Henchmen (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $49,676 | Details |
| International Box Office | $45,390 | Details |
| Worldwide Box Office | $95,066 | |
| OpusData ID: 212780100 More info... | ||
| Further financial details... | ||
Synopsis
In a world of super-villains, evil schemes and global domination someone has to take out the Trash. Welcome to the world of Henchmen, third class. When a fresh-faced new recruit joins the Union of Evil, he is assigned to a motley crew of blue-collar workers led by fallen henchmen Hank. But when The Kid accidentally steals the super villain’s ultimate weapon, Hank must break his risk nothing code to save the boy he’s befriended, even if it means becoming the one thing he has always avoided being a hero.
Metrics
| Legs: | 1.64 (domestic box office/biggest weekend) |
| Domestic Share: | 52.3% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $64,716 |
Movie Details
| Domestic Releases: | October 2nd, 2020 (Limited) by Entertainment One |
| International Releases: | November 26th, 2020 (Limited), released as Supervillanos (Mexico)
December 9th, 2021 (Wide) (New Zealand) December 16th, 2021 (Limited) (Australia) |
| Video Release: | October 9th, 2020 by Vertical Entertainment |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Villain's Point of View |
| Plot point: | Bent on World Domination, Redemption, Super Villains |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Bron Studios, Creative Wealth Media Finance, Entertainment One |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2020 | - | $30,223 | 181 | $167 | $30,223 | 2 | |
| Oct 16, 2020 | - | $8,103 | -73% | 87 | $93 | $47,400 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 9, 2020 | - | $9,224 | 181 | $51 | $9,224 | 8 | ||
| Oct 10, 2020 | - | $12,970 | +41% | 181 | $72 | $22,194 | 9 | |
| Oct 11, 2020 | - | $8,029 | -38% | 181 | $44 | $30,223 | 10 | |
| Oct 12, 2020 | - | $2,689 | -67% | 181 | $15 | $32,912 | 11 | |
| Oct 13, 2020 | - | $1,818 | -32% | 181 | $10 | $34,730 | 12 | |
| Oct 14, 2020 | - | $1,677 | -8% | 181 | $9 | $36,407 | 13 | |
| Oct 15, 2020 | - | $2,890 | +72% | 181 | $16 | $39,297 | 14 | |
| Oct 16, 2020 | - | $1,879 | -35% | -80% | 87 | $22 | $41,176 | 15 |
| Oct 17, 2020 | - | $3,648 | +94% | -72% | 87 | $42 | $44,824 | 16 |
| Oct 18, 2020 | - | $2,576 | -29% | -68% | 87 | $30 | $47,400 | 17 |
| Oct 19, 2020 | - | $578 | -78% | -79% | 87 | $7 | $47,978 | 18 |
| Oct 20, 2020 | - | $439 | -24% | -76% | 87 | $5 | $48,417 | 19 |
| Oct 21, 2020 | - | $467 | +6% | -72% | 87 | $5 | $48,884 | 20 |
| Oct 22, 2020 | - | $792 | +70% | -73% | 87 | $9 | $49,676 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2020 | - | $39,297 | 181 | $217 | $39,297 | 2 | |
| Oct 16, 2020 | - | $10,379 | -74% | 87 | $119 | $49,676 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/16/2021 | $1,021 | 15 | 15 | 40 | $9,759 | 4/4/2026 | |||
| Mexico | 11/26/2020 | $31,282 | 0 | 0 | 0 | $31,282 | 12/1/2020 | |||
| New Zealand | 12/9/2021 | $601 | 14 | 14 | 52 | $2,351 | 4/4/2026 | |||
| Rest of World | $1,998 | |||||||||
| International Total | $45,390 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Thomas Middleditch | Lester | |
| James Marsden | Hank | |
| Rosario Dawson | Jolene |
Supporting
| Alfred Molina | Baron Blackout |
Lead Ensemble Member
| Will Sasso | Gluttonator / Union Boss |
Supporting
| Nathan Fillion | Captain Superior |
Lead Ensemble Member
| Rob Riggle | Biff | |
| Jane Krakowski | Jane | |
| Craig Robinson | Stew |
Supporting
| Bobcat Goldthwait | Jackalope |
Production and Technical Credits
| Adam Wood | Director | |
| Adam Wood | Screenwriter | |
| Jay D. Waxman | Character Creator | |
| Jay D. Waxman | Story by | |
| Adam Wood | Story by | |
| Brenda Gilbert | Producer | |
| Luke Carroll | Producer | |
| Aaron L. Gilbert | Producer | |
| Howard Kerbel | Executive Producer | |
| Margot Hand | Executive Producer | |
| Dina Appleton | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Andy Pollack | Executive Producer | |
| Adrianne Thomas | Executive Producer | |
| Alan Simpson | Executive Producer | |
| Bruce Bell | Executive Producer | |
| Allan J. Stitt | Executive Producer | |
| John Raymonds | Executive Producer | |
| Toby Chu | Composer | |
| Mary Ramos | Music Supervisor | |
| Rav Grewal | Director of Photography | |
| Rob Lodermeier | Head of Animation | |
| Teunis De Raat | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a world of super-villains, evil schemes and global domination someone has to take out the Trash. Welcome to the world of Henchmen, third class. When a fresh-faced new recruit joins the Union of Evil, he is assigned to a motley crew of blue-collar workers led by fallen henchmen Hank. But when The Kid accidentally steals the super villain’s ultimate weapon, Hank must break his risk nothing code to save the boy he’s befriended, even if it means becoming the one thing he has always avoided being a hero.
