% | 127 | $99 | $21,844,515 | 29 |
| May 11, 2019 | - | $21,997 | +75% | -21% | 127 | $173 | $21,866,512 | 30 |
| May 12, 2019 | - | $15,980 | -27% | -23% | 127 | $126 | $21,882,492 | 31 |
| May 13, 2019 | - | $5,101 | -68% | -47% | 127 | $40 | $21,887,593 | 32 |
| May 14, 2019 | - | $5,883 | +15% | -48% | 127 | $46 | $21,893,476 | 33 |
| May 15, 2019 | - | $5,476 | -7% | -37% | 127 | $43 | $21,898,952 | 34 |
| May 16, 2019 | - | $4,796 | -12% | -23% | 127 | $38 | $21,903,748 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 3 | $15,796,271 | 3,303 | $4,782 | $15,796,271 | 1 | |
| Apr 19, 2019 | 10 | $5,382,562 | -66% | 3,303 | $1,630 | $21,178,833 | 2 |
| Apr 26, 2019 | 14 | $548,661 | -90% | 927 | $592 | $21,727,494 | 3 |
| May 3, 2019 | 28 | $104,462 | -81% | 179 | $584 | $21,831,956 | 4 |
| May 10, 2019 | 32 | $71,792 | -31% | 127 | $565 | $21,903,748 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/12/2019 | $57,719 | 139 | 139 | 172 | $91,422 | 5/4/2019 | |||
| Australia | 4/12/2019 | $553,564 | 287 | 287 | 748 | $1,051,651 | 5/7/2019 | |||
| Brazil | 5/24/2019 | $302,185 | 446 | 446 | 652 | $627,494 | 6/8/2019 | |||
| Bulgaria | 4/12/2019 | $26,672 | 0 | 0 | 0 | $64,719 | 5/8/2019 | |||
| China | 11/7/2020 | $130,000 | 409 | 91,470 | 76,483 | $13,170,000 | 4/4/2026 | |||
| Czech Republic | 4/12/2019 | $146,440 | 126 | 126 | 256 | $268,625 | 5/6/2019 | |||
| France | 5/10/2019 | $1,078,112 | 410 | 415 | 1,174 | $1,779,290 | 5/31/2019 | |||
| Germany | 4/12/2019 | $559,728 | 0 | 0 | 0 | $559,728 | 4/19/2019 | |||
| Italy | 4/11/2019 | $858,614 | 0 | 4 | 4 | $1,566,487 | 5/10/2019 | |||
| Lithuania | 4/12/2019 | $19,370 | 93 | 93 | 112 | $27,268 | 4/23/2019 | |||
| Mexico | 4/11/2019 | $702,545 | 0 | 0 | 0 | $1,562,208 | 4/22/2019 | |||
| Netherlands | 4/12/2019 | $207,077 | 90 | 90 | 238 | $395,474 | 4/30/2019 | |||
| Poland | 4/12/2019 | $218,076 | 194 | 194 | 388 | $364,510 | 4/27/2019 | |||
| Portugal | 4/12/2019 | $180,205 | 76 | 76 | 202 | $361,564 | 5/14/2019 | |||
| Russia (CIS) | 4/11/2019 | $2,243,529 | 1,578 | 1,578 | 4,389 | $3,811,848 | 6/21/2019 | |||
| Slovakia | 4/12/2019 | $76,756 | 67 | 67 | 123 | $134,301 | 4/30/2019 | |||
| South Korea | 4/10/2019 | $1,228,117 | 726 | 726 | 1,243 | $2,309,424 | 4/25/2019 | |||
| Spain | 5/17/2019 | $563,057 | 342 | 342 | 870 | $1,057,555 | 6/7/2019 | |||
| Turkey | 4/12/2019 | $155,643 | 332 | 332 | 819 | $376,195 | 5/24/2019 | |||
| United Kingdom | 4/11/2019 | $1,294,899 | 480 | 490 | 1,229 | $2,472,969 | 4/4/2026 | |||
| International Total | $32,052,732 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| David Harbour | Hellboy |
Supporting
| Milla Jovovich | Nimue / The Blood Queen | |
| Ian McShane | Professor Broom | |
| Sasha Lane | Alice Monaghan | |
| Daniel Dae Kim | Ben Daimio | |
| Thomas Haden Church | Lobster Johnson | |
| Mark Stanley | Arthur | |
| Brian Gleeson | Merlin | |
| Nadya Keranova | Sister | |
| Mariya Tepavicharova | Sister | |
| Ana Tabakova | Sister | |
| Penelope Mitchell | Ganeida | |
| Terry Randal | Priest | |
| Mario De La Rosa | Esteban Ruiz / Camazotz | |
| Christopher Mata | Referee | |
| Atanas Srebrev | Agent Madison | |
| Dawn Sherrer | Agent Strode | |
| Michael Heath | Butler | |
| Alistair Petrie | Lord Adam Glaren | |
| Rick Warden | Dr. Edwin Carp | |
| Nitin Ganatra | August Swain | |
| Sophie Okonedo | Lady Hatton | |
| Markos Rounthwaite | Grigori Rasputin | |
| Ilko Iliev | Professor Doctor Karl Ruprect Kroenen | |
| Joel Harlow | Von Krupt | |
| Dimiter Banekin | Leopold Kurtz | |
| Vanessa Eichholz | Ilsa Hepstein | |
| Kristina Klebe | Leni Riefenstahl | |
| Charles Shannon | Sgt. Whitman | |