Metrics
| Legs: | 1.64 (domestic box office/biggest weekend) |
| Domestic Share: | 52.3% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $64,716 |
Movie Details
| Domestic Releases: | October 2nd, 2020 (Limited) by Entertainment One |
| International Releases: | November 26th, 2020 (Limited), released as Supervillanos (Mexico)
December 9th, 2021 (Wide) (New Zealand) December 16th, 2021 (Limited) (Australia) |
| Video Release: | October 9th, 2020 by Vertical Entertainment |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Villain's Point of View |
| Plot point: | Bent on World Domination, Redemption, Super Villains |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Bron Studios, Creative Wealth Media Finance, Entertainment One |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2020 | - | $30,223 | 181 | $167 | $30,223 | 2 | |
| Oct 16, 2020 | - | $8,103 | -73% | 87 | $93 | $47,400 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 9, 2020 | - | $9,224 | 181 | $51 | $9,224 | 8 | ||
| Oct 10, 2020 | - | $12,970 | +41% | 181 | $72 | $22,194 | 9 | |
| Oct 11, 2020 | - | $8,029 | -38% | 181 | $44 | $30,223 | 10 | |
| Oct 12, 2020 | - | $2,689 | -67% | 181 | $15 | $32,912 | 11 | |
| Oct 13, 2020 | - | $1,818 | -32% | 181 | $10 | $34,730 | 12 | |
| Oct 14, 2020 | - | $1,677 | -8% | 181 | $9 | $36,407 | 13 | |
| Oct 15, 2020 | - | $2,890 | +72% | 181 | $16 | $39,297 | 14 | |
| Oct 16, 2020 | - | $1,879 | -35% | -80% | 87 | $22 | $41,176 | 15 |
| Oct 17, 2020 | - | $3,648 | +94% | -72% | 87 | $42 | $44,824 | 16 |
| Oct 18, 2020 | - | $2,576 | -29% | -68% | 87 | $30 | $47,400 | 17 |
| Oct 19, 2020 | - | $578 | -78% | -79% | 87 | $7 | $47,978 | 18 |
| Oct 20, 2020 | - | $439 | -24% | -76% | 87 | $5 | $48,417 | 19 |
| Oct 21, 2020 | - | $467 | +6% | -72% | 87 | $5 | $48,884 | 20 |
| Oct 22, 2020 | - | $792 | +70% | -73% | 87 | $9 | $49,676 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 9, 2020 | - | $39,297 | 181 | $217 | $39,297 | 2 | |
| Oct 16, 2020 | - | $10,379 | -74% | 87 | $119 | $49,676 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/16/2021 | $1,021 | 15 | 15 | 40 | $9,759 | 4/4/2026 | |||
| Mexico | 11/26/2020 | $31,282 | 0 | 0 | 0 | $31,282 | 12/1/2020 | |||
| New Zealand | 12/9/2021 | $601 | 14 | 14 | 52 | $2,351 | 4/4/2026 | |||
| Rest of World | $1,998 | |||||||||
| International Total | $45,390 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Thomas Middleditch | Lester | |
| James Marsden | Hank | |
| Rosario Dawson | Jolene |
Supporting
| Alfred Molina | Baron Blackout |
Lead Ensemble Member
| Will Sasso | Gluttonator / Union Boss |
Supporting
| Nathan Fillion | Captain Superior |
Lead Ensemble Member
| Rob Riggle | Biff | |
| Jane Krakowski | Jane | |
| Craig Robinson | Stew |
Supporting
| Bobcat Goldthwait | Jackalope |
Production and Technical Credits
| Adam Wood | Director | |
| Adam Wood | Screenwriter | |
| Jay D. Waxman | Character Creator | |
| Jay D. Waxman | Story by | |
| Adam Wood | Story by | |
| Brenda Gilbert | Producer | |
| Luke Carroll | Producer | |
| Aaron L. Gilbert | Producer | |
| Howard Kerbel | Executive Producer | |
| Margot Hand | Executive Producer | |
| Dina Appleton | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Andy Pollack | Executive Producer | |
| Adrianne Thomas | Executive Producer | |
| Alan Simpson | Executive Producer | |
| Bruce Bell | Executive Producer | |
| Allan J. Stitt | Executive Producer | |
| John Raymonds | Executive Producer | |
| Toby Chu | Composer | |
| Mary Ramos | Music Supervisor | |
| Rav Grewal | Director of Photography | |
| Rob Lodermeier | Head of Animation | |
| Teunis De Raat | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.