| Carl Hampe | Sir Malcom Frost | |
| Tony Van Silva | Abbot | |
| Josh Finan | Novice | |
| Stephen Graham | Gruagach | |
| Jonathan Steele | Huntsman | |
| Simon Feek | M-11 Operative | |
| Ava Brennan | Alice’s Mother | |
| Anthony Delaney | Alice’s Father | |
| Jasmine Audoux-Prevot | Baby Alice | |
| Meglena Karalambova | Leprous Hag | |
| Anna Bankina | Leprous Hag | |
| Ruth Rafailova | Leprous Hag | |
| Laila Morse | Mrs. Harker | |
| Peter Oxley | Gunsmith | |
| Nikolay Stanoev | Monk | |
| Troy James | Baby Yaga | |
| Emma Tate | Baby Yaga | |
| Manal El-Feitury | Mother | |
| Elizabeth Mehari Kahsai | Child in Parking Lot | |
| Said Barry Abdulai | Child in Parking Lot | |
| Katya Peneva | Sarah Bethany Hughes | |
| Natasha Kaplinsky | Anchorman | |
| Valentin Stoyanov | Man 1 | |
| Viktor Rangelov | Man 2 | |
| Vasil Tsvetkov | Man 3 | |
| Joshua Samuel Hector | Man 4 |
Production and Technical Credits
| Neil Marshall | Director | |
| Andrew Cosby | Screenwriter | |
| Mike Mignola | Story based on the Dark Horse Comic Book Created by | |
| Lawrence Gordon | Producer | |
| Lloyd Levin | Producer | |
| Mike Richardson | Producer | |
| Philip Westgren | Producer | |
| Carl Hampe | Producer | |
| John Thompson | Producer | |
| Matt O'Toole | Producer | |
| Les Weldon | Producer | |
| Yariv Lerner | Producer | |
| Mike Mignola | Executive Producer | |
| Marc Helwig | Executive Producer | |
| Avi Lerner | Executive Producer | |
| Trevor Short | Executive Producer | |
| John Thompson | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Christa Campbell | Executive Producer | |
| Jeffrey Greenstein | Executive Producer | |
| Lorenzo Senatore | Director of Photography | |
| Martin Bernfeld | Editor | |
| Paul Kirby | Production Designer | |
| Stephanie Collie | Costume Designer | |
| Benjamin Wallfisch | Composer | |
| Steve Begg | Visual Effects Supervisor | |
| Joel Harlow | Creature Designer | |
| Joel Harlow | Special Make-up Effects | |
| Dan Hubbard | Casting Director | |
| Elena Melamed | Line Producer | |
| Elena Melamed | Unit Production Manager | |
| Neil Wallace | First Assistant Director | |
| Helen Fraser | Second Assistant Director | |
| Markos Rounthwaite | Stunt Coordinator | |
| Lonnie Ramati | Co-Executive Producer | |
| Martin Bernfeld | Co-Producer | |
| Danail Hadzhiyski | Visual Effects Producer | |
| Anna V. James* | Visual Effects Producer | |
| Janet Muswell | Visual Effects Producer | |
| Michael Solinger | Post-Production Supervisor | |
| Selena Arizanovic | Music Supervisor | |
| Tony Lewis | Supervising Music Editor | |
| Luke Clare | First Assistant Editor | |
| Gemma Bourne | Assistant Editor | |
| Amar Ingreji | Assistant Editor | |
| Matthew Collinge | Sound Supervisor | |
| Andrew Stirk | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Rob Prynne | Sound Designer | |
| Paul Carter | Sound Designer | |
| Martin Cantwell | Sound Designer | |
| Rob Turner | Sound Effects Editor | |
| Matt Davies | Dialogue and ADR Supervisor | |
| Lilly Blazewicz | Foley Editor | |
| Ivan Rangelov | Supervising Art Director | |
| Adriano Giombini | Art Director | |
| Alessandro Troso | Art Director | |
| Alexei Karaghiaur | Art Director | |
| Andrew Ackland-Snow | Art Director | |
| Vladimir Kaloyanov | Sound Mixer | |
| Stefania Velichkova | Script Supervisor | |
| Yosif Mladenov | Set Designer | |
| Stefan Manchev | Set Designer | |
| Valentina Mladenova* | Set Decorator | |
| Anna Gelinova | Costume Supervisor | |
| Ivo Jivkov | Special Effects Supervisor | |
| Diyan Hristov | Second Unit Director | |
| Benjamin Wallfisch | Music Producer | |
| Arabella Winter | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.